17b²-6=-227, 17b²=-221, b²=-13, so the solution is a complex number.
b=±i√13 where i is the imaginary √-1. Therefore b=±3.6056i approx.
How would you solve the equation 4^3X=8^X+1 by taking the logarithm of each side?
how do you solve 4-x-x^5 with the remainder thereom?

7 ÷ 5 = 1 with remainder of 2.
17 ÷ 5 = 3 with remainder of 2.
17 ÷ 7 = 2 with remainder of 3.

8. 9/18 * 8/11= 1/2*8/11=4/11, first option.
9. Only one letter is a vowel and not an uppercase letter, so the probability to get an uppercase letter or consonant, is 9/10=0.9, first option.
8. 9/18 * 8/11= 1/2*8/11=4/11, first option.
9. Only one letter is a vowel and not an uppercase letter, so the probability to get an uppercase letter or consonant, is 9/10=0.9, first option.

Post total time minus 7 minutes of rest to responses.
Last round of hang power cleans killed me ugh!
Awesome Class today! Bunch of CFJ Studs were in attendance today! Great job!
WOD RX 24:08-7= 17:08 and LBS!!!!

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2-1-1=Last time back pair hit.
Anything that has hit this year, has a 100% of repeating.
Sum 8 still needs a double to show, that would be, 611?

2a= an even number. What is the number for a?
"a" can be any integer because 2a is always divisible by 2....the requirement for "eveness"

10-4, Good Buddy. The Bar Patch Snapback Mesh Hat, with its classic trucker hat feel, is ready to roll with you for countless disc golf course miles.
High on comfort and style, you’ll still be wearing it even after your longest hauls.

10-4, good buddy! This retro-inspired trucker cap is adjustable, with mesh back for airflow on those hot days. Liberty Bottleworks patch embroidered on front.

Cliff Richard 58-18=60th The Tour is an event that takes place from Sep 29 - Sep 29, 2018 and may cause room availability issues or hotel rates to increase.Hotels in Ringsend are listed below. Search for cheap and discount hotel rates near the Cliff Richard 58-18=60th The Tour Ringsend, Ireland for individual or group travel. The Ringsend hotels and motels below is a general city directory and are not necessarily the recommended hotels for Cliff Richard 58-18=60th The Tour.

10-4, good buddy. We've received party clip.
Your mention of fire reminds me of the 4th of July at Kristen's parent's farm - and the BAGS of fireworks that Joe and I brought with us. Fun!!!

5x5x5=creativity is an independent arts-based action research organisation which supports children in their exploration and expression of ideas, helping them develop creative skills for life.
5x5x5 is inspired by the celebrated Reggio Emilia educational approach in Northern Italy that respects children and young people as strong, capable protagonists in their own learning. It recognises children’s innate inquisitiveness, and affords them the space, time and individual adult attention to explore and learn from the world around them.
This child-informed approach is distinguished by a unique commitment to the role of documentation and research in learning and teaching – and by the participating adults’ role as companions, not leaders, of the children and young people.
Our research findings clearly demonstrate the value of fostering creative enquiry by empowering children and young people to take the lead. 5x5x5 participants enjoy an extraordinary, exhilarating journey through which they explore the world around them and discover the joys of proactive learning. They emerge notably more confident, with enhanced self-esteem – better able to engage, express themselves and problem-solve.
Established in 2000, 5x5x5=creativity has become nationally recognised as a long-term research project of vitality and innovation. We are keen to use our research findings to contribute to an international, critical debate about education in a social democracy, and ultimately to build an educational culture that can change lives.

Play $10 for two rounds!
P.Harris-127-10=117 $50 Winner of MDDGL 2010 final season!
CTP-(Tee #8, 155 ft): Two rounds chance!

10-4 good buddy! Nothing says hipness with a side of laid-back style like a well fitting trucker cap. Combine that freshness with the power of the iRel8 message and the depth of your persona just reached a new level! This six-panel trucker cap with a mesh back will be a comfy and classic choice for a perfect day in the sun.


85-88% polyester, 12-15% spandex, quick-dry moisture wicking material.
Sublimation printed; will never crack, fade or peel.
Heat pressed color dyed into fabric makes for a vibrant look.
Size chart is US/Euro size, please check the measurement before making order.
Different sizes can be mixed in one order.

65-80% LESS than competing products.
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Complete access from any internet browser.
Add as many employees and devices as you like.
Check out our most popular time clocks.

No images have been edited.
nice pictures there m8 when you go to barcelona ?
Good stuff! Glad to see you making the most of your camera.. 3+5= My Faves.

