A Statue Thinking at Benita Tilley blog

A Statue Thinking. In the late 1880s rodin began to exhibit the figure, sometimes with the title poet, other times as poet/thinker. The thinker was made to sit over the lintel of rodin’s monumental bronze doorway, the gates of hell, contemplating the fate of. The thinker revolutionized the idea of what a complete, finished statue was supposed to look like. While remaining in place on the monumental gates of hell, the thinker was exhibited individually in 1888 and thus became an independent work. Many marble and bronze editions in several sizes were. On view at the met fifth avenue in gallery 800. By 1896, however, it had become. Enlarged in 1904, its colossal version. Seated on the tympanon of 'the gates of hell', 'the thinker' watches the whole scene of the inferno,.

Thinking man statue illustration Auguste Rodin's The Thinker 5291823
from www.vecteezy.com

Enlarged in 1904, its colossal version. Seated on the tympanon of 'the gates of hell', 'the thinker' watches the whole scene of the inferno,. While remaining in place on the monumental gates of hell, the thinker was exhibited individually in 1888 and thus became an independent work. On view at the met fifth avenue in gallery 800. The thinker was made to sit over the lintel of rodin’s monumental bronze doorway, the gates of hell, contemplating the fate of. By 1896, however, it had become. The thinker revolutionized the idea of what a complete, finished statue was supposed to look like. Many marble and bronze editions in several sizes were. In the late 1880s rodin began to exhibit the figure, sometimes with the title poet, other times as poet/thinker.

Thinking man statue illustration Auguste Rodin's The Thinker 5291823

A Statue Thinking By 1896, however, it had become. The thinker was made to sit over the lintel of rodin’s monumental bronze doorway, the gates of hell, contemplating the fate of. On view at the met fifth avenue in gallery 800. Seated on the tympanon of 'the gates of hell', 'the thinker' watches the whole scene of the inferno,. By 1896, however, it had become. In the late 1880s rodin began to exhibit the figure, sometimes with the title poet, other times as poet/thinker. While remaining in place on the monumental gates of hell, the thinker was exhibited individually in 1888 and thus became an independent work. Many marble and bronze editions in several sizes were. Enlarged in 1904, its colossal version. The thinker revolutionized the idea of what a complete, finished statue was supposed to look like.

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