Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in constant tension: the push for softer, more breathable prints that people actually take pleasure in wearing, and the need to produce at scale without compromising the environment or the bottom line. That tension has actually shaped how I choose inks, pretreatments, and fabrics for customized clothing projects. Over the years, I have actually learned that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce gorgeous outcomes and genuine comfort, particularly for T shirt printing that needs to stand up to day-to-day wear.
If you run a brand, manage bulk t t-shirt orders, or just want your tailored t-shirts to feel like a favorite from the first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The ideal option can make the distinction between a t-shirt that gets worn once and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a film, water based inks absorb into the fibers. That single characteristic discusses most of the advantages and trade-offs. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is typically identical from the shirt itself. For custom-made t t-shirts designed for comfort, this is the path to the "retail feel" customers ask for.
There are 2 main households: standard water based and discharge. Standard water based ink works best on white or very light shirts. It can cover mid-tones with the right base, once you move into darker materials, you either require a much heavier print or you change to release. Discharge printing uses an activator that raises the dye from the fabric during curing, basically whitening the shirt's dye in the printed areas, then replaces it with your pigment. The end result is the softest possible print on dark cotton, frequently with exceptional detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks usually contain fewer unpredictable organic compounds than solvent-heavy options and prevent PVC entirely. Many are compliant with rigorous requirements like Oeko-Tex or satisfy retail testing programs that ban particular phthalates and heavy metals. If you offer customized apparel into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system principle. Ink is one part. You likewise require to take a look at shop practices: filtering on your washout booth, recover chemistry, energy use on your clothes dryer, and even fabric sourcing. Discharge requires an activator, generally based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run store, exposure is controlled and waste is caught. If you're using print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls called in. Genuine sustainability hides in the details.
Most people do not purchase a graphic tee because they enjoy the ink. They purchase it because the garment looks great, feels good, and keeps that character after repeated washing. Water based inks, consisting of discharge, give you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes get from heavy plastisol when you extend across the chest.
I keep a rack of contrast t-shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under extreme light, which some streetwear clients choose, but the user feedback corresponds: water based seems like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a determined ink mix and a Jacksonville Custom t shirts tidy mesh. On darker cotton, discharge adds T shirt printing variables. Different dye lots discharge differently, even within the very same brand and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the last color, however you're still working with a background that is shifting as the dye is removed.
That's not a flaw, it's part of the medium. Many designers welcome the slightly classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color recreation for business logos, either order test prints on the precise batch you plan to utilize or think about a water based underbase or hybrid approach where required. For wholesale t shirts that will be dispersed nationally, put example approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just lifts the cotton part. That suggests your color saturates the cotton while the polyester and rayon remain as-is, often yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, vibrant color on a poly blend, standard plastisol or a specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees presents joints, folds, and irregular pressure that show up as blank micro-gaps. If you need to print on ended up garments, anticipate little spaces along seams, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry quicker in the screen, which is useful on fabric but can lock a mesh if you pause too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting option at hand, and keep the print space humidity in a consistent variety, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will discover how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and constant rate, minimize clogging.
Curing is where numerous beginners fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with sufficient air flow makes the distinction. You desire even heat across the belt and sufficient dwell to reach the maker's remedy temperature level throughout the ink layer, not simply at the surface. T-shirts leaving the tunnel needs to be dry to the touch without any cool areas. For discharge, the chemical reaction occurs during this treatment, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends upon proper cure and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and cracking. Water based prints show progressive softening and a gentle fade in the exact same method jeans relaxes. Plastisol's failure mode is different, generally breaking if the ink layer is too thick or under-cured. For personalized t-shirts that need to look proficient at a family reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs vary regionally, but the economics fall into familiar patterns. Water based ink itself is frequently similar to plastisol at the gallon level, but you invest more in store environment and drying capacity. On press, water based can be somewhat slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, cars run at similar speeds. Where it actually pays off remains in perceived value. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art suits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that needs overnight turn-around and art modifications continuously, direct-to-garment or DTF might be better operationally, though both have their own ecological and feel compromises. When you take on wholesale t shirts with numerous colorways and must keep stock flexible, a versatile water based scheme on light garments is effective, because you avoid the weight and tightness that accumulate with multiple underbases in plastisol.
