Detecting language using up to the first 30 seconds. Use `--language` to specify the language
Detected language: Arabic
[00:00.000 --> 00:06.800]  I came from Medina, the nature is beautiful and beautiful in the city of Sifran.
[00:06.800 --> 00:13.600]  I came here to see the snow, it's nice, and I'm happy since I was 8 years old.
[00:13.600 --> 00:18.600]  God willing, he will create health and peace, and God willing, all of us.
[00:19.800 --> 00:24.400]  It is one of the best tourist destinations to visit,
[00:24.400 --> 00:27.000]  for those who enjoy its greenery.
[00:27.000 --> 00:31.000]  And today, we are going back to 2011,
[00:31.000 --> 00:34.000]  to decorate the city with all its decorations,
[00:34.000 --> 00:37.000]  and to be happy for the acceptance of another year.
[00:39.000 --> 00:43.000]  A year that we all wish for to be a good year.
[00:43.000 --> 00:45.000]  A year that we all wish for to be a good year.
[00:56.000 --> 00:59.000]  Accepted by the tourists on the side of the city of Murrakush,
[00:59.000 --> 01:02.000]  it has increased its popularity during the next month,
[01:02.000 --> 01:05.000]  due to the success at the end of the year.
[01:05.000 --> 01:08.000]  Among these visitors, the character of Bariza in the political arena,
[01:08.000 --> 01:12.000]  is the man of the work, the star of the political and political cinema,
[01:12.000 --> 01:16.000]  the beauty of the red city, and the presence of thousands of people,
[01:16.000 --> 01:18.000]  who continue to rely on it.
[01:18.000 --> 01:22.000]  Especially, as an important city, as a cinema city,
[01:22.000 --> 01:26.000]  for example, we are Egyptian, we are European.
[01:26.000 --> 01:29.000]  What is amazing is that every year,
[01:29.000 --> 01:33.000]  there will be a number of personalities,
[01:33.000 --> 01:40.000]  such as the stars, the world, the music, the cinema, the politics,
[01:40.000 --> 01:43.000]  all of them will choose the city of Murrakush,
[01:43.000 --> 01:45.000]  so that they can go to the city of Murrakush.
[01:46.000 --> 01:48.000]  The efforts of the city of Murrakush,
[01:48.000 --> 01:51.000]  to provide the best for these distinguished visitors,
[01:51.000 --> 01:54.000]  and to make them the best tourists in the city.
[01:54.000 --> 01:57.000]  And of course, the city of Murrakush,
[01:57.000 --> 01:59.000]  has increased its popularity,
[01:59.000 --> 02:01.000]  due to the acceptance of this kind of people.
[02:01.000 --> 02:05.000]  In general, the celebrities who are political or sportsmen,
[02:05.000 --> 02:08.000]  the famous people, whether they are politicians,
[02:08.000 --> 02:10.000]  economists, leaders, and businessmen,
[02:10.000 --> 02:13.000]  will choose Murrakush for various reasons.
[02:13.000 --> 02:15.000]  First of all, the security of the city,
[02:15.000 --> 02:18.000]  to make the tourism product in the city of Murrakush,
[02:18.000 --> 02:19.000]  and to make it unique.
[02:20.000 --> 02:23.000]  The work has varied in different areas.
[02:24.000 --> 02:26.000]  The beauty of the city of Murrakush,
[02:26.000 --> 02:29.000]  as well as the beauty of the city of Murrakush,
[02:29.000 --> 02:31.000]  is the famous people of Murrakush.
[02:32.000 --> 02:35.000]  They have not been able to visit the city of Murrakush,
[02:35.000 --> 02:38.000]  to make them the best tourists in the city of Murrakush.
[02:41.000 --> 02:43.000]  The safety conditions of the city of Murrakush,
[02:43.000 --> 02:45.000]  are being implemented in the new year,
[02:45.000 --> 02:46.000]  with the biggest challenges,
[02:46.000 --> 02:47.000]  such as the education,
[02:47.000 --> 02:49.000]  and the clear and clear information.
[02:49.000 --> 02:51.000]  The security of the city of Murrakush,
[02:51.000 --> 02:53.000]  is the priority of any security risk,
[02:53.000 --> 02:55.000]  and the security of the city of Murrakush,
[02:55.000 --> 02:57.000]  is the priority of any action,
[02:57.000 --> 02:59.000]  such asIFAT,
[02:59.000 --> 03:00.000]  toENSA,
[03:00.000 --> 03:01.000]  and to unlock the policy
[03:01.000 --> 03:04.000]  of the safety protection of its self-守 on the subject.
[03:05.000 --> 03:07.000]  The goal of these security measures,
[03:07.000 --> 03:09.000]  is to早-break this issue,
[03:09.000 --> 03:11.000]  to frustrated the surrounding areas,
[03:11.000 --> 03:12.000]  to avoid any distraction,
[03:12.000 --> 03:13.000]  with a team,
[03:14.000 --> 03:15.000]  one group for类,
[03:15.000 --> 03:17.000]  and one group for prevention.
[03:18.000 --> 03:21.000]  minor Pomphicks got in a wide crowd,
[03:23.000 --> 03:10.000]  and larger
[03:10.000 --> 03:13.140]  and wereasty in the response to its alarm shots.
[03:13.140 --> 03:16.920]  They were attacked by a group.
[03:17.440 --> 03:22.200]  If the LOLAttack did so,
[03:52.200 --> 04:06.200]  The security is very present. We are in the streets, next to the shops, so it is very safe for everyone.
[04:06.200 --> 04:14.200]  We are in a very beautiful country, we are happy, we are happy, we are happy.
