TRINA PORTE:
An Inventory of Her Papers at the Minnesota Historical Society
Manuscripts Collection
Part or all of this collection is restricted.
For
details, please see restrictions.
| | |
| Creator: |
Porte, Trina, creator.
|
| Title: | Trina Porte papers. |
| Dates: | 1968-2014. |
| Abstract: | Diaries, correspondence, high school and college papers,
poetry, and activism files documenting the childhood, young adulthood, education,
family dynamics, romantic relationships, sexual orientation, and protest activities
of a Minneapolis lesbian and radical feminist. The collection also describes Porte’s
volunteer and professional work as a stagehand in Twin Cities and New York theaters,
her interest in poetic expression, her stint as a teacher in the Minneapolis Public
Schools, and her public service with the Town of Lebanon, New York. |
| Quantity: | 7.0 cubic feet (7 boxes and 1 oversize
folder). |
| Location: | See Detailed Description section for
shelf locations. |
Trina Porte was born in Brooklyn, New York to parents Al and Renee (born Schlissel),
youngest sister of Steven, Jamie (deceased at 2 ½ months), and Ariel. Her collected
documents began with journals written almost daily from ages 8 to 23, and contain
her political writings and hundreds of poems. She grew up in Ossining, New York,
then Jonathan, Minnesota, where her parents and Ariel moved in 1972. Al and Renee
divorced in 1969, reunited in 1970, and split again in 1974 when Trina moved to St.
Paul, Minnesota with Renee. Trina attended St. Paul Open School for high school, and
got a B.F.A. in Art and an M. Ed. in Curriculum from the University of Minnesota.
Trina’s first career, begun in middle school, was in technical theater, working at
Chimera, Theater in the Round, Great Northern Theater, Minnesota Dance Theater, The
Guthrie, and off-off Broadway at La Mama, St. Clement’s, Perry Street and in Summer
Stock, prior to college. While attending the University of Minnesota, Trina came out
as a lesbian, became a feminist activist, spray painted the Twin Cities as a member
of W.E.E.D.S. (Women’s Erotic Energy Delights the Spirit) and a survivor of sexual
assault, and worked on the ordinance declaring pornography a potential violation of
women’s civil rights, which grew out of the University of Minnesota Law School class
“Pornography and the Law,” co-taught by Andrea Dworkin and Catharine A. MacKinnon.
This changed her life, and Andrea Dworkin became a vital mentor in Trina’s life-long
work against discrimination and violence in all forms. Trina met her future wife
Kristine Cottom initially in 1975 when their mothers worked in community theater
together, then met again in 1990, becoming first Domestic Partners in Minneapolis,
then getting married legally in Massachusetts. They moved to a small town in upstate
New York in 2004, where Trina publishes poetry and anthologies with the small press
she created in 2000, and is very active in local politics and writers’ community.
Trina has also shown artwork and/or read poetry in New York, Minneapolis, St. Paul,
Grand Marais, Iowa City, Iowa, Northampton, Massachusetts, Housatonic,
Massachusetts, Pittsfield, Massachusetts, New Lebanon, New York, Chatham, New York,
Woodstock, New York, and Tiberius, Israel.
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The three largest components of the collection are Porte's diaries; her
correspondence with family, friends, and lovers; and her poetry. Additional
correspondence includes her letters to editors and government officials. Other
materials document her volunteer and professional work as a stagehand in Twin Cities
and New York theaters, her work as a staff member with the GLBT literary journal
Evergreen chronicles, her leadership in protests
against the Miss Minnesota beauty pageants, and her arrest for disorderly conduct
(literally, for "tumultuous behavior") as part of a protest against pornographic
booksellers. The collection is especially notable as it chronicles the experiences
and emotions of a young girl who comes of age and struggles with her sexual identity
in the late 1970s and early 1980s. In addition, the collection's documentation of
direct actions against pornography and rape provide a look at the radical feminist
challenge to American cultural norms, particularly misogyny.
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Restrictions:
Access: One folder of materials related to the
National Rampage Against Penthouse will not be made available to researchers
under the age of 18 years. Consult the reference staff for more information.
Preferred Citation:
[Indicate the cited item here]. Trina Porte Papers.
Minnesota Historical Society.
See the Chicago Manual of Style for additional
examples.
Accession Information:
Accession number: 15,666; 15,936; 15,989; 16,252; 16,948; 17,310
Processing Information:
Processed by: Monica Manny Ralston, November 2000 and October 2007; Meagan Kellom
and Alex Kent, July 2011; addition by David B. Peterson, December 2014; and Leif
Kopietz, August 2019.

