Mary Jackson Basket at Peggy Chapman blog

Mary Jackson Basket. Sitting at her mother’s knee in the late 1940s, she tied her first knots with nimble little fingers, binding coils of sea grasses. Mrs jackson has been able to create large baskets by using stronger plants than tradition dictates; A contemporary artist who lives and works in charleston, south carolina, mary a. Her oversized pieces have integrated patterns of bulrush as well as palmetto leaves and pine. Mary jackson was four when her mother taught her to weave baskets from dried sweet grass. Jackson creates baskets using plants indigenous to the area, such as sweetgrass, pine needles and palmetto. Mary jackson was 4 when she learned how to weave. That’s how mary jackson, 76, developed her unique take on a sweetgrass basket weaving technique that dates back to her ancestors in africa. Now jackson practices it in her studio on johns island outside of charleston, where a community of sweetgrass basket makers still thrives today. The art form made its way to the american south during slavery; She produces simple baskets in which the colored bands of grass create sculptural patterns. Eventually, jackson grew bored with the traditional pieces she had been making and began to create contemporary forms from traditional materials.

Mrs jackson has been able to create large baskets by using stronger plants than tradition dictates; Sitting at her mother’s knee in the late 1940s, she tied her first knots with nimble little fingers, binding coils of sea grasses. The art form made its way to the american south during slavery; Jackson creates baskets using plants indigenous to the area, such as sweetgrass, pine needles and palmetto. Eventually, jackson grew bored with the traditional pieces she had been making and began to create contemporary forms from traditional materials. Her oversized pieces have integrated patterns of bulrush as well as palmetto leaves and pine. Now jackson practices it in her studio on johns island outside of charleston, where a community of sweetgrass basket makers still thrives today. Mary jackson was 4 when she learned how to weave. Mary jackson was four when her mother taught her to weave baskets from dried sweet grass. She produces simple baskets in which the colored bands of grass create sculptural patterns.

Sweetgrass Basket Artist Mary Jackson Charleston SC Charleston Magazine

Mary Jackson Basket The art form made its way to the american south during slavery; Now jackson practices it in her studio on johns island outside of charleston, where a community of sweetgrass basket makers still thrives today. Sitting at her mother’s knee in the late 1940s, she tied her first knots with nimble little fingers, binding coils of sea grasses. Her oversized pieces have integrated patterns of bulrush as well as palmetto leaves and pine. She produces simple baskets in which the colored bands of grass create sculptural patterns. That’s how mary jackson, 76, developed her unique take on a sweetgrass basket weaving technique that dates back to her ancestors in africa. A contemporary artist who lives and works in charleston, south carolina, mary a. Jackson creates baskets using plants indigenous to the area, such as sweetgrass, pine needles and palmetto. Mary jackson was four when her mother taught her to weave baskets from dried sweet grass. Mrs jackson has been able to create large baskets by using stronger plants than tradition dictates; Mary jackson was 4 when she learned how to weave. The art form made its way to the american south during slavery; Eventually, jackson grew bored with the traditional pieces she had been making and began to create contemporary forms from traditional materials.