[04:14.200 --> 04:26.200]  And with this, it is possible to ensure its place as a place to celebrate and celebrate religions, and a city that includes its people and their values, their right to provide security and acceptance.
[04:26.200 --> 04:41.200]  A year has passed, a chance to finish the shopping mall, to go up to 70% of its offers.
[04:41.200 --> 04:53.200]  The number of those who are willing to pay for their needs and some gifts, which are usually up to eight, outside the shopping mall.
[04:53.200 --> 05:02.200]  The number of people who are willing to pay for their needs and some gifts, which are usually up to 70%, to get their needs and their rights.
[05:02.200 --> 05:12.200]  If we are willing to pay for our needs, if we are willing to provide quality products, we will be able to provide good quality products, gifts, gifts, and many other things.
[05:12.200 --> 05:21.200]  The number of people who are willing to pay for their needs and the power to do so, to start the shopping mall for families, to be able to pay for their needs and to be able to pay for their needs.
[05:21.200 --> 05:24.200]  I left my nice hat with me to look to see what your lookin for here.
[05:24.200 --> 05:32.200]  Do tell where I'm coming from? I am praying to Allah, to Allah, made sure your food is everything you want.
[05:32.200 --> 05:43.200]  The quality of their products and the quality of showing them how different the prices differ towards the shopping mall.
[05:43.200 --> 05:47.600]  The citizens were rushed to receive their names of visits because they were returning with motherский
[05:47.600 --> 05:53.600]  fooduff差, thank them, to send the data as soon as they receive their names.
[05:53.600 --> 05:59.240]  They will walk with the money they receive, and it will make the flights much easier.
[05:59.240 --> 06:04.260]  Then the decision has been made to wait for the number of the usage of carry-out
[06:04.260 --> 06:08.480]  that corresponds to where the impact on the vaccination gap has been affected.
[06:08.480 --> 06:13.480]  and their guests arrive in the first weeks of January.
[06:17.480 --> 06:22.480]  The crowd and the crowd in front of this classical face is number 11
[06:22.480 --> 06:24.480]  before the international competition.
[06:24.480 --> 06:27.480]  The crowd was promised to enjoy this amazing picture
[06:27.480 --> 06:34.120]  which covered the cars from the
[06:34.120 --> 06:39.120]  walls, like they were with coffee, vending machines
[06:39.120 --> 06:43.760]  and tents for their smelly elected representatives instead of
[06:43.760 --> 06:45.120]  dressing up as elite men.
[06:45.120 --> 06:56.120]  The crowd is inviting everyone by turning their body
[06:56.120 --> 07:00.120]  around, but at this time all are coming from the
[07:00.120 --> 06:44.200] ınt and just looking at itプücks
[06:44.200 --> 06:48.700]  After the incident, he was sent to the 10th trial of the 8th time
[06:48.700 --> 06:50.700]  to lead the investigation.
[06:50.700 --> 06:52.700]  Here, the head of the car went to the police station
[06:52.700 --> 06:55.700]  and was called to the police station.
[06:55.700 --> 06:59.700]  This was the first time for him to go back to the police station.
[06:59.700 --> 07:01.700]  The second and thirty minutes of the incident
[07:01.700 --> 07:03.700]  were waiting for him to come back to the police station
[07:03.700 --> 07:05.700]  in the middle of the crowd.
[07:05.700 --> 07:07.700]  The first sound of the car was heard,
[07:07.700 --> 07:09.700]  and the journey was almost over.
[07:09.700 --> 07:11.700]  In the second round,
[07:11.700 --> 07:13.700]  he was sent back to the police station
[07:13.700 --> 07:17.700]  in the middle of the crowd
[07:17.700 --> 07:20.900]  tried again to replace the officer
[07:20.900 --> 07:23.900]  to show the第一 and second position.
[07:23.900 --> 07:26.900]  From this point, the squad was underkilled
[07:26.900 --> 07:29.900]  and the most aggressive groupnie would detainMe d a team
[07:29.900 --> 07:32.900]  in the middle of the crowd.
