TRINA PORTE:

An Inventory of Her Papers at the Minnesota Historical Society

Manuscripts Collection

Part or all of this collection is restricted.
For details, please see restrictions.


Expand/CollapseOVERVIEW

Creator: Porte, Trina, creator.
Title:Trina Porte papers.
Dates:1968-2014.
Abstract:Diaries, correspondence, high school and college papers, poetry, and activism files documenting the childhood, young adulthood, education, family dynamics, romantic relationships, sexual orientation, and protest activities of a Minneapolis lesbian and radical feminist. The collection also describes Porte’s volunteer and professional work as a stagehand in Twin Cities and New York theaters, her interest in poetic expression, her stint as a teacher in the Minneapolis Public Schools, and her public service with the Town of Lebanon, New York.
Quantity:7.0 cubic feet (7 boxes and 1 oversize folder).
Location:See Detailed Description section for shelf locations.

Expand/CollapseBIOGRAPHICAL NOTE

Trina Porte was born in Brooklyn, New York to parents Al and Renee (born Schlissel), youngest sister of Steven, Jamie (deceased at 2 ½ months), and Ariel. Her collected documents began with journals written almost daily from ages 8 to 23, and contain her political writings and hundreds of poems. She grew up in Ossining, New York, then Jonathan, Minnesota, where her parents and Ariel moved in 1972. Al and Renee divorced in 1969, reunited in 1970, and split again in 1974 when Trina moved to St. Paul, Minnesota with Renee. Trina attended St. Paul Open School for high school, and got a B.F.A. in Art and an M. Ed. in Curriculum from the University of Minnesota. Trina’s first career, begun in middle school, was in technical theater, working at Chimera, Theater in the Round, Great Northern Theater, Minnesota Dance Theater, The Guthrie, and off-off Broadway at La Mama, St. Clement’s, Perry Street and in Summer Stock, prior to college. While attending the University of Minnesota, Trina came out as a lesbian, became a feminist activist, spray painted the Twin Cities as a member of W.E.E.D.S. (Women’s Erotic Energy Delights the Spirit) and a survivor of sexual assault, and worked on the ordinance declaring pornography a potential violation of women’s civil rights, which grew out of the University of Minnesota Law School class “Pornography and the Law,” co-taught by Andrea Dworkin and Catharine A. MacKinnon. This changed her life, and Andrea Dworkin became a vital mentor in Trina’s life-long work against discrimination and violence in all forms. Trina met her future wife Kristine Cottom initially in 1975 when their mothers worked in community theater together, then met again in 1990, becoming first Domestic Partners in Minneapolis, then getting married legally in Massachusetts. They moved to a small town in upstate New York in 2004, where Trina publishes poetry and anthologies with the small press she created in 2000, and is very active in local politics and writers’ community. Trina has also shown artwork and/or read poetry in New York, Minneapolis, St. Paul, Grand Marais, Iowa City, Iowa, Northampton, Massachusetts, Housatonic, Massachusetts, Pittsfield, Massachusetts, New Lebanon, New York, Chatham, New York, Woodstock, New York, and Tiberius, Israel.


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Expand/CollapseSCOPE AND CONTENTS

The three largest components of the collection are Porte's diaries; her correspondence with family, friends, and lovers; and her poetry. Additional correspondence includes her letters to editors and government officials. Other materials document her volunteer and professional work as a stagehand in Twin Cities and New York theaters, her work as a staff member with the GLBT literary journal Evergreen chronicles, her leadership in protests against the Miss Minnesota beauty pageants, and her arrest for disorderly conduct (literally, for "tumultuous behavior") as part of a protest against pornographic booksellers. The collection is especially notable as it chronicles the experiences and emotions of a young girl who comes of age and struggles with her sexual identity in the late 1970s and early 1980s. In addition, the collection's documentation of direct actions against pornography and rape provide a look at the radical feminist challenge to American cultural norms, particularly misogyny.


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Expand/CollapseADMINISTRATIVE INFORMATION

Restrictions:

Access: One folder of materials related to the National Rampage Against Penthouse will not be made available to researchers under the age of 18 years. Consult the reference staff for more information.

Preferred Citation:

[Indicate the cited item here]. Trina Porte Papers. Minnesota Historical Society.