5= Overjoyed, deliriously happy, excellence evident, a model for others.
4=Generally pleased, better than average achievement, improvable.
2= Uncomfortable, improvement necessary, poor model for others.
1=Urgent need of improvement, dangerously dissatisfied, bad example.

DPP-4=dipeptidyl peptidase-4; SGLT2=sodium-glucose cotransporter 2.
Click here for FORXIGA® information.
Click here for ONGLYZA® information.

6 9 9 => reduce 9 to 6 in Two Steps + reduce next 9 to 6 in Two Steps => Total 4. OR 6-2=9-5=9-5 => Total 3 Steps.
6 8 8 => 6-2=8-4=8-4 => Total 3 Steps. OR 6=8-2=8-2 Total 2 Steps. i.e. when the difference is '3' or '4' then we reduce them by '5' which is One Step (better than '2'+'1' OR '2'+'2') .

95 – 3 = 91.
95 – 3 = 93.
95 – 3 = 92.
None of the the subtractions are right.

guidelines, no mention of which way each vote went is being made.
Votes are in the order received.
vote to [email protected] Thank you.
>me though so I have them.
I am sending you a copy of the results as you requested. Thank you.
has passed the vote for its creation.
me know if any errors are found. I thank all those who voted.
249-1= 248 TOTAL YES VOTES.

Then i will have 48-3=45 free disks for data on each filer.
First, on website i checked that 3160 supports maximum 28 disks per aggregate (http://www.netapp.com/us/products/storage-systems/fas3100/fas3100-tech-specs.html). Is this true also with ontap 8.x?
From the link i cannot see ontap version, can i assign more disks per aggregate with 8.x version on this model? And if i can, what do you think of an idea to create 2 large aggregates (one per filer)? I would get more space, but will this overload CPU's and cache on filers?
in raid dp. Is raid group size of 15 good for this?
Actually with 32-bit aggregates (pre-ONTAP 8 & ONTAP 8.x as well), you can have up to 33x 600GB drives in one aggregate. With 64-bit aggregates (ONTAP 8.x), you can have up to 105x 600GB drives in a single aggregate on FAS3160.
You've almost answered your own question!
There is no need for a dedicated root aggregate in my opinion. You do need, however, spare disks, ideally 2 per controller.

65-80% of runners get injured every year! That’s a huge amount. In the UK alone 2 million people run once a week to keep fit. Even higher at this time of year given a New Year resolutions. That’s why it’s essential to get good advice on how to spot injuries, treat them right, and most importantly prevent them from happening again. An injury-free, skilled runner is one who has good technique, good control, and does the right amount at the right time. Learn more at our free advice running seminars.
what are the common reasons for running injuries?
what are the best treatments for each condition?
what are the best running tips for an ideal technique?
All sessions will take place at the UP & RUNNING store on Church Street, and are completely free of charge, so grab some expert running advice whilst you can.
Do check out Jon‘s specialised zone of the website Runners Hub where there will be regular advice, information and resources for runners.

6-5=2 is a 2013 Kannada horror film, written and directed by debutant director K.S. Ashoka. It is based on a true story. The plot revolves around a deadly trek campaign.

6-5=2 (2014) is a found footage film and found footage horror. The film tells the story of a group of youngsters whose mountain trek goes awfully wrong. This is one of the first Hindi horror films in the found footage genre.

2=8+1! Oh, Yes it Can!
2 Fun Projects For Quick Gift Giving!
The Story of the PCCC#20 and the Happy Birthday Card!

6-5=2 (2014) Full Movie Download free in HD 3gp . chal guru ho ja shuru (2015) Hindi Movie . Gujrati Watch Online Full Movie Free - Download .
Chandrachur Singh on IMDb: Movies, . The film is titled "Chal Guru Ho Ja Shuru" and actor Hemant Pandey, . Download Audio Books .