[07:32.900 --> 07:34.900]  In the second round,
[07:34.900 --> 07:37.400]  the machine hand overrrrr August
[07:37.400 --> 07:38.900]  involving thousands of hones
[07:38.900 --> 07:40.900]  This is the first in the competition
[07:40.900 --> 07:44.900]  And the last chance in the Wiedadija celebration
[07:44.900 --> 07:47.900]  On the opening of the Housi game
[07:47.900 --> 07:51.900]  But this brother was not able to overcome the challenge
[07:51.900 --> 07:54.900]  And the Wiedadija celebrations ended
[07:54.900 --> 07:56.900]  And he returned the victory to Mithi
[07:56.900 --> 07:59.900]  Thank God, this meeting is beautiful
[07:59.900 --> 08:01.900]  With a great freedom
[08:01.900 --> 08:02.900]  This is the next corner
[08:02.900 --> 08:03.900]  In two teams
[08:03.900 --> 08:05.900]  They came, they left, they didn't use them
[08:05.900 --> 08:07.900]  They returned to the center of the team
[08:07.900 --> 08:09.900]  On the day of the competition
[08:09.900 --> 08:11.900]  The Wiedadija and the Raza
[08:11.900 --> 08:13.900]  We had a lot of parties
[08:13.900 --> 08:15.900]  And the Jammuar and the Raza
[08:15.900 --> 08:17.900]  And the next competition
[08:17.900 --> 08:20.900]  And we will celebrate the victory
[08:21.900 --> 08:24.900]  This meeting ended without any goals
[08:24.900 --> 08:27.900]  But the real victory was the high-quality spirit
[08:27.900 --> 08:29.900]  Which lasted for the last few days
[08:29.900 --> 08:36.900]  In 2011
[08:59.900 --> 09:04.900]  The Wiedadija and the Raza
[09:59.900 --> 10:11.900]  The Wiedadija and the Raza
[10:11.900 --> 10:16.900]  The Wiedadija and the Raza
[10:16.900 --> 10:18.900]  The Red Square
[10:18.900 --> 10:21.900]  The space of the palace and the garden and the garden
[10:21.900 --> 10:23.900]  Confirmed once again
[10:23.900 --> 10:25.900]  That it is a cosmic city
[10:25.900 --> 10:27.900]  And a cinematic capital
[10:27.900 --> 10:30.900]  With its preservation for a new role
[10:30.900 --> 10:33.900]  From the role of the international actresses for the film
[10:33.900 --> 10:36.900]  In the period between the second and the tenth
[10:36.900 --> 10:39.900]  From the 21st century
[10:39.900 --> 10:41.900]  Under the command of Samia
[10:41.900 --> 10:45.900]  To the owner of the royal palace, Mohammed VI
[10:45.900 --> 10:47.900]  The tenth annual round
[10:47.900 --> 10:49.900]  And its winners
[10:49.900 --> 10:51.900]  Came to celebrate the city of Murrakush
[10:51.900 --> 10:54.900]  As a space for the conversations of the civilizations
[10:54.900 --> 10:57.900]  And a school dedicated to the world
[10:57.900 --> 10:59.900]  As well as open-minded people
[10:59.900 --> 11:01.900]  In all cultures
[11:01.900 --> 11:03.900]  They represent a picture
[11:03.900 --> 11:05.900]  Of a democratic country
[11:05.900 --> 11:07.900]  Open-minded
[11:07.900 --> 11:08.900]  His name is Morocco
[11:08.900 --> 11:11.900]  The festival shows the real face of Morocco
[11:11.900 --> 11:13.900]  That is, a welcoming land
[11:13.900 --> 11:16.900]  Where all nationalities can meet
[11:16.900 --> 11:17.900]  All religions
[11:17.900 --> 11:20.900]  In a spirit of solidarity
[11:20.900 --> 11:21.900]  And welcoming
[11:21.900 --> 11:24.900]  The festival is in the image of the country
[11:26.900 --> 11:28.900]  The Red Square
[11:28.900 --> 11:30.900]  With lights and candles
[11:30.900 --> 11:33.900]  Knows how to light ten stars
[11:33.900 --> 11:35.900]  To the side of individuals
[11:35.900 --> 11:38.900]  From the age of politics, culture and media
[11:38.900 --> 11:40.900]  All of them came to light
[11:40.900 --> 11:42.900]  The course of the celebrations
[11:42.900 --> 11:45.900]  And the expression of creative machines
[11:45.900 --> 11:48.900]  And the contribution of the religious circles
[11:48.900 --> 11:51.900]  Which Morocco's victory plays
[11:51.900 --> 11:53.900]  Humanly and artistically
[11:53.900 --> 11:55.900]  A pride to celebrate cinema
[11:55.900 --> 11:57.900]  In this beautiful city and in our European country
[11:57.900 --> 11:59.900]  Which is a major and important art
[11:59.900 --> 12:01.900]  Also a showcase
[12:01.900 --> 12:02.900]  A showcase on international films
[12:02.900 --> 12:04.900]  And that people meet together
[12:04.900 --> 12:06.900]  I think there are many things
[12:06.900 --> 12:08.900]  That happen after the festival
[12:08.900 --> 12:09.900]  During the festival
[12:09.900 --> 12:10.900]  And before the festival
[12:10.900 --> 12:12.900]  Which are good for the development of our country
[12:12.900 --> 12:18.900]  Culture and economics
