Electronic Arts Inc. (EA) is an American video game company headquartered in Redwood City, California. Founded and incorporated on May 28, 1982 by Trip Hawkins, the company was a pioneer of the early home computer games industry and was notable for promoting the designers and programmers responsible for its games. As of September 2017, Electronic Arts is the second-largest gaming company in the Americas and Europe by revenue and market capitalization after Activision Blizzard and ahead of Take-Two Interactive, and Ubisoft.
Currently, EA develops and publishes games under several labels including EA Sports titles FIFA, Madden NFL, NHL, NCAA Football, NBA Live, and SSX. Other EA labels produce established franchises such as Battlefield, Need for Speed, The Sims, Medal of Honor, Command & Conquer, as well as newer franchises such as Crysis, Dead Space, Mass Effect, Dragon Age, Army of Two, Titanfall and Star Wars: Knights of the Old Republic, produced in partnership with LucasArts. EA also owns and operates major gaming studios, EA Tiburon in Orlando, EA Vancouver in Burnaby, BioWare in Edmonton as well as Austin, and DICE in Sweden and Los Angeles.
- 1 History
- 2 Electronic Arts company structure
- 3 Studios
- 4 Labels
- 5 Partnership and initiatives
- 6 Games by Electronic Arts
- 7 Criticism and controversy
- 8 See also
- 9 References
- 10 Further reading
- 11 External links
The company began developing games in-house and supported consoles by the early 1990s. EA later grew via acquisition of several successful developers. By the early 2000s, EA had become one of the world's largest third-party publishers. On May 4, 2011, EA reported $3.8 billion in revenues for the fiscal year ending March 2011, and on January 13, 2012, EA announced that it had exceeded $1 billion in digital revenue during the previous calendar year. In a note to employees, EA CEO John Riccitiello called this "an incredibly important milestone" for the company. EA began to move toward direct distribution of digital games and services with the acquisition of the popular online gaming site Pogo.com in 2001. In 2009, EA acquired the London-based social gaming startup Playfish, and in June 2011, EA launched Origin, an online service to sell downloadable games directly to consumers. There is also a "On The House" feature in Origin that lets you download full versions of EA games for free, it is updated regularly. In July 2011, EA announced that it had acquired PopCap Games, the company behind hits such as Plants vs. Zombies and Bejeweled.
EA continued its shift toward digital goods in 2012, folding its mobile-focused EA Interactive (EAi) division "into other organizations throughout the company, specifically those divisions led by EA Labels president Frank Gibeau, COO Peter Moore, and CTO Rajat Taneja, and EVP of digital Kristian Segerstrale."
Trip Hawkins had been an employee of Apple Inc. since 1978, at a time when the company had only about fifty employees. Over the next four years, the market for home personal computers skyrocketed. By 1982, Apple had completed its initial public offering (IPO) and become a Fortune 500 company with over one thousand employees.
In February 1982, Trip Hawkins arranged a meeting with Don Valentine of Sequoia Capital to discuss financing his new venture, Amazin' Software. Valentine encouraged Hawkins to leave Apple, where Hawkins served as Director of Product Marketing, and allowed Hawkins use of Sequoia Capital's spare office space to start the company. On May 27, 1982, Trip Hawkins incorporated and established the company with a personal investment of an estimated US$200,000. The company was not named Amazin' Software, but instead Electronic Arts. Seven months later in December 1982, Hawkins secured US$2 million of venture capital from Sequoia Capital, Kleiner Perkins Caufield & Byers, and Sevin Rosen Funds.
For more than seven months, Hawkins refined his Electronic Arts business plan. With aid from his first employee (with whom he worked in marketing at Apple), Rich Melmon, the original plan was written, mostly by Hawkins, on an Apple II in Sequoia Capital's office in August 1982. During that time, Hawkins also employed two of his former staff from Apple, Dave Evans and Pat Marriott, as producers, and a Stanford MBA classmate, Jeff Burton from Atari for international business development. The business plan was again refined in September and reissued on October 8, 1982. By November, employee headcount rose to 11, including Tim Mott, Bing Gordon, David Maynard, and Steve Hayes. Having outgrown the office space provided by Sequoia Capital, the company relocated to a San Mateo office that overlooked the San Francisco Airport landing path. Headcount rose rapidly in 1983, including Don Daglow, Richard Hilleman, Stewart Bonn, David Gardner, and Nancy Fong.
Hawkins was determined to sell directly to buyers. Combined with the fact that Hawkins was pioneering new game brands, this made sales growth more challenging. Retailers wanted to buy known brands from existing distribution partners. Former CEO Larry Probst arrived as VP of Sales in late 1984 and helped the company sustain growth into US$18 million in its third full year. This policy of dealing directly with retailers gave EA higher margins and better market awareness, key advantages the company would leverage to leapfrog its early competitors.
In December 1986, David Gardner and Mark Lewkaspais moved to England to open a European headquarter. Up until that point publishing of Electronic Arts Games, and the conversion of many of their games to compact cassette versions in Europe was handled by Ariolasoft.
Most of the early employees of the company disliked the Amazin' Software name that Hawkins had originally chosen when he incorporated the company. While at Apple, Hawkins had enjoyed company offsite meetings at Pajaro Dunes and organized such a planning offsite for EA in October 1982.
Hawkins had developed the ideas of treating software as an art form and calling the developers, "software artists". Hence, the latest version of the business plan had suggested the name "SoftArt". However, Hawkins and Melmon knew the founders of Software Arts, the creators of VisiCalc, and thought their permission should be obtained. Dan Bricklin did not want the name used because it sounded too similar (perhaps "confusingly similar") to Software Arts. However, the name concept was liked by all the attendees. Hawkins had also recently read a best-selling book about the film studio, United Artists, and liked the reputation that the company had created. Early advisers Andy Berlin, Jeff Goodby, and Rich Silverstein (who would soon form their own ad agency Goodby, Silverstein & Partners) were also fans of that approach, and the discussion was led by Hawkins and Berlin. Hawkins said everyone had a vote but they would lose it if they went to sleep.
Hawkins liked the word "electronic", and various employees had considered the phrases "Electronic Artists" and "Electronic Arts". Other candidates included Gordon's suggestion of "Blue Light", a reference from the Disney film Tron. When Gordon and others pushed for "Electronic Artists", in tribute to the film company United Artists, Steve Hayes opposed, saying, "We're not the artists, they are..." meaning that the developers whose games EA would publish were the artists. This statement from Hayes immediately tilted sentiment towards Electronic Arts and the name was unanimously endorsed.
A novel approach to giving credit to its developers was one of EA's trademarks in its early days. This characterization was even further reinforced with EA's packaging of most of their games in the "album cover" pioneered by EA because Hawkins thought that a record album style would both save costs and convey an artistic feeling. EA routinely referred to their developers as "artists" and gave them photo credits in their games and numerous full-page magazine ads. Their first such ad, accompanied by the slogan "We see farther," was the first video game advertisement to feature software designers. EA also shared lavish profits with their developers, which added to their industry appeal. The square "album cover" boxes (such as the covers for 1983's M.U.L.E. and Pinball Construction Set) were a popular packaging concept by Electronic Arts, which wanted to represent their developers as "rock stars".
In the mid-1980s Electronic Arts aggressively marketed products for the Commodore Amiga, a premier home computer of the late 1980s and early 1990s in Europe. Commodore had given EA development tools and prototype machines before Amiga's actual launch. For Amiga EA published some notable non-game titles. A drawing program Deluxe Paint (1985) and its subsequent versions became perhaps the most famous piece of software available for Amiga platform. Other Amiga programs released by EA included Deluxe Music Construction Set, Deluxe Paint Animation and Instant Music. Some of them, most notably Deluxe Paint, were ported to other platforms. For Macintosh EA released a black & white animation tool called Studio/1, and a series of Paint titles called Studio/8 and Studio/32 (1990).
In 1988 EA published a flight simulator game exclusively for Amiga, F/A-18 Interceptor, which received attention due to its vector graphics that were notable for 1988 standards. Another significant Amiga release (also initially available for Atari ST, later converted for numerous other platforms) was Populous (1989) developed by Bullfrog Productions. It was a pioneering and influential title in the genre that was later called "god games".
In 1990, Electronic Arts began producing console games for the Nintendo Entertainment System, after previously licensing its computer games to other console-game publishers. Eventually, Trip Hawkins left EA to found the now defunct 3DO Company.
In 1995 Electronic Arts won the European Computer Trade Show award for best software publisher of the year. As the company was still expanding, they opted to purchase space in Redwood Shores, California in 1995 for construction of a new headquarters, which was completed in 1998.
EA is headquartered in the Redwood Shores neighborhood of Redwood City, California. Following the retirement and departure of Trip Hawkins in 2000, EA replaced their long-running Shapes logo with one based on the EA Sports logo used at the time, and Larry Probst took over the reins. EA also started to use a brand-specific structure around this time, with the main publishing side of the company re-branding to EA Games. The EA Sports brand was retained for major sports titles, the new EA Sports Big label would be used for casual sports titles with an arcade twist, and the full Electronic Arts name would be used for co-published and distributed titles.
In 2004, EA made a multimillion-dollar donation to fund the development of game production curriculum at the University of Southern California's Interactive Media Division. On February 1, 2006, Electronic Arts announced that it would cut worldwide staff by 5 percent. On June 20, 2006 EA purchased Mythic Entertainment, who are finished making Warhammer Online.
After Sega's ESPN NFL 2K5 successfully grabbed market share away from EA's dominant Madden NFL series during the 2004 holiday season, EA responded by making several large sports licensing deals which include an exclusive agreement with the NFL, and in January 2005, a 15-year deal with ESPN. The ESPN deal gave EA exclusive first rights to all ESPN content for sports simulation games. On April 11, 2005, EA announced a similar, 6-year licensing deal with the Collegiate Licensing Company (CLC) for exclusive rights to college football content.
