Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in consistent tension: the push for softer, more breathable prints that people actually enjoy wearing, and the need to produce at scale without compromising the environment or the bottom line. That stress has actually shaped how I choose inks, pretreatments, and materials for custom apparel jobs. Over the years, I've found out that water based inks and discharge printing are not just buzzwords, they are useful tools that produce lovely results and real convenience, specifically for T shirt printing that needs to stand up to day-to-day wear.
If you run a brand name, handle bulk t shirt orders, or simply want your individualized shirts to seem like a preferred from the very first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The right option can make the distinction between a t-shirt that gets used as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a movie, water based inks soak up into the fibers. That single characteristic discusses most of the advantages and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often identical from the shirt itself. For customized t t-shirts created for convenience, this is the course to the "retail feel" customers ask for.
There are two main households: standard water based and discharge. Basic water based ink works best on white or really light shirts. It can cover mid-tones with the right base, once you move into darker materials, you either need a heavier print or you change to discharge. Discharge printing utilizes an activator that raises the color from the material during treating, basically bleaching the t-shirt's color in the printed areas, then changes it with your pigment. The end result is the softest possible print on dark cotton, frequently with outstanding detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks typically consist of fewer unpredictable organic substances than solvent-heavy alternatives and avoid PVC completely. Many are compliant with stringent requirements like Oeko-Tex or meet retail screening regimes that ban particular phthalates and heavy metals. If you offer customized clothing into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.

That said, "eco friendly" is a system principle. Ink is one part. You likewise require to look at store practices: filtration on your washout cubicle, recover chemistry, energy usage on your dryer, and even fabric sourcing. Discharge requires an activator, generally based on zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run shop, direct exposure is controlled and waste is captured. If you're utilizing print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability hides in the details.
Most people do not buy a graphic tee since they enjoy the ink. They buy it because the garment looks excellent, feels excellent, and keeps that character after duplicated washing. Water based inks, consisting of discharge, provide you that broken-in convenience from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases receive from heavy plastisol when you extend across the chest.
I keep a rack of contrast t-shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear customers prefer, however the wearer feedback corresponds: water based feels like a premium garment.
Color accuracy with water based inks refers control, humidity, and the material's own dye. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge adds variables. Different dye lots discharge in a different way, even within the very same brand name and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the last color, but you're still dealing with a background that is shifting as the color is removed.
That's not a flaw, it's part of the medium. Numerous designers embrace the slightly vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color reproduction for business logos, either order test prints on the exact batch you prepare to use or think about a water based underbase or hybrid approach where needed. For wholesale t t-shirts that will be distributed nationally, put swatch approvals into your process so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only lifts the cotton part. That indicates your color saturates the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks intentional if you style for it. If your goal is flat, brilliant color on a poly mix, traditional plastisol or a specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees introduces joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on completed garments, anticipate small voids along joints, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry quicker in the screen, which is useful on fabric but can lock a mesh if you stop briefly too long. Running a greater mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting service at hand, and keep the print room humidity in a steady variety, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will discover how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and consistent pace, minimize clogging.
Curing is where numerous novices fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with sufficient airflow makes the difference. You desire even heat across the belt and enough dwell to reach the producer's remedy temperature throughout the ink layer, not just at the surface. T-shirts exiting the tunnel needs to be dry to the touch with no cool areas. For discharge, the chain reaction takes place during this treatment, and you will smell the activator. Great ventilation is non-negotiable.

