LOST IN A GOOD BOOK

Jasper Fforde

HODDER & STOUGHTON

‘An immensely enjoyable, almost compulsive experience’

New York Times on Lost in a Good Book

‘Douglas Adams would be proud’

Scotsman on Lost in a Good Book

‘Don’t ask, just read it. Fforde is a true original’

Sunday Express on Lost in a Good Book

‘Thrilling and unpredictable, peppered with literary references and in-jokes . . . altogether a joy’

Independent on Lost in a Good Book

‘Jasper Fforde has gone where no other fictioneer has gone before. Millions of readers now follow . . . Thank you, Jasper’

Guardian

‘A wonderful mixture of the literary and very silly’

Daily Mail on Lost in a Good Book

‘Jasper Fforde’s fascinating first novel reads like a Jules Verne story told by Lewis Carroll . . . Forget all the rules of time, space, and reality; just sit back and enjoy the adventure’

Sunday Telegraph on The Eyre Affair

‘[Fforde’s] brand of inspired lunacy truly stands on its own . . . this new book completes his creation of a world of true literary comic genius’

Sunday Express on The Well of Lost Plots

‘This year’s grown-up JK Rowling’

Sunday Times on The Eyre Affair

‘Ingenious – I’ll watch Jasper Fforde nervously’

Terry Pratchett on The Eyre Affair

‘What Fforde is pulling is a variation on the classic Monty Python gambit: the incongruous juxtaposition of low comedy and high erudition – this scam has not been pulled off with such off-hand finesse and manic verve since the Pythons shut up shop. The Eyre Affair is a silly book for smart people: postmodernism played as raw, howling farce’

Independent

‘The third of this cult series sees Jasper Fforde hitting his stride . . . should be a joy to anyone who loves reading’

Time Out on The Well of Lost Plots

‘Delightfully clever . . . Filled with clever wordplay, literary allusion and bibliowit, The Eyre Affair combines elements of Monty Python, Harry Potter, Stephen Hawking and Buffy the Vampire Slayer. But its quirky charm is all its own.’

Wall Street Journal

‘Supremely surreal’

South Wales Argus on The Well of Lost Plots

‘It is always a privilege to watch the birth of a cult, and Hodder has just cut the umbilical cord . . . There are shades of Douglas Adams, Lewis Carroll, A Clockwork Orange and 1984. And that’s just for starters’

Time Out on The Eyre Affair

‘Dark, funny, complex and inventive, The Eyre Affair is a breath of fresh air, and is easily one of the strongest debuts in years.’

Locus on The Eyre Affair

‘The reader is catapulted in and out of truth and imagination on a hectic, humorous and neatly constructed chase that finishes by tying up every loose end in the most satisfying, novelistic way’

The Times on The Eyre Affair

‘A stroke of fantasy genius . . . unashamedly silly, but also marvellously intelligent . . . Hilarious . . . Fforde’s love of the written word is infectious’

SFX on The Eyre Affair

‘Fforde’s imagination knows no bounds in this amazing book’

Newmarket Journal on The Eyre Affair

‘[She’s] part Bridget Jones, part Nancy Drew and part Dirty Harry’

Michiko Kakutani, New York Times on Thursday Next

‘A decidedly quirky and strangely thought-provoking debut novel’

Scotsman on Sunday on The Eyre Affair

‘Let yourself be entertained by a witty romp’

Sunday Telegraph on Lost in a Good Book

‘A book this self-consciously clever has no right being so much damned fun’

SFX, 5∗ review, on The Well of Lost Plots

‘A born wordsmith of effervescent imagination’

Independent on The Well of Lost Plots

‘[Fforde’s] brand of inspired lunacy truly stands on its own . . . this new book completes his creation of a world of true literary comic genius’

Sunday Express on The Well of Lost Plots

‘Engaging and captivating . . . not just one of the best sequels I’ve ever read, but one of the best damn books to come out of the UK in some time’

Enigma on Lost in a Good Book

‘The eccentric epic – a read that’ll leave you breathless’

Elle on Lost in a Good Book

‘Amazing . . . Fforde’s literary invention and playfulness is unique’

Poisoned Pen on Something Rotten

‘The best yet, which is quite remarkable considering how good the others were’

