Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that people in fact enjoy wearing, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That stress has actually shaped how I choose inks, pretreatments, and fabrics for customized apparel tasks. Over the years, I have actually discovered that water based inks and discharge printing are not just buzzwords, they are useful tools that produce beautiful results and real convenience, especially for T shirt printing that requires to stand up to everyday wear.
If you run a brand name, handle bulk t shirt orders, or simply want your customized t-shirts to feel like a favorite from the first wash, it's worth understanding how these ink systems work, where they shine, and where they require care. The best choice can make the distinction in between a shirt that gets used when and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a movie, water based inks soak up into the fibers. That single characteristic discusses the majority of the benefits and compromises. Prints feel soft since you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and integrated. On light garments, the hand is often identical from the shirt itself. For custom-made t shirts developed for comfort, this is the course to the "retail feel" customers ask for.

There are 2 primary households: basic water based and discharge. Standard water based ink works best on white or extremely light shirts. It can cover mid-tones with the ideal base, once you move into darker fabrics, you either need a heavier print or you switch to discharge. Discharge printing uses an activator that lifts the dye from the material during treating, essentially bleaching the shirt's dye in the printed areas, then changes it with your pigment. Completion outcome is the softest possible print on dark cotton, frequently with exceptional detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks generally consist of less volatile natural substances than solvent-heavy options and prevent PVC completely. Numerous are certified with rigorous requirements like Oeko-Tex or meet retail testing programs that prohibit particular phthalates and heavy metals. If you sell custom clothing into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You also need to take a look at shop practices: filtration on your washout cubicle, reclaim chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge needs an activator, normally based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run store, exposure is controlled and waste is recorded. If you're using print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls called in. Real sustainability conceals in the details.
Most people do not purchase a graphic tee since they like the ink. They purchase it because the garment looks excellent, feels good, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, offer you that broken-in comfort from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you in some cases obtain from heavy plastisol when you extend throughout the chest.
I keep a shelf of contrast shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under severe light, which some streetwear customers choose, however the wearer feedback is consistent: water based feels like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light shirts, standard water based ink can strike tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge adds variables. Different dye lots discharge in a different way, even within the very same brand and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the final color, however you're still dealing with a background that is shifting monogramming as the dye is removed.
That's not a flaw, it becomes part of the medium. Lots of designers embrace the a little classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand needs laser-precise color reproduction for corporate logos, either order test prints on the exact batch you plan to use or consider a water based underbase or hybrid method where needed. For wholesale cotton t-shirt printing t shirts that will be distributed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just raises the cotton portion. That implies your color fills the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, brilliant color on a poly blend, conventional plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you need to print on completed garments, expect small voids along seams, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry quicker in the screen, which works on fabric but can lock a mesh if you stop briefly too long. Running a greater mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting solution at hand, and keep the print space humidity in a stable range, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will observe how quickly a basic water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and constant pace, reduce clogging.
Curing is where numerous novices fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with enough airflow makes the difference. You desire even heat across the belt and sufficient dwell to reach the producer's remedy temperature level throughout the ink layer, not simply at the surface. Shirts exiting the tunnel needs to be dry to the touch without any cool areas. For discharge, the chemical reaction occurs during this cure, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on correct treatment and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and cracking. Water based prints reveal progressive softening and a mild fade in the very same way denim unwinds. Plastisol's failure mode is different, typically cracking if the ink layer is too thick or under-cured. For tailored shirts that need to look good at a family reunion and still be in rotation next summer season, water based holds up when produced correctly.

Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is often similar to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be slightly slower at setup since you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, vehicles run at similar speeds. Where it truly settles remains in perceived value. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art matches the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs overnight turn-around and art changes constantly, direct-to-garment or DTF may be much better operationally, though both have their own ecological and feel trade-offs. When you handle wholesale t shirts with multiple colorways and must keep stock versatile, a versatile water based scheme on light garments is efficient, since you prevent the weight and tightness that collect with numerous underbases in plastisol.
Design planning begins with the fabric color and ends with treating. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill out with discharge, especially on high-absorbency cotton. If you require razor unfavorable area, separate the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment instead of relying on a digital mockup. A mockup can not record fiber interplay and dye lift.
There are times I advise versus discharge. Polyester-rich garments are top of the list. The activator can cause color migration, particularly with sublimated or cationic-dyed efficiency t-shirts, resulting in ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor smell during treating, discharge days in the shop are noticeable. Well-managed air flow alleviates this, but it is part of the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles typically sink, and the result is more satin than real metal. For high-opacity neons on dark shirts that must be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that gets rid of guesswork. A basic approach keeps surprises at bay and assists you hit due dates for launches and events.
Print as needed has its own restrictions: quick art changes, little batch sizes, and the requirement for a broad color range. Direct-to-garment has ended up being the default, but water based screen printing can fit POD if you organize catalog method. For styles that are high volume even at small everyday amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship very same day with water based prints that feel better than numerous DTG outputs. It works best when you keep art to one or two colors and choose light garments.
If your POD design relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who care about touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol task, I describe what they are purchasing. They get the soft hand that retail clients relate with quality, enhanced breathability, and compliance for sensitive purchasers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, often a small uplift that can be neutralized by choosing a slightly more affordable blank. If the program is for wholesale t shirts going into stores or e-commerce at superior cost points, the enhancement in perceived worth more than covers the change.
For customized t-shirts, such as charity runs or college clubs, options matter. Offer a base price with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Satisfying polyester DTG compatibility both lets you serve a larger market without diluting your craft.
Care labels typically read like legal disclaimers. Keep it simple and reasonable so the shirt endures real life. Water based and discharge prints prefer cooler washes and lower dryer heat, however they will withstand typical laundering if properly treated. I recommend phrasing care pointers in human terms on product pages: wash cold with similar colors, tumble dry low, avoid material softeners if you want colors to stay crisp. The last note matters because some conditioners can deposit films on fibers, dulling the visual contrast of fine lines.

I have actually evaluated these instructions in-house: two identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed slightly much faster fading of mid-tones, yet still looked great. That tolerance originates from proper cure, not from babying the garment.
All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Instead of fighting joints, design for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and stitch. Brands that offer restricted runs can justify cut-and-sew for 100 to 300 pieces if the style warrants it. The finished garments read as customized from a distance, which is the goal.
One spring we ran a series for a local music festival. The customer desired soft black tees with a sunburst print that felt like it lived in the material. We sampled on three blacks from 2 mills. Batch one raised easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The result: consistent tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a chalkboard. The dish matters, however so does tasting and adjusting.
Most problems I see trace back to process, not the ink household. Under-curing is the first offender. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temp for the ideal duration. Utilize a donut probe or an embedded thermochromic strip to measure real ink movie temperature, not simply dryer setpoints. Screen lockup is the 2nd. Keep a constant rate on press, flood between prints, and control store humidity.
A third pitfall is disregarding material irregularity. If you change blanks mid-run since a size runs out stock, you may see shifts in color. Build contingency into your acquiring. For brand names planning ahead, choosing a basic blank and locking it with your provider minimizes surprises.
If your top priority is soft, breathable custom-made apparel that consumers keep wearing, water based inks are worth the knowing curve. Use standard water based on light garments for clean detail and matte color. Move to discharge on 100 percent cotton when you desire the softest prints on dark shirts. Accept and plan for slight color difference with discharge, particularly throughout color lots. For bulk t t-shirt orders, integrate in a single round of physical sampling on the real blanks you will utilize, then record your settings and keep back a recommendation shirt for quality control.
If you run a print on demand catalog, carve out a water based pill of finest sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a consumer rubs their thumb throughout a print and feels nothing however fiber, you have actually won. That's the minute water based and discharge provide, and why they should have a place in any severe store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515