Small Diaphragm Condenser On Guitar Cab at Ann Kennedy blog

Small Diaphragm Condenser On Guitar Cab. if you’re finding it difficult to capture the true essence of your guitar’s sound in your studio, the answer might just lie in learning how to mic an amp with a condenser mic. looking for suggestions on sdc's that can also work on guitar amps. one real effect is that at a given source distance, the dual diaphragm capsule has a polar response that is less. The condenser is for the highs. A large diaphragm dynamic is best, because it can pick up more bass than a small diaphragm dynamic. Place each mic as close to each speaker as possible, in order to get a dry sound. i’m trying to record a 83 jcm800 into marshall 4x12 guitar cabinet with a sm57 and a shure ksm 109. I’ll be using a lot of. I always close mic with a dynamic (57,. This one change can revolutionize your recordings, offering a level of detail and clarity that dynamic mics can’t match. If the cab has two speakers, use a dynamic mic on one speaker and a condenser mic (set to cardioid) on the other.

one real effect is that at a given source distance, the dual diaphragm capsule has a polar response that is less. A large diaphragm dynamic is best, because it can pick up more bass than a small diaphragm dynamic. This one change can revolutionize your recordings, offering a level of detail and clarity that dynamic mics can’t match. I’ll be using a lot of. i’m trying to record a 83 jcm800 into marshall 4x12 guitar cabinet with a sm57 and a shure ksm 109. looking for suggestions on sdc's that can also work on guitar amps. The condenser is for the highs. I always close mic with a dynamic (57,. If the cab has two speakers, use a dynamic mic on one speaker and a condenser mic (set to cardioid) on the other. if you’re finding it difficult to capture the true essence of your guitar’s sound in your studio, the answer might just lie in learning how to mic an amp with a condenser mic.

Shure SM81 Small Diaphragm Condenser Microphone w/ Box Drugan's Drums

Small Diaphragm Condenser On Guitar Cab I always close mic with a dynamic (57,. The condenser is for the highs. This one change can revolutionize your recordings, offering a level of detail and clarity that dynamic mics can’t match. looking for suggestions on sdc's that can also work on guitar amps. if you’re finding it difficult to capture the true essence of your guitar’s sound in your studio, the answer might just lie in learning how to mic an amp with a condenser mic. Place each mic as close to each speaker as possible, in order to get a dry sound. one real effect is that at a given source distance, the dual diaphragm capsule has a polar response that is less. i’m trying to record a 83 jcm800 into marshall 4x12 guitar cabinet with a sm57 and a shure ksm 109. A large diaphragm dynamic is best, because it can pick up more bass than a small diaphragm dynamic. I always close mic with a dynamic (57,. I’ll be using a lot of. If the cab has two speakers, use a dynamic mic on one speaker and a condenser mic (set to cardioid) on the other.