Express on Something Rotten

‘An absolute joy to read. Is it a crime novel? I couldn’t really tell, I was laughing too much’

Birmingham Post on The Eyre Affair

‘Compulsively readable . . . catnip to book lovers . . . totally absorbing’

Time Out New York on Lost in A Good Book

‘Quirky, hilarious, charming, inventive, moving, Fforde writes wonderfully’

Manchester Evening News on The Eyre Affair

‘Fforde delivers almost every sentence with a sly wink, and he’s got an easy way with wordplay, trivia and inside jokes . . . [his] verve is rarely less than infectious’

New York Times Review of Books on The Eyre Affair

Copyright © 2002 by Jasper Fforde

The right of Jasper Fforde to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

All rights reserved.
No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser.

All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.

A CIP catalogue record for this title is available from the British Library

Epub ISBN 978 1 84456 920 5
Book ISBN 978 0 340 73357 8

Hodder and Stoughton
A division of Hodder Headline
338 Euston Road
London NW1 3BH

www.hodder.co.uk

This book is dedicated to assistants everywhere.

You make it happen for them.

They couldn’t do it without you.

Your contribution is everything.

Don’t expect the expected:

Expect the unexpected.

If you expect the expected

I expect you will remain unexpected.

– from the teachings of St Zvlkx

Contents

1. The Adrian Lush Show

2. The Special Operations Network

3.Cardenio unbound

4. Five coincidences, seven Irma Cohens and one confused Neanderthal

5. Vanishing hitch-hikers

4a. Five coincidences, seven Irma Cohens and one confused Thursday Next

6. Family

7. White Horse, Uffington, picnics for the use of

8. Mr Stiggins and SO-1

9. The more things stay the same . . .

10. A lack of differences

11. Granny Next

12. At home with my memories

13. Mount Pleasant

14. The Gravitube

15. Curiouser & Curiouser in Osaka

16. Interview with the cat

17. Miss Havisham

18. The trial of Fräulein N

19. Bargain books

20. Yorrick Kaine

21. Les arts modernes de Swindon,’85

22. Travels with my father

23. Fun with Spike

24. Performance-related pay, Miles Hawke & Norland Park

25. Roll-call at Jurisfiction

26. Assignment one: bloophole in Great Expectations

27. Landen and Joffy again

28. The Raven

29. Rescued

30. Cardenio rebound

31. Dream Topping

32. The end of life as we know it

33. The dawn of life as we know it

34. The Well of Lost Plots

1

The Adrian Lush Show

Sample viewing figures for major TV networks in England, September 1985

Network Toad
The Adrian Lush Show (Wednesday) (chat show) | 16,428,316
The Adrian Lush Show (Monday) (chat show) | 16,034,921
Bonzo the Wonder Hound (canine thriller) | 15,975,462
Mole TV
Name That Fruit! (answer questions for cash prizes) | 15,320,340
65 Walrus Street (soap opera, episode 3352) | 14,315,902
Dangerously Dysfunctional People Argue Live on TV (chat show) | 11,065,611
Owl Vision
Will Marlowe or Kit Shakespeare? (literary quiz show) | 13,591,203
One More Chance to See! (reverse extinction show) | 2,321,820
Goliath Cable Channel (1 to 32)
Whose Lie Is It Anyway? (corporate comedy quiz show) | 428
Cots to Coffins: Goliath. All You’ll Ever Need (docuganda) | 9 (disputed)
Neanderthal Network 4
Power Tool Club Live (routers and power planer edition) | 9,032
Jackanory Gold (Jane Eyre edition) | 7,219

WARWICK FRIDGE – The Ratings War

I didn’t ask to be a celebrity. I never wanted to appear on The Adrian Lush Show. And let’s get one thing straight right now – the world would have to be hurtling towards imminent destruction before I’d agree to anything as dopey as The Thursday Next Workout Video.

