Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in consistent tension: the push for softer, more breathable prints that people actually take pleasure in using, and the requirement to produce at scale without compromising the environment or the bottom line. That stress has formed how I pick inks, pretreatments, and fabrics for custom-made apparel projects. Throughout the years, I have actually found out that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce beautiful outcomes and real comfort, especially for T t-shirt printing that needs to withstand daily wear.

If you run a brand, manage bulk t shirt orders, or just desire your individualized t-shirts to seem like a preferred from the very first wash, it deserves comprehending how these ink systems work, where they shine, DTG print resolution and where they need care. The ideal option can make the distinction in between a shirt that gets used when and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a film, water based inks take in into the fibers. That single characteristic discusses most of the advantages and compromises. Prints feel soft because you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically identical from the t-shirt itself. For customized t shirts designed for comfort, this is the course to the "retail feel" clients ask for.
There are two main families: standard water based and discharge. Standard water based ink works best on white or very light t-shirts. It can cover mid-tones with the right base, but once you move into darker fabrics, you either require a heavier print or you switch to release. Discharge printing utilizes an activator that lifts the color from the fabric throughout treating, basically whitening the shirt's color in the printed areas, then replaces it with your pigment. The end outcome is the softest possible print on dark cotton, often with impressive detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks typically consist of less unstable organic substances than solvent-heavy options and prevent PVC altogether. Lots of are compliant with strict standards like Oeko-Tex or meet retail screening regimes that ban specific phthalates and heavy metals. If you offer custom-made garments into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system principle. Ink is one part. You likewise need to take a look at store practices: purification on your washout booth, reclaim chemistry, energy usage on your dryer, and even fabric sourcing. Discharge needs an activator, typically based on zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run store, direct exposure is controlled and waste is recorded. If you're using print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability conceals in the details.
Most individuals do not purchase a graphic tee since they love the ink. They purchase it due to the fact that the garment looks good, feels good, and keeps that character after duplicated washing. Water based inks, consisting of discharge, offer you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes get from heavy plastisol when you extend throughout the chest.
I keep a shelf of comparison t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed slightly, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under extreme light, which some streetwear customers prefer, but the user feedback is consistent: water based feels like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the material's own color. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge adds variables. Different color lots discharge in a different way, even within the very same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, but you're still dealing with a background that is moving as the Print shop near me color is removed.
That's not a defect, it becomes part of the medium. Many designers welcome the somewhat classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name needs laser-precise color recreation for business logos, either order test prints on the exact batch you plan to use or think about a water based underbase or hybrid approach where needed. For wholesale t shirts that will be dispersed nationally, put example approvals into your process so there are no surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge only raises the cotton portion. That suggests your color saturates the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks intentional if you design for it. If your goal is flat, vivid color on a poly blend, conventional plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents joints, folds, and inconsistent pressure that show up as blank micro-gaps. If you must print on ended up garments, expect little voids along seams, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry much faster in the screen, which is useful on fabric but can lock a mesh if you pause too long. Running a greater mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting option at hand, and keep the print space humidity in a consistent range, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will observe how quickly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant speed, lower clogging.

Curing is where many beginners fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the distinction. You desire even heat throughout the belt and adequate dwell to reach the manufacturer's remedy temperature throughout the ink layer, not just at the surface area. Shirts exiting the tunnel must be dry to the touch without any cool spots. For discharge, the chain reaction happens throughout this cure, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on correct remedy and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and splitting. Water based prints show gradual softening and a gentle fade in the very same method jeans unwinds. Plastisol's failure mode is different, generally breaking if the ink layer is too thick or under-cured. For tailored shirts that require to look good at a household reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is frequently comparable to plastisol at the gallon level, however you invest more in shop environment and drying capacity. On press, water based can be somewhat slower at setup due to the fact that you pay closer attention to fit together, squeegee durometer, and off-contact. As soon as tuned, autos perform at comparable speeds. Where it really settles is in perceived value. A soft print on a mid-tier blank typically feels premium without jumping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art suits the team uniforms printing medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs overnight turn-around and art modifications continuously, direct-to-garment or DTF might be better operationally, though both have their own environmental and feel compromises. When you handle wholesale t t-shirts with multiple colorways and need to keep inventory versatile, a flexible water based combination on light garments is efficient, given that you prevent the weight and stiffness that collect with multiple underbases in plastisol.
