RICHARD S. DAVIS:

An Inventory of His Papers at the Minnesota Historical Society

Manuscripts Collection

Expand/CollapseOVERVIEW

Creator: Davis, Richard S., 1917-1985, creator.
Title:Richard S. Davis papers.
Dates:1943-1998.
Language:Materials in English, Italian, and German.
Abstract:Papers of art curator Richard S. Davis. Includes personal and professional correspondence and documents, military service documents, photographs, and various print materials. Materials are associated with his time serving in the Monuments, Fine Arts, and Archives Section Unit, otherwise known as the “Monuments Men," as well as his employment with the Minneapolis Institute of Arts (MIA), and his post-MIA consultant work with private collectors and work as a visiting expert and lecturer.
Quantity:5.2 cubic feet (5 boxes, 3 folders in 1 partial box, and 1 oversize folder, unboxed).
Location: See Detailed Description for shelf locations.

Expand/CollapseBIOGRAPHICAL NOTE

Richard Siebe Davis was born in Ashland, Kentucky in 1917. He attended Phillips Academy (Andover, Massachusetts), and later graduated from Harvard University with a Bachelor of Fine Arts in 1939. He also completed a year of graduate school at Harvard following his graduation.

In 1941, he accepted the position of curator at the Cranbrook Academy of Art in Bloomfield Hills, Michigan. He later took the position of director for the museum and library at Cranbook, but soon after joined the U.S. Naval Reserves to serve in World War II.

Initially, Davis served as a diplomatic courier for the U.S. Department of State, but he was eventually transferred to the Pacific Theater in 1944. There he served in Tokyo as a specialist officer, working for the Monuments, Fine Arts, and Archives Section Unit (also known as the Monuments Men), where he reported to Lieutenant Commander George Leslie Stout. Davis's responsibilities included recovery, inspection, cataloging, and returning of pre-war Japanese art, and art looted by Japanese forces from occupied countries. He served in this role until his formal discharge from active duty in May 1946.

After his service, Davis accepted the position of chief curator at the Minneapolis Institute of Arts (MIA) in 1946. He served in this role until 1954 before becoming an assistant director, and then was promoted to the director of MIA in 1956. Davis specialized in 20th Century prints, drawings, and sculpture.

His tenure at MIA was somewhat controversial in that he heavily favored the acquisition of modern and contemporary art by obtaining funds through the sale of older works. In 1958, two high-valued jade stones were also stolen from the MIA holdings, and in the following year the institution was also sued by a New York art dealer for non-payment of a sculpture claimed to be made by the nephew of Leonardo da Vinci, which Davis and the MIA contested as a fake. Despite the controversies, however, Davis greatly expanded the MIA's collections in Expressionist and 20th Century art, and brought significant donor and endowment support and notable exhibitions to the institution. In 1959, with a new change in MIA leadership, Davis resigned from the MIA.

Following the MIA, Davis served as a United States Commissioner of the Fifth Art Biennial in São Paulo, Brazil (1959), and as a visiting expert for the United States Information Agency, lecturing in Bonn and London (1959-1960). He also worked as an art consultant for private collectors in London and New York, and continued this work in the remaining years of his life.

In his personal life, Davis was married to Phyllis Beckwith (August 20, 1949), and together they had three children: Richard Siebe, Jr., Margery Baker, and John Meigs. Davis also commissioned modernist architect Philip Cortelyou Johnson to design his home on Crystal Bay on Lake Minnetonka, where Davis displayed his personal art collection.

Richard Siebe Davis died at Martha's Vineyard at the age of 68 on September 27, 1985.


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Expand/CollapseARRANGEMENT

These documents are organized into the following sections:

Personal and business correspondence and related materials
Photographs
Newspaper clippings, articles, and biographical information


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Expand/CollapseADMINISTRATIVE INFORMATION

Availability:

The collection is open for research use.

Preferred Citation:

[Indicate the cited item and/or series here]. Richard S. Davis Papers. Minnesota Historical Society.

