Framing a tapestry picture is an investment in both preservation and presentation. Unlike a canvas, a woven textile is delicate, flexible, and often irreplaceable, demanding a method that protects its fibers while allowing it to breathe. The goal is to transform a hanging textile into a stable, wall-mounted work of art that lies flat and resists deterioration.
Understanding the Unique Nature of Tapestry
Before you select a frame, it is essential to understand why tapestries require special handling. These are not rigid panels; they are textiles under constant tension. Humidity and dryness cause the threads to expand and contract, which can lead to ripping or distortion if the mounting method does not accommodate this movement.
Furthermore, the weight distribution is different. A heavy wooden frame can cause a tapestry to stretch unevenly over time, leading to a permanent bow or even tears at the corners. The mounting strategy must focus on even weight distribution and non-invasive support.

Gathering Essential Materials and Tools
Professional framing relies on the right materials. You will need a deep-profile frame to create necessary air circulation behind the weave. Acid-free materials are non-negotiable to prevent yellowing or degradation of the fibers over time.
- A deep rabbet frame (wood or metal) with enough depth for the rod or dowel.
- Acid-free linen or cotton mounting board.
- White cotton strapping tape or polyester webbing.
- Archival-quality paper or glassine paper.
- Sealing corners or UV-filtering glass/perspex.
The Linen Hinging Method
The most respected technique for framing tapestry is linen hinge mounting. This method uses a strip of cotton or linen tape to anchor the top of the tapestry to a board, allowing the bottom to move freely with atmospheric changes.
You will cut a strip of archival board slightly narrower than the tapestry. The tapestry is stitched to this board using a loose, running stitch with cotton thread, securing only the very top edge. This board is then hinged to the backboard of the frame using the linen tape, creating a stable yet flexible support system.

Preparing the Backing and Mount
Never place a tapestry directly against a hard piece of glass. This creates a moisture trap and puts pressure on the vulnerable threads. A layer of archival paper or a breathable fabric cover should sit between the textile and the backing board.
Cut the mounting board to match the visible area of the tapestry. Position the tapestry face down on the board, ensuring equal margins on all sides. Gently adjust the fabric to lie flat without pulling, then secure the top edge using the linen hinge technique described previously.
Securing the Sides Without Damage
The sides of the tapestry often require stabilization to prevent fraying or lateral movement. However, the method of securing these edges is critical. You should never use glue or staples directly on the historical textile itself.

Instead, use the "turn and tape" method. Fold the sides of the tapestry gently around a flexible support rod or frame liner. Secure this folded edge to the back of the linen mounting board using white cotton strapping tape. This creates a tight, flat wrap that hides the raw edges and distributes tension evenly across the width of the piece.
Final Assembly and Hanging
Once the tapestry is secured to the mounting board, you can assemble the frame. Place the glass or acrylic sheet first, followed by a layer of paper to protect the textile from static dust. Insert the mounted tapestry into the frame, ensuring the mounting board sits flush against the glass.
Use frame points or cam locks to hold the assembly in place. Finally, attach a sturdy picture hook or wire to the back. Because tapestries are heavy, ensure that the hanging hardware is rated for twice the weight of the frame to ensure safety on the wall.






