RW Sam Anas: 12-16=28 in 66 games.
RW Christoph Bertschy: 11-13=24 in 67 games. Led team with 150 shots on goal.
C Pat Cannone: 9-29=38 in 73 games. Led Iowa in scoring and assists.
LW Ryan Carter: 1-2=3 in 18 games.
RW Kurtis Gabriel: 8-2=10 and 68 PIM in 49 games.
C Tyler Graovac: 10-5=15 in 26 games.
G Steve Michalek: 13-14-1 with a 2.63 GAA, a .919 SV% and one shutout in 30 games.
RW Zack Mitchell: 11-11=22 in 62 games.
D Gustav Olofsson: 6-18=24 in 59 games. Ranked second amongst team defensemen in scoring.
D Zach Palmquist: 2-19=21 in 72 games.
D Mike Reilly: 5-25=30 in 57 games. Led team with 15 power-play points (2-13=15), ranked first amongst team defensemen and third on the team in scoring.
D Nick Seeler: 0-5=5 and 109 PIM (led team) in 57 games.
RW Alex Tuch: 18-19=37 in 57 games. Led Iowa in goals, ranked T-1st with a plus-10 rating, second in scoring and T-3rd in assists. Goal total ranked T-15th amongst AHL rookies.
D Hunter Warner: 2-5=7 and 57 PIM in 52 games.
D Mike Weber: 1-7=8 and 92 PIM in 56 games.
The team also recalled defenseman Gustav Bouramman from Sault Ste. Marie in the Ontario Hockey League (OHL). He recorded 36 points (2-34=36) in 66 games.

Detailed data from BLS has been added in a separate database and made available to all Macrobond clients. It is about 250,000 series.
Codes are based on the BLS codes so for example U.S. Other Goods and Services, 1982-84=100 - CUUR0000SAG is bls_cuura101sa0. The codes are also searchable.

Again, r=me for fixing the problems.
return (and never have a "goto fail" problem).
> Again, r=me for fixing the problems.
> return (and never have a "goto fail" problem).

IM=X® Pilates & Fitness offers pilates reinvented, re-choreographed, and reconstructed to include other physical disciplines. IM=X® updates older concepts and practices to reflect the newest research on fitness, cardiovascular training and spine stabilization; and thus is truly the next evolution of pilates fitness workouts.
The variation within IM=X® makes it possible to welcome everyone from the “couch potato” to the professional athlete. We offer a powerful version of pilates style exercise plus cardio, tower, barre and weights – total cross conditioning success!
No matter what your fitness level or objectives, we will help you reach your goals quickly.

In its recent report, the Volcker Commission suggested that personnel flexibilities granted to the Department of Homeland Security could serve as a model for reform across government. The same could be said for the department's procurement policies.
Successfully accessing, buying and applying technology-driven solutions will be essential to the department's success. There is much it should do to achieve that goal.
At the top of the list is indemnification for anti-terror technologies. A vast array of technology solutions will be at the heart of the department's mission. Many of those carry potential liabilities that vastly outstrip any commercially available insurance. Without some indemnification or liability protection beyond what's available, companies will be unable to sell needed solutions to the government.
The tort reform provisions contained in the homeland security legislation are helpful, but not enough. Moreover, repeal efforts are already under way in Congress.
A companion solution would be to make available to selected homeland security requirements the 85-804 Extraordinary Relief provisions now included on select weapons systems and other government contracts. These provisions offer reasonable liability protection, defined at the outset of the procurement, in cases where adequate insurance is not available.
As it gets under way, the department also should take advantage of the great latitude it has to determine what may be procured using the commercial buying authorities contained in Part 12 of the Federal Acquisition Regulation.
Part 12 was created to facilitate government access to commercial solutions. Congress clearly recognizes that many of the department's requirements will involve analogs to or derivatives of commercial capability, and it has given the department real flexibility to ensure it can access those capabilities.
The key now is to fully reflect those flexibilities in the department's regulations and procurement practices. There are too many recent examples of regulations being unnecessarily more restrictive than the underlying statutes, including the current regulations governing Part 12. We cannot afford to repeat that mistake.
Similarly, the department has the opportunity to become a model for rational intellectual property rules and guidelines. The government's intellectual property practices remain one of the greatest barriers to its ability to access new technology. The new department can set the pace for the rest of the government by developing clear, concise guidelines that reflect both the government's needs and the realities of the technology marketplace.
Finally, the new department must establish clear rules for the appropriate use of federally funded research and development centers, national labs and universities. To avoid wasteful spending of scarce resources, funding for these activities should be restricted to areas where there is no private-sector analog, such as basic research and truly unique studies and analyses, and prohibited in areas where there is meaningful commercial capability.
It is simply wasteful to direct funds, especially in a noncompetitive manner, for capabilities already available or under development elsewhere.
In Section 509 of the Homeland Security Act, Congress made clear that it intends for the department to rely on the competitive marketplace, where the bulk of technology research and development takes place today. The department must establish clear policies that reflect this reality as well as Congress' intent.
Stan Soloway is president of the Professional Services Council and a former deputy undersecretary of defense. His e-mail address is soloway@pscouncil.org.