See the Chicago Manual of Style for additional examples.

Accession Information:

Accession number: 17,978

Processing Information:

Processed by: Leif Kopietz, October 2024

Catalog ID number: 9989867139704294


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DETAILED DESCRIPTION

Expand/CollapsePERSONAL AND BUSINESS CORRESPONDENCE AND RELATED MATERIALS

The bulk of the files include business correspondence with numerous galleries, art dealers, museums, and artists regarding acquisitions, sales, and loans for exhibitions for numerous artworks. Typically, files include business correspondence, acquisition and sales records, insurance information, invoices for art work, photographs, art work inventories, and auction and exhibition catalogs. The business correspondence prominently covers the periods Davis worked at the Minneapolis Institute of Arts (1956-1959), but also his time as a private consultant and his work with the U.S. Information Agency and in São Paulo, Brazil (1959-1986).

Davis's military records and correspondence regarding his service and benefits (1946, 1950s) is interfiled among the correspondence files. Also included are correspondence and planning files for Davis's house designed by architect Philip Cortelyou Johnson (1950s), as well as numerous personal correspondence with family, friends, and colleagues.


LocationBox
151.B.19.13B1Officer's qualification record jacket, U.S. Navy; letter to Thomas O. Sullivan, Curator of Art, Minnesota Historical Society; and MIA negatives, undated, 1946, 1998.
Minnesota Institute of Arts business: Letters 1959 resignation, 1959 June-November.
Letter regarding Mios van der Rohe, architect; clipping; and letter regarding Madame Rouart, undated, 1950, 1959.
Philip C. Johnson correspondence, 1951-1955.
Architect who designed Richard Davis's Wayzata home.
Johnson house photograph proofs, 1958.
Tiepolo Ponchinello Execution? 1950s, 1978.
Invoices, correspondence, and exhibition information regarding drawings of artist Giovanni Battista Tiepolo.
Tiepolo Ponchinello Ostrichers, 1952, 1956, 1963, 1965.
Goya, 1959-1964.
Vulliard Natanson, 1954.
Toulouse-Lautrec, 1951-1957.
Picasso 2 Women, 1949-1963.
Picasso Salome, 1951-1957, 1966-1967.
Renoir Baigneuse, 1947-1961.
Daniel Wildenstein - Wildenstein & Co., correspondence, 1945-1961.
Via Aerea postcard sent to Richard Davis, undated.
Rodin Crouching nude, 1951-1956, 1963-1966, 1970.
Merrill Lynch buys, 1950s-1960s.
Five bronzes by various artists and letter regarding La Chasseur drawing, 1959, 1966.
Rudolf Serkin, June 8, 1957.
Edvard Munch's Expressionism by Oskar Kokoschka, 1952.
Brancusci Head of young boy, 1953, 1961, 1970.
Degas, June 17, 1958.
Fogg Museum collection - storage list, 1966.
Letter to the National Production Authority regarding building permit, May 22, 1951.
Degas Dancer? 1951-1957.
Daumier Don Quixote, 1950-1954, 1974.
Cezanne Bathers, 1945, 1952-1954, 1963.
Correspondence regarding Davis finishing his masters degree courses at Harvard University, 1966.
Delacroix Tiger, 1950-1951, 1957.
Picasso Standing figure cubist person, 1945, 1950-1955, 1977.
Monet Cliffs and Sea, 1955, 1962, 1970.
Matisse Dance, 1948, 1950, 1975-1977.
Edouard Manet The Race trace? 1951, 1965.
Manet Raven, November 5, 1971.
Guardi Grand Canal, late 1950s-early 1970s.
Juan Gris - Cezanne, 1958, 1960.
Wildenstein & Co. (Mr. Daniel Wildenstein), 1952-1955.
House rug - Edna Vogel, 1951-1955.
Holm-Johnson Company - contractor, 1951-1952.
