Do You Record Drums In Mono Or Stereo at Sheree Wells blog

Do You Record Drums In Mono Or Stereo. If you’re wondering how to use this information when recording or producing your own tracks, the key to a good drum mix is space. However, if you're trying to get. If you have a stereo sample, if both left and right are the same, you effectively have a mono sample (correct me if i'm wrong, folks). You should keep your individual drum hits in mono if possible, especially the kick drum, though you should also use stereo effects or panning. If you record in stereo, the same phase cancellation issues you might encounter in a restaurant or similar setting could happen with the drums. I also find it gives them more power and allows more room. If you want the drums to fill out empty spaces, and to be less upfront, you should use stereo reverb such as hall reverb, studio. As the introduction stated, ideally, the drum hits you record for mixing in your music should be in mono. I prefer having the drums as a single point in the middle of the mix. In most cases, it's better to record in mono to get a more robust sound that can then be placed in a stereo field during the audio editing process.

In most cases, it's better to record in mono to get a more robust sound that can then be placed in a stereo field during the audio editing process. If you have a stereo sample, if both left and right are the same, you effectively have a mono sample (correct me if i'm wrong, folks). As the introduction stated, ideally, the drum hits you record for mixing in your music should be in mono. However, if you're trying to get. You should keep your individual drum hits in mono if possible, especially the kick drum, though you should also use stereo effects or panning. I also find it gives them more power and allows more room. If you want the drums to fill out empty spaces, and to be less upfront, you should use stereo reverb such as hall reverb, studio. If you’re wondering how to use this information when recording or producing your own tracks, the key to a good drum mix is space. I prefer having the drums as a single point in the middle of the mix. If you record in stereo, the same phase cancellation issues you might encounter in a restaurant or similar setting could happen with the drums.

How to Use Mono AND Stereo Drum Reverbs for More Depth Audio Issues

Do You Record Drums In Mono Or Stereo If you have a stereo sample, if both left and right are the same, you effectively have a mono sample (correct me if i'm wrong, folks). As the introduction stated, ideally, the drum hits you record for mixing in your music should be in mono. If you want the drums to fill out empty spaces, and to be less upfront, you should use stereo reverb such as hall reverb, studio. However, if you're trying to get. You should keep your individual drum hits in mono if possible, especially the kick drum, though you should also use stereo effects or panning. If you record in stereo, the same phase cancellation issues you might encounter in a restaurant or similar setting could happen with the drums. I prefer having the drums as a single point in the middle of the mix. If you’re wondering how to use this information when recording or producing your own tracks, the key to a good drum mix is space. In most cases, it's better to record in mono to get a more robust sound that can then be placed in a stereo field during the audio editing process. If you have a stereo sample, if both left and right are the same, you effectively have a mono sample (correct me if i'm wrong, folks). I also find it gives them more power and allows more room.