Please feel free to contact us with any questions or concerns. We would love to hear from you!
9+1= Are you human or robot?

0+1= not show any value <=====why?
0+0= not show any value <=====why?
Please see my reply to your other thread about this issue.

The New York Times issued a correction of one of its pieces on Russia, where it claimed that all seventeen intelligence agencies in the U.S. agreed that Russia orchestrated cyberattacks to help Donald Trump get elected.
In fact, it was four agencies that agreed on the assessment.
Big difference, New York Times. 17-4=13 agencies that didn’t agree with the newspaper’s report back on June 25, 2017.

4-15=-1, this is not also true-therefore these value are not a solution to the given equation.
You obtain the opposite coefficients of y by multiplying the first equation by 3 and the second equation by 2.
5. A candy manufacture sells 60 pounds of a candy mix for$66. It is composed of two candies, one worth $.90 a pound and the other is worth $1.50 a pound. How many pounds of each should be in the 60-pound mixture?
Let one of the candies to be A and the other to be B.
6. Draw the graphs of systems of equations that are consistent, inconsistent, and dependent.
Any given set represent a relation because the x's and y's are being related to each other. In the above set there are two points of y-value which are similar: (4. 4) and (5, 4). Therefore since y=4 gives two possible destinations then this relation is not a function.
x +2 >= 0 for the function to take real values.
9. Explain, in words, how to use the vertical line test to determine if a graph is a function.
The vertical line test provides an easy way to check whether the equation that has been graphed is a function. The vertical line test states that a graph is the graph of a function if no vertical line intersects the graph more than once. To use the vertical line test, you look at a graph and determine if there are any places where a vertical line intersects the graph more than once. If you cannot find any such places, then this is the graph of a function. If you can, then this is not the graph of a function.

Are you a young Wizard looking to get ahead of the curve and use disruptive innovation to catalyze resonant impacts? Are you a warrior for change through the establishment of new synergies and thought leadership inspiring process reinvention? Are you eager to ideate new cutting-edge paradigms? Do you know how catalyze tailored outcomes to make 88-21= 88? Are you able to meta-manage integrated impacts in a highly involuted ever-changing innovation space? Then join us at Hedgeer Hemlien, Innovators in Newness.

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British political party working to build a stronger economy in a fairer society, creating opportunity for everyone. Led by @Nick_Clegg.
Irish republican party dedicated to the reunification of Ireland and the building of a new republic based on the principles of freedom, justice and equality.
The official Twitter feed for the Trade Unionist and Socialist Coalition.
Official Twitter of the party for Yorkshire.
14= (14) Democratic Unionist Party - D.U.P.
DUP - Democratic Unionist Party - The Party for Northern Ireland.

Girls Junior Varsity Basketball · Feb 6 Southern beats Arundel.
Flynn- 1 2=2pts,Folmar- 2 2’s/2 for 4=6pts, Hajeski- 1 2=2pts, Cloyd- 1 2/0 for 2=2pts, Quille- 1 2/1 for 5=3pts, Moltrie- 3 2’s/0 for 2=6pts.
Southern totals: 6 2’s/15 for 33=27pts.
Cara- 3 for 8=3pts, Miller- 1 2/3 for 8=5pts, Reidlin- 2 for 2=2pts, Brady- 3 2’s/5 for 11=11pts, McDonald- 1 2/2 for 4=4pts, Dove- 1 2=2pts.

Cliff Richard 58-18=60th The Tour is an event that takes place from Sep 30 - Sep 30, 2018 and may cause room availability issues or hotel rates to increase.Hotels in Belfast are listed below. Search for cheap and discount hotel rates near the Cliff Richard 58-18=60th The Tour Belfast, Ireland for individual or group travel. The Belfast hotels and motels below is a general city directory and are not necessarily the recommended hotels for Cliff Richard 58-18=60th The Tour.

SD=HS works directly in 5 countries (Lao P.D.R., Vietnam, Myanmar, Peru, Zimbabwe) targeting 150.000 households of indigenous peoples and smallholder farmers, at least 50 percent are women. The Program works with about 60 allied organizations (CSOs, farmers organizations, government, universities, research organizations, UN bodies, private sector) aiming for the local to global integration of our work for social change for the Right to Food and Farmers’ Rights.
Find out more about the projects in the countries below.

SP=EED (Successful Planning = Effective Engagement and Delivery) is PAS’s practical guide to effective engagement and is mentioned in Scottish Government guidance.
Previous participants have come from a wide range of sectors.
Full information is here and to register please visit this link. If you have any questions please email sp=eed@pas.org.uk or call David Wood on 0131 659 9774.