The publicity surrounding the successful rebookment of Jane Eyre was fun to begin with but rapidly grew wearisome. I happily posed for photocalls, agreed to newspaper interviews, hesitantly appeared on Desert Island Smells and was thankfully excused the embarrassment of Celebrity Name That Fruit! The public, ever fascinated by celebrity, had wanted to know everything about me following my excursion within the pages of Jane Eyre, and since the Special Operations Network have a PR record on a par with that of Vlad the Impaler, the top brass thought it would be a good wheeze to use me to boost their flagging popularity. I dutifully toured all points of the globe doing signings, library openings, talks and interviews. The same questions, the same SpecOps-approved answers. Supermarket openings, literary dinners, offers of book deals. I even met the actress Lola Vavoom, who said that she would simply adore to play me if there were a film. It was tiring, but more than that – it was dull. For the first time in my career at the Literary Detectives I actually missed authenticating Milton.

I’d taken a week’s leave as soon my tour ended so Landen and I could devote some time to married life. I moved all my stuff to his house, rearranged his furniture, added my books to his and introduced my dodo, Pickwick, to his new home. Landen and I ceremoniously partitioned the bedroom closet space, decided to share the sock drawer, then had an argument over who was to sleep on the wall side of the bed. We had long and wonderfully pointless conversations about nothing in particular, walked Pickwick in the park, went out to dinner, stayed in for dinner, stared at each other a lot and slept in late every morning. It was wonderful.

On the fourth day of my leave, just between lunch with Landen’s mum and Pickwick’s notable first fight with the neighbour’s cat, I got a call from Cordelia Flakk. She was the senior SpecOps PR agent here in Swindon and she told me that Adrian Lush wanted me on his show. I wasn’t mad keen on the idea – or the show. But there was an upside. The Adrian Lush Show went out live and Flakk assured me that this would be a ‘no holds barred’ interview, something that held a great deal of appeal. Despite my many appearances, the true story about Jane Eyre was yet to be told – and I had been wanting to drop the Goliath Corporation in it for quite a while. Flakk’s assurance that this would finally be the end of the press junket clinched my decision. Adrian Lush it would be.

I travelled up to the Network Toad studios a few days later on my own; Landen had a deadline looming and needed to get his head down. But I wasn’t alone for long. As soon as I stepped into the large entrance lobby a milk-curdling shade of green strode purposefully towards me.

‘Thursday, darling !’ cried Cordelia, beads rattling. ‘So glad you could make it!’

The SpecOps dress code stated that our apparel should be ‘dignified’ but in Cordelia’s case they had obviously stretched a point. Anyone looking less like a serving officer was impossible to imagine. Looks, in her case, were highly deceptive. She was SpecOps all the way from her high heels to the pink-and-yellow scarf tied in her hair.

She air-kissed me affectionately.

‘How was New Zealand?’

‘Green and full of sheep,’ I replied. ‘I brought you this.’

I handed her a fluffy toy lamb that bleated realistically when you turned it upside down.

‘How adorable! How’s married life treating you?’

‘Very well.’

‘Excellent, my dear, I wish you both the best. Love what you’ve done with your hair!’

‘My hair? I haven’t done anything with my hair!’

‘Exactly!’ replied Flakk quickly. ‘It’s so incredibly you.’

She did a twirl.

‘What do you think of the outfit?’

‘One’s attention is drawn straight to it,’ I replied ambiguously.

‘This is 1985,’ she explained, ‘bright colours are the future. I’ll let you loose in my wardrobe one day.’

‘I think I’ve got some pink socks of my own somewhere.’

‘It’s a start, my dear. Listen, you’ve been a star about all this publicity work; I’m very grateful – and so is SpecOps.’

‘Grateful enough to post me somewhere other than the Literary Detectives?’

‘Well,’ murmured Cordelia reflectively, ‘first things first. As soon as you’ve done the Lush interview your transfer application will be aggressively considered, you have my word on that.’

It didn’t sound terribly promising. Despite the successes at work, I still wanted to move up within the Network. Cordelia took my arm and steered me towards the waiting area.

‘Coffee?’

‘Thank you.’

‘Spot of bother in Auckland?’

‘Brontë Federation offshoot caused a bit of trouble,’ I explained. ‘They didn’t like the new ending of Jane Eyre.’

‘There’ll always be a few malcontents,’ observed Flakk. ‘Milk?’

‘Thanks.’

‘Oh,’ she said, staring at the milk jug, ‘this milk’s off. No matter. Listen,’ she went on quietly, ‘I’d love to stay and watch but some SpecOps 17 clot in Penzance staked a Goth by mistake; it’s going to be PR hell on earth down there.’

