LOUIS N. SCOTT AND FAMILY:

An Inventory of Their Papers at the Minnesota Historical Society

Manuscripts Collection

Expand/CollapseOVERVIEW

Creator: Scott, Louis N., 1859-1929, creator.
Title:Louis N. Scott and Family Papers.
Dates:1882-1943.
Language:Materials in English.
Abstract:Correspondence, minutes, contracts, financial records, stock records, and other materials relating largely to Scott's career as a theater manager and owner in St. Paul and Minneapolis, and to the continuation of these activities by his wife Elizabeth after his death. His theatrical career began in 1882 when William F. Davidson placed him in charge of the Grand Opera House in St. Paul.
Quantity: 10.0 cubic feet (18 boxes, including 37 volumes) and 1 oversize folder, unboxed.
Location:See Detailed Description for shelf locations.

Expand/CollapseBIOGRAPHICAL NOTE

Louis N. Scott, son of Robert and Mary (Conneff) Scott, was born May 10, 1859, in Petersburg, Jefferson County, Kentucky. About 1876, he came to St. Paul as an employee of the St. Louis and St. Paul Packet Company, which was owned by William F. Davidson. In 1882, Davidson placed Scott in charge of the Grand Opera House in St. Paul, a position he held until 1888. He became, successively, manager of the Newmarket Theater (1888) and the Metropolitan Opera House (St. Paul, 1890). He managed other opera houses in St. Paul, Minneapolis, and Duluth. He also was president of the Northern Display Advertising Company. Scott died December 30, 1929, in St. Paul and is buried in Oakland Cemetery.

Scott married Elizabeth M. Goodell (1876-1955), who continued the management of theaters in Minneapolis and St. Paul until about 1940.


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Expand/CollapseSCOPE AND CONTENTS

Letters, financial records, minutes, contracts, agreements, clippings, and memoranda relating to the career of Louis N. Scott as a theater manager and owner in Minneapolis and St. Paul. The papers document his business negotiations with booking agents, managers, and agencies in New York and elsewhere; his interests in civic affairs; the business details of the productions performed in his theaters; and the management of the several companies of which he was a part, notably the Metropolitan Opera House Company, the Scott-Stafford Opera House Company, and the Syndicate Opera House Company. The papers detail Mrs. Scott’s struggle to secure the backing of local citizens to preserve the legitimate stage in the Twin Cities.

Included are data on Scott's business associates, among them Theodore L. Hays, Jacob Litt, and Lac Stafford; the Litt-Stafford Opera House Company, Metropolitan Opera House Company, Peoples Theater Building Company, Scott-Stafford Opera House Company, Syndicate Opera House Company, and Twin City Amusement Company; the companies' affairs, such as property management; theater financing and construction; theater management, including advertising, personnel, heating, lighting, insurance, furnishings, and fixtures; and business details of plays and other productions.

There is also substantial information on transactions with theatrical agencies, agents, and managers, most of them located in New York City, which brought dozens of performers to the Scott theaters.

Miscellaneous subjects include the Legion of Decency's efforts to influence selections of motion pictures shown at the Metropolitan Theatre (1930s); Mrs. Scott's efforts to preserve legitimate theater in Minneapolis (1930s); excursions of the Streckfus Steamboat Line; Scott's interests in the Co-operative Packing House Association of St. Paul (1915) and the Mizpah Gold Mines Company (1912); his administration of the estate of Amanda F. Barnard (1923); and the Scotts' interest in civic affairs.


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Expand/CollapseARRANGEMENT

These documents are organized into the following sections:

Correspondence and papers
Volumes
Oversize materials


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Expand/CollapseADMINISTRATIVE INFORMATION

Availability:

The collection is open for research use.

Preferred Citation:

[Indicate the cited item and/or series here]. Louis N. Scott and Family Papers. Minnesota Historical Society.

See the Chicago Manual of Style for additional examples.

