Statue David Verrocchio at Brenda Edmonds blog

Statue David Verrocchio. Verrocchio's david, sculpted only a couple decades after donatello's version, is more real than idealized. In the 19th century, it was one of the most famous sculptures of. The stone, now missing, that david used to kill him was made separately and attached to the giant’s. Verrocchio’s bronze statue presents him as an elegant youth standing in triumph over the head of the giant goliath, the leader of the enemy philistines. With its finely detailed clothing and the startlingly naturalistic head of goliath, verrocchio's figure introduced a new realism. Verrocchio treated the grimacing face of goliath with remarkable compassion. The bronze was initially installed in palazzo vecchio in 1476. The statue represents the youthful david, future king of the israelites, triumphantly posed over the head of the slain goliath.

Verrocchio's David Bazzanti Art Gallery Florence
from www.galleriabazzanti.it

Verrocchio's david, sculpted only a couple decades after donatello's version, is more real than idealized. Verrocchio’s bronze statue presents him as an elegant youth standing in triumph over the head of the giant goliath, the leader of the enemy philistines. Verrocchio treated the grimacing face of goliath with remarkable compassion. The bronze was initially installed in palazzo vecchio in 1476. With its finely detailed clothing and the startlingly naturalistic head of goliath, verrocchio's figure introduced a new realism. The stone, now missing, that david used to kill him was made separately and attached to the giant’s. The statue represents the youthful david, future king of the israelites, triumphantly posed over the head of the slain goliath. In the 19th century, it was one of the most famous sculptures of.

Verrocchio's David Bazzanti Art Gallery Florence

Statue David Verrocchio The stone, now missing, that david used to kill him was made separately and attached to the giant’s. The statue represents the youthful david, future king of the israelites, triumphantly posed over the head of the slain goliath. With its finely detailed clothing and the startlingly naturalistic head of goliath, verrocchio's figure introduced a new realism. In the 19th century, it was one of the most famous sculptures of. Verrocchio's david, sculpted only a couple decades after donatello's version, is more real than idealized. Verrocchio’s bronze statue presents him as an elegant youth standing in triumph over the head of the giant goliath, the leader of the enemy philistines. The stone, now missing, that david used to kill him was made separately and attached to the giant’s. Verrocchio treated the grimacing face of goliath with remarkable compassion. The bronze was initially installed in palazzo vecchio in 1476.

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