Processing and cataloging of this collection was supported with a Basic Project
grant awarded by the National Historical Publications and Records Commission
(NHPRC).
Catalog ID number: 990017368640104294
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DETAILED DESCRIPTION
| | | | | | | | | | | |
| Location | Box |
| 147.J.8.5B | 1 | Diaries, 1968, 1971-July 13,
1980. 20 folders. |
| | | Porte began keeping a handwritten diary in late 1971 shortly before her
eleventh birthday and began to keep regular daily entries on her twelfth
birthday in 1973. The earliest diaries briefly describe her family's move to
Chaska, Minnesota (1971), childhood playmates, conflicts with her sister,
school activities, books and television programs, her menstrual cycle
(1974), the move to St. Paul (1974), and teenage crushes. Porte began making
lengthier entries during her senior year in high school. While these entries
continue descriptions of her daily routine, school projects, and theatrical
work, they primarily focus upon her personal relationships and sexual
experiences. Many entries, particularly those regarding her relationships
with male lovers, make reference to specific pieces of correspondence or
poems filed elsewhere in the collection. Starting in 1982-1983 while
attending the University of Minnesota, Porte's entries take on a more
reflective tone and include personal commentary on issues such as patriarchy
and social stratification and their impact upon race and gender
divisions. |
| | | Porte stopped keeping a daily diary in May of 1984 about eight months after
coming out as a lesbian. A few diaries kept after that time are directed
toward documenting specific events or activities. These include two trips
with her mother: a trip to California in 1984 and a trip to Amsterdam and
Nairobi in 1985 to participate in the non-governmental forum of the third
conference of the United Nations Decade for Women. Entries made between
January 1985 and January 1986 describe her first job in education as a
teacher's aide at Kenny Elementary School in Minneapolis. A diary kept for
six months in 1994 was started as a "positivity log" while Porte was working
toward certification as an early childhood educator and includes entries
regarding decisions about her career. |
| | | | | | | | | | | |
| Location | Box |
| 147.J.8.6F | 2 | Diaries, July 14, 1980-October
20, 1983. 17 folders. |
| | | | | | | | | | | |
| Location | Box |
| 147.J.8.7B | 3 | Diaries, October 21, 1983-May
27, 1984; August 29, 1984-January 1986 (scattered); January-June
1994. 20 folders. |
| | | | | | | | | | | |
| | Topical diaries: |
| | | Poetry volume, 1981-1984. |
| | | Relationship journal, 1992. |
| | | | Kept while going through couples therapy with wife Kris Cottom. |
| | | Israel travel diary, 2000. |
| | | Daily writings, 1992-2015. |
| | | | Mainly appointment and activity reminders. |
| | | | | | | | | | | |
| | Appointment books, 1979-2007. 29 volumes in 9 folders. |
| | | Appointment books provide documentation of Porte's daily life after she
stopped keeping diaries. These books list meetings and other events in which
Porte participated as well as details about her personal activities and
relationships. Entries are occasionally accompanied by commentary or
postscripts. 1984 entries include the hearings before the Minneapolis City
Council of the proposed pornography ordinance. Notations for both 1984 and
1987 include activities of the Twin Cities Women for Take Back the Night and
events at A Woman's Coffeehouse. |
| | | | | | | | | | | |
| Location | Box |
| 147.J.8.8F | 4 | Appointment books, 2008-2013. 6 volumes in 1 folder. |
| | | | | | | | | | | |
| | Budget books, 1992-1996. |
| | | These books list what Porte called her daily food and entertainment expenses
and were kept during a time when Porte was trying to overcome financial
difficulties. Porte's living expenses were subtracted from her income
resulting in a daily allowance for food and entertainment. Total expenses
were added at the end of each month and compared to her allowance. |
| | | | | | | | | | | |
| | Correspondence: |
| | | The correspondence is arranged chronologically into sets representing
incoming letters, copies of outgoing correspondence, and two-way
correspondence between Porte and named individuals. The correspondence
between Porte and her mother, her father, and multiple women friends reflect
highly stressful and often emotionally volatile interpersonal relationships
and focus upon Porte's maturation and self-esteem, her economic
independence, and her romantic associations. Correspondence from Porte's
roommate and sometimes-lover Peg Dyer during the time she attended college
