Drawing the beloved characters from Disney's Tangled requires a blend of technical skill and an understanding of their distinct personalities. This guide focuses on capturing the essence of Rapunzel and Eugene, providing a clear pathway for artists of various levels. The journey begins with understanding their core forms before layering on the intricate details that make them iconic.

Foundational Shapes and Proportions

Before adding lace and hair, establish the structural framework for both characters. Think of Rapunzel as an elegant column, emphasizing her height and graceful neck. Her head is often slightly larger relative to her body, giving her a youthful, animated charm. For Eugene, build his frame with a sense of relaxed width; his posture is often slouched, and his torso has a more rectangular, approachable feel. Mapping these shapes correctly ensures that the final drawing feels solid and balanced, rather than collapsing into mere caricature.
Constructing Rapunzel's Form

To capture her ethereal quality, start with an oval for the head, then add a vertical line for the spine. Her shoulders are narrow, tapering down to a defined waist before flaring out slightly for her skirt. The critical feature is her length; her legs and neck are elongated, creating a soaring silhouette. Pay attention to the angle of her gaze, which is often slightly upward, reinforcing her dreamer nature. Keeping these proportions in check is the first step to a recognizable likeness.
Constructing Eugene's Form

Eugene's construction is about capturing a roguish charm. Begin with a softer, rounder jawline compared to typical heroes, and a prominent nose that adds character. His posture is key; draw a curved spine that suggests a laid-back swagger, with one shoulder often higher than the other. His limbs are more muscular than Rapunzel's, but not in an exaggerated heroic way. This slight asymmetry in his stance makes him feel dynamic and real, ready to lean into the next adventure.
Defining Features and Character Expressions
Once the base is set, the magic happens in the details of the face. Rapunzel's eyes are large, expressive, and almond-shaped, conveying wonder and intelligence. Her lips are full and naturally curved into a gentle smile. Eugene’s face is defined by his expressive eyes and that famous smirk; his jawline is stronger, and his brows often knit together in a feigned tough-guy act that crinkles at the edges. Nailing these specific features transforms a generic sketch into the characters themselves.

Rapunzel's Signature Look
Focus on the eyes first, as they are the windows to her soul. Draw them wide with thick lashes, and include a distinct catchlight to give them life. Her brow is smooth and round, without harsh angles. When drawing the iconic plait, visualize it as a thick rope cascading down her back, wrapping once or twice before being secured with a flower. The texture of the hair should feel voluminous and soft, framing her face with gentle curls.
Eugene's Signature Style

Eugene’s hairstyle is perhaps his most recognizable trait. Draw his hair as a messy, windswept do with a distinct widow’s peak sweeping to one side. It should look slightly unkempt, as if he just rolled out of bed looking suave. His mustache is another critical element—handle it with confidence, making it full and curled at the ends to emphasize his dashing, if slightly arrogant, persona. A small five o'clock shadow adds to his rugged appeal.
Clothing, Poses, and Final Rendering




















With expressions locked in, move to the clothing that defines their roles. Rapunzel’s outfit is a dress of layered petticoats and a corset; draw the flow of the fabric to suggest movement, whether she is running or letting down her hair. Eugene’s vest and sash are essential; use sharp lines for the vest to show structure, and loose, flowing lines for the sash to imply his free-spirited nature. Finally, consider their dynamic—often, you will find them in contrasting poses, with Rapunzel reaching upward and Eugene leaning in, creating a compelling visual narrative on the page.