Dan Kiley, 1958-1961.
Magney & Tusler - Supervisors and Engineers, 1951-1954.
Personal and business correspondence, clippings, 1940s-1960s.
Baker Furniture, Inc., business correspondence, 1952-1954.
Letter from Richard H. Zinzer and teak pedestals for Richard Davis house, 1952, 1954.
Claude Monet The Coast at Honfluer, 1951.
Artwork information, listings, and valuations, 1951, 1953-1954, 1964.
Delacroix Centaur, 1947, 1952-1953, 1958.
Personal and business correspondence, 1950s.
Collection and insurance lists, early 1950s-1964.
Matisse Nude with pipes, 1950s-1970s.
Guest lists, correspondence, and invitations regarding the release of the book Furniture in the Ancient World by Hollis S. Baker, 1966-1967.
Museum loans, personal correspondence, and skits, 1952-1963.
Henry Moore with London, 1955, 1960-1961.
Correspondence between Richard S. Davis and Richard H. Zinser, print dealer, 1959-1961, 1965.
Letter from Italian painter and graphic artist Giorgio Moradi, and letters from Italian sculptor Giacomo Manzù, 1953, 1960, 1962, 1965.
In Italian and English.
LocationBox
142.G.2.1B-12Henry Moore correspondence, 1963.
Correspondence regarding installation of sculpture made by British sculptor Henry Moore in partnership with the Dayton's Department Store in Minneapolis.
LocationBox
151.B.20.2F3Correspondence regarding various Minnesota Institute of Arts acquisitions and purchases, 1951, 1965, 1977-1978.
Letters from Galerie Günther Franke, München and Hans Sulzer, 1950, 1962.
Letters sent following Richard S. Davis death and photocopies of letters and clippings regarding his Minnesota Institute of Arts career, 1946-1985.
Land survey and projected save, 1951-1972.
House, 1952-1959.
Letter regarding birthday present purchase for Hadlai A. Hull, August 5, 1953.
Correspondence regarding Corot Exhibition and loans with the Art Institute of Chicago, and miscellaneous personal letters, 1958-1961, 1967.
São Paolo, 1957-1959.
Museum correspondence, invitation to the Typobran party at Johnson house, 1958.
Letters from the Foreign Service of the United States for lectures, Germany, 1959-1961.
Letter from Mari Anne, November 23, 1966.
Business and personal correspondence, 1963-1966.
Letter and inventory regarding Chinese stoneware, John Sparks, Ltd., London, 1965-1966.
Consultant correspondence, 1964-1966, 1969-1970. 2 folders.
Art sale correspondence, undated, 1964-1966, 1975. 2 folders.
Berryman & Co., Auctioneers, Estate Agents, Surveyors, and Valuers artwork letter and receipts, December 1959.
Letter from Norman A. Geske, Assistant Director, University of Nebraska Art Galleries, December 29, 1952.
Consultant correspondence, 1958, 1960-1961.
Personal letters and letters and invoices from R.M. Light & Co., Inc., 1967-1968.
Payment stubs, Parke-Bernet Galleries, Inc., 1965-1966.
Art sale correspondence, 1978, 1982, 1985.
Miscellaneous notes and letters regarding loaned and sold artwork, 1957-1961.
Letters sent to Richard Davis regarding various drawings sales, 1970s.
Letters sent to Richard Davis regarding various prints and drawings sales, 1952.
Letter regarding Kokoscha monograph and various personal letters, 1950s.
Correspondence with various galleries regarding art purchases and sales, 1952-1961, 1966.
Postcard from Giacomo Manzù, letter from Pio Manzù, and letter from Dr. Peter Ade, undated, 1955, 1960.
Article regarding Brancusi's Adam and Eve, letter regarding Monet catalogue from the Art Institute of Chicago, and miscellaneous notes, 1955-1960, 1975.
