Ribbon Mic Drum Kit at Diana Schwartz blog

Ribbon Mic Drum Kit. The stereo r88mk2 ribbon mic captures sound as your ears hear it, with an honest and open tonality. A single ribbon mic above a drum set is the classic way to record a natural and focused sound of your instrument. The r84 is well known for its ability to capture. Alone, this channel of the r88 serves to capture only the pure reflections of the drum kit. The beyerdynamic m 160 is one of gearspace’ most loved ribbon microphones and a frequent recommendation for drum overheads. For years people have debated what the best mics. The ribbon element whose null is pointing towards the drum kit is considered the ‘side’ mic. An r88 deployed at a reasonable distance. Ribbon mics are great for drum overheads, capturing cymbals without the tizzy hype. Great overhead mics capture the entire picture of the drum kit, as well as adding a lot of body to the snare drum and toms. Ribbon microphones excel on drums. This distinctive looking mic presents a. They have an extremely natural sounding pickup, capturing the power, tone and nuance of.

They have an extremely natural sounding pickup, capturing the power, tone and nuance of. The stereo r88mk2 ribbon mic captures sound as your ears hear it, with an honest and open tonality. Alone, this channel of the r88 serves to capture only the pure reflections of the drum kit. A single ribbon mic above a drum set is the classic way to record a natural and focused sound of your instrument. For years people have debated what the best mics. This distinctive looking mic presents a. The beyerdynamic m 160 is one of gearspace’ most loved ribbon microphones and a frequent recommendation for drum overheads. Great overhead mics capture the entire picture of the drum kit, as well as adding a lot of body to the snare drum and toms. Ribbon microphones excel on drums. An r88 deployed at a reasonable distance.

How to Mic a Drum Kit

Ribbon Mic Drum Kit This distinctive looking mic presents a. The beyerdynamic m 160 is one of gearspace’ most loved ribbon microphones and a frequent recommendation for drum overheads. Great overhead mics capture the entire picture of the drum kit, as well as adding a lot of body to the snare drum and toms. The stereo r88mk2 ribbon mic captures sound as your ears hear it, with an honest and open tonality. The ribbon element whose null is pointing towards the drum kit is considered the ‘side’ mic. They have an extremely natural sounding pickup, capturing the power, tone and nuance of. A single ribbon mic above a drum set is the classic way to record a natural and focused sound of your instrument. An r88 deployed at a reasonable distance. The r84 is well known for its ability to capture. This distinctive looking mic presents a. Ribbon mics are great for drum overheads, capturing cymbals without the tizzy hype. Alone, this channel of the r88 serves to capture only the pure reflections of the drum kit. For years people have debated what the best mics. Ribbon microphones excel on drums.