Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in continuous stress: the push for softer, more breathable prints that people in fact enjoy using, and the need to produce at scale without compromising the environment or the bottom line. That tension has shaped how I pick inks, pretreatments, and materials for customized apparel jobs. For many years, I've discovered that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce beautiful outcomes and genuine convenience, specifically for T t-shirt printing that requires to stand up to everyday wear.
If you run a brand, handle bulk t shirt orders, or simply desire your tailored t-shirts to feel like a preferred from the first wash, it deserves comprehending how these ink systems work, where they shine, and where they need care. The best choice can make the distinction between a t-shirt that gets worn once and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a film, water based inks soak up into the fibers. That single characteristic discusses most of the advantages and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often equivalent from the t-shirt itself. For customized t t-shirts developed for convenience, this is the course to the "retail feel" clients ask for.
There are two primary families: basic water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the right base, but once you move into darker materials, you either need a much heavier print or you change to discharge. Release printing utilizes an activator that raises the color from the fabric throughout curing, essentially whitening the shirt's color in the printed locations, then changes it with your pigment. The end outcome is the softest possible print on dark cotton, frequently with impressive detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks typically consist of less unstable organic substances than solvent-heavy options and avoid PVC completely. Numerous are compliant with rigorous standards like Oeko-Tex or meet retail screening routines that prohibit certain phthalates and heavy metals. If you sell customized garments into corporate wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You also need to take a look at store practices: purification on your washout booth, reclaim chemistry, energy use on your dryer, and even fabric sourcing. Discharge needs an activator, usually based on zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation requirements. In a well-run store, exposure is managed and waste is caught. If you're using print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls dialed in. Genuine sustainability hides in the details.
Most people do not buy a graphic tee due to the fact that they enjoy the ink. They purchase it due to the fact that the garment looks excellent, feels great, and keeps that character after repeated washing. Water based inks, consisting of discharge, offer you that broken-in convenience from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you sometimes get from heavy plastisol when you stretch throughout the chest.
I keep a rack of contrast shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under severe light, which some streetwear customers choose, however the user feedback corresponds: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light shirts, basic water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Various dye lots discharge differently, even within the same brand name and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the final color, but you're still dealing with a background that is shifting as the color is removed.
That's not a defect, it belongs to the medium. Numerous designers welcome the slightly vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name demands laser-precise color reproduction for corporate logo designs, either order test prints on the precise batch you prepare to use or think about a water based underbase or hybrid method where required. For wholesale t shirts that will be distributed nationally, put example approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge only raises the cotton portion. That means your color saturates the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks intentional if you design for it. If your goal is flat, vibrant color on a poly mix, traditional plastisol or a specialized low-cure system might be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees introduces joints, folds, and irregular pressure that show up as blank micro-gaps. If you should print on completed garments, anticipate small spaces along seams, which some customers like as part of the garment's character.
Water based inks act differently on press. They dry faster in the screen, which works on material however can lock a mesh if you pause too long. Running a higher mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity in a constant range, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will observe how quickly a standard water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent speed, lower clogging.
Curing is where many beginners fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with enough airflow makes the distinction. You desire even heat across the belt and adequate dwell to reach the manufacturer's treatment temperature level throughout the ink layer, not simply at the surface area. Shirts leaving the tunnel should be dry to the touch with no cool areas. For discharge, the chain reaction happens during this remedy, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on correct cure and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual assessment for fading and splitting. Water based prints reveal steady softening and a gentle fade in the exact same method denim unwinds. Plastisol's failure mode is different, normally splitting if the ink layer is too thick or under-cured. For tailored t-shirts that need to look good at a household reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs vary regionally, but the economics fall into familiar patterns. Water based ink itself is frequently similar to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be slightly slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, cars perform at similar speeds. Where it actually pays off is in viewed value. A soft print on a mid-tier blank typically feels premium without jumping to the Jacksonville T shirt printing for events highest-cost t-shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that requires overnight turn-around and art changes constantly, direct-to-garment or DTF may be better operationally, though both have their own environmental and feel compromises. When you handle wholesale t t-shirts with multiple colorways and need to keep stock flexible, a versatile water based scheme on light garments is efficient, because you prevent the weight and tightness that accumulate with multiple underbases in plastisol.