Accession Information:

Accession number: 7780

Processing Information:

Processed by: David B. Peterson, September 2023

Catalog ID number: 990017309890104294


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DETAILED DESCRIPTION

Expand/CollapseCORRESPONDENCE AND PAPERS

The documents in boxes 1-12 are arranged in chronological order. However, some documents relating to specific topics have been gathered together and filed under one date. The list of subjects and significant documents contained in this finding aid do not reflect order in the boxes; if a specific date is identified, the topic or document will be found in its chronological sequence.


LocationBox
A.S4281 Undated, 1882-1890:
Subjects:
Metropolitan Opera House (St. Paul).
Financial statements, advertising lists, advertisements, assignments of work to the theater staff, data on seating capacity.
Metropolitan theaters (St. Paul and Minneapolis).
Balcony plans.
"Revival of the Old Roman World."
Advertisement, a series of 180 pictures.
"Tobacco Road."
Letters with comments on Walter Hampden's performances.
Lew Dockstader (comedian).
Comments by Scott.
"Of Thee I Sing."
Publicity.
Katherine Cornell in "The Barrett's of Wimpole Street."
Memoranda.
Captain John H. Reaney and his wife, Margaret A. Reaney.
Biographical sketch.
American Blower Company.
Advertisement containing a picture of the Metropolitan Opera House (St. Paul).
Peoples Theater Building Company (Minneapolis).
Bylaws.
George M. Cohan and Sam H. Harris.
Proffer of advertising arrangements.
Twin City Amusement Company.
Minutes noting that it possessed no assets, had been inactive for years, and needed to be revived. Theodore Hays, L.N. Scott, and Lac Stafford assigned their stock to A. Niggemeyer and Fred A. Landeck. The lease between the Schubert Theatrical Company and the Twin City Amusement Company was then reported concluded.
"Cyrana" by R.H. Harwood and R. Gore Browne.
Script.
Miscellaneous, 1882-1883, 1887-1890.
Relates to mortgages and other transactions concerning the land of the Metropolitan Opera House Company acquired in St. Paul, the purchase of the Metropolitan Opera House Company property from Charles D. Elfelt (1889-1890), the construction of the opera house, insurance, the incorporation of the company, and contracting for steam heat from the St. Paul Chamber of Commerce and A.O. Nepil. Among the real estate papers of interest in a document dated December 19, 1882, is a copy of the will of Amable Turpin.
Clippings.
LocationBox
A.S4282 1891-1892:
Subjects:
Letters from theatrical agencies and managers offering attractions to Scott:
Includes arrangements for bookings and settling contract terms. Most of the agencies had headquarters in New York; some, like Frohman, had representatives in major cities.
Charles Frohman.
Herrman's Theater.
Leo Goldmark.
H.S. Taylor's Theatrical Exchange.
Arnold Wolford.
Klaw & Erlanger (Manager's Exchange).
M.B. Levitt.
Marcus R. Mayer's International Theatrical Managers' Agency.
H.R. Jacobs Booking Office.
Randall & Dickson.
George W. Lederer Theatrical Offices.
Augustus Pitou.
Personal letterheads of companies and performers, often for each season or each play:
Eileen Opera Company.
Gracie Emmett.
Henry Dickson.
Sol Smith Russell.
Primrose & West's Modern Minstrels.
Lillian Lewis.
Duff Opera Company.
Modjeska.
Julia Marlowe.
Lydia Thompson.
James O'Neill.
Henry Lacy.
William J. Gilmore Opera Company.
Emma Abbott.
Joseph Murphy.
DeWolf Hopper Opera Company.
W.J. Scanlan.
Frank Mayo.
Lewis Morrison.
Ada Melrose.
Otis Skinner.
Lizzie Evans.
Marie Wainwright.
Rosina Vokes (London Comedy Company).
Haverly's Mastodon Minstrels.
Cosgrove & Grant's Comedians.
Jeannie Winston Opera Company.
Hellertz-Extravaganza Company.
Sadie Stephens.
Askin & Rork.
Abbott & Teal.
Mapleson Opera Company.
Katie Putnam Comedy Company.
Frank Daniels Big Comedy Company.
Madeline Merli.
Andrews Opera Company.
Ole Olson.
Jeffreys Lewis.
James T. Powers.
Letters from billboard companies and advertising contracts with the St. Paul Daily Globe and the St. Paul Dispatch.
Significant documents:
Agreement with St. Paul Gas Light Company for gas and electric lights, 1891.
