The drawing of Joseph Smith, the founder of the Latter Day Saint movement and the Church of Jesus Christ of Latter-day Saints, has been a subject of intrigue and fascination for many. While there are no authenticated portraits of Smith during his lifetime, several drawings and paintings have been created based on descriptions and accounts from those who knew him. This article explores the history, significance, and various interpretations of the drawing of Joseph Smith.
Early Descriptions and the First Portrait
In the early years of the LDS Church, there were no photographs, and descriptions of Joseph Smith's appearance were varied. One of the earliest descriptions came from Orson Hyde, who described Smith as having "a large, robust, and well-proportioned frame, standing about five feet ten or eleven inches high, with a countenance which would indicate intelligence and good sense."
The first known portrait of Joseph Smith was created in 1842 by Ferdinand Petrie, based on a sitting with Smith. This portrait, now housed in the Church History Library in Salt Lake City, is one of the most iconic representations of Smith. It depicts him with a strong jaw, high forehead, and intense gaze, reflecting the charismatic and visionary leader that Smith was perceived to be.

Other Interpretations and Variations
Truman Angell's Drawing
In 1876, Truman O. Angell, a prominent architect and early LDS convert, created a drawing of Joseph Smith based on his personal recollections. Angell depicted Smith with a more rounded face and softer features than Petrie's portrait, reflecting his own memory of Smith's appearance.
Artistic Interpretations
Throughout the years, many artists have created their own interpretations of Joseph Smith's likeness. Some, like C.C.A. Christensen, have depicted Smith in idealized, heroic poses, reflecting the reverence and admiration many Latter-day Saints hold for their founder. Others, like Walter R. Foster, have created more naturalistic portraits, seeking to capture Smith's essence as a man of his time.
The Significance of the Drawing of Joseph Smith
The drawing of Joseph Smith holds significant cultural and historical importance for Latter-day Saints. It serves as a visual reminder of their faith's origins and the man who founded their religion. It also offers a glimpse into the early years of the LDS Church and the diverse ways in which Smith was perceived by those who knew him.

Moreover, the drawing of Joseph Smith has played a role in the broader cultural narrative of America. It has been reproduced in countless books, magazines, and other media, contributing to the ongoing dialogue about Smith's life, legacy, and the religious movement he founded.
Authenticity and Controversies
Despite the numerous drawings and portraits of Joseph Smith, there is no single, authenticated portrait of him. This has led to ongoing debates and controversies among historians, art historians, and Latter-day Saints about the true likeness of their founder. Some argue that the Petrie portrait is the most accurate representation, while others maintain that Smith's appearance was more accurately captured in other drawings.
This lack of a definitive portrait has also led to speculation and conspiracy theories about Smith's appearance and identity. Some have suggested that Smith may have looked quite different from the portraits that exist, while others have proposed that Smith may have been misidentified in some of the existing drawings.

Legacy and Influence
The drawing of Joseph Smith has had a lasting influence on LDS art and culture. It has inspired countless artists to create their own interpretations of Smith's likeness, contributing to the rich visual tradition of the LDS Church. It has also played a role in shaping the public's perception of Smith and the LDS faith.
Today, the drawing of Joseph Smith continues to be a subject of study, debate, and veneration. As the LDS Church continues to grow and evolve, so too does the legacy of its founder, as reflected in the many drawings and portraits that seek to capture his likeness and legacy.




