Much of EA's success, both in terms of sales and with regards to its stock market valuation, is due to its strategy of platform-agnostic development and the creation of strong multi-year franchises. EA was the first publisher to release yearly updates of its sports franchises—Madden, FIFA, NHL, NBA Live, Tiger Woods, etc.—with updated player rosters and small graphical and gameplay tweaks. Recognizing the risk of franchise fatigue among consumers, EA announced in 2006 that it would concentrate more of its effort on creating new original intellectual property.
In September 2006, Nokia and EA announced a partnership in which EA becomes an exclusive major supplier of mobile games to Nokia mobile devices through the Nokia Content Discoverer. In the beginning, Nokia customers were able to download seven EA titles (Tetris, Tetris Mania, The Sims 2, Doom, FIFA 06, Tiger Woods PGA Tour 06 and FIFA Street 2) on the holiday season in 2006. Rick Simonson is the executive vice president and director of Nokia and starting from 2006 is affiliated with John Riccitiello and are partners.
In February 2007, Probst stepped down from the CEO job while remaining on the Board of Directors. His handpicked successor is John Riccitiello, who had worked at EA for several years previously, departed for a while, and then returned. Riccitiello previously worked for Elevation Partners, Sara Lee and PepsiCo. In June 2007, new CEO John Riccitiello announced that EA would reorganize itself into four labels, each with responsibility for its own product development and publishing (the city-state model). The goal of the reorganization was to empower the labels to operate more autonomously, streamline decision-making, increase creativity and quality, and get games into the market faster. This reorganization came after years of consolidation and acquisition by EA of smaller studios, which some in the industry blamed for a decrease in quality of EA titles. In 2008, at the DICE Summit, Riccitiello called the earlier approach of "buy and assimilate" a mistake, often stripping smaller studios of its creative talent. Riccitiello said that the city-state model allows independent developers to remain autonomous to a large extent, and cited Maxis and BioWare as examples of studios thriving under the new structure.
Also, in 2007, EA announced that it would be bringing some of its major titles to the Macintosh. EA has released Battlefield 2142, Command & Conquer: Tiberium Wars, Crysis, Harry Potter and the Order of the Phoenix, Madden NFL 08, Need for Speed: Carbon and Spore for the Mac. All of the new games have been developed for the Macintosh using Cider, a technology developed by TransGaming that enables Intel-based Macs to run Windows games inside a translation layer running on Mac OS X. They are not playable on PowerPC-based Macs.
In October 2007, EA purchased Super Computer International, a long-standing industry provider of game server hosting for development studios, who were currently developing the new Playlinc software. A week later they then purchased VG Holding Corp, the parent company of BioWare and Pandemic Studios.
It was revealed in February 2008 that Electronic Arts had made a takeover bid for rival game company Take-Two Interactive. After its initial offer of US$25 per share, all cash stock transaction offer was rejected by the Take-Two board, EA revised it to US$26 per share, a 64% premium over the previous day's closing price and made the offer known to the public. Rumours had been floating around the Internet prior to the offer about Take-Two possibly being bought over by a bigger company, albeit with Viacom as the potential bidder. In May 2008, EA announced that it will purchase the assets of Hands-On Mobile Korea, a South Korean mobile game developer and publisher. The company will become EA Mobile Korea. In September 2008, EA dropped its buyout offer of Take-Two. No reason was given.
In 2008, Electronic Arts retired the EA Sports Big label and replaced it with EA Sports Freestyle, which would focus exclusively on casual sports games, regardless of genre. The label was only used for 3 games until being quietly retired.
As of November 6, 2008 it was confirmed that Electronic Arts is closing their Casual Label & merging it with their Hasbro partnership with The Sims Label. EA also confirmed the departure of Kathy Vrabeck, who was given the position as former president of the EA Casual Division in May 2007. EA made this statement about the merger: "We've learned a lot about casual entertainment in the past two years, and found that casual gaming defies a single genre and demographic. With the retirement and departure of Kathy Vrabeck, EA is reorganizing to integrate casual games—development and marketing—into other divisions of our business. We are merging our Casual Studios, Hasbro partnership, and Casual marketing organization with The Sims Label to be a new Sims and Casual Label, where there is a deep compatibility in the product design, marketing and demographics. [...] In the days and weeks ahead, we will make further announcements on the reporting structure for the other businesses in the Casual Label including EA Mobile, Pogo, Media Sales and Online Casual Initiatives. Those businesses remain growth priorities for EA and deserve strong support in a group that will compliment their objectives." This statement comes a week after EA announced it was laying off 6% about 600 of their staff positions and had a US$310 million net loss for the quarter.
Due to the 2008 Economic Crisis, Electronic Arts had a poorer than expected 2008 holiday season, moving it in February 2009 to cut approximately 1100 jobs, which it said represented about 11% of its workforce. It also closed 12 of their facilities. Riccitiello, in a conference call with reporters, stated that their poor performance in the fourth quarter was not due entirely to the poor economy, but also to the fact that they did not release any blockbuster titles in the quarter. In the quarter ending December 31, 2008, the company lost US$641 million. As of early May 2009, the subsidiary studio EA Redwood Shores was known as Visceral Games. On June 24, 2009, EA announced it will merge two of its development studios, BioWare and Mythic into one single role-playing video game and MMO development powerhouse. The move will actually place Mythic under control of BioWare as Ray Muzyka and Greg Zeschuk will be in direct control of the new entity. By fall 2012, both Muzyka and Zeschuk had chosen to depart the merged entity in a joint retirement announcement.
On November 9, 2009, EA announced its acquisition of social casual games developer Playfish for US$275 million. On the same day, the company announced layoffs of 1500 employees, representing 17% of its workforce, across a number of studios including EA Tiburon, Visceral Games, Mythic and EA Black Box. Also affected were "projects and support activities" that, according to Chief Financial Officer Eric Brown "don't make economic sense", resulting in the shutdown of popular communities such as Battlefield News at the Wayback Machine (archived January 12, 2006) and the EA Community Team at the Wayback Machine (archived February 5, 2009). These layoffs also led to the complete shutdown of Pandemic Studios.
In October 2010, EA announced the acquisition of England-based iPhone and iPad games publisher Chillingo for US$20 million in cash. Chillingo published the popular Angry Birds for iOS and Cut the Rope for all platforms, but the deal did not include those properties, so Cut the Rope became published by ZeptoLab, and Angry Birds became published by Rovio Entertainment.
On March 18, 2013, John Riccitello announced that he would be stepping down as CEO and a member of the Board of Directors on March 30, 2013. Larry Probst was also appointed executive chairman on the same day.
In April 2013, EA announced a reorganization which was to include dismissal of 10% of their workforce, consolidation of marketing functions which were distributed among the five label organizations, and subsumption of Origin operational leadership under the President of Labels. In May 2013, EA announced that they had partnered with Disney to release Star Wars games from 2013 to 2023 exclusively. EA's subsidiaries including BioWare, DICE, Visceral Games, Motive Studios, Capital Games and external developer Respawn Entertainment, were responsible in creating new video games set in the Star Wars universe. Andrew Wilson was appointed the CEO of EA. In April 2015, EA announced that it would be shutting down various free-to-play games in July of that year, including Battlefield Heroes, Battlefield Play4Free, Need for Speed: World, and FIFA World.
During E3 2015, vice president of the company, Patrick Söderlund, announced that the company will start investing more on smaller titles such as Unravel so as to broaden the company's portfolio. On December 10, 2015, EA announced a new division called Competitive Gaming Division, which focuses on creating competitive game experience and organizing ESports events. It was once headed by Peter Moore.
In May 2016, Electronic Arts announced that they had formed a new internal division called Frostbite Labs. The new department specializes in creating new projects for virtual reality platforms, and "virtual humans". The new department is located in Stockholm and Vancouver.
In January 2018, EA announced eMLS, a new competitive league for EA Sports' FIFA 18 through its Competitive Gaming Division (CGD) and MLS. That same month, EA teamed up with ESPN and Disney XD in a multi-year pact to broadcast Madden NFL competitive matches across the world through its Competitive Gaming Division arm.
On July 9, 2018, EA announced it has acquired Pasadena-based studio Industrial Toys. Led by Alex Seropian, “Halo” co-creator, former CEO of Bungie Studios, and former executive at Disney Interactive, the privately held developer and publisher was founded in 2012, and most recently released its latest game in 2016. Its 14-person team will now be a part of EA’s Worldwide Studios organization
Electronic Arts company structure
EA is headed by chairman Larry Probst and CEO Andrew Wilson. Many have attributed former CEO John Riccitiello's success in leading EA to his passion as a gamer. Electronic Arts has four main labels (divisions), with numerous studios falling under each one.
EA Worldwide Studios
Formerly EA Games, Home to the largest number of studio and development teams, this label is responsible for action-adventure, role playing, racing and combat games, marketed under the EA brand. In addition to traditional packaged-goods games, EA Worldwide Studios also develops massively multiplayer online role-playing games. Led by Laura Miele.
- Criterion Games
- EA DICE (formerly Digital Illusions Creative Entertainment, DICE)
- Ghost Games
- BioWare Austin
- Motive Studios
- EA Redwood Studios
- Respawn Entertainment
- Industrial Toys
Publishes all the realistic, casual, and freestyle sports-based titles from EA, including FIFA Football, Madden NFL, Fight Night, NBA Live, NCAA Football, Cricket, NCAA March Madness, Tiger Woods PGA Tour, NHL Hockey, NASCAR and Rugby. Led by Patrick Söderlund.
Known for The Sims series, EA Maxis develops and markets life-simulation games and online communities. The label is headquartered at EA's campus in Redwood Shores. Maxis' original studio in Emeryville was closed in March 2015 and the EA Salt Lake studio was closed in April 2017. The studio now sits under the leadership of the SVP of EA Mobile. The label had previously been renamed EA Play.
