Face Jug Exhibition at Jamie Kingsbury blog

Face Jug Exhibition. Slave traders often targeted skilled laborers,. Emblazoned with features both grotesque and enigmatic, face jugs are a style of folk pottery. The functions and meanings of face vessels in the african american community were likely multiple and varied: Simone leigh, 107 (face jug series), 2019. Face jugs were made by african american slaves and freedmen working in potteries in the edgefield district of south carolina, an area of significant stoneware production in the. Decorative arts historians coined the. Used as whimsies, receptacles for water. Mcdowell cited david’s legacy and his writings as the reason he inscribes each of his face jugs, which have drawn increased attention from curators and art collectors in the past few years. Ceramic face jug by jim mcdowell. Face jugs have cultural roots in the anthropomorphized pottery of west africa. Known as face vessels, the jugs, cups, and pitchers in this exhibition, like the vessel pictured here, were powerful spiritual objects made by the edgefield potters for their own use. Mcdowell’s work has been exhibited at frieze los angeles art fair, at the noyes house in new canaan, connecticut, and several other galleries. Leigh’s sculptures are mysterious—they seem to stonewall the viewer, though. Saturday, may 04, 2013 — sunday, jul 07, 2013.

Museum of Art to show 19thcentury AfricanAmerican face jugs
from news.uga.edu

Slave traders often targeted skilled laborers,. Used as whimsies, receptacles for water. The functions and meanings of face vessels in the african american community were likely multiple and varied: Decorative arts historians coined the. Simone leigh, 107 (face jug series), 2019. Mcdowell’s work has been exhibited at frieze los angeles art fair, at the noyes house in new canaan, connecticut, and several other galleries. Face jugs were made by african american slaves and freedmen working in potteries in the edgefield district of south carolina, an area of significant stoneware production in the. Ceramic face jug by jim mcdowell. Leigh’s sculptures are mysterious—they seem to stonewall the viewer, though. Emblazoned with features both grotesque and enigmatic, face jugs are a style of folk pottery.

Museum of Art to show 19thcentury AfricanAmerican face jugs

Face Jug Exhibition Emblazoned with features both grotesque and enigmatic, face jugs are a style of folk pottery. Decorative arts historians coined the. Mcdowell’s work has been exhibited at frieze los angeles art fair, at the noyes house in new canaan, connecticut, and several other galleries. Used as whimsies, receptacles for water. Mcdowell cited david’s legacy and his writings as the reason he inscribes each of his face jugs, which have drawn increased attention from curators and art collectors in the past few years. Ceramic face jug by jim mcdowell. Saturday, may 04, 2013 — sunday, jul 07, 2013. Simone leigh, 107 (face jug series), 2019. Face jugs were made by african american slaves and freedmen working in potteries in the edgefield district of south carolina, an area of significant stoneware production in the. Slave traders often targeted skilled laborers,. Face jugs have cultural roots in the anthropomorphized pottery of west africa. Known as face vessels, the jugs, cups, and pitchers in this exhibition, like the vessel pictured here, were powerful spiritual objects made by the edgefield potters for their own use. Emblazoned with features both grotesque and enigmatic, face jugs are a style of folk pottery. The functions and meanings of face vessels in the african american community were likely multiple and varied: Leigh’s sculptures are mysterious—they seem to stonewall the viewer, though.

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