Agreement by which Metropolitan Opera House Company agrees to furnish steam power to the News Publishing Company, July 1, 1892.
List of scenery for the Metropolitan Opera House, 1891.
Letters relating to Scott's election as president of the Associated Bill Posters' Association.
Letter proposing that Scott take an interest in the Temple Opera House of Duluth, September 21, 1891.
Advertisement for the Seven Sutherland Sisters Hair Grower, September 22, 1891.
Map of towns in the "Silver Circuit," October 23, 1891.
On reverse of letter.
Papers relating to Metropolitan Opera House Company's annual stockholders meeting, 1891.
Indenture between Metropolitan Opera House Company and the St. Paul Title & Insurance Company, January 1, 1892.
Regarding notes of the Metropolitan Opera House Company.
Letters offering to L.N. Scott the Grand Opera House (Mankato) and describing the building, 1892.
Printed description of "The Mississippi River 'Scenic Line'," July 29, 1892.
On reverse of letter from the Chicago, Burlington & Quincy Railroad to Scott.
Letters regarding a dispute between Scott and the Frohman agency regarding booking arrangements, 1892.
Letter from Jeannie Winston to Mrs. Scott expressing her pleasure in playing at the Metropolitan, August 24, 1892.
Booking arrangements among the Metropolitan (St. Paul) and the Grand and Lyceum theaters (Minneapolis).
LocationBox
A.S4283 1893-1911:
Subjects:
Metropolitan Opera Company statements of profit and loss and other papers relating to stockholder meetings of the Metropolitan Opera Company, 1893-1907, 1909, 1911.
Syndicate Opera House Company profit and loss statements, assets and liabilities, 1908-1911.
Letters concerning boiler tests at the Metropolitan Opera House Company (St. Paul), 1893-1894.
Peoples Theater Building Company (Minneapolis) articles of incorporation, May 17, 1894.
Incorporators were Lac Stafford, Charles K. Sherburne, Oscar Stafford, Barclay Cooper, and Philip W. Herzog.
Peoples Theater Building Company (Minneapolis) amendment to articles of incorporation, January 7, 1895.
Minneapolis Syndicate minutes, July 18, 1895.
Considering the sale of the Lyceum Theater Building (Minneapolis) and the closing of the Grand Opera House (Minneapolis); John DeLaittre was secretary.
Agreements:
A series of agreements concerning the ownership and management of the Lyceum Theater and the Grand Opera House, and the evolution of the Peoples Theater Building Company into (1) The Litt-Stafford Opera House Company; (2) the Syndicate Opera House Company; and (3) the Scott-Stafford Opera House Company. Filed under the dates listed.
Agreement between the Minneapolis Syndicate and Lac Stafford, August 28, 1895.
Transferring to Stafford the Lyceum Theater and described real estate, closing the Grand Opera House as a theater and transforming it into a business block.
Agreement between Lac Stafford and Jacob Litt, August 28, 1895.
Transferring to Litt to Lyceum Theater and described real estate.
Agreements between the Minneapolis Syndicate and Jacob Litt, September 17, 23, 1895; August 5, 1897.
Transferring described real estate to Litt from the Syndicate, purchasing the Lyceum and closing the Grand.
Agreement between Metropolitan Opera House Company and the Litt-Stafford Opera House Company, September 25, 1895.
Relating to cooperative bookings.
Certificate of amendment to the articles of incorporation, Litt-Stafford Opera House Company and Jacob Litt, October 4, 1895.
Changing name to Syndicate Opera House Company.
Agreement between Jacob Litt and the Syndicate Opera House Company, August 5, 1897.
Transferring to the company properties acquired by Litt from the Minneapolis Syndicate.
Resolutions by the Metropolitan Opera House Company and an assessment on the capital, January 2, 1899.
Leasing to L.N. Scott the Metropolitan Theater (St. Paul) and to the Chicago Great Western Railway Company office quarters.
Agreements between the Syndicate Opera House Company and L.N. Scott, September 25, 1900.
Engaging Scott to manage the Metropolitan (Minneapolis) and the Lyceum (Minneapolis) for five years; includes arrangements for bookings.