EA All Play
EA Competitive Gaming Division
EA Competitive Gaming Division (CGD) founded in 2015 by Peter Moore and currently headed by Todd Sitrin, is the group dedicated on enabling global eSports competitions on EA's biggest franchises including FIFA, Madden NFL, Battlefield and more. The CGD will be built around three core pillars:
- Competition – To create highly-engaging competitive experiences with games, officially supported by Electronic Arts.
- Community – To celebrate, connect and grow community of players across all levels of expertise.
- Entertainment – To develop live events and broadcasting that bring the spectacle of competition to millions of people around the world.
The Search for Extraordinary Experiences Division (SEED) was revealed at Electronic Entertainment Expo 2017 as a technology research division and incubator, using tools like deep learning and neural networks to bring in player experiences and other external factors to help them with developing more immersive narratives and games. SEED has offices in Los Angeles and Stockholm.
- BioWare in Edmonton, Alberta, Canada and Austin, Texas founded in February 1995, acquired October 2007 from Elevation Partners.
- Chillingo in Macclesfield, England
- Criterion Games in Guildford, England founded as Criterion Software in 1993, acquired in August 2004.
- EA Baton Rouge (formerly North American Testing Center) in Baton Rouge, Louisiana, opened in September 2008.
- EA Vancouver in Burnaby, British Columbia, started in January 1983.
- EA Casual Entertainment
- EA China in Shanghai, China
- EA Deutschland in Cologne, Germany
- EA DICE in Stockholm, Sweden, founded in 1992, acquired in 2005.
- EA France in Lyon, France
- EIS (European Integration Studio) in Madrid, Spain
- EA India, Noida, India
- EA Japan, Tokyo, Japan
- EA Japan Studio, Tokyo, Japan
- EA Kitchener in Kitchener, Ontario, Canada
- EA Brazil in São Paulo, Brazil
- Spearhead in Seoul, South Korea, founded in 1998 as EA Korea.
- DICE Los Angeles in Los Angeles, California, founded as DreamWorks Interactive LLC in 1995, acquired in 2000.
- EA Romania in Bucharest, Romania, founded as JAMDAT Mobile Romania in 2005, acquired in 2006.
- EA Russia in Moscow, Russia, translate in Russian
- EA Galway in Galway, Ireland
- EA Mobile in Los Angeles, California
- EA Montreal in Montreal, Quebec, Canada started in 2004.
- EA San Francisco in Redwood City, California
- EA Singapore in Singapore
- EA Tiburon in Maitland, Florida founded as Tiburon Entertainment in 1994, acquired in 1998.
- Ghost Games in Gothenburg, Sweden, Guildford, England and Bucharest, Romania, founded as EA Gothenburg in 2011, rebranded in 2012.
- Motive Studios in Montreal, Quebec, Canada started in 2015.
- PopCap Games in Seattle, Washington acquired in 2011.
- The Sims Studio in Redwood City, California founded in 2006.
- Uprise (formerly ESN) in Uppsala, Sweden, founded in 2002, acquired in 2012.
- EA Capital Games (formerly KlickNation, then BioWare Sacramento) in Sacramento, California founded in 2008, specialised in creating mobile games, acquired in 2011.
- Frosbite Labs, started in 2016.
- Respawn Entertainment in Sherman Oaks, California, acquired in 2017.
- EA Redwood Studios in Redwood City, California, formed in 2016 (developers of Command & Conquer:Rivals)
- tracktwenty in Helsinki, Finland
- Industrial Toys in Pasadena, founded in 2012, acquired in July 2018.
- Original HQ in San Mateo, California, moved to Redwood City in 1998.
- Bullfrog Productions in Guildford, England, founded in 1987, acquired in 1995, merged with EA UK and effectively closed in 2001.
- Creative Wonders (Joint Venture between EA and the ABC): Founded in 1994, sold to Mattel Interactive in 1999.
- EA Baltimore in Baltimore, Maryland, established in 1996 as part of Origin, closed in 2000
- EA Seattle in Seattle, Washington, founded in 1982 as Manley & Associates, acquired January 29, 1996, closed in 2002
- Maxis in Walnut Creek, California, founded in 1987, acquired in June 1997, folded into Redwood Shores (now Visceral Games) in 2004.
- Westwood Studios in Las Vegas, Nevada, founded in 1987, acquired from Virgin Interactive Entertainment in August 1998, merged into EA Los Angeles in 2003.
- EA Pacific (known previously as Burst Studios and Westwood Pacific) in Irvine, California, formerly part of Virgin Interactive, Founded in 1995, acquired with Westwood and Virgin Interactive USA in 1998, closed in 2003
- Easy Studios in Stockholm, Sweden. Founded in 2008 developing PC games for EA's new Play4Free series. Merged to DICE, after the shutdown of Play4Free series in 2015.
- Kesmai (known also as GameStorm), founded in 1981, acquired in 1999, closed in 2001.
- DICE Canada in London, Ontario, started in 1998, acquired DICE fully October 2, 2006; closed DICE Canada studio hours later.
- EA UK in Chertsey, England, moved to EA Bright Light in Guildford.
- EA Chicago in Hoffman Estates, Illinois, founded in 1990 as NuFX, acquired in 2004, closed November 6, 2007.
- Pandemic Studios in Los Angeles, California and Brisbane, Queensland, Australia, founded in 1998, acquired October 2007 from Elevation Partners, closed November 17, 2009.
- EA Bright Light, in Guildford, England, formerly EA UK, closed in 2011.
- EA Black Box in Burnaby, Canada, founded in 1998, acquired in 2002, closed on April 2013.
- EA Mobile Brazil in São Paulo, Brazil, closed in 2013.
- EA Phenomic in Ingelheim, Germany, founded as Phenomic Game Development in 1997, acquired August 2006 and closed down in 2013.
- Playfish in London, England, acquired in 2009, closed down in 2013.
- EA North Carolina in Morrisville, North Carolina, closed in 2013
- Victory Games in Los Angeles, California, also has offices in Austin, Texas and Shanghai, China; founded in 2010 and closed down in 2013 as Danger Close.
- Mythic Entertainment in Fairfax, Virginia, founded as Interworld Productions in 1995, acquired in June 2006 and closed down in May 2014.
- Maxis in Emeryville, California, founded in 1987, acquired in July 1997, and closed down in March 2015.
- Origin Systems in Austin, Texas founded in 1983, acquired in 1992, closed in 2004.
- Waystone was disbanded in November 2014.
- EA Salt Lake in Salt Lake City, Utah, founded as Headgate Studios, founded in 1992, acquired December 2006. Closed in April 2017.
- BioWare in Montreal, Quebec, Canada, founded in March 2009, merged into Motive Studios in August 2017.
- Visceral Games in Redwood City, California, also has an office in Shanghai, China; founded as EA Redwood Shores in 1998. Closed in October 2017.
- EA Sports: Publish sports titles, founded in 1991.
- EA Kids: A label for educational titles from 1993 to 1996, was later absorbed into Creative Wonders.
- Electronic Arts Studios: was used for some PlayStation, Saturn and 3DO games from 1995 to 1997.
- EA Sports BIG: Introduced in 2000, and used for arcade-styled extreme sports titles. Was replaced with EA Sports Freestyle in 2008
- EA Sports Freestyle: Introduced in 2008, and was used for casual sports titles. Quietly discontinued in mid 2009.
Partnership and initiatives
EA Partners program (2007–2017)
The EA Partners co-publishing program was dedicated to publishing and distributing games developed by third-party developers. Notable publishing/distribution agreements include:
- Alice: Madness Returns – Spicy Horse
- APB – Realtime Worlds
- Brütal Legend – Double Fine Productions
- Bulletstorm – Epic Games
- Crysis series – Crytek
- DeathSpank – Hothead Games
- Fuse – Insomniac Games
- Hellgate: London – Flagship Studios
- Kingdoms of Amalur: Reckoning – 38 Studios, Big Huge Games
- Rock Band series – Harmonix and MTV Games
- The Secret World – Funcom
- Shadows of the Damned – Grasshopper Manufacture
- Shank series – Klei Entertainment
- Syndicate – Starbreeze Studios
- Warp – Trapdoor
EA Originals program (2017–present)
EA Originals is a program within Electronic Arts to help support independently-developed video games. The program was announced at EA's press event at the 2016 E3 Conference, and builds upon the success they had with Unravel by Coldwood Interactive in 2015. The first game to be supported under this program is Fe by Zoink, with plans for release in 2018. It was followed by A Way Out by Hazelight Studios and eventually Sea of Solitude by Jo-Mei Games.
Games by Electronic Arts
Some of the most notable and popular games of video game history have been published by EA, and many of these are listed below. Though EA published these titles, they did not always develop them; some were developed by independent game development studios. EA developed their first internally developed game in 1987.
