David Hockney BMW 850CSI 1995: A Collector's Masterpiece

In 1995, the intersection of high art and high performance manifested in a highly unusual collaboration between British pop artist David Hockney and Bavarian engineering firm BMW. The result was a one-off, hand-built BMW 850CSi, a factory hyper coupe that exists as a rolling canvas for Hockney's distinctly British pop sensibilities. More than a mere show car, this vehicle represents a bold exploration of how the aggressive architecture of a performance machine can be transformed into a vessel for artistic expression.

The Genesis of a Collaboration

BMW's tradition of the "Art Car" project, which began with Alexander Calder in 1977, provided the framework for this unique endeavor. By 1995, the initiative had seen race cars and touring cars adorned by famous painters, but the 850CSi held a distinct significance. The 850CSi was the top-tier variant of the E31 8-Series, a car already defined by its muscular flanks and technological prowess. For Hockney, this was not a blank sheet of paper but a challenging canvas dictated by complex curves and surfaces. The collaboration was officially commissioned for the Isetan Museum in Tokyo, ensuring the car would debut at a major international arts hub, bridging the gap between the gallery and the garage.

Design Philosophy and Execution

Hockney's design process was deeply personal, relying on sketches and Polaroid photography rather than digital rendering. His goal was to inject the flamboyant energy of his pop art into the car's restrained German lines. The resulting livery is a masterclass in controlled chaos. Bold, black outlines dissect the silver body, creating the illusion of depth and movement. These graphic panels evoke the artist's signature style, reminiscent of cubist fragmentation and vibrant California swimming pools. The primary color palette of silver and black is punctuated by vibrant applications of yellow, red, and blue, which appear in abstract forms that suggest floating pools of paint or fragmented cityscapes viewed through a kaleidoscope.

BMW Art Car : Etcetera : Works | David Hockney
BMW Art Car : Etcetera : Works | David Hockney

  • Visual Transformation: The car's aggressive stance is softened by flowing, painterly lines that seem to melt the hard edges of the bodywork.
  • Artistic Signature: Hockney's recognizable motifs, including circular forms and linear geometries, are integrated into the paneling and wheel arches.
  • Medium and Material: The design was translated into high-quality automotive paint, a medium far removed from the artist's usual acrylics, requiring precise application to maintain the integrity of the sharp lines.

Technical Prowess Meets Artistic Vision

Beneath the controversial skin, the BMW 850CSi remained a serious performance machine. The heart of the car is the S70B56 V12 engine, a race-bred unit producing 381 horsepower and 354 lb-ft of torque. This allowed the coupe to sprint from 0 to 60 mph in just over 5 seconds, a staggering figure for the mid-1990s. The 850CSi also featured a lowered suspension, wider wheels shod with 245/40ZR-17 tires, and a subtle rear wing, all contributing to its track-focused demeanor. Hockney's art did not compromise the car's engineering; instead, it sat atop a chassis that was already a benchmark for handling and luxury, creating a jarring yet fascinating juxtaposition.

1995 BMW 850CSi Key Specifications
Specification Detail
Engine 6.0L S70B56 V12
Horsepower 381 hp
Torque 354 lb-ft
Drivetrain Rear-Wheel Drive
Transmission 6-Speed Manual
Special Feature One-off Art Car Collaboration

Legacy and Rarity

Unlike mass-produced vehicles, the David Hockney BMW 850CSi is a singular object of desire, a true automotive unicorn. There is no serial number or production run; it is a rolling sculpture created for a specific institution. Its rarity has only amplified its mythical status over the years. Initially viewed with skepticism by some purists who felt the art compromised the machine's purity, the car has since been re-evaluated as a landmark moment in automotive history. It stands as a testament to the growing acceptance of cars as a legitimate medium for artistic intervention, similar to how Frank Gehry deconstructed architecture.

The car's journey after Tokyo saw it pass through the hands of a few discerning collectors, its value appreciating significantly with each transfer. It has been meticulously preserved, ensuring that the integrity of Hockney's hand-painted surface remains undisturbed. Today, it serves as a benchmark for what happens when the worlds of fine art and automotive engineering collide. The 1995 BMW 850CSi is not just a car that an artist designed; it is a tangible statement, proving that the brushstroke of a master can translate seamlessly onto the sweeping profile of a German grand tourer.

Jeff Koons Designs the 17th Art BMW (And A Really Good Look At The Other 16).
Jeff Koons Designs the 17th Art BMW (And A Really Good Look At The Other 16).
an artisticly painted car on a black background
an artisticly painted car on a black background
BMW 850 CSi David Hockney
BMW 850 CSi David Hockney
1995 BMW 850 CSi by David Hockney
1995 BMW 850 CSi by David Hockney
the car is painted with different colors and designs
the car is painted with different colors and designs
a car painted like a zebra is on display
a car painted like a zebra is on display
Marky van der Vord
Marky van der Vord
Wheelsage
Wheelsage
a man kneeling down next to two dogs on the ground near a car with an advertisement painted on it's side
a man kneeling down next to two dogs on the ground near a car with an advertisement painted on it's side
a car painted with different colors in a parking garage next to another car that is parked on the side of the road
a car painted with different colors in a parking garage next to another car that is parked on the side of the road
BMW 850 CSi Art Car Sets the Art World Ablaze!
BMW 850 CSi Art Car Sets the Art World Ablaze!
BMW 850 CSi Art Car Redefines Iconic Style!
BMW 850 CSi Art Car Redefines Iconic Style!
a colorful car parked in front of a brick building
a colorful car parked in front of a brick building
David Hockney
David Hockney
a painting of a winding country road with trees and grass on both sides, surrounded by rolling hills
a painting of a winding country road with trees and grass on both sides, surrounded by rolling hills
the colorful car is parked on the street
the colorful car is parked on the street
The story behind Andy Warhol's BMW Art Car
The story behind Andy Warhol's BMW Art Car
David Hockney - Artists
David Hockney - Artists
DAVID HOCKNEY | DAVID HOCKNEY | Facebook
DAVID HOCKNEY | DAVID HOCKNEY | Facebook
a painting of a man standing next to a swimming pool
a painting of a man standing next to a swimming pool
a painting of a naked man standing in front of a blue and yellow wall with squares on it
a painting of a naked man standing in front of a blue and yellow wall with squares on it
two paintings of a man sitting on a chair in front of a pool and house
two paintings of a man sitting on a chair in front of a pool and house
1. Alexander Calder, BMW 3.0 CSL (1975) / 2. Roy Lichtenstein, BMW 320i (1977) / 3. Robert Rauschenberg, BMW 635 CSi (1988) / 4. Ken Done, BMW M3 (1989) / 5. Esther Mahlangu, BMW 525i (1991) / 6. David Hockney, BMW 850 CSi (1995). - Artelista Magazine
1. Alexander Calder, BMW 3.0 CSL (1975) / 2. Roy Lichtenstein, BMW 320i (1977) / 3. Robert Rauschenberg, BMW 635 CSi (1988) / 4. Ken Done, BMW M3 (1989) / 5. Esther Mahlangu, BMW 525i (1991) / 6. David Hockney, BMW 850 CSi (1995). - Artelista Magazine
David Hockney | The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 28 April (2011) | MutualArt
David Hockney | The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 28 April (2011) | MutualArt
the reflection of trees and water in two panels
the reflection of trees and water in two panels