Certificate of amendment to articles of incorporation of the Syndicate Opera House Company, March 21, 1911.
Changing name to the Scott-Stafford Opera House Company.
LocationBox
A.S4284 1912-1916:
Correspondence of Scott concerning performers:
Eva Tanguay.
Buffalo Bill.
Pawnee Bill.
Harry Askin.
Fiske O'Hara.
Ross Kane.
Correspondence of Scott with agents:
Augustus Pitou.
The Thompson Agency.
The Liebler Company.
The United Play Company.
Klaw & Erlanger.
Letters and invoices concerning advertising of performances.
Papers on non-theatrical activities of Scott and his associates.
Subjects and significant documents:
Estimates for fixtures and redecorating the Metropolitan Opera House (St. Paul), 1912.
Letters regarding excursions on the Streckfus Steamboat Line, 1912.
Letters regarding agitation against billboards, 1912.
Statements of assets and liabilities and other papers concerning the annual meeting of the Metropolitan Opera House Company, 1912-1916.
Statements of assets and liabilities of the Scott-Stafford Opera House Company, 1912-1916.
Miscellaneous accounts of the Metropolitan theaters of St. Paul and Minneapolis, 1914-1916.
Documents regarding the performance of the Russian Ballet by the troupe of Serge de Diaghileff, October 15, 1915.
Includes agreements, advertising accounts, and statements.
Agreement between L.S. Scott and Lac Stafford (parties of the first part) and Jacob J. Schubert and Joseph L. Rhinock (parties of the second part), June 23, 1913.
Outlining a plan for cooperative management of the Twin Cities theaters owned by the two parties.
Statements and accounts of the Northern Display Advertising Company, 1912.
Letters regarding band concerts of the 26th Infantry, Fort Snelling, 1912.
Letter, Will H. Reaney to Scott, September 25, 1912.
Regarding Pawnee Bill.
Documents regarding rental of the opera houses to the W.C.T.U. and other groups regarding "Hip Hip Hooray," July 5, 1916.
Letters by R.C. Wight and Oscar Dillon, officers of the Co-operative Packing Association of St. Paul, 1915.
Outlining the organization and financing of the new venture that succeeded the packing houses of Bronson & Wight.
Circular letter of the Society for the Relief of the Poor (St. Paul), December 1, 1912.
Outlining the purposes of the organization.
Letter, Julius A. Schmahl to Scott, September 10, 1912.
Requesting assistance in the primary elections.
Resolution, St. Paul Association of Commerce, August 17, 1912.
Endorsing the project of the St. Paul Southern Electric Railway to build a line from St. Paul to Rochester, Minnesota.
Letter, Congressman F.C. Stevens to Scott, March 10, 1912.
Concerning the St. Croix Bridge controversy.
Letters regarding Mizpah Gold Mines Company, 1912.
Scott was interested in this firm.
LocationBox
A.S4285 1917-1924:
Subjects and significant documents:
Metropolitan theaters (St. Paul and Minneapolis) miscellaneous accounts, 1917-1918, 1920-1924.
Metropolitan and Schubert theaters (St. Paul and Minneapolis) miscellaneous accounts, 1917-1918.
Metropolitan Opera House Company, statements of assets and liabilities and papers regarding the annual meeting, 1917, 1919.
Harry Lauder at the Auditorium accounts, March 12, 1918.
Scott-Stafford Opera House Company statement of assets and liabilities, 1918-1924.
Schubert Theater (St. Paul) statement, 1919.
Agreements between Lac Stafford and Scott-Stafford Opera House Company, March 1919.
Regarding note to the Minnesota Loan and Trust Company.
Correspondence regarding the leasing of the Schubert theaters in the Twin Cities.
Metropolitan Opera House Company certificate of renewal of the articles of incorporation, October 7, 1919.
Scott-Stafford Opera House Company certificate of amendment to articles of incorporation, May 10, 1924.
Letters and accounts of the estate of Lac Stafford and the acquisition of Stafford's stock in the Scott-Stafford Opera House Company by L.N. Scott, 1919-1920.
Biographical sketch of Margaret A. Reaney, May 28, 1920.
Papers relating to the loan made by the Northwestern Mutual Insurance Company to the Metropolitan Opera House Company, December 18, 1922.
Papers of L.N. Scott as administrator of the estate of Amanda F. Barnard, December 12, 1923.