Letter for various artworks returned, November 6, 1959.
Letters regarding Davis's drawings exhibition at the Cosmopolitan Club in Philadelphia, November 1954.
Postcard and notes on paintings, undated, 1937.
Letters from Pierre Matisse Gallery and related letters regarding artwork valuations, including Henri Matisse drawings, 1955, 1969.
Invoices, statements, bill of sale, and notes regarding sales of art by various galleries, 1948-1952.
Letters to Richard Davis regarding art sales and letters regarding Alumni Treasures exhibition at the Addison Gallery, 1960s.
R.M. Light & Co., Fine Prints business correspondence, 1960s.
Letters regarding Matisse exhibition at the Fogg Art Museum, June 1966.
Consultant correspondence, 1964-1966, 1971-1972.
Correspondence between Richard S. Davis and Richard Zinser, 1958, 1963-1967.
Correspondence with Wildenstein & Co., New York, 1945, 1951, 1956-1960.
Miscellaneous business correspondence, 1951-1953, 1961-1962.
Correspondence between Richard Davis and Robert Light of R.M. Light & Co., 1961, 1966, 1970, 1979.
Davis personal, 1955-1956.
Miscellaneous dealers, 1954 March-April.
Gutekunst & Klipstein CV, 1955-1956.
Mr. Davis (personal correspondence), 1956.
Business correspondence, 1956-1958, 1967.
Marsh & McLennan, 1954.
Business correspondence, 1955-1957, 1964-1966, 1969.
Correspondence and invoice regarding Pollaiuolo Battle of the nude men, 1967-1968.
M. Knoedler & Co. invoice for Pegasus, January 19, 1957.
Business correspondence and catalogue regarding Italian sculptor Gianlorenzo Bernini, 1954, 1959, 1961, 1967, 1971, 1982.
Letters regarding Minneapolis Institute of Arts' Prints, 1800-1945 Exhibition, transfer of prints, and catalogues, 1966 August-October.
Business correspondence, 1948, 1951-1953, 1959.
Exhibition of RSDPBD collection, approximately 1966.
Davis frames, 1955.
1250 coll. records, 1955-1956.
Mrs. Helen S. McKnight (W.E. Bast), 1953-1954.
Accounts, 1953-1954.
Sales, 1959.
Davis art correspondence, 1955, 1959-1960.
LocationBox
151.B.20.3B4Business correspondence, 1958-1959, 1962.
Minneapolis gifts: Henry Moore, Bruce Dayton, John Cowles, 1962.
Dealers, 1962.
Gifts, 1959, 1963-1964.
Davis, New York City, 1969-1972.
Gutekunst & Klipstein (Mr. Eberhard Kornfeld), 1958.
Dr. Jacob Hirsch, 1954.
M. Knoedler & Co., Inc. (Mr. W.J. Collins), 1950, 1955-1956.
M. Knoedler & Co., Inc. (Mr. E. Coe Kerr), 1953-1954.
M. Knoedler & Co., Inc. (Mr. William J. Dobbin), 1950s.
Mathias Komor, 1946-1947, 1954.
Dealers - Valentin Gallery, 1946-1955.
Mr. H.M. Calmann, 1952-1956.
Mr. Ludwig Charell, 1951-1955.
C - Chapman, 1955.
Drey Galleries (Mrs. Paul Drey), 1953-1954.
Lilienfeld, 1951 June-July.
Kraushaar Gallery (Miss Antoinette Kraushaar), October 20, 1953.
W.S. Budworth & Son, Inc., 1954-1956.
R-S, 1953, 1979, 1985.
Bernheim - Jeune, 1950-1952.
Berggruen & Co., May 1955.
A & R Ball (Mr. Alexis Ball), February 1954.
Cailleux, 1955-1956.
P & D Colnaghi & Co., Ltd. (Mr. J. Byam Shaw), 1955.
Durlacher Bros. (Mr. R. Kirk Askew and Mr. George E. Dix), 1954-1955.
The Downtown Gallery, 1953-1954.
C-D - Cesar de Hawke, 1949-1956. 2 folders.
S - Spark, 1955.
Sam Salz, Inc. (Mr. Sam Salz), 1954-1955.
Seligman, Germain, April 18, 1958.
Seligman, Jacques, April 1956.
L-M, undated, 1969-1970.
William H. Schab (Mr. Frederick G. Schab), 1952-1954.
Mr. Victor Spark, 1953-1954.
Weyhe Gallery (Miss Martha Dickinson), 1953.
The New Gallery (Mr. Eugene Thau), March 25, 1954.