SO-17 were the vampire and werewolf disposal squad. Despite a new ‘three-point’ confirmation procedure, a jumpy cadet with a sharpened stake could still spell big trouble.

‘Everything is all absolutely hunky-dory here. I’ve spoken to Adrian Lush and the others so there won’t be any embarrassments.’

‘Others?’ I asked, suddenly suspicious. ‘Embarrassments? What did you have in mind?’

Cordelia threw me a pained expression.

‘New orders Thursdaysweetydarling. Believe me, I’m as annoyed as you are.’

She didn’t look it.

‘No holds barred, eh?’ I grimaced, but Flakk was unapologetic.

‘Needs must, Thursday. SpecOps requires your support in these difficult times. President Formby has called for an inquiry into whether SpecOps are value for money – or even necessary at all.’

‘Okay,’ I agreed, ‘but this is the very last interview, yes?’

‘Of course,’ agreed Flakk a little too quickly, then added in an overdramatic manner, ‘Oh my goodness, is that the time? I have to catch the airship to Barnstaple in an hour. This is Adie; she’ll be looking after you and . . . and’ – here Cordelia leaned just a little bit closer – ‘remember you’re SpecOps, darling!’

She nodded, told me she would see me later and then took to her heels in a cloud of expensive scent.

‘How could I forget?’ I muttered as a bouncy girl clutching a clipboard appeared from where she had been waiting respectfully out of earshot.

‘Hi!’ squeaked the girl, ‘I’m Adie. So pleased to meet you!’

She grasped my hand and told me repeatedly what a fantastic honour it was.

‘I don’t want to bug you or anything,’ she said shyly, ‘but was Edward Rochester really drop-dead gorgeous to die for?’

‘Not handsome,’ I answered as I watched Flakk slink off down the corridor, ‘but certainly attractive. Tall, deep voice and glowering looks, if you know the type.’

Adie turned a deep shade of pink.

‘Gosh!’

I was taken into make-up, where I was puffed and primped, talked at mercilessly and made to sign copies of the Femole I had appeared in. I was very relieved when Adie came to rescue me thirty minutes later. She announced into her wireless that we were ‘walking’ and then, after leading me down a corridor and through some swing-doors, asked:

‘What’s it like working in SpecOps? Do you chase bad guys, clamber around on the outside of airships, defuse bombs with three seconds to go, that sort of stuff?’

‘I wish I did,’ I replied good-humouredly, ‘but in truth it’s seventy per cent form-filling, twenty-seven per cent mind-numbing tedium and two per cent sheer terror.’

‘And the remaining one per cent?’

I smiled.

‘That’s what keeps us going.’

We walked the seemingly endless corridors, past large grinning photographs of Adrian Lush and assorted other Network Toad celebrities.

‘You’ll like Adrian,’ she told me happily, ‘and he’ll like you. Just don’t try to be funnier than him; it doesn’t suit the format of the show.’

‘What does that mean?’

She shrugged.

‘I don’t know. I’m meant to tell all his guests that.’

‘Even the comedians?’

‘Especially the comedians.’

I assured her being funny was the last thing on my mind, and pretty soon she directed me on to the studio floor. Feeling unusually nervous and wishing that Landen were with me, I walked across the familiar front-room set of The Adrian Lush Show. But Mr Lush was nowhere to be seen – and neither were the ‘live studio audience’ a Lush show usually boasted. Instead, a small group of officials were waiting – the ‘others’ Flakk had told me about. My heart fell when I saw who they were.

‘Ah, there you are, Next!’ boomed Commander Braxton Hicks with forced bonhomie. ‘You’re looking well, healthy and, er, vigorous.’ He was my divisional chief back at Swindon, and despite being effectively head of the LiteraTecs was not that good with words.

‘What are you doing here, sir?’ I asked him, straining not to show my disappointment. ‘Cordelia told me the Lush interview would be uncensored in every way.’

‘Oh, it is, dear girl – up to a point,’ he said, stroking his large moustache. ‘Without benign intervention things can get very confused in the public mind. We thought we would listen to the interview and perhaps – if the need arose – offer practical advice as to how the proceedings should, er, proceed.’

