The Knife Silent Shout Review at Matthew Driscoll blog

The Knife Silent Shout Review. while the inclusion of the original album is superfluous and the second disc capturing the music of the live stockholm. the knife silent shout (deluxe edition) review. when the knife truly blew up with silent shout, the dreijer siblings retreated into obfuscation as a means to counteract any potential for fame, and as a way to let the music stand for itself. on first listen, silent shout, the third album from the knife (swedish siblings karin dreijer andersson and olof dreijer) sounds something like cate blanchett using her affected lord of the rings voice to shriek goth poetry over the midi theme song from beverly hills cop. on the knife's silent shout, the duo remade indie and pop in their deliberate, unsettling image. a far cry from the duo's friendly first singles, silent shout gorily births the knife's mutant. 'silent shout' is the third album from the knife, the brother sister dance/electro/pop act of karin dreijer and. Deranged vocals and icy, lifeless techno make for one of the greatest albums of our time. This essay is one in a series celebrating deserving. Weird, creepy, disturbing and also damn.

on first listen, silent shout, the third album from the knife (swedish siblings karin dreijer andersson and olof dreijer) sounds something like cate blanchett using her affected lord of the rings voice to shriek goth poetry over the midi theme song from beverly hills cop. a far cry from the duo's friendly first singles, silent shout gorily births the knife's mutant. Deranged vocals and icy, lifeless techno make for one of the greatest albums of our time. on the knife's silent shout, the duo remade indie and pop in their deliberate, unsettling image. while the inclusion of the original album is superfluous and the second disc capturing the music of the live stockholm. 'silent shout' is the third album from the knife, the brother sister dance/electro/pop act of karin dreijer and. when the knife truly blew up with silent shout, the dreijer siblings retreated into obfuscation as a means to counteract any potential for fame, and as a way to let the music stand for itself. This essay is one in a series celebrating deserving. Weird, creepy, disturbing and also damn. the knife silent shout (deluxe edition) review.

the Knife "Silent Shout" (2006) + Fever Ray Fever Ray (2009) / synth

The Knife Silent Shout Review a far cry from the duo's friendly first singles, silent shout gorily births the knife's mutant. a far cry from the duo's friendly first singles, silent shout gorily births the knife's mutant. 'silent shout' is the third album from the knife, the brother sister dance/electro/pop act of karin dreijer and. Deranged vocals and icy, lifeless techno make for one of the greatest albums of our time. Weird, creepy, disturbing and also damn. while the inclusion of the original album is superfluous and the second disc capturing the music of the live stockholm. on the knife's silent shout, the duo remade indie and pop in their deliberate, unsettling image. on first listen, silent shout, the third album from the knife (swedish siblings karin dreijer andersson and olof dreijer) sounds something like cate blanchett using her affected lord of the rings voice to shriek goth poetry over the midi theme song from beverly hills cop. This essay is one in a series celebrating deserving. when the knife truly blew up with silent shout, the dreijer siblings retreated into obfuscation as a means to counteract any potential for fame, and as a way to let the music stand for itself. the knife silent shout (deluxe edition) review.