in Bozeman, Montana (March-May 1987) describes the couple's graffiti
activities on the college campus. Additional notes regarding Porte's
relationship with Dyer were entered in Porte's 1987 appointment book. |
| | | Incoming, 1976-1989. 31 folders. |
| Location | Box |
| 147.J.8.9B | 5 | | Incoming, 1985-2014. 2 folders. |
| | | Outgoing, 1983-1993,
1996-2014. 3 folders. |
| | | Renee Porte (mother), 1984-2002. 7 folders. |
| | | | Additional correspondence from Porte's mother, 1979-1988, is filed with
the incoming correspondence. |
| | | Al Porte (father), 1982-1983, 1986,
1992-1993, 2006-2008. 2 folders. |
| | | Ariel Porte (sister), 1990, 1992, 1994,
1997. |
| | | Andrea Dworkin, 1984-1994. |
| | | Peg Dyer, 1986-1991. 3 folders. |
| | | Erika Thorne, 1988-1991. |
| | | Norma, 1998-2000. |
| | | Kris Cottom, 1998-2014. 2 folders. |
| | | Sharon Kennedy, 1996-2012. |
| | | Personal advertisements, 1987-1990. 2 folders. |
| | | | These folders contain letters Porte either wrote or received in response
to personal advertisements placed in the GLBT newspaper Equal Time. The letters include Porte's notes
reflecting her reactions upon meeting or talking with the individual
correspondents. |
| | | City, county, and state officials, 1982,
1993-1998. 2 folders. |
| | | Letters to editors, 1983-2014. 5 folders. |
| | | | Porte's letters to editors include handwritten drafts, photocopies of
published letters, and copies of articles or letters to which she
reacted. These letters were written to various newspapers including the
University of Minnesota campus paper, the Minneapolis Star and Tribune, the Twin
Cities Reader, Equal Time,
neighborhood papers, and Ms Magazine. Other
letters were written to corporations such as 7-11 Food Stores objecting
to their sale of pornographic magazines (November 5, 1984) or to
individuals such as Garrison Keillor commenting upon his radio skit
about a voyeur (October 30, 1984). Pornography and misogyny issues,
including the controversy surrounding the Minneapolis pornography
ordinance, constitute the major topic of Porte's editorial letters.
Other topics that gained Porte's attention included heterosexism,
homophobia, sexual politics, abortion, racism, and anti-Semitism. Two
pieces written in January and May of 1987 offer Porte's commentary on
her activism as a lesbian graffitist. |
| | | Publishing houses, 1985-2014. |
| | | | | | | | | | | |
| | High school and college: |
| | | Papers documenting her high school education include end-of-year evaluations,
a graduation packet, and the school's literary magazines which Porte helped
produce. Porte's graduation packet contains a self-evaluation as well as
statements written by her school advisor, her mother, and others attesting
the skills she acquired. |
| | | Papers related to her college coursework include both class assignments
specifically related to her fine arts degree and lecture notes related to
more general coursework. Assigned work includes an artist's statement, a
poster announcing her senior exhibit, and an art history paper on the topic
of artistic freedom. Materials documenting her exploration of feminist
politics include notes taken during a pornography and law course taught by
Catharine MacKinnon and Andrea Dworkin as well as notes from meetings of a
feminist group who called themselves W.E.E.D.S. (Women's Erotic Energy
Delights the Spirit). Porte's diaries and materials regarding her radical
feminist activities give additional information regarding the discussions
and activities of this informal group. |
| | | Materials from both her high school and college years include draft and final
versions of her poems. Porte continued her interest in poetic expression
after college and that interest is reflected in her work on the staff of
Evergreen chronicles as well as in poems
she wrote from 1986-1991. |
| | | St. Paul Open School: |
| | | | Background information, 1976,
1978. |
| | | | Evaluations and graduation, 1977-1979. |
| | | | Literary magazines, 1976/1977-1979/1980. |
| | | | Poetry and writing assignments, 1975-1979. |
| | | | Theatre programs and scripts, 1978-1979. |
| Location | Box |
| 147.I.15.2F | 6 | | | Twentieth reunion, 1991. |
| | | University of Minnesota: |
| | | | Bachelor of Fine Arts work, 1984-1985. |
| | | | Notebooks: |
| | | | | Art history, poetry, and pornography, 1983. |
| | | | | Poetry and feminist group (W.E.E.D.S.), 1983. |
| | | | Poetry coursework, 1982,
1984. 2 folders. |
| | | | Ceramics, photography, printing, and sculpture notebooks and
coursework, 1983. |
| | | | Art history notebook, circa 1983. |
| | | | Composition notebook, 1984. |
| | | | Language notebook, 1993. |