Letter relating to an excursion by the Streckfus Steamboat Line, Joseph Streckfus to Scott, March 6, 1924.
Estimates of curtains, draperies, and opera chairs for the Metropolitan Opera House, 1924.
LocationBox
A.S4286 1925-October 1930:
Subjects and significant documents:
Metropolitan Opera House Company assets, liabilities and other accounts, 1925-1930.
Scott-Stafford Opera House Company assets and liabilities, 1925-1929.
Metropolitan theaters (St. Paul and Minneapolis) accounts, 1925, 1927-1928.
Cancellation of booking arrangements between Scott and Jacob J. Schubert and Joseph L. Rhinock, 1925.
Metropolitan Opera House Company resolution, January 18, 1928.
Providing for leasing the opera house to Scott.
Contracts between Scott and successors and booking companies and agents for attractions for the Twin Cities theaters, 1929-1930.
Metropolitan Building rent roll, October 1, 1929.
Scott-Stafford Opera House Company shares of stock, 1929.
L.N. Scott estate papers, 1930.
"Strictly Dishonorable" invoices, August 30, 1930.
Letter, George Leffler to Scott, January 27, 1925.
Regarding terms for performance by Otis Skinner.
Letters concerning opera chairs for the Metropolitan (Minneapolis), 1925.
Letter, Edgar H. Young to Scott, April 4, 1925.
Commenting on Scott's early career (about 1879) as assistant to the St. Paul agent of the St. Louis and St. Paul Packet Company and manager of the Davidson Opera House. Encloses a clipping from the St. Paul Pioneer Press of October 26, 1924, regarding William F. Davidson.
Letter, unsigned, undated, approximately 1930.
Detailing theater conditions in the Twin Cities.
R.C. Wight to John Ringling, March 7, 1930.
Describing the property, income, and business of the Metropolitan Opera Houses (St. Paul and Minneapolis).
Correspondence of Mrs. Scott with Erlanger, Pitou, Schubert and other booking agencies, 1930.
Correspondence of Mrs. Scott with civic groups in St. Paul and Minneapolis, 1930.
Regarding her efforts to save legitimate theater in Minneapolis.
Telegrams regarding the copyright bill before Congress, 1930.
Letter, Theodore Hays to Mrs. Scott, October 13, 1930.
Regarding adjustment of a dispute with the Stage Hands Local.
"Marigold" invoices, October 9, 1930.
LocationBox
A.S4287 November 1930-1931:
Invoices, statements, and contracts relating to productions:
"Death Takes a Holiday," November 1, 1920.
"Chinese Bungalow," November 15, 1930.
"Tomorrow and Tomorrow," December 28, 1930.
"Michael and Mary," December 12, 1930.
"Denishaw Dancers," January 1, 1931.
"Lady in Pawn," March 5, 1931.
"The First Mrs. Fraser," March 31, 1931.
"Three Little Girls," March 31, 1931.
"School for Scandal," September 23, 1931.
"Blossom Time," September 25, 1931.
"The House Beautiful," June 27, 1931.
"Surf," October 23, 1931.
"Private Lives," October 24, 1931.
"Ted Shawn Dancers," December 10, 1931.
"The Green Pastures," December 17, 1931.
"The Merchant of Venice," December 7, 1931.
"Cyrano de Bergerac," December 22, 1931.
"Sherlock Holmes," October 14, 1931.
Subjects and significant documents:
Contracts with agents and managers.
Correspondence with agents and managers.
Metropolitan Opera House Company miscellaneous financial accounts.
Correspondence regarding the efforts to save the legitimate theater in the Twin Cities.
Scott-Stafford Opera House Company minutes, July 1931.
Regarding lease of the Metropolitan Opera House (Minneapolis) to Mrs. Scott.
Correspondence with the Theatre Guild (New York City).
Concerning securing productions for the Twin Cities.
Scott-Stafford Opera House Company agreement with Mrs. Scott, August 20, 1931.
Regarding leasing of the Metropolitan Opera House (Minneapolis).
Statement on the history of Metropolitan Theater (St. Paul), December 29, 1931.
The theater is under the management of Mrs. Scott and Edmund A. Stein.
LocationBox
A.S4288 1932-January 1933:
Subjects and significant documents:
Metropolitan Opera Houses (Minneapolis and St. Paul) miscellaneous accounts.
Advertisements of New York Theatre Guild plays at the Metropolitan.
Correspondence with booking agencies and agents.
Letter, Billy Rose to Mrs. Scott, March 17, 1932.
Regarding "Crazy Quilt."