[12:18.900 --> 12:20.900]  The festival is a major addition
[12:20.900 --> 12:22.900]  To the Moroccan cinema
[12:22.900 --> 12:23.900]  Because at one time
[12:23.900 --> 12:26.900]  We were seeing these types of events
[12:26.900 --> 12:27.900]  And the events
[12:27.900 --> 12:29.900]  We were seeing them in other countries
[12:29.900 --> 12:30.900]  Now we were seeing them
[12:30.900 --> 12:31.900]  And we felt it
[12:31.900 --> 12:32.900]  In our country
[12:32.900 --> 12:34.900]  That is why we are here
[12:34.900 --> 12:35.900]  To celebrate
[12:35.900 --> 12:43.900]  An artist and a Moroccan group
[12:43.900 --> 12:46.900]  I say that the festival is every year
[12:46.900 --> 12:48.900]  It is going up in the ranks
[12:48.900 --> 12:49.900]  I like coming here
[12:49.900 --> 12:50.900]  I like the cinema
[12:50.900 --> 12:52.900]  I like the retrospective
[12:52.900 --> 12:54.900]  I like the masterclass
[12:54.900 --> 12:55.900]  I did masterclass
[12:55.900 --> 12:56.900]  And I was a jury
[12:56.900 --> 12:58.900]  And I showed my films
[12:58.900 --> 13:00.900]  I think it is an addition
[13:00.900 --> 13:01.900]  Of the words
[13:01.900 --> 13:02.900]  For me
[13:02.900 --> 13:04.900]  I think the festival is good
[13:04.900 --> 13:05.900]  For me
[13:05.900 --> 13:06.900]  It is very important
[13:06.900 --> 13:08.900]  For the Moroccans
[13:13.900 --> 13:14.900]  The festivals
[13:14.900 --> 13:15.900]  Like the Moroccan festivals
[13:15.900 --> 13:16.900]  Are very important
[13:16.900 --> 13:17.900]  For the relationships
[13:17.900 --> 13:19.900]  Between the West
[13:19.900 --> 13:21.900]  And Morocco
[13:21.900 --> 13:24.900]  Because we are the same
[13:24.900 --> 13:25.900]  I think
[13:25.900 --> 13:26.900]  I will never have an opportunity
[13:26.900 --> 13:28.900]  To come to Morocco and Morocco
[13:28.900 --> 13:30.900]  I have been there several times
[13:30.900 --> 13:31.900]  In Morocco
[13:31.900 --> 13:33.900]  I kept a great memory
[13:33.900 --> 13:35.900]  And I will never have an opportunity
[13:35.900 --> 13:37.900]  I will never have an opportunity
[13:37.900 --> 13:38.900]  I will never have an opportunity
[13:43.900 --> 13:44.900]  Moroccan international
[13:44.900 --> 13:45.900]  I see you
[13:45.900 --> 13:46.900]  I see you
[13:46.900 --> 13:47.900]  I see you
[13:47.900 --> 13:48.900]  I see you
[13:48.900 --> 13:49.900]  I see you
[13:49.900 --> 13:50.900]  I see you
[13:50.900 --> 13:51.900]  I respect you
[13:51.900 --> 13:52.900]  As you can see
[13:52.900 --> 13:54.900]  We are from different worlds
[13:54.900 --> 14:03.900]  We are from different worlds
[14:03.900 --> 14:05.900]  The biggest festival
[14:05.900 --> 14:06.900]  In Morocco
[14:06.900 --> 14:07.900]  With my friends
[14:07.900 --> 14:10.900]  In a wonderful atmosphere
[14:10.900 --> 14:11.900]  And indeed
[14:11.900 --> 14:13.900]  With an exceptional jury
[14:13.900 --> 14:14.900]  Very different people
[14:14.900 --> 14:16.900]  Who come from four corners of the world
[14:16.900 --> 14:18.900]  And very very very nice
[14:18.900 --> 14:23.900]  The festival
[14:23.900 --> 14:24.900]  The festival of opening
[14:24.900 --> 14:26.900]  It was launched on
[14:26.900 --> 14:28.900]  Music festivals in Khaled
[14:28.900 --> 14:30.900]  The music team
[14:30.900 --> 14:31.900]  For the royal mood
[14:34.900 --> 14:36.900]  Music festivals
[14:36.900 --> 14:38.900]  The door opened
[14:38.900 --> 14:40.900]  Around the cinema
[14:40.900 --> 14:41.900]  With the presentation
[14:41.900 --> 14:43.900]  Of the Tourism Organization
[14:43.900 --> 14:44.900]  Which is held
[14:44.900 --> 14:45.900]  By the senior director
[14:45.900 --> 14:47.900]  Emir Costa Rica
[14:47.900 --> 14:49.900]  And the name of the festival
[14:49.900 --> 14:51.900]  Like the French director
[14:51.900 --> 14:52.900]  Nicole Garcia
[14:52.900 --> 14:53.900]  And the Romanian director
[14:53.900 --> 14:55.900]  Radou Mihailinou
[14:55.900 --> 14:56.900]  And the Iranian director
[14:56.900 --> 14:58.900]  Leila Hatemi
[14:58.900 --> 14:59.900]  And the Indian director
[14:59.900 --> 15:01.900]  Abbar Nassain
[15:01.900 --> 15:02.900]  And the Moroccan director
[15:02.900 --> 15:04.900]  Abdel Qadr Alqata
[15:04.900 --> 15:05.900]  And the Philippine director
[15:05.900 --> 15:07.900]  Brian Timandouza
[15:07.900 --> 15:08.900]  And the Italian director
[15:08.900 --> 15:10.900]  Maya Sansa
[15:10.900 --> 15:11.900]  And the American director
[15:11.900 --> 15:13.900]  Jessica Justin
[15:13.900 --> 15:14.900]  I think this festival
[15:14.900 --> 15:16.900]  Is well developed
