Distortion Bass Frequencies at Evelyn Lejeune blog

Distortion Bass Frequencies. Distorting very low frequencies doesn’t always sound good, either because of making farty. The problem is that most distortion, overdrive and fuzz pedals are focused on the guitar’s frequency range, (around 80 hz to 1.2 khz) so all that deep low end that makes the bass so powerful gets cuts off at the knees. Distorting can cause loss of bass, often by design. Your second question is answered if you are reading the harmonic distortion plots. The trick to getting a distorted bass to sound good is usually to run two signals: If the low frequencies are too distorted you’ll lose the tightness of your attack and the precision with which you lock in with the kick drum. You're looking at the total harmonic distortion. A clean one and a dirty one.

Dynamic EQ + Distortion [BASS] Sound Design Breakdown YouTube
from www.youtube.com

Distorting very low frequencies doesn’t always sound good, either because of making farty. A clean one and a dirty one. Distorting can cause loss of bass, often by design. Your second question is answered if you are reading the harmonic distortion plots. You're looking at the total harmonic distortion. If the low frequencies are too distorted you’ll lose the tightness of your attack and the precision with which you lock in with the kick drum. The trick to getting a distorted bass to sound good is usually to run two signals: The problem is that most distortion, overdrive and fuzz pedals are focused on the guitar’s frequency range, (around 80 hz to 1.2 khz) so all that deep low end that makes the bass so powerful gets cuts off at the knees.

Dynamic EQ + Distortion [BASS] Sound Design Breakdown YouTube

Distortion Bass Frequencies The problem is that most distortion, overdrive and fuzz pedals are focused on the guitar’s frequency range, (around 80 hz to 1.2 khz) so all that deep low end that makes the bass so powerful gets cuts off at the knees. You're looking at the total harmonic distortion. If the low frequencies are too distorted you’ll lose the tightness of your attack and the precision with which you lock in with the kick drum. Distorting very low frequencies doesn’t always sound good, either because of making farty. Distorting can cause loss of bass, often by design. The problem is that most distortion, overdrive and fuzz pedals are focused on the guitar’s frequency range, (around 80 hz to 1.2 khz) so all that deep low end that makes the bass so powerful gets cuts off at the knees. Your second question is answered if you are reading the harmonic distortion plots. The trick to getting a distorted bass to sound good is usually to run two signals: A clean one and a dirty one.

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