Parallel Compression Kick And Bass at Sandra Mcgregor blog

Parallel Compression Kick And Bass. Compressing your bass and kick together is a good idea because it can help to glue your low end together. The end result works nicely for kick drums, bass drops and pretty much any drum samples. With parallel compression you can easily control the dynamics of an instrument without making it sound like it’s been compressed. Parallel compression on a kick drum can add depth, power, and excitement to your drum mix by blending a heavily compressed signal with the original, uncompressed signal. In other words, it’s great at natural compression. To make this work for you when creating a rhythm foundation, try feeding the same parallel compressor from just the kick drum and bass. It's also a great idea to use multiband compression when mixing your bass and kick so. For club music this technique can allow the kick to punch through the midrange speakers, while still having a huge low end on the subwoofers. The basic technique involves using. You can sidechain the kick and bass to ensure the kick is always punchy throughout the entire song. It’s also really helpful if you want to make an instrument punch through a mix. Sidechain compression is a powerful tool for creating space in the mix for kick and bass.

With parallel compression you can easily control the dynamics of an instrument without making it sound like it’s been compressed. Parallel compression on a kick drum can add depth, power, and excitement to your drum mix by blending a heavily compressed signal with the original, uncompressed signal. Sidechain compression is a powerful tool for creating space in the mix for kick and bass. For club music this technique can allow the kick to punch through the midrange speakers, while still having a huge low end on the subwoofers. You can sidechain the kick and bass to ensure the kick is always punchy throughout the entire song. To make this work for you when creating a rhythm foundation, try feeding the same parallel compressor from just the kick drum and bass. Compressing your bass and kick together is a good idea because it can help to glue your low end together. In other words, it’s great at natural compression. The basic technique involves using. The end result works nicely for kick drums, bass drops and pretty much any drum samples.

HOW TO SIDE CHAIN KICK AND BASS USING A COMPRESSOR AND EQ YouTube

Parallel Compression Kick And Bass To make this work for you when creating a rhythm foundation, try feeding the same parallel compressor from just the kick drum and bass. For club music this technique can allow the kick to punch through the midrange speakers, while still having a huge low end on the subwoofers. Sidechain compression is a powerful tool for creating space in the mix for kick and bass. With parallel compression you can easily control the dynamics of an instrument without making it sound like it’s been compressed. It's also a great idea to use multiband compression when mixing your bass and kick so. Compressing your bass and kick together is a good idea because it can help to glue your low end together. The basic technique involves using. The end result works nicely for kick drums, bass drops and pretty much any drum samples. Parallel compression on a kick drum can add depth, power, and excitement to your drum mix by blending a heavily compressed signal with the original, uncompressed signal. To make this work for you when creating a rhythm foundation, try feeding the same parallel compressor from just the kick drum and bass. It’s also really helpful if you want to make an instrument punch through a mix. In other words, it’s great at natural compression. You can sidechain the kick and bass to ensure the kick is always punchy throughout the entire song.