[15:16.900 --> 15:18.900]  And it's the climate
[15:18.900 --> 15:20.900]  It's the atmosphere
[15:20.900 --> 15:21.900]  Of cinema
[15:21.900 --> 15:23.900]  And it's just to say
[15:23.900 --> 15:24.900]  Your colleague
[15:24.900 --> 15:26.900]  That Marrakech
[15:26.900 --> 15:28.900]  Has become
[15:28.900 --> 15:30.900]  A mythological place
[15:30.900 --> 15:31.900]  For cinema
[15:31.900 --> 15:32.900]  And that's
[15:32.900 --> 15:33.900]  The reason for the guys
[15:33.900 --> 15:34.900]  I am here
[15:42.900 --> 15:43.900]  After announcing
[15:43.900 --> 15:46.900]  The Tourism Organization
[15:46.900 --> 15:48.900]  All in its language
[15:48.900 --> 15:50.900]  The festival was launched
[15:50.900 --> 15:52.900]  With a sudden surprise
[15:52.900 --> 15:54.900]  It took place in a bright color
[15:54.900 --> 15:56.900]  The Moroccan artist
[15:56.900 --> 15:59.900]  The Moroccan artist Huda Rihani
[15:59.900 --> 16:00.900]  Was invited
[16:00.900 --> 16:01.900]  To join
[16:01.900 --> 16:02.900]  The Indian cinema
[16:02.900 --> 16:04.900]  Shah Rukh Khan
[16:04.900 --> 16:06.900]  TAKRIM
[16:10.900 --> 16:11.900]  TAKRIM
[16:11.900 --> 16:12.900]  Shah Rukh Khan
[16:12.900 --> 16:13.900]  Is the TAKRIM
[16:13.900 --> 16:14.900]  For the mention
[16:14.900 --> 16:16.900]  Of the Moroccan cinema
[16:16.900 --> 16:18.900]  The Indian cinema
[16:18.900 --> 16:20.900]  Is considered
[16:20.900 --> 16:21.900]  The classic present
[16:21.900 --> 16:23.900]  For this cinema in Morocco
[16:23.900 --> 16:25.900]  And the TAKRIM
[16:25.900 --> 16:27.900]  Is like the TAKRIM
[16:27.900 --> 16:28.900]  For a basic artist
[16:28.900 --> 16:30.900]  The cinema
[16:30.900 --> 16:32.900]  With dozens of roles
[16:32.900 --> 16:34.900]  In the movies
[16:34.900 --> 16:35.900]  From which
[16:35.900 --> 16:37.900]  The return of the crazy lover
[16:37.900 --> 16:39.900]  And the Indian family
[16:39.900 --> 16:40.900]  And Devdas
[16:40.900 --> 16:41.900]  And Virzara
[16:41.900 --> 17:04.900]  And Ismi Khan
[17:11.900 --> 17:13.900]  O my love, O my love
[17:13.900 --> 17:15.900]  O my love, O my love
[17:29.900 --> 17:31.900]  The 10th state
[17:31.900 --> 17:32.900]  Has known
[17:32.900 --> 17:34.900]  Many many episodes
[17:34.900 --> 17:36.900]  That have been distributed
[17:36.900 --> 17:37.900]  To different groups
[17:37.900 --> 17:38.900]  Especially
[17:38.900 --> 17:40.900]  From the official competition
[17:40.900 --> 17:42.900]  Which included 15
[17:42.900 --> 17:43.900]  Sharia
[17:43.900 --> 17:44.900]  For example
[17:44.900 --> 17:45.900]  A world-wide
[17:45.900 --> 17:46.900]  Contributed
[17:46.900 --> 17:48.900]  To the 5th state
[17:48.900 --> 17:50.900]  The conditions
[17:50.900 --> 17:51.900]  Of the spirit of creativity
[17:51.900 --> 17:52.900]  And unity
[17:52.900 --> 17:55.900]  For a better human future
[17:55.900 --> 17:56.900]  Despite the differences
[17:56.900 --> 17:57.900]  Of the approaches
[17:57.900 --> 17:58.900]  And the wait
[17:58.900 --> 17:59.900]  Of the colors
[17:59.900 --> 18:00.900]  And the vibes
[18:00.900 --> 18:01.900]  They began
[18:01.900 --> 18:02.900]  In a total of
[18:02.900 --> 18:03.900]  Fertility
[18:03.900 --> 18:04.900]  In creative
[18:04.900 --> 18:05.900]  Characters
[18:05.900 --> 18:06.900]  On them
[18:06.900 --> 18:07.900]  The beauty
[18:07.900 --> 18:10.900]  Of the world
[18:37.900 --> 18:39.900]  The language
[18:39.900 --> 18:40.900]  The talent
[18:40.900 --> 18:41.900]  The art
[18:41.900 --> 18:42.900]  The cinema
[18:42.900 --> 18:43.900]  And the generosity
[18:43.900 --> 18:44.900]  That's all
[18:50.900 --> 18:51.900]  Cinema
[18:51.900 --> 18:52.900]  Or young cinema
[18:52.900 --> 18:53.900]  The ability
[18:53.900 --> 18:55.900]  To take a new role
[18:55.900 --> 18:57.900]  In the role of the Moroccan cinema
[18:57.900 --> 18:59.900]  Was present
[18:59.900 --> 19:00.900]  During the competition
[19:00.900 --> 19:02.900]  Of the school movies
[19:02.900 --> 19:03.900]  It was a competition
[19:03.900 --> 19:04.900]  That included
[19:04.900 --> 19:06.900]  10 short films
[19:06.900 --> 19:08.900]  For which
[19:08.900 --> 19:10.900]  The American star
[19:10.900 --> 19:11.900]  Sigourney Weaver
[19:11.900 --> 19:13.900]  And the Moroccan director
[19:13.900 --> 19:15.900]  Farida Bel Yazid
[19:15.900 --> 19:18.900]  And the French actor Pascal Grigori
[19:18.900 --> 19:21.900]  And the French director Pierre Salvadori
[19:21.900 --> 19:23.900]  And the Belgian director
[19:23.900 --> 19:24.900]  Magy Gilan
[19:24.900 --> 19:25.900]  It's always good
