Block Printing Negative Space at Peter Dumas blog

Block Printing Negative Space. Block printing is all about creating a “relief” image, meaning the lines you carve out will become the negative space of your finished print. It will be the fabric showing through. If you carve out the negative space instead of the positive space on accident, your block will still work, but it will look completely. The positive area is the. The negative space is that which won’t be printed onto the fabric surface; As you begin to carve, plan out which areas you’d like to keep and which ones you want to remove to create your design. Today i’m sharing the process of creating my first reduction linoleum block print from sketchbook to final print. Take scraps of linoleum and run them along the side of your block when inking it up. A reduction print is made using one block (in this case linoleum). This will help keep the brayer from dipping down into the low areas of your block. Remember that in lino printing, the areas you carve away will represent the negative space (or the colour of the paper/substrate you print on). You can block off the negative space with a small piece of paper, cardstock or tape while inking the rest of the lino block. The process for printing on fabric is very similar to printing on paper, however in my opinion, block printing on fabric is much easier because you don’t have to worry about. This technique focuses on carving away large areas of the lino to create negative space, leaving only the main subject raised.

12 negative space drawings Mont Marte
from www.montmarte.com.au

You can block off the negative space with a small piece of paper, cardstock or tape while inking the rest of the lino block. A reduction print is made using one block (in this case linoleum). If you carve out the negative space instead of the positive space on accident, your block will still work, but it will look completely. It will be the fabric showing through. The positive area is the. The negative space is that which won’t be printed onto the fabric surface; The process for printing on fabric is very similar to printing on paper, however in my opinion, block printing on fabric is much easier because you don’t have to worry about. Take scraps of linoleum and run them along the side of your block when inking it up. This will help keep the brayer from dipping down into the low areas of your block. This technique focuses on carving away large areas of the lino to create negative space, leaving only the main subject raised.

12 negative space drawings Mont Marte

Block Printing Negative Space Remember that in lino printing, the areas you carve away will represent the negative space (or the colour of the paper/substrate you print on). Take scraps of linoleum and run them along the side of your block when inking it up. A reduction print is made using one block (in this case linoleum). You can block off the negative space with a small piece of paper, cardstock or tape while inking the rest of the lino block. Today i’m sharing the process of creating my first reduction linoleum block print from sketchbook to final print. The negative space is that which won’t be printed onto the fabric surface; If you carve out the negative space instead of the positive space on accident, your block will still work, but it will look completely. Block printing is all about creating a “relief” image, meaning the lines you carve out will become the negative space of your finished print. Remember that in lino printing, the areas you carve away will represent the negative space (or the colour of the paper/substrate you print on). The process for printing on fabric is very similar to printing on paper, however in my opinion, block printing on fabric is much easier because you don’t have to worry about. This will help keep the brayer from dipping down into the low areas of your block. It will be the fabric showing through. As you begin to carve, plan out which areas you’d like to keep and which ones you want to remove to create your design. The positive area is the. This technique focuses on carving away large areas of the lino to create negative space, leaving only the main subject raised.

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