Schaeffer Galleries (Mr. Hans S. Schaeffer), 1953 October-December.
U-V - Vose, 1952-1955.
Richard Zinzer, 1958-1959.
Widenstein & Co. (Mr. E.J. Rousuck), 1947, 1954-1955, 1960, 1992.
Curt Valentin Gallery (Mr. Curt Valentin), 1955-1956.
Articles regarding Curt Valentin, 1954-1955.
Curt Valentin, 1954-1955.
Gerson, 1956.
Mr. Adolph Loewi, 1954-1956.
Galerie St. Etienne (Dr. Otto Kallir), 1952-1953.
F - Feichenfeldt, 1956.
Graham, Robert C., 1958, 1960.
Rosenberg & Stiebel, Inc. (Mr. Saemy Rosenberg and Mr. Eric Stiebel), 1950, 1954, 1961.
Jacob Rosenberg, September 30, 1955.
N-O, 1944, 1951.
Dr. Fritz Nathan, 1954-1955.
Marlborough Fine Art Ltd. (Mr. H.R. Fischer), 1952-1953.
C.T. Loo, Inc. (Mr. Frank Caro), 1951-1955.
Miscellaneous art deals, 1948-1951, 1955.
Art deal correspondence, 1955-1967.
Henry Moore, 1960-1961.
Letters regarding Curt Valentin's death, 1954 August-October and November 25, 1956.
Davis, Richard - Moore, Henry, 1957-1961.
Minneapolis Institute of Arts, 1956-1957.
Lewis, Raymond, 1955-1956, 1972.
Mergens Electric Co., 1954-1958.
Information regarding Paul Klee, The Institute of Modern Art, and the Fogg Art Museum, 1956, 1965.
Insurance policy slip, correspondence regarding lost Dutch painting and French book, and notes on artworks, 1959, 1962, 1971-1972.
Invoices and photographs regarding sale of artwork to Richard S. Davis, 1944, 1948, 1956.
J.H. Guttmann Picture Frame Corporation invoices, 1968-1969.
LocationFolder
A2/ov8 Drawer 71First National Bank of Minneapolis, plaza plan (revised), May 12, 1958.
Architectural drawing.
LocationBox
151.B.20.3B4Correspondence with Elie Borowski, 1963-1967.
Letters from Elie Borowski and J.C. Wright, 1967, 1983.
Letter from Cesar de Hauke regarding terra-cotta by Maillol The Mountain, November 10, 1958.
Notes regarding artwork valuations, 1956.
"In Minneapolis Collections" and "Bronzes by Henri Matisse" art inventories, 1955.
Davis - personal, 1954.
Wertheimer money, 1955, 1958.
Nelson Gallery of Art, 1950-1951.
LocationBox
151.B.20.4F5Fogg Art Museum, 1951 May-June.
Art dealer correspondence, 1951.
Business correspondence, 1947-1953, 1956. 2 folders.
M. Cesar M. de Houke, 1951, 1955.
Sidney Janis Gallery (Mr. Sidney Janis), 1953-1954.
Fine Arts Associates (Mr. Otto M. Gerson), 1951-1956.
Curt Valentin Gallery, 1951-1954.
A-B, 1952-1953.
Personal, 1953.
Catalogue information, 1946-1954.
H-K, 1946, 1949-1952.
To be checked, 1952.
Insurance inventory, 1962.
Sales, 1960-1961.
Loans and receipts, 1960s.
Art correspondence, 1960.
Correspondence regarding loan of drawing Actor with a tambourine, by Honoré Daumier, 1961 April-May.
A-B, 1961. 1964-1965.
Personal correspondence, 1959-1961.
E-G, 1950-1963.
Personal collection, price lists, 1957.
Mixed, 1950s.
Art bills paid, mixed, 1951-1957.
Curt Valentin, 1953-1954.
R.M. Light & Co., Inc., 1978-1979.
Mr. Lucien Goldschmidt, 1953, 1955, 1970.
Pierre Matisse Gallery Corp. (Mr. Pierre Matisse), 1951, 1955-1956.
Mr. and Mrs. Paul Mallon, 1954 February-March.
Invoices for art and bibliography for Edgar Degas, 1952.
P-O, 1946-1947.
Invoices, 1949.
Letters regarding Naval Service and letters from various galleries, 1951-1952.
Mr. Davis - personal correspondence, 1951-1953.
James J. Hill collection shown at Institute, Davis lecture, 1958.
Lists of collection, 1958.
Davis - personal correspondence, 1957.
Davis: Engagements (lectures), 1957.
F - Fogg Museum, 1945-1946, 1956, 1961.
Lecture museum, 1957.
Mrs. Lea Bondi Jaray, 1952-1957.