[19:25.900 --> 19:26.900]  To be part of a jury
[19:26.900 --> 19:27.900]  Because first
[19:27.900 --> 19:30.900]  We know
[19:30.900 --> 19:32.900]  We meet young directors
[19:32.900 --> 19:33.900]  Or directors
[19:33.900 --> 19:34.900]  Maybe we'll work with them
[19:34.900 --> 19:35.900]  I don't know
[19:35.900 --> 19:36.900]  Later
[19:36.900 --> 19:37.900]  So it's always interesting
[19:47.900 --> 19:48.900]  The Mehrajan Foundation
[19:48.900 --> 19:50.900]  Has chosen this year
[19:50.900 --> 19:51.900]  The Moroccan cinema
[19:51.900 --> 19:53.900]  In a special way
[19:53.900 --> 19:55.900]  In the mind of the heart
[19:55.900 --> 19:56.900]  Through the introduction
[19:56.900 --> 19:58.900]  Of 4 new films
[19:58.900 --> 20:00.900]  That are
[20:00.900 --> 20:01.900]  The end
[20:01.900 --> 20:03.900]  Of the modern film
[20:03.900 --> 20:05.900]  And the title of the film
[20:05.900 --> 20:06.900]  For Mohamed Nazeef
[20:06.900 --> 20:07.900]  And on the edge
[20:07.900 --> 20:09.900]  Of the night of Kielani
[20:09.900 --> 20:10.900]  And the return of the son
[20:10.900 --> 20:12.900]  To Ahmed Boulan
[20:12.900 --> 20:13.900]  Films that reflect
[20:13.900 --> 20:14.900]  The kind of experience
[20:14.900 --> 20:16.900]  Of the Moroccan film
[20:16.900 --> 20:18.900]  This role
[20:18.900 --> 20:19.900]  Was a big presence
[20:19.900 --> 20:20.900]  Of the Moroccan film
[20:20.900 --> 20:22.900]  Through the film industry
[20:22.900 --> 20:23.900]  Through the kind
[20:23.900 --> 20:25.900]  Through
[20:25.900 --> 20:27.900]  I came to help
[20:27.900 --> 20:28.900]  In the film industry
[20:28.900 --> 20:29.900]  There are many things
[20:29.900 --> 20:30.900]  In the Moroccan cinema
[20:30.900 --> 20:31.900]  There are many
[20:31.900 --> 20:33.900]  International films that come
[20:33.900 --> 20:34.900]  And I think it's a dream
[20:34.900 --> 20:35.900]  A dream of a director
[20:35.900 --> 20:36.900]  That's it
[20:39.900 --> 20:40.900]  40 million
[20:40.900 --> 20:41.900]  40 million
[20:42.900 --> 20:43.900]  80 million
[20:43.900 --> 20:44.900]  40 million
[20:44.900 --> 20:45.900]  I can't even reach 20 million
[20:50.900 --> 20:52.900]  The Mehrajan Foundation
[20:52.900 --> 20:53.900]  Has organized
[20:53.900 --> 20:54.900]  The Mehrajan Foundation
[20:54.900 --> 20:55.900]  During the Mehrajan days
[20:55.900 --> 20:57.900]  A film festival
[20:57.900 --> 20:59.900]  With the support of
[20:59.900 --> 21:01.900]  The film industry
[21:01.900 --> 21:02.900]  Accompanied
[21:02.900 --> 21:04.900]  A community
[21:04.900 --> 21:05.900]  Moroccan
[21:05.900 --> 21:06.900]  And foreign
[21:07.900 --> 21:08.900]  All came
[21:08.900 --> 21:09.900]  To meet
[21:09.900 --> 21:11.900]  The star of the film
[21:11.900 --> 21:12.900]  And witnessed
[21:12.900 --> 21:13.900]  The creative activities
[21:13.900 --> 21:15.900]  With a unique face
[21:15.900 --> 21:16.900]  Started
[21:16.900 --> 21:17.900]  With the Hindi film
[21:17.900 --> 21:18.900]  Shah Rukh Khan
[21:18.900 --> 21:20.900]  And with the director
[21:20.900 --> 21:21.900]  Jorjak Anu
[21:21.900 --> 21:22.900]  And here
[21:22.900 --> 21:23.900]  Jufay
[21:23.900 --> 21:24.900]  And Tia Ghegylyam
[21:24.900 --> 21:26.900]  And Emir Kostolika
[21:26.900 --> 21:29.900]  Arrived at the United States
[21:29.900 --> 21:30.900]  Forrest Whitaker
[21:30.900 --> 21:31.900]  And the Moroccan
[21:31.900 --> 21:32.900]  Mohammed Dastawi
[21:32.900 --> 21:33.900]  You can't shoot me
[21:33.900 --> 21:34.900]  I am a prince
[21:34.900 --> 21:35.900]  No
[21:35.900 --> 21:36.900]  You are a prince
[21:39.900 --> 21:41.900]  Morocco is a great cinema country
[21:41.900 --> 21:42.900]  We watch a lot of films
[21:42.900 --> 21:44.900]  It's important
[21:44.900 --> 21:45.900]  That there is a great festival
[21:45.900 --> 21:47.900]  I was one of the first to come
[21:47.900 --> 21:49.900]  Because I was president of the jury
[21:49.900 --> 21:51.900]  A few years ago
[21:51.900 --> 21:53.900]  I was happy to see this festival
[21:53.900 --> 21:54.900]  Being born
[21:54.900 --> 21:56.900]  And now I am happy to see
[21:56.900 --> 21:57.900]  That it becomes
[21:57.900 --> 21:59.900]  More and more an international event
[21:59.900 --> 22:00.900]  Every year
[22:08.900 --> 22:10.900]  A modern cinema
[22:10.900 --> 22:12.900]  Full of
[22:12.900 --> 22:14.900]  Art and human evidence
[22:14.900 --> 22:16.900]  The recognition system
[22:16.900 --> 22:17.900]  For Mexican cinema
[22:17.900 --> 22:19.900]  It is considered the guest
[22:19.900 --> 22:20.900]  Of the role