- Pinball Construction Set (1983) by Bill Budge
- M.U.L.E. (1983) by Dan Bunten and Ozark Softscape
- Archon: The Light and the Dark (1983) by Paul Reiche III and Free Fall Associates
- The Bard's Tale (1985) by Interplay Productions
- Skate or Die! (1987), EA's first internally developed title
- Madden NFL series (1988–present)
- Populous (1989) by Bullfrog which EA acquired in 1995
- Wing Commander series (1993–2007, previous games published in-house)
- Desert Strike: Return to the Gulf (1992) by EA's High Score Production group
- FIFA series (1993–present)
- Dungeon Keeper series (1997–2014)
- Ultima series (1999–2013)
- Command & Conquer series (1995–present)
- SimCity series (1999–present) by Maxis
- Medal of Honor series (1999–2012) by DICE Los Angeles
- Need for Speed series (1994–present)
- James Bond series (1999–2005)
- American McGee's Alice (2000)
- The Sims series (2000–present) by Maxis (2000–2006, 2012–present) and The Sims Studio (2006–present)
- SSX series (2000–2013) by EA Vancouver
- Battlefield series (2002–present) by EA Digital Illusions CE AB
- Crysis series (2007–2013) by Crytek
- Rock Band series (2007–2010) by Harmonix
- Spore series (2008–present) by Maxis
- Army of Two series (2008–2013) by EA Montreal
- Dead Space series (2008–2013) by Visceral Games
- Mirror's Edge series (2008–present) by EA Digital Illusions CE AB
- Dragon Age series (2009–present) by BioWare
- Mass Effect series (2008–present) by BioWare
- Dante's Inferno (2010) by Visceral Games
- Star Wars: The Old Republic (2011) by BioWare
- EA Sports UFC (2014–present) by EA Vancouver
- Titanfall series (2014–present) by Respawn Entertainment
- Star Wars Battlefront series (2015–present) by EA Digital Illusions CE AB
- Anthem (Microsoft Windows, PlayStation 4, Xbox One)
- Battlefield V (Microsoft Windows, PlayStation 4, Xbox One)
- Command & Conquer: Rivals (iOS, Android)
- FIFA 19 (Microsoft Windows, PlayStation 3, PlayStation 4, Xbox 360, Xbox One, Nintendo Switch)
- Madden NFL 19 (Microsoft Windows, PlayStation 4, Xbox One)
- Madden NFL Overdrive (iOS, Android)
- NBA Live 19 (PlayStation 4, Xbox One)
- Need for Speed: Edge (Microsoft Windows)
- NHL 19 (PlayStation 4, Xbox One)
- Sea of Solitude (Microsoft Windows, PlayStation 4, Xbox One)
- Star Wars: Jedi Fallen Order (TBA)
Criticism and controversy
Studio acquisition and management practices
During its period of fastest growth, EA was often criticized for buying smaller development studios primarily for their intellectual property assets, and then producing drastically changed games of their franchises. For example, Origin-produced Ultima VIII: Pagan and Ultima IX: Ascension were developed quickly under EA's ownership, over the protests of Ultima creator Richard Garriott, and these two are widely considered to be sub-par compared to the rest of the series.
I'll admit that, if you asked me years ago, I still had thoughts that EA was the Evil Empire, the company that crushes the small studios... I'd have been surprised, if you told me a year ago that we'd end up with EA as a publisher. When we went out and talked to people, especially EA Partners people like Valve, we got almost uniformly positive responses from them.
Like other EA Partners, such as Harmonix/MTV Games, Carmack stressed that EA Partners deal "isn't really a publishing arrangement. Instead, they really offer a menu of services—Valve takes one set of things, Crytek takes a different set, and we're probably taking a third set".
EA was criticized for shutting down some of its acquired studios after they released poorly-performing games (for instance, Origin). Though, in some of the cases, the shutdown was merely a reformation of teams working at different small studios into a single studio. In the past, Magic Carpet 2 was rushed to completion over the objections of designer Peter Molyneux and it shipped during the holiday season with several major bugs. Studios such as Origin and Bullfrog Productions had previously produced games attracting significant fanbases. Many fans also became annoyed that their favorite developers were closed down, but some developers, for example the EALA studio, have stated that they try to carry on the legacy of the old studio (Westwood Studios). Once EA received criticism from labor groups for its dismissals of large groups of employees during the closure of a studio. However, later, it was confirmed that layoffs were not heavily confined to one team or another, countering early rumors that the teams were specifically targeted—countering the implication that the under performance of certain games might have been the catalyst.
EA was once criticized for the acquisition of 19.9 percent of shares of its competitor Ubisoft, a move that Ubisoft's then spokesperson initially described as a "hostile act". However, Ubisoft CEO Yves Guillemot later indicated that a merger with EA was a possibility, stating, "The first option for us is to manage our own company and grow it. The second option is to work with the movie industry, and the third is to merge." However, in July 2010, EA elected to sell its reduced 15 percent share in Ubisoft. That share equated to roughly €94 million (US$122 million).
Treatment of employees
In 2004, Electronic Arts was criticized for employees working extraordinarily long hours, up to 100 hours per week, as a routine practice rather than occasionally to meet critical goals such as release of a major new product. The publication of the EA Spouse blog, with criticisms such as "The current mandatory hours are 9 a.m. to 10 p.m.—seven days a week—with the occasional Saturday evening off for good behavior (at 6:30 PM)." The company has since settled a class action lawsuit brought by game artists to compensate for unpaid overtime. The class was awarded US$15.6 million. As a result, many of the lower-level developers (artists, programmers, producers, and designers) are now working at an hourly rate. A similar suit brought by programmers was settled for US$14.9 million.
Since these criticisms first aired, it has been reported that EA has taken steps to address work-life balance concerns by focusing on long-term project planning, compensation, and communication with employees. These efforts accelerated with the arrival of John Riccitiello as CEO in February 2007. In December 2007, an internal EA employee survey showed a 13% increase in employee morale and a 21% increase in perception of management recognition over a three-year period.
In May 2008, "EA Spouse" blog author Erin Hoffman, speaking to videogame industry news site Gamasutra, stated that EA had made significant progress, but may now be falling into old patterns again. Hoffman said that "I think EA is tremendously reformed, having made some real strong efforts to get the right people into their human resources department", and "I've been hearing from people who have gotten overtime pay there and I think that makes a great deal of difference. In fact, I've actually recommended to a few people I know to apply for jobs there", but she also said she has begun to hear "horror stories" once again.
For 2006, the games review aggregation site Metacritic gives the average of EA games as 72.0 (out of 100); 2.5 points behind Nintendo (74.5) but ahead of the other first-party publishers Microsoft (71.6) and Sony (71.2). The closest third-party publisher is Take-Two Interactive (publishing as 2K Games and Rockstar Games) at 70.3. The remaining top 10 publishers (Sega, THQ, Ubisoft, Activision, Square Enix) all rate in the mid 60s. Since 2005, EA has published eight games that received "Universal Acclaim" in at least one platform (Metacritic score 90 or greater): Battlefield 2, Crysis, Rock Band, FIFA 12, FIFA 13, Mass Effect 2, Mass Effect 3, and Dragon Age: Origins.
EA's aggregate review performance had shown a downward trend in quality over recent years and was expected to affect market shares during competitive seasons. Pacific Crest Securities analyst Evan Wilson had said, "Poor reviews and quality are beginning to tarnish the EA brand. According to our ongoing survey of GameRankings.com aggregated review data, Electronic Arts' overall game quality continues to fall... Although market share has not declined dramatically to date, in years such as 2007, which promises to have tremendous competition, it seems likely if quality does not improve."
EA had also received criticism for developing games that lack innovation vis-à-vis the number of gaming titles produced under the EA brand that show a history of yearly updates, particularly in their sporting franchises. These typically retail as new games at full market price and feature only updated team rosters in addition to incremental changes to game mechanics, the user interface, and graphics. One critique compared EA to companies like Ubisoft and concluded that EA's innovation in new and old IPs "Crawls along at a snail's pace," while even the company's own CEO, John Riccitiello, acknowledged the lack of innovation seen in the industry generally, saying, "We're boring people to death and making games that are harder and harder to play. For the most part, the industry has been rinse-and-repeat. There's been lots of product that looked like last year's product, that looked a lot like the year before." EA has announced that it is turning its attention to creating new game IPs in order to stem this trend, with recently acquired and critically acclaimed studios BioWare and Pandemic would be contributing to this process. In 2012, EA’s games were ranked highest of all large publishers in the industry, according to Metacritic.
On December 19, 2013, EA was hit with a class action lawsuit over the bugs in the Battlefield 4 DLC. EA issued a statement regarding the various issues and bugs of the game and promised players that these issues would be fixed before the launch of the next generation consoles. This was not the case as players on both the PlayStation 4 and Xbox One had the same problems. The problems were so severe that they made certain parts of the game unplayable due to campaign save files being corrupted and players being unable to start or join multiplayer servers. Players expressed their outrage on the forums of Battlelog, EA Answers HQ and social news sites such as Reddit. EA DICE responded by apologizing for the bugs and promising that they would halt all production of the release of new DLC packages until they fixed the various problems.
Sports licensing and exclusivity
On June 5, 2008, a lawsuit was filed in Oakland, California alleging Electronic Arts is breaking United States anti-trust laws by signing exclusive contracts with the NFL Players Association, the NCAA and Arena Football League, to use players' names, likenesses and team logos. This keeps other companies from being able to sign the same agreements. The suit further accuses EA of raising the price of games associated with these licenses as a result of this action. In an interview with GameTap, Peter Moore said it was the NFL that sought the deal. "To be clear, the NFL was the entity that wanted the exclusive relationship. EA bid, as did a number of other companies, for the exclusive relationship", Moore said. "It wasn't on our behest that this went exclusive... We bid and we were very fortunate and lucky and delighted to be the winning licensee." While EA argued the player's likenesses was incidentally used, this was rejected by the United States Courts of Appeals in 2015. A further appeal to the US Supreme Court was unsuccessful. In June 2016, EA settled with Jim Brown for $600,000.
On September 26, 2013, EA settled a series of wide-ranging class action lawsuits filed by former NCAA players accusing EA and others of unauthorized use of player likenesses in their football and basketball games. EA settled the lawsuit for an undisclosed amount. The settlement is reported to be around $40 million, to be paid to between 200,000 and 300,000 players.