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Expand/CollapsePHOTOGRAPHS

Photographs of artworks obtained by Richard S. Davis for research, exhibition, and business purposes.


LocationBox
151.B.20.4F5Bronze sculptures, Picasso pieces, modern art photographs, undated, 1950s. 2 folders.
Statues, paintings, and sketches photographs, undated, 1964.
Photograph and negative: Joan Miro, undated.
Photographs: drawings and paintings of various artists, undated, 1943, 1951.
Photographs: Francisco Goya, Paul Cezanne, and others, undated.
Photographs: Augustus Rodin; Giovanni Battista, Tiepolo; Alberto Giacometti; Gustave Courbet, 1940s-1950s.
Empty photograph envelopes with artists names, undated.
Photographs for numerous artworks, undated, 1950s. 2 folders.
Photographs: Four Gothic heads, undated.
Artists files (photographs and negatives):
Davis 10280.14 Gaugin, undated.
LocationBox
151.K.12.10F6Davis 10213.5 Braque Georges. Apples, undated.
Davis 10289.2 La Fresnaye, Roger de. Male figure seated in a landscape, undated.
Davis 10213.19 Beckmann, Max. Boy with lobster, undated.
Davis 10213.7 La Fresnaye, Roger de. Portrait of Georges de Mire, undated.
Maillol, Aristide, undated.
Kirchner, Ernst Ludwig, undated.
Davis 10213.12 Muccini, Marcello. A Priest, undated.
Davis 10280.7 Pendergast, Maurice Brazil. Salem # 2, undated.
Kokoschka, Oskar, undated.
Davis 10289.7 Maillol, Aristide. Seated woman, undated.
Davis 10213.17 Mueller, Otto. Nudes, undated.
Davis 10213.25 DeMuth, Charles. Vaudeville, bicycle art, undated.
Davis 10280.3 Cézanne, Paul. A Road through the woods, undated.
Davis 10303.1 Chagall, undated.
Davis 10213.4 Derain, Andre. Figures in the woods, undated.
Davis 10213.2 Signac, Paul. La Rochelle, undated.
Davis 10303.2 Carot, undated.
Ceramics, undated.
Davis 10213.6 Kirchner, Ernst Ludwig. Winter landscape, Davos, undated.
Davis 10280.9 Vespignani, Renzo. Group and standing boy, undated.
Davis 10213.1 Ensor, Baron James. The Artist's dream, undated.
Davis 10213.22 Kollwitz, Kathe. The Drummer, undated.
Steer, March 1955.
Davis 10280.1 Drozco, Jose Clemente. A Political prisoner, undated.
Davis 10213.24 Hartley, Marsdon. Lobster fisherman, Corea, Maine, undated.
Gericault, Theodore, undated.
Davis 10280.16 DeRain, Andre. Portrait of the artist, undated.
Davis 10289.1 Gris, Juan. Rue Ravignon, undated.
Davis 10213.20 Beckmann, Max. Eternity, undated.
Davis 10280.8 Miro, Juan. Study for painting, undated.
Davis 10280.15 Bonnard, Pierre. Still life, undated.
Davis 10213.15 Schmidt-Rottluff. A Church on a river, undated.
Braque, Georges, undated.
Chalet, Frantz, undated.
Feininger, Lyonel, undated.
Modigliani, Amedeo, undated.
Photographs of sculptures, 1950s.
Unidentified negatives, 1950s.
Redon, Odilon (negative), undated.
Cézanne, Paul (negatives), undated.
Davis 10213.23 Klee, Paul. Lonesome Blossom, negative, undated.
Matisse negative, undated.
Horse sculpture negatives, undated.
Davis 3606, negatives, undated.
Dom. Tiepolos negative, undated.
Letter regarding Egor Schiele: The Complete works sent to Mrs. Richard R. Davis, August 2, 1991.
Bonnard Harbor at Cannes, 10 1/2" x 14 1/2", color slide, approximately 1938.
Henry Moore Sundial, 1965.
Dealers - photographs of works sold, 1950s.
Photographs sent from the Pierpont Morgan Library to Richard S. Davis, January 1972.
Henry Moore photographs - Minneapolis First Bank, 1959.
Marini negatives, undated.
Gaudier - Bzeska photographs and negatives, undated.
Photographs sent from Soc. An. S. Henreaux, Querceta (Lucca, Italy) to Richard S. Davis, undated.
LocationBox
142.G.2.1B-12Photographs of various paintings and museum items, undated.