Durability depends on appropriate treatment and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and cracking. Water based prints show gradual softening and a mild fade in the same way jeans unwinds. Plastisol's failure mode is various, usually cracking if the ink layer is too thick or under-cured. For tailored t-shirts that need to look proficient at a household reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs vary regionally, however the economics fall into familiar patterns. Water based ink itself is frequently similar to plastisol at the gallon level, however you invest more in shop environment and drying capability. On press, water based can be a little slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. As soon as tuned, cars run at similar speeds. Where it actually settles is in viewed worth. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art fits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs over night turn-around and art modifications continuously, direct-to-garment or DTF may be much better operationally, though both have their own ecological and feel compromises. When you handle wholesale t t-shirts with multiple colorways and should keep inventory versatile, a flexible water based scheme on light garments is efficient, considering that you avoid the weight and stiffness that accumulate with multiple underbases in plastisol.
Design planning starts with the material color and ends with treating. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill in with discharge, particularly on high-absorbency cotton. If you require razor unfavorable area, different the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment instead of relying on a digital mockup. A mockup can not catch fiber interplay and color lift.
There are times I recommend versus discharge. Polyester-rich garments are leading of the list. The activator can cause color migration, specifically with sublimated or cationic-dyed efficiency t-shirts, leading to ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor odor throughout treating, discharge days in the shop are obvious. Well-managed air flow mitigates this, but it becomes part of the process.
If a client needs metallics, puff, or specialized textures, plastisol or CMYK+white printing hybrid systems still own that area. Water based metallics exist, but the particles often sink, and the result is more satin than true metal. For high-opacity neons on dark shirts that must be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that gets rid of uncertainty. A basic approach keeps surprises at bay and helps you hit deadlines for launches and events.
Print as needed has its own restrictions: quick art modifications, small batch sizes, and the need for a broad color gamut. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you organize catalog technique. For designs that are high volume even at small day-to-day quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver exact same day with water based prints that feel better than lots of DTG outputs. It works finest when you keep art to one or two colors and choose light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol job, I discuss what they are buying. They get the soft hand that retail consumers relate with quality, improved breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a basic three-color front hit may be modest, typically a small uplift that can be neutralized by choosing a somewhat more affordable blank. If the program is for wholesale t shirts going into stores or e-commerce at premium price points, the improvement in perceived value more than covers the change.
For individualized shirts, such as charity runs or college clubs, alternatives matter. Deal a base rate with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Satisfying both lets you serve a broader market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it simple and reasonable so the shirt survives reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will withstand normal laundering if appropriately cured. I recommend phrasing care suggestions in human terms on item pages: wash cold with similar colors, topple dry low, avoid material conditioners if you desire colors to remain crisp. The last note matters because some conditioners can transfer films on fibers, dulling the visual contrast of fine lines.
I have actually evaluated these directions in-house: 2 identical shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little quicker fading of mid-tones, yet still looked excellent. That tolerance originates from appropriate cure, not from babying the garment.
All over print captures attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Rather of combating seams, style for them. Usage tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brands that sell limited runs can justify cut-and-sew for 100 to 300 pieces if the style requires it. The finished garments read as custom from a distance, which is the goal.
One spring we ran a series for a regional music celebration. The customer wanted soft black tees with a sunburst print that seemed like it resided in the material. We tested on 3 blacks from two mills. Batch one raised easily with discharge, batch two remained stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the reaction. The result: constant tees across 2,400 units, each with a soft, breathable print that offered out by day two.

That job taught the crew to treat discharge like cooking, not chemistry on a chalkboard. The recipe matters, however so does tasting and adjusting.
Most problems I see trace back to process, not the ink household. white ink underbase Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temp for the best period. Utilize a donut probe or an ingrained thermochromic strip to measure real ink movie temperature level, not just clothes dryer setpoints. Screen lockup is the 2nd. Keep a consistent pace on press, flood in between prints, and control store humidity.
A third pitfall is ignoring fabric variability. If you change blanks mid-run due to the fact that a size runs out stock, you may see shifts in color. Build contingency into your getting. For brand names planning ahead, picking a standard blank and locking it with your provider reduces surprises.
If your priority is soft, breathable customized garments that consumers keep wearing, water based inks are worth the learning curve. Use basic water based on light garments for tidy information and matte color. Transfer to release on one hundred percent cotton when you want the softest prints on dark shirts. Accept and plan for small color difference with discharge, especially throughout color lots. For bulk t shirt orders, build in a single round of physical sampling on the actual blanks you will utilize, then record your settings and keep back a reference t-shirt for quality control.
If you run a print on demand brochure, carve out a water based capsule of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your shirt embroidery specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not simply on screens. When a consumer rubs their thumb throughout a print and feels absolutely nothing however fiber, you have actually won. That's the minute water based and discharge provide, and why they deserve a location in any major shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515