Ribbon Mic Overhead Placement at Curtis Sweet blog

Ribbon Mic Overhead Placement. When recording drums overhead, try positioning an r44 roughly 4 to 6 feet from the ground, above the kit. The two ribbon elements are angled at 90 degrees and mounted in close proximity to each other along the vertical axis of the microphone. Learn to mix better than ever. It’s possible to set up a blumlein configuration. This placement delivers a balanced blend of. Then, two condenser or ribbon. The second mic, usually a ribbon or dynamic microphone, is positioned a few inches above the snare drum to capture the crack and sizzle. You could start by simply centering the overhead mics over the drum kit using an x/y or ortf pair (note:.

A Quick & Easy 4Mic Setup for Drum Kits Sound Pure
from www.soundpure.com

The two ribbon elements are angled at 90 degrees and mounted in close proximity to each other along the vertical axis of the microphone. It’s possible to set up a blumlein configuration. You could start by simply centering the overhead mics over the drum kit using an x/y or ortf pair (note:. The second mic, usually a ribbon or dynamic microphone, is positioned a few inches above the snare drum to capture the crack and sizzle. Learn to mix better than ever. This placement delivers a balanced blend of. Then, two condenser or ribbon. When recording drums overhead, try positioning an r44 roughly 4 to 6 feet from the ground, above the kit.

A Quick & Easy 4Mic Setup for Drum Kits Sound Pure

Ribbon Mic Overhead Placement Learn to mix better than ever. It’s possible to set up a blumlein configuration. The two ribbon elements are angled at 90 degrees and mounted in close proximity to each other along the vertical axis of the microphone. You could start by simply centering the overhead mics over the drum kit using an x/y or ortf pair (note:. Learn to mix better than ever. This placement delivers a balanced blend of. When recording drums overhead, try positioning an r44 roughly 4 to 6 feet from the ground, above the kit. The second mic, usually a ribbon or dynamic microphone, is positioned a few inches above the snare drum to capture the crack and sizzle. Then, two condenser or ribbon.

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