Design planning starts with the fabric color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Really thin knockouts inside heavy flood locations can fill in with discharge, specifically on high-absorbency cotton. If you need razor unfavorable space, separate the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment rather than trusting a digital mockup. A mockup can not record fiber interplay and dye lift.
There are times I recommend versus discharge. Polyester-rich garments are leading of the list. The activator can cause dye migration, particularly with sublimated or cationic-dyed performance t-shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor smell during treating, discharge days in the store are obvious. Well-managed air flow reduces this, but it becomes part of the process.
If a client requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles frequently sink, and the impact is more satin than real metal. For high-opacity neons on dark shirts that should be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that removes guesswork. A simple approach keeps surprises at bay and helps you struck due dates for launches and events.
Print as needed has its own restrictions: fast art changes, small batch sizes, and the requirement for a broad color range. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you organize catalog method. For styles that are high volume even at little day-to-day amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver exact same day with water based prints that feel better than many DTG outputs. It works best when you keep art to one or two colors and select light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Customers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol task, I explain what they are purchasing. They get the soft hand that retail customers relate with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, typically a small uplift that can be reduced the effects of by choosing a slightly more affordable blank. If the program is for wholesale t shirts entering into stores or e-commerce at premium rate points, the enhancement in perceived value more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, alternatives matter. Deal a base cost with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Meeting both lets you serve a larger market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it easy and reasonable so the shirt survives real life. Water based and discharge prints choose cooler washes and lower clothes dryer heat, but they will withstand typical laundering if effectively treated. I suggest phrasing care tips in human terms on product pages: wash cold with comparable colors, tumble dry low, avoid fabric conditioners if you want colors to stay crisp. The last note matters due to the fact that some conditioners can deposit films on fibers, dulling the visual Stencil durability contrast of great lines.
I have actually tested these directions in-house: 2 identical shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed slightly quicker fading of mid-tones, yet still looked good. That tolerance comes from right remedy, not from babying the garment.
All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Instead of battling seams, style for them. Use tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and stitch. Brands that offer restricted runs can justify cut-and-sew for 100 to 300 pieces if the style requires it. The completed garments check out as customized from a range, which is the goal.
One spring we ran a series for a regional music celebration. The client wanted soft black tees with a sunburst print that seemed like it lived in the fabric. We tested on 3 blacks from two mills. Batch one raised easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The outcome: consistent tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, however so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink family. Under-curing is the first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never struck the required temp for the best duration. Utilize a donut probe or an ingrained thermochromic strip to measure true ink film temperature level, not simply clothes dryer setpoints. Screen lockup is the 2nd. Keep a consistent pace on press, flood in between prints, and control shop humidity.
A 3rd mistake is disregarding fabric irregularity. If you switch blanks mid-run due to the fact that a size is out of stock, you may see shifts in color. Construct contingency into your buying. For brands preparing ahead, choosing a basic blank and locking it with your provider minimizes surprises.
If your priority is soft, breathable customized garments that consumers keep using, water based inks are worth the learning curve. Usage basic water based upon light garments for clean information and matte color. Move to release on 100 percent cotton when you desire the softest prints on dark shirts. Accept and prepare for small color bag and backpack embroidery variation with discharge, specifically throughout dye lots. For bulk t shirt orders, integrate in a single round of physical sampling on the real blanks you will use, then record your settings and keep back a reference shirt for quality control.
If you run a print on demand brochure, take a water based pill of finest sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a consumer rubs their thumb across a print and feels absolutely nothing but fiber, you have actually won. That's the moment water based and discharge provide, and why they should have a location in any major store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515