Red Komodo Anamorphic Frame Rates at Tayla Carr blog

Red Komodo Anamorphic Frame Rates. Experience the next evolution in digital cinema with the komodo. Everything is subject to change. Mateo tends to stick with 6k 24 fps in red raw the most. The red komodo shoots up to 6k at 50 frames per second (fps) and up to 120fps in 2k in redcode. The red komodo offers a 6k 3:2 1.6x recording mode when shooting raw. Talking through some of the anamorphic settings in. Sirui 50mm t2.9 1.6x on red komodo. Featuring a 6k global shutter sensor, komodo delivers unmatched cinematic quality. Moreover, the red komodo supports a 3:2 1.6x anamorphic mode when shooting in redcode raw. Technical specifications reflect both current and projected information. How to setup red komodo x for anamorphic filming.

RED’s KOMODOX comes with new sensor and higher frame rates Videomaker
from www.videomaker.com

Mateo tends to stick with 6k 24 fps in red raw the most. Featuring a 6k global shutter sensor, komodo delivers unmatched cinematic quality. Talking through some of the anamorphic settings in. Experience the next evolution in digital cinema with the komodo. Sirui 50mm t2.9 1.6x on red komodo. How to setup red komodo x for anamorphic filming. The red komodo shoots up to 6k at 50 frames per second (fps) and up to 120fps in 2k in redcode. Moreover, the red komodo supports a 3:2 1.6x anamorphic mode when shooting in redcode raw. The red komodo offers a 6k 3:2 1.6x recording mode when shooting raw. Everything is subject to change.

RED’s KOMODOX comes with new sensor and higher frame rates Videomaker

Red Komodo Anamorphic Frame Rates Moreover, the red komodo supports a 3:2 1.6x anamorphic mode when shooting in redcode raw. How to setup red komodo x for anamorphic filming. Talking through some of the anamorphic settings in. The red komodo shoots up to 6k at 50 frames per second (fps) and up to 120fps in 2k in redcode. Sirui 50mm t2.9 1.6x on red komodo. Everything is subject to change. Mateo tends to stick with 6k 24 fps in red raw the most. Moreover, the red komodo supports a 3:2 1.6x anamorphic mode when shooting in redcode raw. The red komodo offers a 6k 3:2 1.6x recording mode when shooting raw. Featuring a 6k global shutter sensor, komodo delivers unmatched cinematic quality. Experience the next evolution in digital cinema with the komodo. Technical specifications reflect both current and projected information.

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