Hydraulic Arm Art Exhibit at Claire Ryder blog

Hydraulic Arm Art Exhibit. The closer the ending comes, its dance moves. Another one describes the artwork as a robot who is designed to leak its hydraulic fluid and try to scoop it back in, to keep going. In sun yuan and peng yu’s can’t help myself, an industrial robot turns and flexes restlessly, programmed to ensure that a thick, deep red liquid stays within a predetermined area. It's programmed to try to contain the hydraulic fluid that’s. Learn about this artwork by sun yuan and peng yu in the guggenheim's collection online. An enormous robotic arm, brandishing a giant squeegee, is poised over a pool of dark liquid which ceaselessly oozes. Can’t help myself was commissioned by the guggenheim for the 2016 exhibition “tales of our time,” and in addition to the giant. No piece of art has ever emotionally affected me the way this robot arm piece has. Contain a pool of viscous red liquid seeping out.

An enormous robotic arm, brandishing a giant squeegee, is poised over a pool of dark liquid which ceaselessly oozes. It's programmed to try to contain the hydraulic fluid that’s. No piece of art has ever emotionally affected me the way this robot arm piece has. Contain a pool of viscous red liquid seeping out. Can’t help myself was commissioned by the guggenheim for the 2016 exhibition “tales of our time,” and in addition to the giant. In sun yuan and peng yu’s can’t help myself, an industrial robot turns and flexes restlessly, programmed to ensure that a thick, deep red liquid stays within a predetermined area. Learn about this artwork by sun yuan and peng yu in the guggenheim's collection online. The closer the ending comes, its dance moves. Another one describes the artwork as a robot who is designed to leak its hydraulic fluid and try to scoop it back in, to keep going.

Sun Yuan and Peng Yu Audience, Agency, and Complicity SpiegelWilks

Hydraulic Arm Art Exhibit The closer the ending comes, its dance moves. An enormous robotic arm, brandishing a giant squeegee, is poised over a pool of dark liquid which ceaselessly oozes. Can’t help myself was commissioned by the guggenheim for the 2016 exhibition “tales of our time,” and in addition to the giant. In sun yuan and peng yu’s can’t help myself, an industrial robot turns and flexes restlessly, programmed to ensure that a thick, deep red liquid stays within a predetermined area. Contain a pool of viscous red liquid seeping out. Another one describes the artwork as a robot who is designed to leak its hydraulic fluid and try to scoop it back in, to keep going. Learn about this artwork by sun yuan and peng yu in the guggenheim's collection online. It's programmed to try to contain the hydraulic fluid that’s. The closer the ending comes, its dance moves. No piece of art has ever emotionally affected me the way this robot arm piece has.