Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in consistent stress: the push for softer, more breathable prints that people in fact Squeegee pressure enjoy using, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That tension has formed how I choose inks, pretreatments, and fabrics for custom-made garments jobs. For many years, I have actually learned that water based inks and discharge printing are not just buzzwords, they are practical tools that produce beautiful results and genuine convenience, specifically for T t-shirt printing that needs to stand up to day-to-day wear.
If you run a brand, manage bulk t t-shirt orders, or simply desire your personalized shirts to feel like a favorite from the very first wash, it deserves comprehending how these ink systems work, where they shine, and where they need care. The ideal choice can make the difference in between a shirt that gets used once and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and cures into a film, water based inks take in into the fibers. That single characteristic discusses the majority of the advantages and compromises. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often identical from the shirt itself. For customized t t-shirts created for comfort, this is the path to the "retail feel" customers ask for.
There are two main households: standard water based and discharge. Basic water based ink works best on white or very light shirts. It can cover mid-tones with the best base, once you move into darker materials, you either require a heavier print or you switch to release. Discharge printing uses an activator that raises the color from the fabric during curing, basically bleaching the shirt's color in the printed areas, then changes it with your pigment. The end result is the softest possible print on dark cotton, often with exceptional detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks usually consist of less volatile natural compounds than solvent-heavy alternatives and prevent PVC altogether. Lots of are compliant with strict requirements like Oeko-Tex or fulfill retail screening regimes that ban specific phthalates and heavy metals. If you offer custom garments into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system principle. Ink is one part. You likewise need to take a look at store practices: purification on your washout booth, reclaim chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge requires an activator, usually based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run shop, direct exposure is managed and waste is captured. If you're using print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and treating controls dialed in. Real sustainability hides in the details.
Most people do not buy a graphic tee because they enjoy the ink. They purchase it because the garment looks good, feels great, and keeps that character after repeated washing. Water based inks, including discharge, give you that broken-in convenience from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes receive from heavy plastisol when you stretch throughout the chest.
I keep a shelf of comparison t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed slightly, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under harsh light, which some streetwear customers prefer, but the user feedback corresponds: water based feels like a premium garment.

Color accuracy with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light shirts, standard water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge adds variables. Various dye lots discharge in a different way, even within the exact same brand and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the final color, but you're still working with a background that is moving as the dye is removed.
That's not a flaw, it belongs to the medium. Many designers welcome the slightly vintage character of direct to garment discharge, where reds land earthy and blues feel deep instead of neon. If your brand demands laser-precise color reproduction for business logos, either order test prints on the specific batch you prepare to use or think about a water based underbase or hybrid method where needed. For wholesale t shirts that DTG maintenance and troubleshooting will be distributed nationally, put example approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge just lifts the cotton portion. That suggests your color saturates the cotton while the polyester and rayon remain as-is, often yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, vivid color on a poly blend, standard plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal design your own shirt pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees presents seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you need to print on completed garments, expect small spaces along seams, which some clients like as part of the garment's character.
Water based inks act in a different way on press. They dry much faster in the screen, which is useful on material however can lock a mesh if you pause too long. Running a greater mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting option at hand, and keep the print space humidity in a constant range, approximately 45 to 55 percent, to prevent premature drying. Manual press operators will see how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent rate, lower clogging.
Curing is where lots of newbies miss the mark. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with adequate airflow makes the difference. You desire even heat across the belt and enough dwell to reach the manufacturer's cure temperature level throughout the ink layer, not simply at the surface area. T-shirts leaving the tunnel ought to be dry to the touch without any cool spots. For discharge, the chain reaction takes place throughout this cure, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on appropriate treatment and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I measure toughness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and splitting. Water based prints show gradual softening and a mild fade in the exact same way denim unwinds. Plastisol's failure mode is different, normally splitting if the ink layer is too thick or under-cured. For tailored t-shirts that require to look good at a household reunion and still be in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is typically similar to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, automobiles run at similar speeds. Where it actually settles remains in perceived worth. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art matches the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that requires overnight turnaround and art changes continuously, direct-to-garment or DTF might be much better operationally, though both have their own environmental and feel trade-offs. When you take on wholesale t t-shirts with multiple colorways and should keep inventory flexible, a flexible water based palette on light garments is effective, because you prevent the weight and tightness that accumulate with multiple underbases in plastisol.