I sighed. My untold story looked set to remain exactly that. Adrian Lush, supposed champion of free speech, the man who had dared to air the grievances felt by the Neanderthal, the first to suggest publicly that the Goliath Corporation ‘had shortcomings’, was about to have his nails well and truly clipped.

‘Colonel Flanker you’ve already met,’ went on Braxton without drawing breath.

I eyed the man suspiciously. I knew him well enough. He was at SpecOps 1, the division that polices SpecOps itself. He had interviewed me about the night I had first tried to tackle master criminal Acheron Hades – the night Snood and Tamworth died. He tried to smile several times but eventually gave up and offered his hand for me to shake instead.

‘This is Colonel Rabone,’ Braxton carried on. ‘She is head of Combined Forces Liaison.’ I shook hands with the colonel.

‘Always honoured to meet a holder of the Crimean Cross,’ she said, smiling.

‘And over here,’ continued Braxton in a jocular tone that was obviously designed to put me at ease – a ploy that failed spectacularly – ‘is Mr Schitt-Hawse of the Goliath Corporation.’

Schitt-Hawse was a tall, thin man whose pinched features seemed to compete for position in the centre of his face. His head tilted to the left in a manner that reminded me of an inquisitive budgerigar, and his dark hair was fastidiously combed back from his forehead. He put out his hand.

‘Would it upset you if I didn’t shake it?’ I asked him.

‘Well, yes,’ he replied, trying to be affable.

‘Good.’

Anyone from the vast multinational known as Goliath was about as welcome to me as an infestation of worms. The Corporation’s pernicious hold over the nation was not universally appreciated and I had a far greater reason to dislike them – the last Goliath employee I dealt with was an odious character by the name of Jack Schitt, who not only tried to kill me and my partner, but had also planned to prolong and escalate the Crimean War in order to create demand for the latest Goliath weaponry. We had tricked him into a copy of Edgar Allan Poe’s The Raven, a place in which I hoped he could do no harm.

‘Schitt-Hawse, eh?’ I said. ‘Any relation to Jack?’

‘He was – is – my half-brother,’ said Schitt-Hawse slowly, ‘and believe me, Ms Next, he wasn’t working for Goliath when he became involved with Hades and the Plasma Rifle.’

‘If he had been would you admit it?’

Schitt-Hawse scowled and said nothing. Braxton coughed politely and continued:

‘And this is Mr Chesterman of the Brontë Federation.’

Chesterman blinked at me uncertainly. The changes I had wrought upon Jane Eyre had split the Federation. I hoped he was one of those who preferred the happier ending.

‘Back there is Captain Marat of the ChronoGuard,’ continued Braxton. Marat looked at me with interest. The ChronoGuard were the SpecOps division that took care of Anomalous Time Ripplation – my father was one or is one or would be one, depending on how you looked at it.

‘Have we met before?’ I asked him.

‘Not yet,’ he replied.

‘Well!’ said Braxton, clapping his hands together. ‘I think that’s everyone. Next, I want you to pretend we’re just not here.’

‘Observers, yes?’

‘Absolutely. I—’

Braxton was interrupted by a slight disturbance off-stage.

‘The bastards !’ yelled a high voice. ‘If the Network dares to replace my Monday slot with reruns of Bonzo the Wonder Hound I’ll sue them for every penny they have!’

A tall man of perhaps fifty-five had walked into the studio accompanied by a small group of assistants. He had handsome chiselled features and a luxuriant swirl of white hair that looked as though it had been carved from polystyrene. He wore an immaculately tailored suit and his fingers were heavily weighed down with gold jewellery. He stopped short when he saw us.

‘Ah!’ said Adrian Lush disdainfully. ‘SpecOps!’

His entourage flustered around him with lots of energy but very little purpose. They seemed to hang on his every word and action and I suddenly felt an overwhelming sense of relief that I wasn’t in the entertainment business.

‘I’ve had a lot to do with you people in the past,’ explained Lush as he made himself comfortable on his trademark green sofa, something he clearly regarded as a territorial safe retreat. ‘It was I that coined the phrase “SpecOops” for whenever you make a mistake – sorry, “operational unexpectation”, isn’t that what you like to call them?’