Letter, Mrs. Edith Ringling to Mrs. Scott, August 15, 1932.
Concerning management of Ringling Bros.
Invoices, statements, and contracts relating to productions:
"As Husbands Go," January 4, 1932.
"The Blue Bird," January 20, 1932.
"Mourning Becomes Electra," February 23, 1932.
"Crazy Quilt," March 16, 1932.
"Reunion in Vienna," October 9, 1932.
"The Chocolate Soldier," October 20, 1932.
"Another Language," November 14, 1932.
"Rhapsody in Black," December 21, 1932.
Cornelia Otis Skinner, January 4, 1933.
"The Good Earth," January 23, 1933.
"Harold Krautzberg," January 29, 1933.
"Hamlet" and "Caponsacchi," December 14, 1932.
LocationBox
A.S4289 February 1933-June 1934:
Subjects and significant documents:
Correspondence with booking agencies and agents.
Correspondence regarding rentals of the Metropolitan Opera House.
Testimonial dinner in honor of A.G. Bainbridge.
Katherine Cornell in "The Barrett's of Wimpole Street."
Advertising.
St. Paul Camp Fire Council annual meeting report, October 16, 1933.
Mrs. Scott was a member of the Council.
Memoranda on Ted Shawn's Dance Ensemble and Eva Le Gallienne.
Metropolitan Opera House Company and Scott-Stafford Opera House Company miscellaneous accounts.
Invoices, statements, and contracts relating to productions:
"Of Thee I Sing," March 6, 1933.
"The Dayton Review," May 10, 1933.
"The Barretts of Wimpole Street," June 21, 1933.
"Take A Chance," October 24, 1933.
Eva Le Gallienne in Ibsen plays, January 9, 1934.
Cornelia Otis Skinner, January 24, 1934.
"Celia Adler," January 30, 1934.
"Yoshe Kalb," March 8, 1934.
Walter Hampden and Company, March 9, 1934.
LocationBox
A.S42810 July 1934-September 1935:
Subjects and significant documents:
Correspondence concerning bookings, motion pictures, the Legion of Decency's attempt to influence the choice of movies at the Metropolitan, and the Ziegfeld Follies.
Insurance policies.
Scott-Stafford Opera House Company and Metropolitan Opera House Company miscellaneous accounts.
Memoranda on Cornelia Otis Skinner.
Invoices, statements, and contracts relating to productions:
Ziegfeld Follies, November 9, 1934.
Walker Whiteside and Company, December 13, 1934.
Cornelia Otis Skinner, January 7, 1935.
Maurice Schwartz and Company, January 29, 1935.
"Mary of Scotland," February 12, 1935.
"As Thousands Cheer," February 23, 1935.
LocationBox
A.S42811 October 1935-March 1936:
Subjects and significant documents:
Correspondence relating to bookings, the child labor law, and the controversy over showing "Tobacco Road."
Memoranda on Ethel Barrymore and Katherine Cornell.
Scott-Stafford Opera House Company miscellaneous accounts.
Invoices, statements, and contracts relating to productions:
"The Constant Wife," November 1, 1935.
"Tobacco Road," December 15, 1935.
"Tobacco Road," December 16, 1935.
"Three Men on a Horse," December 17, 1935.
"Blossom Time," December 27, 1935.
"The Old Maid," December 28, 1935.
Cornelia Otis Skinner, January 9, 1936.
"Personal Appearance," February 21, 1936.
LocationBox
A.S42812 April 1936-1943:
Subjects and significant documents:
Insurance.
Correspondence regarding bookings.
Michael Todd and Associates letterhead, May 21, 1936.
On letter, Fay Silverman to Leo P. Murray.
Papers regarding razing of the Metropolitan Opera House Building (St. Paul), December 14, 1937.
Papers regarding the dissolution of the Scott-Stafford Opera House Company, June 15, 1937.
Papers regarding the dissolution of the Metropolitan Opera House Company, 1939.
Genealogical data on the Comstock and Goodell families, 1943.
Invoices, statements, and contracts relating to productions:
"The Mikado," Michael Todd, April 14, 1936.
"Boy Meets Girl," April 21, 1936.
"Jane Eyre," January 26, 1937.
Charlotte Greenwood and Company, March 19, 1937.
LocationBox
A.S42813Canceled checks, 1915-1939.
Canceled checks wrapped in small bundles. Drawn on the American National Bank (St. Paul), Midland National Bank and Trust Company (Minneapolis), Empire National Bank, and Northwestern National Bank of Minneapolis on the accounts of the Metropolitan Theater, the Metropolitan Opera House, and the Scott-Stafford Opera House. Signed by Leo R. Murray, Mrs. L.N. Scott, and L. Stafford.

