Stieglitz Equivalents at Shannon Sessions blog

Stieglitz Equivalents. In 1922, while visiting his family estate on lake george in upstate new york, alfred stieglitz began work on equivalents, an extended photographic. Beginning in 1922, and then from 1923 to 1934, stieglitz pointed his lens toward the clouds above lake george, new york. Within a transcendentalist project, a direct equivalence can be drawn between stieglitz’s symbolic ordering of clouds and a. Equivalents of his feelings, “of the chaos of the world and his relationship to that chaos,” these cloud fragments form, through the practice of photography, a masterly metaphysical. He eventually made more than two hundred photographs. In the images that alfred stieglitz called equivalents, the great photographic pioneer experimented with his camera and darkroom techniques to create abstract fields of light. Through alfred stieglitz's dedicated photographic work of a half century, he tirelessly promoted photography as a fine art, gathering around him first pictorialist and then modernist.

The Alfred Stieglitz Collection Equivalent, 1927
from archive.artic.edu

In 1922, while visiting his family estate on lake george in upstate new york, alfred stieglitz began work on equivalents, an extended photographic. He eventually made more than two hundred photographs. Equivalents of his feelings, “of the chaos of the world and his relationship to that chaos,” these cloud fragments form, through the practice of photography, a masterly metaphysical. In the images that alfred stieglitz called equivalents, the great photographic pioneer experimented with his camera and darkroom techniques to create abstract fields of light. Through alfred stieglitz's dedicated photographic work of a half century, he tirelessly promoted photography as a fine art, gathering around him first pictorialist and then modernist. Within a transcendentalist project, a direct equivalence can be drawn between stieglitz’s symbolic ordering of clouds and a. Beginning in 1922, and then from 1923 to 1934, stieglitz pointed his lens toward the clouds above lake george, new york.

The Alfred Stieglitz Collection Equivalent, 1927

Stieglitz Equivalents Through alfred stieglitz's dedicated photographic work of a half century, he tirelessly promoted photography as a fine art, gathering around him first pictorialist and then modernist. Beginning in 1922, and then from 1923 to 1934, stieglitz pointed his lens toward the clouds above lake george, new york. In the images that alfred stieglitz called equivalents, the great photographic pioneer experimented with his camera and darkroom techniques to create abstract fields of light. Equivalents of his feelings, “of the chaos of the world and his relationship to that chaos,” these cloud fragments form, through the practice of photography, a masterly metaphysical. Within a transcendentalist project, a direct equivalence can be drawn between stieglitz’s symbolic ordering of clouds and a. In 1922, while visiting his family estate on lake george in upstate new york, alfred stieglitz began work on equivalents, an extended photographic. He eventually made more than two hundred photographs. Through alfred stieglitz's dedicated photographic work of a half century, he tirelessly promoted photography as a fine art, gathering around him first pictorialist and then modernist.

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