See the Chicago Manual of Style for additional examples.

Accession Information:

Accession number: 15,666; 15,936; 15,989; 16,252; 16,948; 17,310

Processing Information:

Processed by: Monica Manny Ralston, November 2000 and October 2007; Meagan Kellom and Alex Kent, July 2011; addition by David B. Peterson, December 2014; and Leif Kopietz, August 2019.

NHPRC logo

Processing and cataloging of this collection was supported with a Basic Project grant awarded by the National Historical Publications and Records Commission (NHPRC).

Catalog ID number: 990017368640104294


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DETAILED DESCRIPTION

LocationBox
147.J.8.5B1Diaries, 1968, 1971-July 13, 1980. 20 folders.
Porte began keeping a handwritten diary in late 1971 shortly before her eleventh birthday and began to keep regular daily entries on her twelfth birthday in 1973. The earliest diaries briefly describe her family's move to Chaska, Minnesota (1971), childhood playmates, conflicts with her sister, school activities, books and television programs, her menstrual cycle (1974), the move to St. Paul (1974), and teenage crushes. Porte began making lengthier entries during her senior year in high school. While these entries continue descriptions of her daily routine, school projects, and theatrical work, they primarily focus upon her personal relationships and sexual experiences. Many entries, particularly those regarding her relationships with male lovers, make reference to specific pieces of correspondence or poems filed elsewhere in the collection. Starting in 1982-1983 while attending the University of Minnesota, Porte's entries take on a more reflective tone and include personal commentary on issues such as patriarchy and social stratification and their impact upon race and gender divisions.
Porte stopped keeping a daily diary in May of 1984 about eight months after coming out as a lesbian. A few diaries kept after that time are directed toward documenting specific events or activities. These include two trips with her mother: a trip to California in 1984 and a trip to Amsterdam and Nairobi in 1985 to participate in the non-governmental forum of the third conference of the United Nations Decade for Women. Entries made between January 1985 and January 1986 describe her first job in education as a teacher's aide at Kenny Elementary School in Minneapolis. A diary kept for six months in 1994 was started as a "positivity log" while Porte was working toward certification as an early childhood educator and includes entries regarding decisions about her career.
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147.J.8.6F2Diaries, July 14, 1980-October 20, 1983. 17 folders.
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147.J.8.7B3Diaries, October 21, 1983-May 27, 1984; August 29, 1984-January 1986 (scattered); January-June 1994. 20 folders.
Topical diaries:
Poetry volume, 1981-1984.
Relationship journal, 1992.
Kept while going through couples therapy with wife Kris Cottom.
Israel travel diary, 2000.
Daily writings, 1992-2015.
Mainly appointment and activity reminders.
Appointment books, 1979-2007. 29 volumes in 9 folders.
Appointment books provide documentation of Porte's daily life after she stopped keeping diaries. These books list meetings and other events in which Porte participated as well as details about her personal activities and relationships. Entries are occasionally accompanied by commentary or postscripts. 1984 entries include the hearings before the Minneapolis City Council of the proposed pornography ordinance. Notations for both 1984 and 1987 include activities of the Twin Cities Women for Take Back the Night and events at A Woman's Coffeehouse.
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147.J.8.8F4Appointment books, 2008-2013. 6 volumes in 1 folder.
Budget books, 1992-1996.
These books list what Porte called her daily food and entertainment expenses and were kept during a time when Porte was trying to overcome financial difficulties. Porte's living expenses were subtracted from her income resulting in a daily allowance for food and entertainment. Total expenses were added at the end of each month and compared to her allowance.
Correspondence:
The correspondence is arranged chronologically into sets representing incoming letters, copies of outgoing correspondence, and two-way correspondence between Porte and named individuals. The correspondence between Porte and her mother, her father, and multiple women friends reflect highly stressful and often emotionally volatile interpersonal relationships and focus upon Porte's maturation and self-esteem, her economic independence, and her romantic associations. Correspondence from Porte's roommate and sometimes-lover Peg Dyer during the time she attended college in Bozeman, Montana (March-May 1987) describes the couple's graffiti activities on the college campus. Additional notes regarding Porte's relationship with Dyer were entered in Porte's 1987 appointment book.
Incoming, 1976-1989. 31 folders.
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147.J.8.9B5Incoming, 1985-2014. 2 folders.
Outgoing, 1983-1993, 1996-2014. 3 folders.
Renee Porte (mother), 1984-2002. 7 folders.
Additional correspondence from Porte's mother, 1979-1988, is filed with the incoming correspondence.