But Hicks ignored Lush’s dig and introduced me as though I were his only daughter being offered up for marriage.

‘Mr Lush, this is Special Operative Thursday Next.’

Lush jumped up and bounded over to shake me by the hand in an effusive and energetic manner. Flanker and the others sat down; they looked very small in the middle of the empty studio. They weren’t going to leave and Lush wasn’t going to ask them to – I knew that Goliath owned Network Toad and was beginning to doubt whether Lush had any control over this interview at all.

‘Hello, Thursday!’ said Lush excitedly. ‘Welcome to my Monday show. It’s the second-highest-rated show in England – my Wednesday show is the first!’

He laughed infectiously and I smiled uneasily.

‘Then this will be your Thursday show,’ I replied, eager to lighten the situation.

There was dead silence.

‘Will you be doing that a lot?’ asked Lush.

‘Doing what?’

‘Making jokes. You see . . . have a seat, darling. You see, I generally make the jokes on this show, and although it’s perfectly okay for you to make jokes, if you do I’m going to have to pay someone to write funnier ones, and our budget, like Goliath’s scruples, is on the small side of Leptonic.’

‘Can I say something?’ said a voice from the small audience. It was Flanker, who carried on talking without waiting for a reply. ‘SpecOps is a serious business and should be reflected as such in your interview. Next, I think you should let Mr Lush tell the jokes.’

‘Is that all right?’ asked Lush, beaming.

‘Sure,’ I replied. ‘Is there anything else I shouldn’t do?’

Lush looked at me and then looked at the panel in the front row.

‘Is there?’

They all mumbled among themselves for a few seconds.

‘I think,’ said Flanker, ‘that we – sorry, you – should just do the interview and then we can discuss it later. Miss Next can say whatever she wants as long as it doesn’t contravene any SpecOps or Goliath corporate guidelines.’

‘Or military,’ added Colonel Rabone, anxious not to be left out.

‘Is that okay?’ asked Lush.

‘Whatever,’ I returned, eager to get on with it.

‘Excellent! I’ll do your intro, although you’ll be off-camera for that. The floor manager will cue you and you’ll enter. Wave to where the audience might have been and when you are comfy I’ll ask you some questions. I may offer you some toast at some point as our sponsors, the Toast Marketing Board, like to get a plug in now and again. Is there any part of that you don’t understand?’

‘No.’

‘Good. Here we go.’

He had his hair arranged down to the last follicle, his costume tweaked and the pieces of tissue paper removed from his collar. I was ushered off-stage and, after what seemed like an epoch of inactivity, Lush was counted in by a floor manager. On cue he turned to Camera 1 and switched on his best smile.

‘Tonight is a very special occasion with a very special guest. She is a decorated war heroine, a literary detective whose personal intervention not only restored the novel Jane Eyre but actually improved the ending. She single-handedly defeated Acheron Hades, ended the Crimean War and boldly hoodwinked the Goliath Corporation. Ladies and gentlemen, in an unprecedented interview from a serving SpecOps officer, please give a warm welcome to Thursday Next of the Swindon LiteraTec office . . . !’

A bright light swung on to my entrance doorway and Adie smiled and tapped my arm. I walked out to meet Lush, who rose to greet me enthusiastically.

‘Excuse me,’ came a voice from the front row. It was Schitt-Hawse, the Goliath representative.

‘Yes?’ asked Lush in an icy tone.

‘You’re going to have to drop the reference to the Goliath Corporation,’ said Schitt-Hawse in the sort of tone that brooks no argument. ‘It serves no purpose other than to needlessly embarrass a large company that is doing its very best to improve everyone’s lives.’

‘I agree,’ said Flanker, ‘and all references to Hades will have to be avoided. He is still listed as “missing, fervently hoped dead”, so any unauthorised speculation might have dangerous consequences.’

‘Okay,’ murmured Lush, scribbing a note. ‘Anything else?’

‘Any reference to the Crimean War and the Plasma rifle,’ said the colonel, ‘might be considered inappropriate. The peace talks at Budapest are still at a delicate stage; the Russians will make any excuse to leave the table. We know that your show is very popular in Moscow.’