EULA and DRM
In the September 2008 release of EA's game Spore it was revealed that the DRM scheme included a program called SecuROM and a lifetime machine-activation limit of three (3) instances. A huge public outcry over this DRM scheme broke out over the Internet and swarmed Amazon.com with one-star ratings and critical reviews of the game in order to get EA to "pay attention to their consumers". This DRM scheme, which was intended to hinder the efforts of infringers to illegally use and distribute EA software, instead mainly affected paying customers, as the game itself was copied and distributed well before release. On September 13, 2008, it was announced (by TorrentFreak's statistics) that Spore was the most torrented game ever with over half a million illegal downloads within the first week of release. In response to customer reaction, EA officially announced its release of upcoming Command & Conquer: Red Alert 3 would increase the installation limit to 5 rather than 3.
On September 22, 2008, a global class action lawsuit was filed against EA regarding the DRM in Spore, complaining about EA not disclosing the existence of SecuROM in the game manual, and addressing how SecuROM runs with the nature of a rootkit, including how it remains on the hard drive even after Spore is uninstalled. On October 14, 2008, a similar class action lawsuit was filed against EA for the inclusion of DRM software in the free demo version of the Creature Creator.
On March 31, 2009, EA released a "De-Authorization Management Tool" that allows customers who have installed games containing the SecuROM activation scheme to "de-authorize" a computer, freeing up one of the five machine "slots" to be used on another machine.
On June 24, 2009, EA announced a change in its approach to preventing copyright infringement of PC games. While eliminating the DRM that uniquely identifies a machine, the plan described a replacement with a traditional CD-key check. With an emphasis on downloaded content, the plan moved toward software as a service. In 2013, EA received criticism regarding its persistent online authentication system as implemented in the SimCity reboot.
In 2009, EA arranged a fake protest outside the Electronic Entertainment Expo to draw attention to the game Dante's Inferno. Ostensibly Christian protestors bore placards objecting to the game's themes involving hell and damnation, and it was not clear until several days later that the event had been staged. Several Christian bloggers criticized the event for perpetuating negative stereotypes about Christians.
A 2011 advertising campaign for Dead Space 2 featured older women reacting negatively to the game with the campaign slogan "Your mom hates Dead Space 2". Two hundred women had been selected for their conservative values and lack of familiarity with video games, and their reactions to a screening of the game were featured in EA's web and TV advertisements. The campaign was at first admired, but soon described as sexist and ageist, with some claiming that it was reinforcing outdated stereotypes against female and older gamers. As of 2010, 40% of video game players were women and the average game player was 34 years old.
On February 24, 2011, the Extra Credits team (at the time on The Escapist) published the episode "An Open Letter to EA Marketing", denouncing Electronic Arts' marketing decisions for the Dante's Inferno, Medal of Honor and Dead Space 2 releases. They argue that EA's decisions to hire fake protesters and market games solely on shock value, while neglecting to defend the Medal of Honor on a First Amendment basis for letting the player play as the Taliban, have been hurtful to the gaming industry. They also argue that the advertisements are counterproductive to Electronic Arts' wishes to elevate games to an art medium as demonstrated in the 1980s Electronic Arts ad 'Can a Computer Make You Cry?'.
Mass Effect 3's ending was poorly received by both critics and fans due to the inconsistencies between statements by BioWare staff during the game's development and the form the endings ultimately took. Displeased by the ending, one player took his complaint to the Federal Trade Commission, the agency created to protect consumers. His argument was that BioWare did not deliver on the promise of its game, saying the end product did not match with the advertising campaign and PR interviews for the game. The U.S. Better Business Bureau also responded to the controversy, supporting claims by fans that BioWare falsely advertised the player's "complete" control over the game's final outcome. The United Kingdom's Advertising Standards Authority disagreed, ruling that EA and BioWare were not guilty of false advertisement since the endings were "thematically quite different", and the choices and readiness rating reflected in the ending content were significant enough to avoid actionable misleading of consumers under existing law.
According to Reddit administrator /u/Sporkicide and the user /u/Unwanted_Commentary, who is a former moderator of /r/StarWarsBattlefront—a subreddit devoted to the 2015 Star Wars Battlefront—moderators removed posts critical of the game at the direction of EA personnel in exchange for pre-release access to the game.
Gender and LGBT controversies
The positive portrayals of LGBT characters in games by EA subsidiary BioWare have motivated fan support and also backlash. The company claimed that several employees involved in Dragon Age II received hate mail and threats following its release. BioWare lead writer David Gaider responded to a fan upset by the game's bisexual romances, denying the fan's ability to speak for all straight male gamers and writing, "the person who says that the only way to please them is to restrict options for others is, if you ask me, the one who deserves it least."
Over the years from 2006 through 2012, various quotes both truly and falsely attributed to BioWare writer Jennifer Hepler were circulated online by fans who considered her emblematic of their complaints. After one quote from a 2006 interview was used to link Hepler with unpopular changes to Dragon Age II's combat systems, Hepler was harassed by telephone and online. The issue tapped into longstanding discontent over games being simplified to appeal to broader audiences. Backlash was also related to Hepler's writing for Anders, the character that prompted the "straight male gamer" complaint. According to Susana Polo in The Mary Sue, Hepler's gender may have intensified the harassment she experienced, but it was more directly the result of her being scapegoated for EA's pivot towards casual gamers.
EA refused to abandon plans to add gay romances to Star Wars: The Old Republic that were opposed by the Family Research Council. An online petition gathered more than 60,000 signatures in support of EA's decision before the petition became compromised by automated spam signatures. The automated signatures were discovered by Reddit and 4chan users, who accused EA of using the issue to link broader criticism of EA with homophobia. When eventually added to the game, the same-sex romances were ridiculed for being confined to a single "gay planet".
On May 23, 2018, the announcement trailer for Battlefield V was met with a backlash from some fans of the series who criticized the game for a lack of historical accuracy and authenticity. Particularly highlighted was the trailer's focus on female frontline soldiers which they felt was an exercise in political correctness. Further complaints were given to the use of certain weapons, prosthetics, and body art as being very uncommon in that time period. However, others critiquing the backlash pointed out that women soldiers were not especially rare in World War II, highlighting real-life examples, and that previous games in the Battlefield series are not seen as having a completely realistic portrayal of war. Some suggested that the backlash was largely due to misogyny, rather than true worries over historical accuracy. In response to the outcry, the game's executive producer Aleksander Grøndal wrote on Twitter that "we'll always put fun over authentic."
The Consumerist rating as "Worst Company in America"
In April 2012, The Consumerist awarded EA with the title of "Worst Company in America" along with a ceremonial Golden Poo trophy. The record-breaking poll drew in more than 250,000 votes and saw EA beating out such regulars as AT&T and Walmart. The final round of voting pitted EA against Bank of America. EA won with 50,575 votes or 64.03%. This result came in the aftermath of the Mass Effect 3 ending controversy which several commentators viewed as a significant contribution to EA's win in the poll. Other explanations include use of day-one DLC and EA's habit of acquiring smaller developers to squash competition. EA spokesman John Reseburg responded to the poll by saying, "We're sure that bank presidents, oil, tobacco and weapons companies are all relieved they weren't on the list this year. We're going to continue making award-winning games and services played by more than 300 million people worldwide."
In April 2013, EA won The Consumerist's poll for "Worst Company in America" a second time, consecutively, becoming the first company to do so. Games mentioned in the announcement included the critically controversial Mass Effect 3 for its ending, Dead Space 3 for its use of microtransactions, and the more recent SimCity reboot due to its poorly handled launch. Additionally, poor customer support, "nickel and diming", and public dismissiveness of criticisms were also given as explanations for the results of the poll. The Consumerist summarized the results by asking, "When we live in an era marked by massive oil spills, faulty foreclosures by bad banks, and rampant consolidation in the airline and telecom industry, what does it say about EA’s business practices that so many people have — for the second year in a row — come out to hand it the title of Worst Company in America?"
When asked about the poll by VentureBeat, Frank Gibeau, President of EA Labels, responded "we take it seriously, and want to see it change. In the last few months, we have started making changes to the business practices that gamers clearly don’t like." Gibeau attributes the elimination of online passes, the decision to make The Sims 4 a single-player, offline experience, as well as the unveiling of more new games to the shift in thinking. "The point is we are listening, and we are changing," Gibeau said.
In November 2017, Star Wars Battlefront II's loot box system caused controversy over monetization. During the beta trials, EA introduced a loot box monetization system criticized as giving substantial benefits to players who purchased them with real money. One Reddit post garnered a response from an EA community manager. That response was widely criticized by readers and received over 670,000 downvotes, more than any post in the history of Reddit.
After a massive gamer outcry, EA responded to the issue in escalating attempts to rebalance the in-game reward progression and, when complaints continued, temporarily disabled the ability to purchase loot boxes with real money entirely. It was alleged that the Star Wars rights holder, the Walt Disney Company, requested EA take that final step.
The outcry had a reverberating effect on other EA titles with similarly-styled loot box systems, such as Need for Speed Payback. It also had an effect on the games industry as a whole, with several politicians, particularly Hawaii representative Chris Lee, and related agencies making statements on loot boxes being a form of gambling needing regulation.
In 2013, EA released Dungeon Keeper Mobile leading to a controversy that the game was designed to manipulate store ratings. The game would prompt users to rate it, with 5-star ratings claiming it would support the game with free updates. When the user selected ratings less than 5, the game did not actually register the rating with the store front, instead sending an email. This led to accusations of EA fraudulently manipulating the game's rating system and its subsequent score on mobile storefronts.
- Jordan, Jon (September 6, 2017). "Earnings report roundup: Game industry winners and losers in Q2 2017". Gamasutra. Retrieved November 15, 2017.
- Davison, Pete. "E3: EA's Press Conference: The Round-Up". GamePro. Archived from the original on November 30, 2011.
- "About Us | Locations". Electronic Arts. Archived from the original on August 19, 2011.
- Curtis, Tom. "EA reorganizes after a landmark $1B digital year". Gamasutra. Archived from the original on March 27, 2017.
- Totilo, Stephen. "This is What EA's Up To (On the Day Zynga Hired One of Their Top Guys)". Kotaku. Archived from the original on January 5, 2017. Retrieved January 22, 2017.