[22:20.900 --> 22:21.900]  Through my presence
[22:21.900 --> 22:24.900]  With the name Wazena
[22:24.900 --> 22:25.900]  Which is most of it
[22:25.900 --> 22:27.900]  For the new generation
[22:27.900 --> 22:28.900]  Which expresses
[22:28.900 --> 22:29.900]  My life
[22:29.900 --> 22:31.900]  And the type of Mexican cinema
[22:32.900 --> 22:33.900]  As it was shown
[22:33.900 --> 22:35.900]  More than 20 shows
[22:35.900 --> 22:37.900]  Reflected the culture
[22:37.900 --> 22:38.900]  Of the people
[22:38.900 --> 22:39.900]  On the front line
[22:39.900 --> 22:40.900]  And the challenge
[22:40.900 --> 22:42.900]  For political,
[22:42.900 --> 22:43.900]  And economic
[22:43.900 --> 22:44.900]  And social
[22:44.900 --> 22:45.900]  And social
[22:45.900 --> 22:52.900]  And social
[22:52.900 --> 22:53.900]  In general
[22:53.900 --> 22:55.900]  Yes, Mexican cinema
[22:55.900 --> 22:56.900]  Today
[22:58.900 --> 23:00.900]  Cinema that is
[23:00.900 --> 23:02.900]  There is a lot of films
[23:02.900 --> 23:03.900]  Being made
[23:03.900 --> 23:04.900]  At the moment
[23:04.900 --> 23:05.900]  A lot, a lot
[23:05.900 --> 23:07.900]  And because of the access
[23:07.900 --> 23:09.900]  Of access to digital cameras
[23:09.900 --> 23:11.900]  And also that we have
[23:11.900 --> 23:12.900]  Very rich
[23:12.900 --> 23:13.900]  You know, very rich
[23:13.900 --> 23:15.900]  A lot of richness
[23:15.900 --> 23:16.900]  In the culture
[23:16.900 --> 23:18.900]  So many, many different cultures
[23:18.900 --> 23:19.900]  In one country
[23:19.900 --> 23:20.900]  You know, you've got
[23:20.900 --> 23:21.900]  The north is
[23:21.900 --> 23:22.900]  Super different
[23:22.900 --> 23:23.900]  Is very different
[23:23.900 --> 23:24.900]  From the south
[23:24.900 --> 23:25.900]  East from west
[23:25.900 --> 23:26.900]  So
[23:26.900 --> 23:27.900]  They're everywhere
[23:27.900 --> 23:28.900]  There is a story to explore
[23:28.900 --> 23:29.900]  And in that way
[23:29.900 --> 23:31.900]  I think that is why
[23:31.900 --> 23:33.900]  There are so many
[23:33.900 --> 23:35.900]  Interesting Mexican films
[23:37.900 --> 23:39.900]  The idea of the awards
[23:39.900 --> 23:40.900]  Which was awarded
[23:40.900 --> 23:43.900]  To the best actors
[23:43.900 --> 23:45.900]  Were the strongest
[23:45.900 --> 23:46.900]  And the most humane
[23:46.900 --> 23:47.900]  And artistic
[23:47.900 --> 23:46.440]  Where the
[23:46.440 --> 23:46.900]  And artistic
[23:46.900 --> 23:47.900]  And artistic
[23:47.900 --> 23:48.900]  Where the
[23:48.900 --> 23:49.900]  The pride and joy
[23:49.900 --> 23:50.900]  Were celebrated
[23:50.900 --> 23:51.900]  With the name
[23:51.900 --> 23:52.900]  Of a balanced artist
[23:52.900 --> 23:53.900]  Like a love
[23:53.900 --> 23:54.900]  And the fate
[23:54.900 --> 23:56.900]  Of their creative gifts
[23:56.900 --> 23:57.900]  Where
[23:57.900 --> 23:58.900]  They celebrated
[23:58.900 --> 24:00.900]  With all of
[24:00.900 --> 24:01.900]  Jean-Jacques Anou
[24:01.900 --> 24:02.900]  The French director
[24:02.900 --> 24:04.900]  The great French friend
[24:04.900 --> 24:05.900]  The Moroccan friend
[24:05.900 --> 24:06.900]  And the Moroccan friend
[24:06.900 --> 24:07.900]  And the American star
[24:07.900 --> 24:08.900]  Forest Whitaker
[24:08.900 --> 24:10.900]  That is the author
[24:10.900 --> 24:11.460]  Of the
[24:11.460 --> 24:15.240]  Show
[24:15.240 --> 24:16.240]  Of the world
[24:18.680 --> 24:21.880]  And the American director
[24:21.880 --> 24:23.480]  Who plays by
[24:23.480 --> 24:24.500]  End of a strange
[24:24.500 --> 24:25.900]  Could be very strange
[24:25.900 --> 24:26.900]  And moving
[24:26.900 --> 24:27.900]  And longer
[24:29.900 --> 24:33.900]  And according to
[24:33.900 --> 24:34.900]  The media
[24:34.900 --> 24:35.900]  Who say
[24:35.900 --> 24:36.900]  It's human
[24:36.900 --> 24:40.900]  even though he was against it.
[24:40.900 --> 24:44.900]  As for Ibn al-Balad al-Asil, Muhammad al-Basthawi,
[24:44.900 --> 24:47.900]  his funeral was a moment of silence,
[24:47.900 --> 24:49.900]  a moment of solitude,
[24:49.900 --> 24:51.900]  a moment of awareness of his life,
[24:51.900 --> 24:54.900]  his art, and his Moroccan nationality.
[24:54.900 --> 24:57.900]  Why do you want to be the head of the funeral?
[24:57.900 --> 25:00.900]  I want to be the head of the funeral.
[25:00.900 --> 25:02.900]  This funeral,
[25:02.900 --> 25:06.900]  I don't want to add anything else to it,
[25:06.900 --> 25:08.900]  I want to add the responsibility of my ancestors.
[25:08.900 --> 25:11.900]  I want to be the head of the funeral.
