Alexandra Grant Studio at Rina Parra blog

Alexandra Grant Studio. Grant’s photographs capture reeves’s shadow at times as a silhouette and at others as traces of light as he and the camera move together. Neon, acrylic and oil paint on shaped wood. The exhibition focuses on grant’s works inspired by polish poet wislawa szymborska and american hypertext writer michael joyce, and the artist’s. In complement to her endeavors inside the studio, alexandra grant pursues creative projects outside the studio as well (or “hors atelier”). Alexandra grant signing works at artist risk’s studio in 2016. Grant donated her copies from the collaboration to nonprofits, including to the vincent price art museum and the venice family. 52 x 38 1/2 x 4.

Alexandra Grant Blog
from www.thegeniuslist.com

Grant’s photographs capture reeves’s shadow at times as a silhouette and at others as traces of light as he and the camera move together. 52 x 38 1/2 x 4. The exhibition focuses on grant’s works inspired by polish poet wislawa szymborska and american hypertext writer michael joyce, and the artist’s. Alexandra grant signing works at artist risk’s studio in 2016. Neon, acrylic and oil paint on shaped wood. Grant donated her copies from the collaboration to nonprofits, including to the vincent price art museum and the venice family. In complement to her endeavors inside the studio, alexandra grant pursues creative projects outside the studio as well (or “hors atelier”).

Alexandra Grant Blog

Alexandra Grant Studio Neon, acrylic and oil paint on shaped wood. Alexandra grant signing works at artist risk’s studio in 2016. The exhibition focuses on grant’s works inspired by polish poet wislawa szymborska and american hypertext writer michael joyce, and the artist’s. In complement to her endeavors inside the studio, alexandra grant pursues creative projects outside the studio as well (or “hors atelier”). Grant donated her copies from the collaboration to nonprofits, including to the vincent price art museum and the venice family. Grant’s photographs capture reeves’s shadow at times as a silhouette and at others as traces of light as he and the camera move together. 52 x 38 1/2 x 4. Neon, acrylic and oil paint on shaped wood.

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