- "EA.com Acquires Leading Games Destination pogo.com". GameZone. February 28, 2001. Retrieved October 22, 2016.
- Schonfeld, Erick (November 9, 2009). "Not Playing Around. EA Buys Playfish For $300 Million, Plus a $100 Million Earnout". TechCrunch. Archived from the original on September 25, 2016. Retrieved October 22, 2016.
- Wingfield, Nick (June 3, 2011). "EA to Test Its Might Online". The Wall Street Journal.
- "EA to Acquire NFS world hack". Archived from the original on August 19, 2014.
- Curtis, Tom. "EA reorganizes after a landmark $1B digital year". Gamasutra. Archived from the original on March 27, 2017. Retrieved January 22, 2017.
- Fleming, Jeffrey (February 12, 2007). "We See Farther – A History of Electronic Arts". Gamasutra. Archived from the original on March 4, 2016. Retrieved October 22, 2016.
- "Electronic Arts entry". Sequoiacap.com. Archived from the original on March 8, 2009. Retrieved March 24, 2009.
- Keefer, John (March 31, 2006). "GameSpy Retro: Developer Origins". GameSpy. Archived from the original on May 31, 2009. Retrieved October 22, 2016.
- Hackers: Heroes of the Computer Revolution By Steven Levy, page 335
- "EA Studios: The 32-Bit Generation". Next Generation. Imagine Media (11): 97–99. November 1995.
- "The History of the Pinball Construction Set: Launching Millions of Creative Possibilities". Gamasutra.com. Archived from the original on March 3, 2009. Retrieved March 24, 2009.
- Jimmy Maher: The Future was Here, a book published by MIT press, 2012
- "Electronic Arts Inks Pact With Nintendo". Computer Gaming World. May 1990. p. 50. Archived from the original on December 3, 2013. Retrieved November 16, 2013.
- "PlayStation Dominates European Show". Next Generation. Imagine Media (6): 15. June 1995.
- Simon, Mark (February 23, 1995). "EA Plans To Leave San Mateo / Game company moving to Redwood Shores". San Francisco Chronicle. Retrieved October 19, 2017.
- "EA Redwood Shores". Archived from the original on March 12, 2016.
- "Electronic Arts cuts staff by 5 percent". GameSpot. Archived from the original on April 1, 2014. Retrieved March 24, 2009.
- "Electronic Arts To Acquire Mythic Entertainment". Gamasutra.com. June 20, 2006. Archived from the original on February 14, 2009. Retrieved March 24, 2009.
- Surette, Tim (December 13, 2004). "Big Deal: EA and NFL ink exclusive licensing agreement". GameSpot. Archived from the original on November 13, 2014. Retrieved March 24, 2009.
- "All Madden, all the time". ESPN. December 14, 2004. Archived from the original on December 7, 2008. Retrieved March 24, 2009.
- "EA Puts it "In the Game"". Archive.gamespy.com. Archived from the original on March 20, 2008. Retrieved March 24, 2009.
- "EA moves towards new IPs". Gamesindustry.biz. November 30, 2006. Archived from the original on July 21, 2007. Retrieved March 24, 2009.
- "EA to Supply Games for Nokia Mobile Devices | Game Guru". Gameguru.in. September 14, 2006. Retrieved May 31, 2011.
- Crecente, Brian (December 8, 2014). "Larry Probst, Electronic Arts' Executive Chairman, Steps Down from Company and Remains on Board". Polygon. Archived from the original on September 24, 2015. Retrieved August 6, 2015.
- "EA Announces New Company Structure". Gamasutra.com. June 18, 2007. Archived from the original on February 14, 2009. Retrieved March 24, 2009.
- Kohler, Chris (February 8, 2008). "EA's CEO: How I Learned To Acquire Developers And Not *** Them Up". Blog.wired.com. Archived from the original on April 3, 2009. Retrieved March 24, 2009.
- Schiesel, Seth (February 19, 2008). "A Company Looks to Its Creative Side to Regain What It Had Lost". The New York Times. Archived from the original on May 12, 2011. Retrieved May 31, 2011.
- "EA ships four Mac games". MacWorld. March 17, 2009. Archived from the original on November 11, 2015. Retrieved March 24, 2009.
- Terdiman, Daniel (February 24, 2008). "EA tries to buy Take-Two to keep its top spot". CNET. Archived from the original on September 23, 2015. Retrieved September 17, 2008.
- McWhertor, Michael (December 20, 2007). "Take-two Interactive: Analyst "Convinced" That Take-Two Will Be Swallowed". Kotaku. Archived from the original on December 23, 2008. Retrieved September 17, 2008.
- Dinsey, Stuart (February 7, 2008). "Viacom to buy Take Two for $1.5 billion?". MCV. Archived from the original on September 11, 2014. Retrieved September 17, 2008.
- "Electronic Arts to acquire Korean mobile developer". Associated Press. May 22, 2008. Archived from the original on February 2, 2017.
- "Electronic Arts drops buyout bid for rival". CTV News. Archived from the original on June 28, 2012. Retrieved September 14, 2008.
- Crecente, Brian (November 6, 2008). "Electronic Arts: Electronic Arts Ditches Casual Label, Merges It With The Sims". Kotaku.com. Archived from the original on March 19, 2009. Retrieved March 24, 2009.
- Crecente, Brian (October 30, 2008). "Electronic Arts: Electronic Arts Lays Off Six Hundred". Kotaku.com. Archived from the original on April 3, 2009. Retrieved March 24, 2009.
- McWhertor, Michael (October 30, 2008). "Things Are Tough All Over: EA Loses $310 million, Sees "Weakness At Retail" In October". Kotaku.com. Archived from the original on December 19, 2008. Retrieved March 24, 2009.
- Wolverton, Troy (February 3, 2009). "Electronic Arts has lousy quarter; slashes 1,100 jobs". The Mercury News. Archived from the original on February 2, 2017. Retrieved May 2, 2009.
- "EA loss widens after weak holiday season". The Orlando Sentinel. Associated Press. February 4, 2009. Archived from the original on February 10, 2009. Retrieved May 2, 2009.
- Webster, Andrew (June 24, 2009). "EA combines BioWare and Mythic into new RPG/MMO group". Ars Technica. Archived from the original on June 25, 2009. Retrieved June 25, 2009.
- BioWare Community Team (September 18, 2012). "RAY MUZYKA & GREG ZESCHUK RETIRE". BioWare. Archived from the original on August 24, 2013. Retrieved September 6, 2013.
- Muzyka, Ray (September 18, 2012). "FROM RAY MUZYKA". BioWare. Archived from the original on March 21, 2015. Retrieved March 4, 2015.
- Zeschuk, Greg (September 18, 2012). "FROM GREG ZESCHUK". BioWare. Archived from the original on March 21, 2015. Retrieved March 4, 2015.
- Yukari Iwatani, Kane (November 9, 2009). "EA to Acquire Playfish for $275 million". The Wall Street Journal. Retrieved November 9, 2009.
- "Electronic Arts posts loss, to cut jobs". Reuters. November 9, 2009. Archived from the original on May 14, 2012. Retrieved November 9, 2009.
- Crecente, Brian. "Confirmed: EA Closes Pandemic Studios, Says Brand Will Live On". Archived from the original on November 19, 2009. Retrieved November 17, 2009.
- "EA buys Angry Birds publisher Chillingo". LA times. October 20, 2010. Archived from the original on October 23, 2010. Retrieved October 21, 2010.
- "Electronic Arts Announces Change in Executive Leadership". Electronic Arts. Archived from the original on March 19, 2013. Retrieved March 18, 2013.
- Cutler, Kim-Mai (April 25, 2013). "Here's EA's Internal Memo On The Layoffs Today". TechCrunch. AOL. Archived from the original on May 4, 2013. Retrieved May 8, 2013.
- Paczkowski, John (May 9, 2013). "EA Reboot Cost 900 Jobs". All Things Digital. Dow Jones. Archived from the original on May 13, 2013. Retrieved May 8, 2013.
- Sarker, Samit (May 6, 2013). "EA and Disney sign exclusive deal for rights to Star Wars games". Polygon. Archived from the original on April 27, 2016. Retrieved May 5, 2016.
- Machkovech, Sam (May 5, 2015). "Respawn has been working on a Star Wars action-adventure game for two years". Ars Technica. Archived from the original on May 5, 2016. Retrieved May 5, 2016.
- "Andrew Wilson named EA CEO". Gamespot. Archived from the original on October 23, 2013. Retrieved September 18, 2013.
- Handrahan, Matthew. "EA is closing two-thirds of its core free-to-play games". gamesindustry.biz. Archived from the original on May 11, 2015. Retrieved May 10, 2015.
- Futter, Mike (June 16, 2015). "EA's Future Includes More Smaller Games Like Unravel". Game Informer. Archived from the original on June 20, 2015. Retrieved June 16, 2015.
- Pereira, Chris (December 10, 2015). "EA Launching Its Own Competitive Gaming Division Headed by Peter Moore". GameSpot. Archived from the original on December 13, 2015. Retrieved December 11, 2015.
- Makuch, Eddie (May 17, 2016). "EA Forms New Team to Explore Future Tech, Including Virtual Humans for VR". GameSpot. Archived from the original on May 21, 2016. Retrieved May 18, 2016.
- Makuch, Eddie (December 5, 2017). "EA Now Owns Titanfall Developer Respawn". GameSpot. Retrieved March 27, 2018.
- "MLS announces eMLS, a new competitive league for EA Sports FIFA 18". January 12, 2018. Retrieved March 27, 2018.
- "Electronic Arts, ESPN, Disney XD and the NFL Announce First Long-Term, Multi-Event Competitive Gaming Network Agreement". January 26, 2018.