Design preparation starts with the material color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can complete with discharge, specifically on high-absorbency cotton. If you require razor negative area, separate the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment rather than trusting a digital mockup. A mockup can not record fiber interplay and color lift.
There are times I recommend versus discharge. Polyester-rich garments are top of the list. The activator can trigger color migration, particularly with sublimated or cationic-dyed efficiency t-shirts, resulting in ghosting or brownish casts. Some garment dyes, specifically reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to minor smell during curing, discharge days in the shop are visible. Well-managed air flow mitigates this, but it belongs to the process.
If a customer requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles frequently sink, and the impact is more satin than real metal. For high-opacity neons on dark shirts that should be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that gets rid of uncertainty. A basic method keeps surprises at bay and assists you hit due dates for launches and events.
Print as needed has its own restraints: quick art changes, small batch sizes, and the requirement for a broad color gamut. Direct-to-garment has ended up being the default, however water based screen printing can fit POD if you arrange brochure method. For designs that are high volume even at little day-to-day amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel much better than lots of DTG outputs. It works best when you keep art to one or two colors and choose light garments.
If your POD design relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who care about touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol job, I describe what they are purchasing. They get the soft hand that retail clients correspond with quality, improved breathability, and compliance for sensitive buyers. On a per-shirt basis, the difference for a standard three-color front hit might be modest, often a small uplift that can be neutralized by choosing a slightly more affordable blank. If the program is for wholesale t shirts going into shops or e-commerce at superior price points, the improvement in perceived worth more than covers the change.
For customized t-shirts, such as charity runs or college clubs, alternatives matter. Offer a base price with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Fulfilling both lets you serve a wider market without diluting your craft.
Care labels often read like legal disclaimers. Keep it easy and practical so the shirt makes it through reality. Water based and discharge prints choose cooler washes and lower clothes dryer heat, but they will withstand regular laundering if properly treated. I suggest phrasing care suggestions in human terms on item pages: wash cold with comparable colors, topple dry low, avoid fabric conditioners if you want colors to remain crisp. The last note matters since some softeners can transfer films on fibers, dulling the visual contrast of great lines.
I have actually evaluated these directions in-house: 2 identical t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little quicker fading of mid-tones, yet still looked good. That tolerance originates from appropriate treatment, not from babying the garment.
All over print captures attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Rather of battling seams, style for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and stitch. Brands that offer limited runs can justify cut-and-sew for 100 to 300 pieces if the style requires it. The completed garments read as custom-made from a range, which is the goal.
One spring we ran a series for a regional music festival. The client desired soft black tees with a sunburst print that felt like it lived in the material. We tested on 3 blacks from two mills. Batch one lifted cleanly with discharge, batch two stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the reaction. The result: constant tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the crew to treat discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink household. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never struck the needed temp for the ideal period. Use a donut probe or an ingrained thermochromic strip to determine true ink film temperature level, not just clothes dryer setpoints. Screen lockup is the 2nd. Keep a constant rate on press, flood between prints, and control store humidity.
A 3rd risk is disregarding fabric irregularity. If you change blanks mid-run due to the fact that a size is out of stock, you may see shifts in color. Build contingency into your getting. For brand names preparing ahead, picking a basic blank and locking it with your supplier reduces surprises.
If your priority is soft, breathable custom apparel that clients keep using, water based inks deserve the learning curve. Usage basic water based on light garments for clean detail and matte color. Move to discharge on 100 percent cotton when you want the softest prints on dark t-shirts. Accept and prepare for slight color variance with discharge, particularly throughout dye lots. For bulk t t-shirt orders, integrate in a single round of physical sampling on the actual blanks you will utilize, then record your settings and hold back a recommendation shirt for quality control.
If you operate a print on demand brochure, carve out a water based capsule of finest sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a customer rubs their thumb across a print and feels nothing but fiber, you have actually won. That's the minute water based and discharge provide, and why they are worthy of a location in any major shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515