‘The Brontë Federation is not keen for you to say the new ending is improved,’ put in the small and bespectacled Chesterman, ‘and talking about any of the characters you met within Jane Eyre might cause some viewers to suffer Xplkqulkiccasia. It’s so serious that the English Medical Council were compelled to make up an especially unpronounceable word to describe it.’

Lush looked at them, looked at me and then looked at his script.

‘How about if I just said her name?’

‘That would be admirable,’ intoned Flanker, ‘except you might also want to assure the viewers that this interview is uncensored. Everyone else agree?’

They all enthusiastically added their assent to Flanker’s suggestion. I could see this was going to be a very long and tedious afternoon.

Lush’s entourage came back on and made the tiniest adjustments. I was repositioned and, after waiting what seemed like another decade, Lush began again.

‘Ladies and gentlemen, in a frank and open interview tonight, Thursday Next talks unhindered about her work at SpecOps.’

No one said anything so I entered, shook Lush’s hand and took a seat on his sofa.

‘Welcome to the show, Thursday.’

‘Thank you.’

‘We’ll get on to your career in the Crimea in a moment, but I’d like to kick off by asking—’

With a magician’s flourish he produced a platter.

‘—if you would care for some toast.’

‘No thanks.’

‘Tasty and nutritious!’ He smiled, facing the camera. ‘Perfect as a snack or even a light meal – good with eggs, sardines or even—’

‘No, thank you.’

Lush’s smile froze on his face as he muttered through clenched teeth:

‘Have . . . some . . . toast.’

But it was too late. The floor manager came on the set and announced that the unseen director of the show had called cut. The small army of beauticians came on and fussed over Adrian as the floor manager had a one-way conversation into his headphones before turning to me.

‘The Director of Placements wants to know if you would take a small bite of toast when offered.’

‘I’ve eaten already.’

The floor manager turned and spoke into his headphones again.

‘She says she’s eaten already!! . . . I know . . . yes . . . what if . . . yes . . . ah-ha . . . What do you want me to do? Sit on her and force it down her throat!?! . . . yesss . . . ah-ha . . . I know . . . yes . . . yes . . . okay.’

He turned back to me.

‘How about jam instead of marmalade?’

‘I don’t really like toast,’ I told him.

‘What?’

‘I said I don’t—’

‘She says she doesn’t like toast!’ said the floor manager in an exasperated tone. ‘What in hell’s name are we going to do!?!’

Flanker stood up.

‘Next, eat the sodding toast, will you? I’ve got a meeting in two hours.’

‘And I’ve a golf tournament,’ added Braxton.

I gave up.

‘Okay. Make it granary with marmalade, go easy on the butter.’

The floor manager smiled as though I had just saved his job – which I probably had – and everything started over once again.

‘Would you like some toast?’ asked Lush.

‘Thanks.’

I took a small bite.

‘Very good.’

I saw the floor manager giving me an enthusiastic thumbs-up as he dabbed his brow with a handkerchief.

‘Right.’ Lush sighed. ‘Let’s get on with it. First I would like to ask the question that everyone wants answered: how did you actually get into the book of Jane Eyre in the first place?’

‘That’s easily explained,’ I began. ‘You see, my Uncle Mycroft invented a device called a Prose Portal—’

Flanker coughed.

‘Ms Next, perhaps you don’t know it but your uncle is still the subject of a secrecy certificate dating back to 1934. It might be prudent if you didn’t mention him – or the Prose Portal.’

Lush thought for a moment.

‘Can I talk to Miss Next about how she met Hades for the first time, just after he stole the original manuscript of Martin Chuzzlewit ?’

‘That would be fine if you don’t mention Hades,’ replied Flanker.

‘It’s not something we want the citizenry to think is—’ said Marat so suddenly that quite a few people jumped. Up until that moment he hadn’t said a word.

‘Sorry?’ asked Flanker.

‘Nothing,’ said the ChronoGuard operative in a quiet voice. ‘I’m just getting a touch proleptic in my old age.’

Lush continued.

‘Can she talk about the pursuit of Hades into the Welsh Republic and the successful return of Jane to her book?’

‘Same rules apply,’ growled Flanker.

‘How about the time that my partner Bowden and I drove through a patch of Bad Time on the M1?’ I asked.