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Expand/CollapseVOLUMES

LocationBox
A.S428151. Metropolitan Opera House Company articles of incorporation and minutes (St. Paul), 1889-1939.
Incorporated in Minnesota, December 3, 1889, "to buy, own, improve, sell and deal in lands, tenements and herediments;" headquartered in St. Paul. Incorporators were A.B. Stickney, Ansel Oppenheim, Arnold Kalman, William Lindeke, Robert Mannheimer, William Dawson, Jr., and Francis B. Clarke, all of St. Paul. The company dissolved in 1939.
2. Twin City Amusement Company articles of incorporation and minutes, 1905-1920.
Incorporated in Minnesota in 1905 to deal in real estate, advertise, and conduct outdoor and indoor amusements; headquartered in Minneapolis. Incorporators were Louis N. Scott, Lac Stafford, Michael Breslauer, and Theodore Hays.
3. Metropolitan Opera House Company stock register, 1890-1910.
4. Metropolitan Opera House Company (St. Paul) stock book, 1890-1936.
5. Syndicate Opera House Company (Minneapolis) stock book, 1895-1911.
6. Twin City Amusement Company (Minneapolis) stock book, 1907-1920.
7. Scott-Stafford Opera House Company stock book, 1913-1939.
Metropolitan Opera House Company (St. Paul):
8. Trial balance, 1890-1917.
9. Trial balance, 1918-1939.
10. Journal, 1889-1939.
LocationBox
A.S4281611. Ledger, 1889-1939.
LocationBox
A.S4281712. Syndicate Opera House Company secretary-treasurer's accounts, 1895-1905.
Metropolitan Opera House Company (Minneapolis):
Treasurer's statements:
13. 1916-1919.
In account with L.N. Scott; gives receipts and disbursements for each attraction.
14. 1919-1924.
In account with L.N. Scott; gives receipts and disbursements for each attraction.
15. 1903-1906.
In account with Syndicate Opera House Company; gives receipts and disbursements for each attraction.
16. 1906-1909.
In account with Syndicate Opera House Company; gives receipts and disbursements for each attraction.
17. 1909, 1912.
In account with Syndicate Opera House Company; gives receipts and disbursements for each attraction.
18. Metropolitan Theater (Minneapolis) treasurer's statements, 1928-1929.
Gives receipts and disbursements for each attraction.
Metropolitan Opera House Company (St. Paul):
19. Account book, 1934-1936.
20. Appraisal by Northern Appraisal Company (Minneapolis-St. Paul), 1925.
Contains construction details.
21. Advertising account, 1918-1920.
Company not named.
LocationBox
A.S42816Metropolitan Opera House Company:
Cash books:
22. 1890-1905.
23. 1905-1930.
24. 1931-1940.
LocationBox
A.S42818L.N. Scott:
Cashbooks:
25. 1913-1921.
26. 1922-1926.
27. Scott-Stafford Opera House Company cashbook, 1920-1933.
28. Cashbook, 1930.
Company not named.
29. Account book, 1920-1931.
Company not named.
LocationBox
A.S4281430. Miscellaneous theater accounts, 1931-1936.
LocationBox
A.S42818Check registers:
Some volumes also include unused, blank checks.
31. 1913-1930.
32. 1928-1929.
LocationBox
A.S4281433. 1932-1933.
34. 1932-1936.
35. 1933-1934.
36. 1934-1935.
37. 1936-1937.