[25:11.900 --> 25:12.900]  I want to thank everyone,
[25:12.900 --> 25:14.900]  I want to thank the leaders,
[25:14.900 --> 25:16.900]  the friends, and the personalities
[25:16.900 --> 25:18.900]  who were proud of our country,
[25:18.900 --> 25:20.900]  who didn't have any problems with us.
[25:20.900 --> 25:22.900]  I want to thank Allah,
[25:22.900 --> 25:24.900]  I want to thank them.
[25:24.900 --> 25:29.900]  The academic field for the funeral
[25:29.900 --> 25:32.900]  was the strongest during this course,
[25:32.900 --> 25:35.900]  during a cinematic study,
[25:35.900 --> 25:39.900]  it was found to be the third favorite screen in the world,
[25:39.900 --> 25:43.900]  where the Moroccan public and the people were very much,
[25:43.900 --> 25:45.900]  and they are happy to experience
[25:45.900 --> 25:47.900]  all of the Jean-Jacques Anou,
[25:47.900 --> 25:50.900]  the Italian director Marco Bellucci,
[25:50.900 --> 25:53.900]  the American director Thierry Guillain,
[25:53.900 --> 25:56.900]  and the English director Ronald Joffé,
[25:56.900 --> 25:59.900]  and the Turkish director Nouri Belaj Selan.
[25:59.900 --> 26:03.900]  The class masters are important in a festival like Marrakech,
[26:03.900 --> 26:06.900]  because it is a very wide range of cinemas,
[26:06.900 --> 26:10.900]  and maybe there are young students in cinema
[26:10.900 --> 26:11.900]  who will say,
[26:11.900 --> 26:13.900]  I saw the class master of Thierry Guillain,
[26:13.900 --> 26:15.900]  and it gave me the desire to make cinema.
[26:15.900 --> 26:23.900]  A thousand years ago, Dr. Parnassus made a deal with the devil.
[26:23.900 --> 26:24.900]  Stop!
[26:24.900 --> 26:27.900]  The best thing about this course
[26:27.900 --> 26:34.900]  is that it has reached the final goal,
[26:34.900 --> 26:40.900]  and the goal of Marrakech in Marrakech,
[26:40.900 --> 26:45.900]  is to make cinema, you know what it means,
[26:45.900 --> 26:48.900]  the main goal that is built on it,
[26:48.900 --> 26:50.900]  from a good competition,
[26:50.900 --> 26:52.900]  to talk about photography,
[26:52.900 --> 26:56.900]  and all the awards that have been presented,
[26:56.900 --> 26:58.900]  the awards of the Sahak,
[26:58.900 --> 27:00.900]  especially this year,
[27:00.900 --> 27:02.900]  even in Morocco,
[27:02.900 --> 27:07.900]  and the countries that have been invited to the awards,
[27:07.900 --> 27:10.900]  this year there were countries in photography,
[27:10.900 --> 27:12.900]  as well as in Mexico.
[27:12.900 --> 27:17.900]  I think this is the main goal of Marrakech,
[27:17.900 --> 27:19.900]  because it has become a model,
[27:19.900 --> 27:23.900]  and it has increased the lessons that are presented,
[27:23.900 --> 27:27.900]  from the work that has been done to make cinemas,
[27:27.900 --> 27:32.900]  and I am proud of the Turkish directorate this year,
[27:32.900 --> 27:34.900]  Nuri Bel Selan,
[27:34.900 --> 27:38.900]  who has given a very high level of education
[27:38.900 --> 28:05.900]  to the people who have studied the Sahafa and the Karabayla.
[28:08.900 --> 28:18.900]  On the 17th of January, 2011,
[28:18.900 --> 28:23.900]  another round of events took place,
[28:23.900 --> 28:26.900]  and they are walking on the Red Square,
[28:26.900 --> 28:28.900]  and they are performing in a dress of light,
[28:28.900 --> 28:31.900]  and dreams, and hopes,
[28:31.900 --> 28:38.900]  to make sure that Morocco is the country of creativity and creativity,
[28:38.900 --> 28:41.900]  and the moments of true art.
[28:45.900 --> 28:47.900]  Good evening, ladies and gentlemen,
[28:47.900 --> 28:54.900]  and welcome to the 11th round of the international film Marrakech.
[28:54.900 --> 28:56.900]  At the beginning,
[28:56.900 --> 29:01.900]  the film was directed by the director of the previous film,
[29:01.900 --> 29:05.900]  which was directed by the American director, Sigourney Weaver,
[29:05.900 --> 29:08.900]  where they offered a special award for the film,
[29:08.900 --> 29:11.900]  Bebop, to Ali Aqabouna.
[29:11.900 --> 29:15.900]  Just as they offered the first award to the director,
[29:15.900 --> 29:18.900]  to the young Muhammad Awad,
[29:18.900 --> 29:22.900]  from the high school for visual arts in Marrakech.
[29:22.900 --> 29:24.900]  It is a good opportunity for all the young people
[29:24.900 --> 29:26.900]  who love it and want to go forward.
[29:26.900 --> 29:32.900]  I can only say that I have lost my words about it,
[29:32.900 --> 29:34.900]  but I am very happy,
[29:34.900 --> 29:38.900]  and what really touches me is that I was taken in this city
[29:38.900 --> 29:40.900]  where I was born, and that I love it a lot.
[29:46.900 --> 29:52.900]  The events of the film were announced after a short speech
[29:52.900 --> 29:55.900]  by the director of the previous film,
[29:55.900 --> 29:57.900]  Amir Kostoreka,
[29:57.900 --> 30:22.900]  who dedicated herself to the film,