| | | | Sketchbook, circa 1985. |
| | | | | Dissasembled. Includes writing, drawings, photography, and
ephemera. |
| | | | Photography sketchbook, 1994. |
| | | | Ways of Knowing class course work, 1995. |
| | | | Graduate work, 1997-1998. 2 folders. |
| | | | | Coursework for Masters in Education. |
| | | | | | | | | | | |
| | Theater: |
| | | Resumes, job hunting, and contact sheets, 1978-1981. |
| | | Minnesota Dance Theater, 1985-1986. |
| | | | Contains materials related to Porte's employment with the theater through
the Minneapolis Work Experience Project. |
| | | The Lessons we learn, 1988. |
| | | | Includes a performance program and script for a lesbian radio play
presented by Nightshade Productions and Sound Minds in which Porte had a
speaking part. |
| | | Sweet Bird Youth, 1976. |
| | | | Includes script, programs, and directing notes. |
| | | Easy Money, circa 1980. |
| | | Sunrise, 1980. |
| | | Chapter 2, 1980. |
| | | Practice, 1980. |
| | | Arms and the Man, 1980. |
| | | Midwest playwright's
program, 1981. |
| | | | Includes materials from a playwright conference. |
| | | Wedding Day Tragedy, 1981. |
| | | | | | | | | | | |
| | Radical feminist activities: |
| | | Materials documenting Porte's radical feminist activities include several
files covering her participation in painting graffiti, direct actions
against the dissemination of pornography, and demonstrations against beauty
contests. The first of these files include Porte's notes regarding the use
of graffiti as a protest mechanism by group of feminists who loosely
organized themselves as W.E.E.D.S. Also included are materials related to
her arrest with five other women on February 9, 1985 for the destruction of
magazines at a B. Dalton bookstore in Minneapolis. The arrest of these five
women represented only one of three actions coordinated by Nikki Craft that
same day as part of the National Rampage Against Penthouse. Charges against
Porte were dismissed on May 17 in a pre-trial conference. Additional
materials contained within this file are notes regarding security and the
training of marshals for rallies held by Twin Cities Women for Take Back the
Night, a protest chant, an informational circular protesting the showing of
the film Salo, and materials related to a
three-part, live-action lesbian soap opera called Toklas, MN. |
| | | A second file documenting Porte's radical feminism includes correspondence
and notes regarding student disciplinary actions taken against Porte for her
mutilation of pornographic artworks in a mail art exhibit at the University
of Minnesota. An additional file regarding the University of Minnesota
includes notes related to Porte's protestation of work displayed in an art
professor's office. |
| | | Porte's involvement in demonstrations against the Miss Minnesota Pageant in
1984 and 1985 are documented by press releases, correspondence, news
clippings, a parade permit, an event poster, and Porte's notes. These
materials also include correspondence from Nikki Craft, a California
activist who appeared as a guest lecturer in the pornography course at the
University of Minnesota. Craft's correspondence offered Porte advice and
encouragement regarding the staging of anti-pageant demonstrations and also
shared news clippings and other publicity regarding Craft's protest
actions. |
| | | A file related to the National Rampage Against Penthouse includes sample
mailings issued by the Center for Media Responsibility Without Law and sent
to Porte by Nikki Craft to encourage participation in actions directed
against pornography. Rampage protest activities were specifically directed
against Penthouse magazine and its publisher Bob Guccione. Activities
included the destruction of magazines at newsstands and bookstores, the
boycott of companies who advertised in the December 1984 issue of Penthouse,
and leafletting at Meredith Corporation headquarters. |
| | | Disorderly conduct arrest, protest activities, and miscellany, 1983-1988. |
| | | Mail art exhibit vandalism, 1985. |
| | | Minnesota State Fair, 1985. |
| | | Miss Minnesota Pageant protests, 1984-1985. |
| | | National Rampage Against Penthouse, 1985. |
| | | | RESTRICTED. This file will not be made available to
researchers under the age of 18 years. |
| | | University of Minnesota, 1984-1987, 1995. 2 folders. |
| | | A Woman's Coffeehouse, 1986-1995. 2 folders. |
| | | | Includes calendars and fliers with Porte's notations regarding events and
lectures she attended as well as a news clipping regarding Porte's
donation of coffeehouse records and memorabilia to the Minnesota
Historical Society. |
| | | Self defense training, 1992. |
| Location | Folder |
