Yves Klein Blue And Gold at Ila Young blog

Yves Klein Blue And Gold. He began to produce monochromes in 1954, eventually restricting himself to three colors: His gold monochromes, along with those executed in pink and his iconic international klein blue, became the central means by which the artist. For klein, color—particularly the most vivid shade of blue—represented a kind of freedom, an antidote to what he saw as the restrictive limits imposed by lines. New york artists virtually boycotted his show of monochrome paintings in “international klein blue” (his own patented formula of blue) at leo. Klein died at just 34, but his impact was profound. There’s a different facet of yves klein to discover—his unusual use of gold. Color enabled viewers to “bathe in a cosmic sensibility,” klein said. In 1956, klein debuted with a solo exhibition in paris called yves: This untitled monogold is a shallow relief created from plywood, sanded.

His gold monochromes, along with those executed in pink and his iconic international klein blue, became the central means by which the artist. New york artists virtually boycotted his show of monochrome paintings in “international klein blue” (his own patented formula of blue) at leo. This untitled monogold is a shallow relief created from plywood, sanded. In 1956, klein debuted with a solo exhibition in paris called yves: Klein died at just 34, but his impact was profound. There’s a different facet of yves klein to discover—his unusual use of gold. For klein, color—particularly the most vivid shade of blue—represented a kind of freedom, an antidote to what he saw as the restrictive limits imposed by lines. Color enabled viewers to “bathe in a cosmic sensibility,” klein said. He began to produce monochromes in 1954, eventually restricting himself to three colors:

YVES KLEIN (19281962), Petite Vénus Bleue Christie’s

Yves Klein Blue And Gold In 1956, klein debuted with a solo exhibition in paris called yves: There’s a different facet of yves klein to discover—his unusual use of gold. This untitled monogold is a shallow relief created from plywood, sanded. For klein, color—particularly the most vivid shade of blue—represented a kind of freedom, an antidote to what he saw as the restrictive limits imposed by lines. Klein died at just 34, but his impact was profound. He began to produce monochromes in 1954, eventually restricting himself to three colors: In 1956, klein debuted with a solo exhibition in paris called yves: Color enabled viewers to “bathe in a cosmic sensibility,” klein said. New york artists virtually boycotted his show of monochrome paintings in “international klein blue” (his own patented formula of blue) at leo. His gold monochromes, along with those executed in pink and his iconic international klein blue, became the central means by which the artist.