Electric Viola Velvet Underground at Gertrude Westley blog

Electric Viola Velvet Underground. The song has a song years (if not decades) ahead of its time with pleasant, melodic, strummed electric guitar and a droning electric viola that builds to a frenzied crescendo. A limited anatomy of simple percussion, electric guitar, and john cale's famous droning viola keeps the song humble, but it is the dynamic. It’s the band’s most genius composition, both lyrically and instrumentally, as cale and reed jam back and forth in a droning landscape of erratic percussion, two electric. But one of the musicians on the recording date was the classically trained viola player john cale, who soon joined forces with reed, guitarist. For its 45th anniversary it's been reissued in expanded, remastered form, and listening to white light/white heat now, it doesn't quite fit the template of its legend. The key elements of the velvet underground's sound were in place at summit high:

The Velvet Underground 'Loaded' album review
from faroutmagazine.co.uk

For its 45th anniversary it's been reissued in expanded, remastered form, and listening to white light/white heat now, it doesn't quite fit the template of its legend. The song has a song years (if not decades) ahead of its time with pleasant, melodic, strummed electric guitar and a droning electric viola that builds to a frenzied crescendo. But one of the musicians on the recording date was the classically trained viola player john cale, who soon joined forces with reed, guitarist. A limited anatomy of simple percussion, electric guitar, and john cale's famous droning viola keeps the song humble, but it is the dynamic. It’s the band’s most genius composition, both lyrically and instrumentally, as cale and reed jam back and forth in a droning landscape of erratic percussion, two electric. The key elements of the velvet underground's sound were in place at summit high:

The Velvet Underground 'Loaded' album review

Electric Viola Velvet Underground But one of the musicians on the recording date was the classically trained viola player john cale, who soon joined forces with reed, guitarist. The key elements of the velvet underground's sound were in place at summit high: It’s the band’s most genius composition, both lyrically and instrumentally, as cale and reed jam back and forth in a droning landscape of erratic percussion, two electric. The song has a song years (if not decades) ahead of its time with pleasant, melodic, strummed electric guitar and a droning electric viola that builds to a frenzied crescendo. A limited anatomy of simple percussion, electric guitar, and john cale's famous droning viola keeps the song humble, but it is the dynamic. But one of the musicians on the recording date was the classically trained viola player john cale, who soon joined forces with reed, guitarist. For its 45th anniversary it's been reissued in expanded, remastered form, and listening to white light/white heat now, it doesn't quite fit the template of its legend.

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