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Expand/CollapseOVERSIZE MATERIALS

LocationFolder
100/ov2 Drawer 5+A.S428Floor plans and certificates, undated, 1897-1934. 1 oversize folder.
Certificate appointing L. N. Scott as Theatre Member of the Committee on Public Information, October 7, 1918.
Certificate admitting L. N. Scott as a Life Member of the Actors' Fund of America, April 1, 1897.
Typed statement showing monthly kilowatt usage and billing amounts for the Metropolitan Theater, St. Paul, April 1933-March 1934.
Blueprint drawings for the Metropolitan Opera House and Office Building, St. Paul, C.A. Reed, supervising architect, St. Paul. J.B. McElfatrick and Sons, consulting architects for theatre part, New York. undated. 36 drawings.
Includes floor plans, cross sections, and front elevations. Many are torn and in poor condition.

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Expand/CollapseRELATED MATERIALS

The William F. Davidson and Family Papers are in the Minnesota Historical Society manuscript collections.

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Expand/CollapseCATALOG HEADINGS

This collection is indexed under the following headings in the catalog of the Minnesota Historical Society. Researchers desiring materials about related topics, persons or places should search the catalog using these headings.

Topics:
Businesswomen--Minnesota.
Entertainers--Minnesota.
Motion pictures.
Theaters--Management.
Theaters--Minnesota--Minneapolis.
Theaters--Minnesota--Saint Paul.
Women-owned business enterprises--Minnesota.
Persons:
Reed, Charles A., 1858-1811, author.
Scott, Elizabeth M., 1876-1955, author.
Davidson, William Fuson, 1825-1887.
Hays, Theodore L., 1867-1945.
Litt, Jacob, 1860-1905.
Stafford, Lac, 1852-1919.
Organizations:
Co-operative Packing Association of St. Paul, author.
J.B. McElfatrick & Sons (New York, N.Y.), author.
Litt-Stafford Opera House Company, author.
Metropolitan Opera House Company (Minneapolis, Minn.), author.
Metropolitan Opera House Company (Saint Paul, Minn.), author.
Metropolitan Theater (Minneapolis, Minn.), author.
Metropolitan Theater (Saint Paul, Minn.), author.
Peoples Theater Building Company (Minneapolis, Minn.), author.
Scott-Stafford Opera House Company, author.
Syndicate Opera House Company (Minneapolis, Minn.), author.
Twin City Amusement Company (Minneapolis, Minn.), author.
Grand Opera House (Saint Paul, Minn.).
National Legion of Decency.
Mizpah Gold Mines Company.
St. Paul Southern Electric Railway Company.
Streckfus Steamers, Inc.
Document Types:
Architectural drawings (visual works).
Blueprints (reprographic copies).
Checks (bank checks).

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