‘It’s not something we want the citizenry to think is easy,’ said Marat with renewed enthusiasm. ‘If the public think that ChronoGuard work is straightforward, confidence might be shaken.’

‘Quite correct,’ asserted Flanker.

‘Perhaps you’d like to do this interview?’ I asked him.

‘Hey!’ said Flanker, standing up and jabbing a finger in my direction. ‘There’s no need to get snippy with us, Next. You’re here to do a job in your capacity as a serving SpecOps officer. You are not here to tell the truth as you see it!’

Lush looked uneasily at me; I raised my eyebrows and shrugged.

‘Now look here,’ said Lush in a strident tone, ‘if I’m going to interview Ms Next I must ask questions that the public want to hear—’

‘Oh, you can!’ said Flanker agreeably. ‘You can ask whatever you want. Free speech is enshrined in statute and neither SpecOps nor Goliath have any business coercing you in any way. We are just here to observe, comment and enlighten.’

Lush knew what Flanker meant and Flanker knew that Lush knew. I knew that Flanker and Lush knew it and they both knew I knew it too. Lush looked nervous and fidgeted slightly. Flanker’s assertion of Lush’s independence was anything but. A word to Network Toad from Goliath and Lush would end up presenting Sheep World on Lerwick TV, and he didn’t want that. Not one little bit.

We fell silent for a moment as Lush and I tried to figure out a topic that was outside their broad parameters.

‘How about commenting on the ludicrously high tax on cheese?’ I asked. It was a joke but Flanker and Co. weren’t terribly expert when it came to jokes.

‘I have no objection,’ murmured Flanker. ‘Anyone else?’

‘Not me,’ said Schitt-Hawse.

‘Or me,’ added Rabone.

‘I have an objection,’ said a woman who had been sitting quietly at the side at the studio. She spoke with a clipped Home Counties accent and was dressed in a tweed skirt, twinset and pearls.

‘Allow me to introduce myself,’ she said in a loud and strident voice. ‘Mrs Jolly Hilly, governmental representative to the television networks.’ She took a deep breath and carried on: ‘The so-called “unfair cheese duty burden” is a very contentious subject at present. Any reference to it might be construed as an inflammatory act.’

‘Five hundred and eighty-seven per cent duty on hard cheeses and six hundred and twenty per cent on smelly?’ I asked. ‘Cheddar Classic Gold Original at £9.32 a pound – Bodmin Molecular Unstable Brie at almost £10! What’s going on?’

The others, suddenly interested, all looked to Mrs Hilly for an explanation. For a brief moment, and probably the only moment ever, we were in agreement.

‘I understand your concern,’ replied the trained apologist, ‘but I think you’ll find that the price of cheese has, once adjusted for positive spin, actually gone down measured against the retail price index in recent years. Here, have a look at this.’

She passed me a picture of a sweet little old lady on crutches.

‘Old ladies who are not dissimilar to the actress in this picture will have to go without their hip replacements and suffer crippling pain if you selfishly demand cut-price cheese.’

She paused to let this sink in.

‘The Master of the Sums feels that it is not for the public to dictate economic policy, but he is willing to make concessions for those who suffer particular hardship in the form of area-tactical needs-related cheese coupons.’

‘So,’ said Lush with a smile, ‘wheyving cheese tax is out of the question?’

‘Or he could raise the custard duty,’ added Mrs Hilly, missing the pun. ‘The pudding lobby is less – well, how should I put it – militant.’

‘Wheyving,’ said Lush again, for the benefit of anyone who had missed it. ‘Wheyv— oh, never mind. I’ve never heard a bigger load of crap in all my life. I aim to make the extortionate price of cheese the subject of an Adrian Lush Special Report.’

Mrs Hilly flustered slightly and chose her words carefully.

‘If there were another cheese riot following your Special Report we might look very carefully as to where to place responsibility.’

She looked at the Goliath representative as she said this. The implication wasn’t lost on Schitt-Hawse or Lush. I had heard enough.

‘So I won’t talk about cheese either.’ I sighed. ‘What can I talk about?’

The small group all looked at one another with perplexed expressions. Flanker clicked his fingers as an idea struck him.

‘Don’t you own a dodo?’