| +313 | 1 | | Art exhibition on domestic violence, 1985-2003. 1 oversize folder containing 4 items. |
| | | | Contains artwork for an exhibit held in Grand Marais, Minnesota (1991);
original source material (1985); and Porte's explanation of an event
that inspired the artwork (2003). |
| | | | | | | | | | | |
| Location | Box |
| 147.I.15.2F | 6 | Poetry, 1982-2000. 4 folders. |
| | | Includes her self-published chapbook, Twice in a blue
moon, and her writer's statement. |
| | | | | | | | | | | |
| Location | Box |
| 147.I.15.3B | 7 | Poetry, 1982-2014. 12 folders. |
| | | | | | | | | | | |
| | Evergreen chronicles, 1987-1988. |
| | | After graduating from college Porte continued her interest in poetic
expression by joining the staff of a GLBT literary magazine. This file
contains her own submissions to the magazine as well as materials relating
to the production of the magazine. |
| | | | | | | | | | | |
| | Published materials, 2003-2004. 4 volumes. |
| | | | | | | | | | | |
| | Autobiography, 2001,
2008-2011. 2 folders. |
| | | | | | | | | | | |
| | Marriage vows, August 4, 2004. |
| | | From being married to Kristine Lin Cottom in Pittsfield, Massachusetts. |
| | | | | | | | | | | |
| | Miscellaneous, 1993-2001. |
| | | | | | | | | | | |
| | Visual Studies Workshop proposal. |
| | | | | | | | | | | |
| | Renee Porte memorial photograph album, 2005. |
| | | Album created for the funeral service of Porte's mother. Includes family
photographs and annotations. |
| | | | | | | | | | | |
| | Teaching: |
| | | Includes materials regarding Porte's teaching in the Minneapolis Public
Schools District. |
| | | Teaching resume and applications for employment, 1994-1995. |
| | | | Also includes letters of recommendation. |
| | | Student teaching, 1995. |
| | | | Contains lesson plans and daily reflections of student teaching. |
| | | Teaching philosophy, 1992-1997. |
| | | Fulton Elementary School daily lesson plans, 1998-1999. |
| | | Fulton Elementary School yearbook, 1999. |
| | | | Includes annotations by students and Porte. |
| | | Teaching suspension correspondence and notes, 1999-2000. |
| | | | | | | | | | | |
| | New Lebanon, New York Town Board: |
| | | Includes meeting minutes and agenda, correspondence, and Porte's notes from
when she served as a member on the Planning Board of the Town of Lebanon,
New York. |
| | | Annotated meeting minutes and other notes, 2006-2015. |
| | | Correspondence, 2007-2014. 2 folders. |
| | | | | | | | | | | |
| | Activities and events: |
| | | Consists of flyers, planning materials, and iteneraries of various poetry
reading programs and art exhibitions. Publications, correspondence, and
flyers regarding the United Nations Conference on Women in Nairobi, Kenya,
which Porte participated in, are also included. |
| | | Minnesota-based, 1980-2001. 2 folders. |
| | | Out-of-state, 2007-2013. 2 folders. |
| | | United Nations Conference on Women, Nairobi, Kenya, July 1985. |
| | | Exhibition paperwork, 1984-2014. |
| | | | Contains applications, contracts, and release forms for exhibitions. |
| | | White Oak Dance project, 2000-2001. |
This collection is indexed under the following headings in the catalog of the
Minnesota Historical Society. Researchers desiring materials about related topics,
persons or places should search the catalog using these headings.
- Topics:
- Lesbian feminism -- Minnesota --
Minneapolis.
- Mothers and daughters.
- Women -- Sexual behavior.
- Man-woman relationships.
- Lesbians.
- Coming out (Sexual orientation).
- Protest movements -- Minnesota.
- Beauty contests -- Social aspects --
Minnesota.
- Pornography -- Social aspects -- Minnesota --
Minneapolis.
- Anti-rape movement -- Minnesota --
Minneapolis.
- Disorderly conduct -- Minnesota --
Minneapolis.
- Graffiti.
- Theater.
- Theaters -- New York (State) -- New York --
Employees.
- Teachers -- Minnesota.
- Persons:
- Porte, Ariel, author.
- Porte, Al, author.
- Porte, Renee, author.
- Dworkin, Andrea, author.
- Craft, Nikki, author.
- Dyer, Peg, author.
- Kennedy, Shannon, author.
- Cottom, Kris, author.
- Thorne, Erika, author.
- Organizations:
- Guthrie Theater.
- St. Paul Open School (Saint Paul, Minn.).
- Woman's Coffeehouse (Minneapolis, Minn.).
- Miss Minnesota Pageant.
- National Rampage Against Penthouse.
- World Conference to Review and Appraise the
Achievements of the United Nations Decade for Women (1985 : Nairobi,
Kenya).
- Types of Documents:
- Diaries.
- Personals.
- Poetry.
- Letters to editors.
- Occupations:
- Women radicals -- Minnesota --
Minneapolis.
- Lesbian activists -- Minnesota --
Minneapolis.
- Titles:
- Evergreen chronicles.
- Twice in a blue moon.
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