Design planning starts with the material color and ends with treating. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can fill in with discharge, specifically on high-absorbency cotton. If you need razor unfavorable space, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of trusting a digital mockup. A mockup can not capture fiber interaction and dye lift.
There are times I advise versus discharge. Polyester-rich garments are leading of the list. T shirt printing designs Jacksonville The activator can cause dye migration, especially with sublimated or cationic-dyed performance t-shirts, resulting in ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor smell throughout curing, discharge days in the shop are noticeable. Well-managed airflow mitigates this, however it becomes part of the process.
If a customer requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles typically sink, and the effect is more satin than true metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.

Whether you run your own presses or depend on a partner, set up a workflow that removes guesswork. An easy method keeps surprises at bay and helps you struck due dates for launches and events.
Print on demand has its own constraints: fast art modifications, small batch sizes, and the need for a broad color range. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you arrange catalog technique. For styles that are high volume even at little daily amounts, pre-burning screens and keeping a little stock of popular sizes lets you deliver same day with water based prints that feel much better than many DTG outputs. It works best when you keep art to one or two colors and select light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Clients who care about touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol job, I discuss what they are purchasing. They get the soft hand that retail consumers equate with quality, improved breathability, and compliance for sensitive buyers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, often a little uplift that can be neutralized by selecting a slightly more cost-effective blank. If the program is for wholesale t shirts entering into shops or e-commerce at premium cost points, the enhancement in perceived worth more than covers the change.
For personalized shirts, such as charity runs or college clubs, alternatives matter. Deal a base rate with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients enhance for expense, others for feel. Meeting both lets you serve a larger market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it easy and realistic so the t-shirt makes it through real life. Water based and discharge prints choose cooler washes and lower clothes dryer heat, however they will withstand normal laundering if properly cured. I suggest phrasing care ideas in human terms on product pages: wash cold with similar colors, tumble dry low, prevent material conditioners if you desire colors to stay crisp. The last note matters since some conditioners can deposit films on fibers, dulling the visual contrast of fine lines.
I have actually tested these directions in-house: 2 identical shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little faster fading of mid-tones, yet still looked excellent. That tolerance comes from correct remedy, not from babying the garment.
All over print captures attention, but printing flood coats on put together garments with water based inks can be unforgiving. Instead of fighting joints, style for them. Usage tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and sew. Brand names that offer limited runs can justify cut-and-sew for 100 to 300 pieces if the style requires it. The ended up garments read as custom-made from a range, which is the goal.
One spring we ran a series for a regional music celebration. The customer wanted soft black tees with a sunburst print that seemed like it lived in the material. We tested on 3 blacks from two mills. Batch one lifted easily with discharge, batch two remained stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The outcome: constant tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink household. Under-curing is the first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the needed temperature for the best duration. Utilize a donut probe or an embedded thermochromic strip to determine true ink film temperature level, not just dryer setpoints. Screen lockup is the 2nd. Keep a constant speed on press, flood in between prints, and control shop humidity.
A third mistake is disregarding material irregularity. If you switch blanks mid-run because a size runs out stock, you may see shifts in color. Build contingency into your purchasing. For brands planning ahead, picking a basic blank and locking it with your provider lowers surprises.
If your concern is soft, breathable custom garments that clients keep wearing, water based inks are worth the knowing curve. Use standard water based on light garments for clean information and matte color. Transfer to discharge on 100 percent cotton when you desire the softest prints on dark t-shirts. Accept and prepare for minor color difference with discharge, specifically across dye lots. For bulk t shirt orders, integrate in a single round of physical tasting on the real blanks you will use, then document your settings and hold back a recommendation t-shirt for quality control.
If you run a print as needed catalog, carve out a water based pill of finest sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not simply on screens. When a client rubs their thumb throughout a print and feels nothing however fiber, you've won. That's the minute water based and discharge deliver, and why they deserve a place in any severe store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515