Al Porte (father), 1982-1983, 1986, 1992-1993, 2006-2008. 2 folders.
Ariel Porte (sister), 1990, 1992, 1994, 1997.
Andrea Dworkin, 1984-1994.
Peg Dyer, 1986-1991. 3 folders.
Erika Thorne, 1988-1991.
Norma, 1998-2000.
Kris Cottom, 1998-2014. 2 folders.
Sharon Kennedy, 1996-2012.
Personal advertisements, 1987-1990. 2 folders.
These folders contain letters Porte either wrote or received in response to personal advertisements placed in the GLBT newspaper Equal Time. The letters include Porte's notes reflecting her reactions upon meeting or talking with the individual correspondents.
City, county, and state officials, 1982, 1993-1998. 2 folders.
Letters to editors, 1983-2014. 5 folders.
Porte's letters to editors include handwritten drafts, photocopies of published letters, and copies of articles or letters to which she reacted. These letters were written to various newspapers including the University of Minnesota campus paper, the Minneapolis Star and Tribune, the Twin Cities Reader, Equal Time, neighborhood papers, and Ms Magazine. Other letters were written to corporations such as 7-11 Food Stores objecting to their sale of pornographic magazines (November 5, 1984) or to individuals such as Garrison Keillor commenting upon his radio skit about a voyeur (October 30, 1984). Pornography and misogyny issues, including the controversy surrounding the Minneapolis pornography ordinance, constitute the major topic of Porte's editorial letters. Other topics that gained Porte's attention included heterosexism, homophobia, sexual politics, abortion, racism, and anti-Semitism. Two pieces written in January and May of 1987 offer Porte's commentary on her activism as a lesbian graffitist.
Publishing houses, 1985-2014.
High school and college:
Papers documenting her high school education include end-of-year evaluations, a graduation packet, and the school's literary magazines which Porte helped produce. Porte's graduation packet contains a self-evaluation as well as statements written by her school advisor, her mother, and others attesting the skills she acquired.
Papers related to her college coursework include both class assignments specifically related to her fine arts degree and lecture notes related to more general coursework. Assigned work includes an artist's statement, a poster announcing her senior exhibit, and an art history paper on the topic of artistic freedom. Materials documenting her exploration of feminist politics include notes taken during a pornography and law course taught by Catharine MacKinnon and Andrea Dworkin as well as notes from meetings of a feminist group who called themselves W.E.E.D.S. (Women's Erotic Energy Delights the Spirit). Porte's diaries and materials regarding her radical feminist activities give additional information regarding the discussions and activities of this informal group.
Materials from both her high school and college years include draft and final versions of her poems. Porte continued her interest in poetic expression after college and that interest is reflected in her work on the staff of Evergreen chronicles as well as in poems she wrote from 1986-1991.
St. Paul Open School:
Background information, 1976, 1978.
Evaluations and graduation, 1977-1979.
Literary magazines, 1976/1977-1979/1980.
Poetry and writing assignments, 1975-1979.
Theatre programs and scripts, 1978-1979.
LocationBox
147.I.15.2F6Twentieth reunion, 1991.
University of Minnesota:
Bachelor of Fine Arts work, 1984-1985.
Notebooks:
Art history, poetry, and pornography, 1983.
Poetry and feminist group (W.E.E.D.S.), 1983.
Poetry coursework, 1982, 1984. 2 folders.
Ceramics, photography, printing, and sculpture notebooks and coursework, 1983.
Art history notebook, circa 1983.
Composition notebook, 1984.
Language notebook, 1993.
Sketchbook, circa 1985.
Dissasembled. Includes writing, drawings, photography, and ephemera.
Photography sketchbook, 1994.
Ways of Knowing class course work, 1995.
Graduate work, 1997-1998. 2 folders.
Coursework for Masters in Education.
Theater:
Resumes, job hunting, and contact sheets, 1978-1981.
Minnesota Dance Theater, 1985-1986.
Contains materials related to Porte's employment with the theater through the Minneapolis Work Experience Project.
The Lessons we learn, 1988.
Includes a performance program and script for a lesbian radio play presented by Nightshade Productions and Sound Minds in which Porte had a speaking part.
Sweet Bird Youth, 1976.
Includes script, programs, and directing notes.
Easy Money, circa 1980.
Sunrise, 1980.
Chapter 2, 1980.
Practice, 1980.
Arms and the Man, 1980.
Midwest playwright's program, 1981.
Includes materials from a playwright conference.
Wedding Day Tragedy, 1981.
Radical feminist activities:
Materials documenting Porte's radical feminist activities include several files covering her participation in painting graffiti, direct actions against the dissemination of pornography, and demonstrations against beauty contests. The first of these files include Porte's notes regarding the use of graffiti as a protest mechanism by group of feminists who loosely organized themselves as W.E.E.D.S. Also included are materials related to her arrest with five other women on February 9, 1985 for the destruction of magazines at a B. Dalton bookstore in Minneapolis. The arrest of these five women represented only one of three actions coordinated by Nikki Craft that same day as part of the National Rampage Against Penthouse. Charges against Porte were dismissed on May 17 in a pre-trial conference. Additional materials contained within this file are notes regarding security and the training of marshals for rallies held by Twin Cities Women for Take Back the Night, a protest chant, an informational circular protesting the showing of the film Salo, and materials related to a three-part, live-action lesbian soap opera called Toklas, MN.
