Selmer Soloist Mouthpiece Review at Victor Kyla blog

Selmer Soloist Mouthpiece Review. I’ve always loved rich perry’s sound on tenor and always wanted to try a “vintage” selmer soloist. It’s very different than a link type mouthpiece. Even though its not my primary. The design of the selmer soloist is so interesting because the smaller chamber gives the sound a tighter more focused core to it. Hello, i'm thinking about purchasing selmer soloist, and i have several questions. On alto i've found the otto link tone edge hr amazing at a 5* opening. The opening really gets a versatility in different genres of music. 1) what's the difference between selmer soloist:. So in this video i'm going to be reviewing the selmer soloist f facing alto sax mouthpiece. I had this selmer soloist refaced to a.105 by brian powell. It’s hard to explain, it has more of a focus and core to the sound. Join uk saxophonist alastair penman as he discusses and demonstrates the selmer. I have played some with less of a rollover baffle that played much darker but still had that very tight core with a dark tone. The c* is a great little mouthpiece that gives me a nice soft but full sound. Vintage selmer soloist alto mouthpiece.

On alto i've found the otto link tone edge hr amazing at a 5* opening. So in this video i'm going to be reviewing the selmer soloist f facing alto sax mouthpiece. Vintage selmer soloist alto mouthpiece. I own a c* and a v16 for classical and jazz respectively. The opening really gets a versatility in different genres of music. It’s very different than a link type mouthpiece. Even though its not my primary. Hello, i'm thinking about purchasing selmer soloist, and i have several questions. 1) what's the difference between selmer soloist:. I’ve always loved rich perry’s sound on tenor and always wanted to try a “vintage” selmer soloist.

Selmer Soloist Review Good Jazz Mouthpiece??? YouTube

Selmer Soloist Mouthpiece Review I’ve always loved rich perry’s sound on tenor and always wanted to try a “vintage” selmer soloist. Vintage selmer soloist alto mouthpiece. I’ve always loved rich perry’s sound on tenor and always wanted to try a “vintage” selmer soloist. The c* is a great little mouthpiece that gives me a nice soft but full sound. I have played some with less of a rollover baffle that played much darker but still had that very tight core with a dark tone. It’s hard to explain, it has more of a focus and core to the sound. I own a c* and a v16 for classical and jazz respectively. On alto i've found the otto link tone edge hr amazing at a 5* opening. So in this video i'm going to be reviewing the selmer soloist f facing alto sax mouthpiece. It’s very different than a link type mouthpiece. I had this selmer soloist refaced to a.105 by brian powell. 1) what's the difference between selmer soloist:. The opening really gets a versatility in different genres of music. The design of the selmer soloist is so interesting because the smaller chamber gives the sound a tighter more focused core to it. Join uk saxophonist alastair penman as he discusses and demonstrates the selmer. Even though its not my primary.