Yves Klein Blue Sponge at Samuel Woolley blog

Yves Klein Blue Sponge. Ikb left the surface of the painting matte like velvet and the grainy pigment appears to be a powder on the canvas. Yves klein declared this intense blue his ‘trademark’ and had it registered. Combining the immaterial presence of the artist's radiant but featureless monochrome blue canvases with the unique and distinctive material presence of the natural sponge, klein's. A particularly intense ultramarine blue, which. Yet he made no claim to the individual application of the paint. Yves klein was driven by a quest for the immaterial and totally disrupted the relationship between painting and the body, space and colour. Klein photographed in front of one of his blue sponge sculptures in the late 1950s (express newspapers/getty images) “the. Learn about this artwork by yves klein in the guggenheim's collection online.

Yves Klein Untitled Blue Sponge Sculpture (SE 238) Art Basel
from www.artbasel.com

Ikb left the surface of the painting matte like velvet and the grainy pigment appears to be a powder on the canvas. Yves klein was driven by a quest for the immaterial and totally disrupted the relationship between painting and the body, space and colour. Yet he made no claim to the individual application of the paint. Combining the immaterial presence of the artist's radiant but featureless monochrome blue canvases with the unique and distinctive material presence of the natural sponge, klein's. A particularly intense ultramarine blue, which. Yves klein declared this intense blue his ‘trademark’ and had it registered. Learn about this artwork by yves klein in the guggenheim's collection online. Klein photographed in front of one of his blue sponge sculptures in the late 1950s (express newspapers/getty images) “the.

Yves Klein Untitled Blue Sponge Sculpture (SE 238) Art Basel

Yves Klein Blue Sponge Learn about this artwork by yves klein in the guggenheim's collection online. Learn about this artwork by yves klein in the guggenheim's collection online. Ikb left the surface of the painting matte like velvet and the grainy pigment appears to be a powder on the canvas. Klein photographed in front of one of his blue sponge sculptures in the late 1950s (express newspapers/getty images) “the. Yves klein was driven by a quest for the immaterial and totally disrupted the relationship between painting and the body, space and colour. Yet he made no claim to the individual application of the paint. Combining the immaterial presence of the artist's radiant but featureless monochrome blue canvases with the unique and distinctive material presence of the natural sponge, klein's. A particularly intense ultramarine blue, which. Yves klein declared this intense blue his ‘trademark’ and had it registered.

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