A second file documenting Porte's radical feminism includes correspondence and notes regarding student disciplinary actions taken against Porte for her mutilation of pornographic artworks in a mail art exhibit at the University of Minnesota. An additional file regarding the University of Minnesota includes notes related to Porte's protestation of work displayed in an art professor's office.
Porte's involvement in demonstrations against the Miss Minnesota Pageant in 1984 and 1985 are documented by press releases, correspondence, news clippings, a parade permit, an event poster, and Porte's notes. These materials also include correspondence from Nikki Craft, a California activist who appeared as a guest lecturer in the pornography course at the University of Minnesota. Craft's correspondence offered Porte advice and encouragement regarding the staging of anti-pageant demonstrations and also shared news clippings and other publicity regarding Craft's protest actions.
A file related to the National Rampage Against Penthouse includes sample mailings issued by the Center for Media Responsibility Without Law and sent to Porte by Nikki Craft to encourage participation in actions directed against pornography. Rampage protest activities were specifically directed against Penthouse magazine and its publisher Bob Guccione. Activities included the destruction of magazines at newsstands and bookstores, the boycott of companies who advertised in the December 1984 issue of Penthouse, and leafletting at Meredith Corporation headquarters.
Disorderly conduct arrest, protest activities, and miscellany, 1983-1988.
Mail art exhibit vandalism, 1985.
Minnesota State Fair, 1985.
Miss Minnesota Pageant protests, 1984-1985.
National Rampage Against Penthouse, 1985.
RESTRICTED. This file will not be made available to researchers under the age of 18 years.
University of Minnesota, 1984-1987, 1995. 2 folders.
A Woman's Coffeehouse, 1986-1995. 2 folders.
Includes calendars and fliers with Porte's notations regarding events and lectures she attended as well as a news clipping regarding Porte's donation of coffeehouse records and memorabilia to the Minnesota Historical Society.
Self defense training, 1992.
LocationFolder
+3131Art exhibition on domestic violence, 1985-2003. 1 oversize folder containing 4 items.
Contains artwork for an exhibit held in Grand Marais, Minnesota (1991); original source material (1985); and Porte's explanation of an event that inspired the artwork (2003).
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147.I.15.2F6Poetry, 1982-2000. 4 folders.
Includes her self-published chapbook, Twice in a blue moon, and her writer's statement.
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147.I.15.3B7Poetry, 1982-2014. 12 folders.
Evergreen chronicles, 1987-1988.
After graduating from college Porte continued her interest in poetic expression by joining the staff of a GLBT literary magazine. This file contains her own submissions to the magazine as well as materials relating to the production of the magazine.
Published materials, 2003-2004. 4 volumes.
Autobiography, 2001, 2008-2011. 2 folders.
Marriage vows, August 4, 2004.
From being married to Kristine Lin Cottom in Pittsfield, Massachusetts.
Miscellaneous, 1993-2001.
Visual Studies Workshop proposal.
Renee Porte memorial photograph album, 2005.
Album created for the funeral service of Porte's mother. Includes family photographs and annotations.
Teaching:
Includes materials regarding Porte's teaching in the Minneapolis Public Schools District.
Teaching resume and applications for employment, 1994-1995.
Also includes letters of recommendation.
Student teaching, 1995.
Contains lesson plans and daily reflections of student teaching.
Teaching philosophy, 1992-1997.
Fulton Elementary School daily lesson plans, 1998-1999.
Fulton Elementary School yearbook, 1999.
Includes annotations by students and Porte.
Teaching suspension correspondence and notes, 1999-2000.
New Lebanon, New York Town Board:
Includes meeting minutes and agenda, correspondence, and Porte's notes from when she served as a member on the Planning Board of the Town of Lebanon, New York.
Annotated meeting minutes and other notes, 2006-2015.
Correspondence, 2007-2014. 2 folders.
Activities and events:
Consists of flyers, planning materials, and iteneraries of various poetry reading programs and art exhibitions. Publications, correspondence, and flyers regarding the United Nations Conference on Women in Nairobi, Kenya, which Porte participated in, are also included.
Minnesota-based, 1980-2001. 2 folders.
Out-of-state, 2007-2013. 2 folders.
United Nations Conference on Women, Nairobi, Kenya, July 1985.
Exhibition paperwork, 1984-2014.
Contains applications, contracts, and release forms for exhibitions.
White Oak Dance project, 2000-2001.