- Wire%5d%5d "Electronic Arts Acquires Cloud Gaming Technology & Talent" Check
|url=value (help). May 22, 2018. Retrieved July 2, 2018.
- "Electronic Arts acquires GameFly's cloud-streaming technology". VentureBeat. May 22, 2018. Retrieved July 2, 2018.
- Totilo, Stephen. "The Unexpected Gamer Who Runs EA". Kotaku. Archived from the original on June 24, 2010.
- "EDGAR Online via Yahoo! Finance, Electronic Arts FY 2008 10K Filing". Yahoo.brand.edgar-online.com. Archived from the original on February 11, 2009. Retrieved March 24, 2009.
- "EA restructuring corporate positions, Patrick Söderlund to take over as head of EA Sports". VG247.com. Archived from the original on November 3, 2013.
- "The Sims Boss Lucy Bradshaw Leaves EA After 23 Years". GameSpot. Archived from the original on September 25, 2015. Retrieved May 19, 2016.
- Hall, Charlie (June 10, 2017). "SEED is a stealthy, high-tech incubator inside EA". Polygon. Archived from the original on June 10, 2017. Retrieved June 12, 2017.
- Davidson, John (June 10, 2017). "EA Boss Andrew Wilson's Vision of Gaming's Future Will Blow Your Mind". Glixel. Archived from the original on June 12, 2017. Retrieved June 12, 2017.
- Kerr, Chris (June 12, 2017). "EA opens 'SEED' game tech research division". Gamasutra. Retrieved June 12, 2017.
- Cifaldi, Frank (December 11, 2011). "Victory Games Latest EA Studio To Be Renamed 'BioWare'". Gamasutra.
- "1995: The Calm Before the Storm?". Next Generation. Imagine Media (13): 38. January 1996.
- Davis, Ian (September 27, 2013). "Exclusive: EA Shutters North Carolina Studio". The Escapist. Archived from the original on December 6, 2016. Retrieved October 22, 2016.
- Futter, Mike (November 4, 2014). "EA Terminates Development Of MOBA Dawngate, Service Ends In 90 Days". Game Informer. Archived from the original on October 8, 2016.
- "EA Partners signs new Insomniac game | Games Industry | MCV". Mcvuk.com. May 25, 2010. Archived from the original on May 11, 2011. Retrieved March 19, 2011.
- "Funcom and Electronic Arts to co-publish 'The Secret World' MMO – The Secret World Official Forums". Darkdemonscrygaia.com. January 10, 2011. Archived from the original on May 11, 2011. Retrieved March 19, 2011.
- Fahey, Mike (June 12, 2016). "EA Originals Gives Big Support To Small Games". Kotaku. Archived from the original on June 12, 2016. Retrieved June 12, 2016.
- Frank, Allegra (August 23, 2017). "The breathtaking Fe could be 2018's most moving game". Polygon. Retrieved August 23, 2017.
- Ashcraft, Brian (January 8, 2008). "2008 Tech Emmy Winners". Kotaku. Archived from the original on September 29, 2012. Retrieved August 30, 2012.
In 2008, Pinball Construction Set was awarded at the 59th Annual Technology & Engineering Emmy Awards for User Generated Content/Game Modification
- Varney, Allen (October 11, 2005). "The Conquest of Origin". The Escapist. Retrieved August 1, 2017.
- Massey, Dana (October 11, 2005). ""The Conquest of Origin", page 2". Escapistmagazine.com. Archived from the original on February 12, 2009. Retrieved March 24, 2009.
- "Many believe Ultima IX was unfairly maligned because of rushed development schedule". Pc.gamespy.com. May 7, 2004. Archived from the original on February 11, 2009. Retrieved March 24, 2009.
- "Ultima VIII received poorly by fans". Gamefaqs.com. Archived from the original on June 11, 2009. Retrieved March 24, 2009.
- "Ultima IX received poorly by fans". Gamefaqs.com. Archived from the original on April 18, 2010. Retrieved March 24, 2009.
- Thorsen, Tor (July 15, 2008). "E3 2008: Video Q&A: Carmack on 'one-game' id-EA deal". GameSpot. CBS Interactive. Archived from the original on August 15, 2011. Retrieved October 22, 2016.
- Zealot, Funky (February 25, 2004). "EA to Shut Down Origin Systems". GamePro. Archived from the original on February 10, 2009. Retrieved September 17, 2008.
- Matei, Robert (October 17, 2006). "EA Closes Down Warrington Studio – Another development studio shut down". Softpedia. Archived from the original on June 9, 2008. Retrieved September 17, 2008.
- Sinclair, Brendan (October 6, 2006). "EA shuts down DICE Canada". GameSpot. Archived from the original on March 29, 2014. Retrieved September 17, 2008.
- Nutt, Christian (January 26, 2005). "Layoffs and Restructuring at EA LA". 1UP.com. Retrieved September 17, 2008.
- "Electronic Arts buys stake in Ubisoft in "hostile" act". Gamespot. Archived from the original on January 17, 2016.
- Miller, Ross (May 29, 2007). "Ubisoft president 'still considering' EA acquisition". Joystiq. Archived from the original on February 11, 2009. Retrieved September 17, 2008.
- Makuch, Eddie (July 16, 2010). "Electronic Arts sells its stake in Ubisoft". GameSpot. Retrieved July 16, 2010.
- "Electronic Arts Sells 15% Stake In France's Ubisoft". The Glass Garden. July 16, 2010. Archived from the original on March 27, 2017. Retrieved July 16, 2010.
- "The original ea_spouse blog entry". LiveJournal. Archived from the original on February 15, 2016.
- Feldman, Curt (November 11, 2004). "Employees readying class-action lawsuit against EA". Gamespot.com. Archived from the original on November 13, 2013. Retrieved March 24, 2009.
- "Programmers Win EA Overtime Settlement, EA_Spouse Revealed". Gamasutra.com. Archived from the original on April 29, 2009. Retrieved March 24, 2009.
- "'Big corporation' does a turnaround". Archived from the original on July 23, 2012. Retrieved August 29, 2012.
- "'EA_Spouse' Hoffman: Quality Of Life Still Issue, Despite EA Improvement". Gamasutra.com. May 13, 2008. Archived from the original on April 15, 2009. Retrieved March 24, 2009.
- Sinclair, Brendan (November 30, 2006). "Analyst: EA brand tarnished". Gamespot.com. Archived from the original on October 18, 2013. Retrieved March 24, 2009.
- Reimer, Jeremy (December 1, 2006). "EA brand "tarnished" according to analyst". Arstechnica.com. Archived from the original on October 20, 2012. Retrieved March 24, 2009.
- "EA innovation crawls along at "snail's pace"". Gamesindustry.biz. Archived from the original on January 22, 2008. Retrieved March 24, 2009.
- "EA CEO John Riccitiello: More innovation is needed in videogames". Gamesindustry.biz. Archived from the original on January 22, 2008. Retrieved March 24, 2009.
- "BioWare/Pandemic deal goes through". Archived from the original on September 21, 2012. Retrieved August 29, 2012.
- Dietz, Jason. "Metacritic's 3rd Annual Game Publisher Rankings". metacritic.com. Archived from the original on May 8, 2013.
- "EA Class-Action Lawsuit: 'Battlefield 4' Bugs And 'BF4' DLC Problems Trigger Suit; Electronic Arts Denies Wrongdoing". Archived from the original on December 23, 2013.
- "Anti-trust lawsuit over exclusive license contracts" (PDF). Archived (PDF) from the original on May 10, 2011. Retrieved May 31, 2011.
- Kuchera, Ben (June 12, 2008). "Lawsuit flags EA for illegal procedure on football monopoly". Arstechnica. Archived from the original on October 1, 2008. Retrieved September 17, 2008.
- Kravets, David (January 6, 2015). "NFL players win appeals court ruling in EA Madden NFL flap". Ars Technica. Archived from the original on July 10, 2016. Retrieved June 28, 2016.
- Kravets, David (March 21, 2016). "Supreme Court punts in 1st Amendment Madden NFL legal fight". Ars Technica. Archived from the original on July 7, 2016. Retrieved June 28, 2016.
- Kravets, David (June 28, 2016). "EA punts, gives $600k to former football star in Madden NFL rights flap". Ars Technica. Archived from the original on June 28, 2016. Retrieved June 28, 2016.
- "EA Sports settles suits, thousands of players eligible for money". Archived from the original on September 27, 2013.
- Eder, Steve (September 26, 2013). "E.A. Sports Settles Lawsuit With College Athletes". The New York Times. Archived from the original on February 19, 2017.
- Rovell, Darren (September 28, 2013). "Players to receive $40 million". ESPN. Archived from the original on July 21, 2016. Retrieved October 22, 2016.
- "Copyright row dogs Spore release". BBC News. September 10, 2008. Archived from the original on September 16, 2008. Retrieved September 17, 2008.
- "Spore's Piracy Problem". Forbes. September 12, 2008. Archived from the original on November 7, 2008. Retrieved November 18, 2008.
- Ernesto (September 13, 2008). "Spore: Most Pirated Game Ever Thanks to DRM". TorrentFreak. Archived from the original on September 15, 2008. Retrieved September 17, 2008.
- "EA Sticking With SecuROM (Though Red Alert 3's Will Go A Little Easier On You)". Archived from the original on February 2, 2017.
- "A copy of the Spore complaint filed" (PDF). CourtHouseNews.com. Archived (PDF) from the original on January 17, 2016.
- Faylor, Chris (September 24, 2008). "Spore DRM Prompts $5M Class Action Lawsuit". ShackNews. Archived from the original on September 25, 2008. Retrieved September 24, 2008.
- Fahey, Mike (September 24, 2008). "Class Action Lawsuit Arises Over Spore DRM". Kotaku. Archived from the original on September 27, 2008. Retrieved September 24, 2008.
- "Spore Creature Creator Demo prompts class action". Archived from the original on December 10, 2008.