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Expand/CollapseNEWSPAPER CLIPPINGS, ARTICLES, AND BIOGRAPHICAL INFORMATION

LocationBox
151.K.12.10F6Clippings, articles, biographical information, letters, 1940s-1980s. 2 folders.
LocationBox
142.G.2.1B-12Minneapolis': Hundred Leaders of Tomorrow, September 16, 1953.

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Expand/CollapseCATALOG HEADINGS

This collection is indexed under the following headings in the catalog of the Minnesota Historical Society. Researchers desiring materials about related topics, persons or places should search the catalog using these headings.

Topics:
Art, European.
Art, American.
Art, Modern -- 20th Century.
Art museum curators.
Art galleries, Commercial.
Art dealers -- United States.
Art dealers -- Europe.
Artists and patrons.
Art auctions.
Art -- Collectors and collecting.
Art -- Economic aspects.
Expressionism (Art).
Art thefts -- Japan -- History -- 20th century.
Art treasures in war -- Asia -- History -- 20th century.
World War, 1939-1945 -- Art and the war.
World War, 1939-1945 -- Confiscations and contributions.
World War, 1939-1945 -- Destruction and pillage -- Asia.
Persons:
Moore, Henry, 1898-1986, author.
Zinser, Richard S., author.
Morandi, Giorgio, 1890-1964, author.
Manzù, Giacomo, 1908-1991, author.
Manzù, Pio, author.
Wildenstein, Daniel, 1917-2001, author.
Valentin, Curt, 1902-1954, author.
Borowski, Elie, author.
Kiley, Dan (Dan Urban), author.
Johnson, Philip, 1906-2005, author.
Organizations:
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section -- History.
Minneapolis Institute of Arts, author.
R.M. Light & Co., author.
Wildenstein and Company (New York, N.Y.), author.
M. Knoedler & Co., author.
Curt Valentin Gallery (New York, N.Y.), author.
United States Information Agency, author.
Document Types:
Photographs.
Negatives (photographs).
Exhibition catalogs.
Auction catalogs.

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