Expand/CollapseRELATED MATERIALS

Porte was a core committee member (1988-1990) of the collective that supported A Woman's Coffeehouse, a chemically free meeting place for women, girls, and boys. Her involvement with this collective at the time of its dissolution is more fully reflected in the records of the Coffeehouse Collective available in the Minnesota Historical Society manuscripts collections.

Additional information and organizational records regarding passage of the Minneapolis pornography ordinance are available in the organizational records of Organizing Against Pornography available in the manuscripts collections of the Minnesota Historical Society.

The Minnesota Historical Society also holds the organizational records of Twin Cities Women for Take Back the Night.

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Expand/CollapseCATALOG HEADINGS

This collection is indexed under the following headings in the catalog of the Minnesota Historical Society. Researchers desiring materials about related topics, persons or places should search the catalog using these headings.

Topics:
Lesbian feminism -- Minnesota -- Minneapolis.
Mothers and daughters.
Women -- Sexual behavior.
Man-woman relationships.
Lesbians.
Coming out (Sexual orientation).
Protest movements -- Minnesota.
Beauty contests -- Social aspects -- Minnesota.
Pornography -- Social aspects -- Minnesota -- Minneapolis.
Anti-rape movement -- Minnesota -- Minneapolis.
Disorderly conduct -- Minnesota -- Minneapolis.
Graffiti.
Theater.
Theaters -- New York (State) -- New York -- Employees.
Teachers -- Minnesota.
Persons:
Porte, Ariel, author.
Porte, Al, author.
Porte, Renee, author.
Dworkin, Andrea, author.
Craft, Nikki, author.
Dyer, Peg, author.
Kennedy, Shannon, author.
Cottom, Kris, author.
Thorne, Erika, author.
Organizations:
Guthrie Theater.
St. Paul Open School (Saint Paul, Minn.).
Woman's Coffeehouse (Minneapolis, Minn.).
Miss Minnesota Pageant.
National Rampage Against Penthouse.
World Conference to Review and Appraise the Achievements of the United Nations Decade for Women (1985 : Nairobi, Kenya).
Types of Documents:
Diaries.
Personals.
Poetry.
Letters to editors.
Occupations:
Women radicals -- Minnesota -- Minneapolis.
Lesbian activists -- Minnesota -- Minneapolis.
Titles:
Evergreen chronicles.
Twice in a blue moon.

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