- "EA Releases DRM License Deactivation Tool". slashdot.org. March 31, 2009. Archived from the original on April 21, 2009. Retrieved April 3, 2009.
- "EA's new motto: please pirate our games... er, storefronts". Ars Technica. June 24, 2009. Archived from the original on June 25, 2009. Retrieved June 25, 2009.
- "We are the SimCity dev team from Maxis. AMAA!". Maxis. Archived from the original on December 18, 2012. Retrieved December 24, 2012.
- "Cloud Computing is Why the New SimCity Needs an Always-On Connection, Studio Says". Kotaku. December 26, 2012. Archived from the original on December 30, 2012. Retrieved December 27, 2012.
- Pigna, Kris (June 13, 2009). "EA's Fake Dante's Inferno Protest Spurs Real Christian Backlash". 1UP.com. Archived from the original on November 17, 2015.
- Benedetti, Winda. "Your Mama Plays 'Dead Space 2'". Archived from the original on January 25, 2011.
- Glen M. "Shame on EA". Archived from the original on January 26, 2011.
- Tilley, Steve. "Dead Space 2 overcomes familiarity factor". Archived from the original on August 1, 2012.
- Tassi, Paul (January 24, 2011). "EA Using Mom's Disapproval to Sell Dead Space 2". Forbes. Archived from the original on February 2, 2011.
- Williams, Mary Elizabeth. ""Dead Space 2": Your mom doesn't want you to play this video game". Archived from the original on February 2, 2017.
- "Essential Facts About The Computer And Video Game Industry" (PDF). Entertainment Software Association. Archived (PDF) from the original on November 26, 2015.
- Electronic Arts. "Electronic Arts: Can a Computer Make You Cry?". Archived from the original on July 18, 2010.
- Extra Credits. "Extra Credits: An Open Letter to EA Marketing". Archived from the original on January 4, 2012.
- Hornshaw, Phil (March 9, 2012). "Player Starts Poll Asking BioWare for New Mass Effect 3 Ending". GameFront. Archived from the original on March 13, 2012. Retrieved March 10, 2012.
- Sterling, Jim (March 10, 2012). "Mass Effect 3 fans petition BioWare to change the ending". Destructoid. Archived from the original on March 14, 2012. Retrieved March 10, 2012.
- Langshaw, Mark (March 11, 2012). "'Mass Effect 3' fans campaign to change ending". Digital Spy. Archived from the original on March 16, 2012. Retrieved March 11, 2012.
- Molina, Brett (March 19, 2012). "BioWare: No decision yet on 'Mass Effect 3' ending". USA Today. Archived from the original on March 21, 2012. Retrieved March 19, 2012.
- Gregory, Jon (March 17, 2012). "Mass Effect 3 Ending Fighter Goes To The FTC – News". www.GameInformer.com. Archived from the original on April 19, 2012. Retrieved April 22, 2012.
- "Better Business Bureau Says BioWare Falsely Advertised Mass Effect 3 – Softpedia". Softpedia. Archived from the original on April 14, 2012. Retrieved April 13, 2012.
- "Mass Effect 3 falsely advertised, says BBB - GameSpot.com". GameSpot. Archived from the original on April 14, 2012. Retrieved April 13, 2012.
- "BioWare and EA cleared of ME3 advertising kerfuffle". ScrewAttack.com. Retrieved August 15, 2012.[permanent dead link]
- Lemon, Marshall (November 13, 2015). "EA Rep May Have Influenced Reddit Mods To Censor Battlefront Critics". The Escapist. Archived from the original on November 17, 2015.
- Farokhmanesh, Megan (November 26, 2014). "EA scores top marks for LGBT equability in the workplace". Polygon. Archived from the original on January 5, 2016.
- "BioWare writer received death threats to family". Metro. August 16, 2013. Archived from the original on February 20, 2016. Retrieved February 25, 2016.
- Crecente, Brian (August 15, 2013). "Plague of game dev harassment erodes industry, spurs support groups". Polygon. Archived from the original on November 30, 2015.
- Fahey, Mike (March 24, 2011). "Dragon Age II Writer Eloquently Defends The Game's Sexuality Balance". Kotaku. Archived from the original on March 4, 2016. Retrieved February 25, 2016.
- Griffiths, Daniel Nye (February 21, 2012). "The Changing Face of Games: Feeling Angry and Ignored, Fans Look for Someone to Blame". Forbes. Archived from the original on March 4, 2016. Retrieved February 25, 2016.
- Polo, Susana (February 20, 2012). "Inclusion: What Jennifer Hepler's Story is All About". Archived from the original on February 21, 2016. Retrieved February 25, 2016.
- Chalk, Andy (January 27, 2012). "Family Research Council Warns of Gay Relationships in The Old Republic". The Escapist. Archived from the original on March 11, 2016. Retrieved February 25, 2016.
- Serrels, Mark (April 11, 2012). "Star Wars: The Old Republic Petition Attacked By Hackers, Temporarily Shut Down". Kotaku. Archived from the original on March 4, 2016. Retrieved February 25, 2016.
- Hamilton, Mary (January 25, 2013). "Star Wars: The Old Republic, the gay planet and the problem of the straight male gaze". The Guardian. Archived from the original on March 4, 2016. Retrieved February 25, 2016.
- Kain, Erik. "This 'Battlefield 5' Reveal Trailer Has Me More Confused Than Hyped". Forbes. Retrieved 25 May 2018.
- Plunkett, Luke. "Oh No, There Are Women In Battlefield V". Kotaku. Retrieved 25 May 2018.
- Mahmood, Sikandar. "Battlefield V Fans Are Not Happy With the Inclusion of Female Combatants, Calling it Feminist SJW Propaganda". SegmentNext. Retrieved 25 May 2018.
- Kim, Matt. "Battlefield 5 Doubles Down on the Representation of Women in World War II". US Gamer. Retrieved 25 May 2018.
- Farokhmanesh, Megan. "Battlefield V fans who failed history are mad that the game has women in it". The Verge. Retrieved 25 May 2018.
- "BATTLEFIELD V PRODUCER SAYS DICE WILL 'ALWAYS PUT FUN OVER AUTHENTIC'". IGN. Retrieved 25 May 2018.
- Morran, Chris (April 4, 2012). "The Voters Have Spoken: EA Is Your Worst Company In America For 2012!". Consumerist. Archived from the original on August 7, 2012. Retrieved October 22, 2016.
- Gaudiosi, John (April 7, 2012). "Electronic Arts Named Worst Company in America". The Hollywood Reporter. Archived from the original on May 11, 2012.
- Matyszczyk, Chris (April 8, 2012). "EA, named America's worst company, tries to make amends". CNET. CBS Interactive. Archived from the original on February 21, 2014. Retrieved October 22, 2016.
- Hsu, Tiffany (April 4, 2012). "Electronic Arts: 'Worst company in America'? Consumerist says yes". Los Angeles Times. Archived from the original on October 27, 2012.
- Brightman, James (April 4, 2012). "EA responds to "worst company" label from Consumerist". gamesindustry.biz. Archived from the original on October 24, 2013. Retrieved July 9, 2013.
- Kain, Erik (April 4, 2012). "EA Responds To 'Worst Company' Award By Mentioning Past Winners". Forbes. Archived from the original on July 10, 2013. Retrieved July 9, 2013.
- Morran, Chris (April 9, 2013). "EA Makes Worst Company In America History, Wins Title For Second Year In A Row!". Consumerist. Archived from the original on November 9, 2016. Retrieved October 22, 2016.
- Takahashi, Dean. "EA exec Frank Gibeau: Betting on next-gen consoles, mobile, and doing right by consumers (interview)". VentureBeat. Archived from the original on July 28, 2013.
- "EA's defense of Star Wars: Battlefront II is now Reddit's most downvoted comment | GamesBeat". venturebeat.com. Retrieved November 13, 2017.
- "EA Now Has Most Downvoted Comment in Reddit History After Defending Battlefront 2 – GameRevolution". GameRevolution. November 13, 2017. Retrieved November 13, 2017.
- "Seriously? I paid 80$ to have Vader locked? • r/StarWarsBattlefront". reddit. Retrieved November 13, 2017.
- Salinis, Sara (November 13, 2017). "EA's new Star Wars game is so unpopular a developer is apparently getting death threats". CNBC. Retrieved November 13, 2017.
- Arts, Electronic (November 17, 2017). "An Update on Star Wars Battlefront II". Electronic Arts Inc. Retrieved November 24, 2017.
- "Star Wars Battlefront 2: Disney Expressed Unhappiness with EA's Microtransaction Controversy". Den of Geek. Retrieved November 24, 2017.
- "EA is addressing the loot boxes in 'Need for Speed: Payback,' too". Engadget. Retrieved November 23, 2017.
- "How the loot box controversy shaped gaming in 2017". PCGamer. Retrieved December 21, 2017.
- Webster, Andrew (September 30, 2013). "EA steers angry customers away from reviewing games at Google Play". The Verge. Archived from the original on February 10, 2014. Retrieved February 11, 2014.
- Sinclair, Brendan (January 4, 2006). "Innovation: does size matter?". GameSpot. CBS Interactive.
- ea_spouse (November 10, 2004). "EA: The Human Story". LiveJournal. Archived from the original on February 15, 2016.
- Becker, David (March 8, 2005). "Game makers see workplace changes". CNET. CBS Interactive.
- Totilo, Stephen (September 12, 2006). "What's The 'Coolest Job Ever'? Electronic Arts' Summer Interns Tell Their Story". MTV. Viacom International.
- Deck, Stewart (December 19, 2000). "Six Degrees of Hire Learning". ITworld. IDG Communications.
- Varney, Allen (October 11, 2005). "The Conquest of Origin". The Escapist. Defy Media.
|Wikimedia Commons has media related to Electronic Arts.|