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Southern and Lovelace were already well-acquainted with LCD Soundsystem's story, having previously directed Shut Up and Play the Hits, a concert film and documentary about the band's 2011. On Thursday, Showtime released the trailer for their documentary "Meet Me in the Bathroom," which explores the early 2000s rock explosion. It also features LCD Soundsystem founder James Murphy's origin story and Interpol's early challenges including playing a nu.
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Before Meet Me in the Bathroom, they'd also worked on documentaries in 2010 with Blur in No Distance Left To Run and in 2012 with LCD Soundsystem for Shut Up and Play the Hits. [19][20] For the production, some archived film and photographs have been accredited to Nanci Sarrouf, and the Pulse Films archive. [21][22].
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Dylan Southern and Will Lovelace talk about Meet Me in the Bathroom, their new documentary charting the rise of bands like The Strokes, Yeah Yeah Yeahs, and LCD Soundsystem in New York during the 2000s March 10, 2023. Yeah Yeah Yeahs, Interpol and more populate Meet Me in the Bathroom, an archival documentary that sheers away the New York scene's ugliness, pettiness and ambiguity. Caught somewhere between a post-9/11, pre-social media era, New York City saw a rock renaissance in the early 2000s with The Strokes, Interpol, Yeah Yeah Yeahs, the Rapture, and LCD Soundsystem at.
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'Meet Me in the Bathroom' Review: Time Capsule Doc Explores the Early Years of the Strokes, the Yeah Yeah Yeahs and LCD Soundsystem Reviewed at Sundance Film Festival online (Midnight), Jan. LCD Soundsystem did not stay retired long following their last ever concert at Madison Square Garden in 2011. That original creative spirit, captured so brilliantly in Meet Me In The Bathroom, still finding a way through despite everything.
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The birth of The Strokes, LCD Soundsystem, Yeah Yeah Yeahs, Interpol, The Moldy Peaches, The Rapture, TV On The Radio, Liars, and more bands integral to the 2000s NYC indie music scene gets captured in the new documentary Meet Me in the Bathroom. Adapted from Lizzy Goodman's book by directors Dylan Southern and Will Lovelace.
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