Design preparation begins with the fabric color and ends with curing. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color glimpses through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can complete with discharge, specifically on high-absorbency cotton. If you require razor negative area, different the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment instead of relying on a digital mockup. A mockup can not capture fiber interaction and color lift.
There are times I recommend against discharge. Polyester-rich garments are top of the list. The activator can trigger dye migration, especially with sublimated or cationic-dyed efficiency shirts, resulting in ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to small smell during treating, discharge days in the store are noticeable. Well-managed air flow mitigates this, however it is part of the process.
If a client requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles typically sink, and the effect is more satin than true metal. For high-opacity neons on dark shirts that should be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that eliminates guesswork. An easy technique keeps surprises at bay and helps you hit deadlines for launches and events.
Print as needed has its own constraints: quick art modifications, little batch sizes, and the requirement for a broad color range. Direct-to-garment has ended up being the default, however water based screen printing can fit POD if you arrange catalog technique. For designs that are high volume even at little daily amounts, pre-burning screens and keeping a little stock of popular sizes lets you deliver very same day with water based prints that feel better than numerous DTG outputs. It works best when you keep art to one or two colors and select light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Consumers who care about touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol job, I describe what they are purchasing. They get the soft hand that retail customers correspond with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, frequently a small uplift that can be reduced the effects of by selecting a slightly more cost-effective blank. If the program is for wholesale t t-shirts going into shops or e-commerce at premium cost points, the enhancement in perceived worth more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, alternatives matter. Offer a base cost with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels often read like legal disclaimers. Keep it easy and realistic so the shirt makes it through reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, but they will endure typical laundering if properly cured. I recommend phrasing care pointers in human terms on item pages: wash cold with comparable colors, tumble dry low, avoid material softeners if you want colors to stay crisp. The last note matters since some softeners can transfer films on fibers, dulling the visual contrast of great lines.
I've checked these directions in-house: two identical shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little faster fading of mid-tones, yet still looked good. That tolerance originates from proper remedy, not from babying the garment.
All over print captures attention, however printing flood coats on put together garments with water based inks can be unforgiving. Rather of combating joints, design for them. Use tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and sew. Brand names that offer limited runs can validate cut-and-sew for 100 to 300 pieces if the style necessitates it. The ended up garments read as custom-made from a distance, which is the goal.
One spring we ran a series for a regional music festival. The customer wanted soft black tees with a sunburst print that felt like it resided in the material. We tested on 3 blacks from 2 mills. Batch one lifted cleanly with discharge, batch two stayed stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the response. The outcome: constant tees across 2,400 units, each with a soft, breathable print that sold out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a blackboard. The dish matters, however so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink family. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never struck the required temp for the right period. Utilize a donut probe or an ingrained thermochromic strip to determine true ink movie temperature, not simply dryer setpoints. Screen lockup is the second. Keep a constant speed on press, flood in between prints, and control store humidity.
A 3rd pitfall is ignoring material irregularity. If you switch blanks mid-run due to the fact that a size runs out stock, you may see shifts in color. Develop contingency into your buying. For brand names planning ahead, choosing a basic blank and locking it with your supplier minimizes surprises.
If your top priority is soft, breathable custom garments that clients keep wearing, water based inks are worth the knowing curve. Usage standard water based upon light garments for tidy information and matte color. Relocate to discharge on 100 percent cotton when you want the softest prints on dark t-shirts. Accept and plan for slight color difference with discharge, particularly throughout color lots. For bulk t shirt orders, build in a single round of physical sampling on the actual blanks you will use, then document your settings and hold back a reference t-shirt for quality control.
If you operate a print on demand brochure, take a water based pill of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not simply on screens. When a client rubs their thumb throughout a print and feels absolutely nothing however fiber, you have actually won. That's the minute water based and discharge provide, and why they should have a location in any severe store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515