SD=HS and its advocacy is centered on the strength and knowledge of indigenous peoples and smallholder farmers, bolstered by and assessed through scientifically robust frameworks, methodologies and tools. Meaningful local information is obtained in a form that can be aggregated and analyzed at regional and global levels, in order to inform global policy debates with evidence-based advocacy. The other way around, global and international methodologies are tailored to local circumstances. Resulting publications, tools, learning materials and curricula are shared publicly for everyone to benefit.

SD=HS works according to a participatory and empowering methodology that starts with what people know and need and that is driven by peoples deepest interests. The Program recognizes that communities are socially differentiated. The participatory approaches and experiential learning allows indigenous people and smallholder farmers to identify and strengthen their coping strategies regarding climate change.
SD=HS resources are based on the strength and knowledge of indigenous peoples and smallholder farmers, bolstered by and assessed through scientifically robust frameworks. The tools are evaluated, improved and enriched by the use of communities. According to the objectives of the program, the resources are publicly available.
Women’s roles in biodiversity management. Case study report.
Final report on the project "Options to interpret the notion of private and non-commercial use as included in Article 15.1.i of the UPOV 1991 Convention". Please use the links to download the report in English, French or Spanish. Download Annex 1-5.
An illustrated and step-by-step manual for facilitator's to guide a Farmer Field School group through the process of plot design for Participatory Variety Selection. Download the manual here.
How do we scale up our work?
This document presents the results of the Mid Term Review (MTR) of the Sowing Diversity=Harvesting Security (SD=HS) program. The report is preceded by a management response of the Oxfam Novib SeedsGROW Steering Committee (Arnold Galavazi, Corporate Director, and Gerard Steehouwer, Manager Thematic Units of Oxfam Novib).
In this interview, SD=HS Program Leader Gigi Manicad explains the principles of Farmer Field Schools, the role of women as managers of biodiversity, and the way the program strengthens smallholder farmers to articulate their needs to influence policies.
The third progress report presents results, achievements, challenges and financial updates from the period 1 April 2016 until 31 March 2017. The document reports both on the SD=HS program and the GROW campaign.
The second progress report presents results, achievements, challenges and financial updates from the period 1 April 2015 until 31 March 2016. The document reports both on the SD=HS program and the GROW campaign.
Message of Ms. Gigi Manicad, Senior program officer SD=HS for Oxfam Novib, recorded at the European side event titled “I Have a Seed"

You probably realize that 5==a,6==b, and 7==c isn't the only solution.
and 7 are valid solutions.
Prev by Date: Help on simplifying symbolic sum?


320/2=160, 160 to the hanger is 80, 1550+80 is 1630, Boom, that's where we drill.
Hanging one of my favourites.
I'll post more photo's of the show after the opening. Stay tuned.

Forget everything you know about four-stroke outboards. Ours change the game. Completely. They’re tougher, smaller, and lighter than any other four-stroke on the water. With a combination of performance and efficiency that will take your time on the water to a whole new level. World class engines, world class support, that's what you get when you buy a Mercury. All recreational Mercury outboard models from the 2.5 - 350hp range now come with 3+3= 6 years of warranty coverage.
44 listing matched your search.

Equipped with a larger gear case for more thrust, the Mercury 9.9hp Command Thrust FourStroke delivers big-time power and control that wider, heavier boats demand. The Command Thrust gear case allows a wider selection of propellers to get the performance just right. So, if you're powering a barge, pontoon or heavier displacement hull, the 9.9hp is the perfect partner. Exclusive to Mercury and designed for easy control, the Multi-function tiller handle makes boating easy allowing gear shift, throttle, steer, tilt and stop the engine with just one hand. All recreational Mercury outboard models from the 2.5 - 350hp range now come with 3+3= 6 years of warranty coverage. World class engines, world class support, that's what you get when you buy a Mercury.

You won't believe this brain teaser has been making rounds on social media, and a lot of people have failed to provide the correct answer. Do you think you are smart?
Show your working in the comment section for others to see.
JoelAnthony: 6-1=5. 5*0=0. 0+2=2. 2/2=1. 1 is d answer.

Born in 1967 in Roskilde, Denmark, Kenneth Blom moved to Norway as a child. He studied at the Statens Kunstakademi in Oslo (1990-1994), as well as at the Düsseldorf Academy of Fine Arts (1994-1995).
7 - 6 = ? Please leave this field empty.
5 + 9 = ? Please leave this field empty.

17b²-6=-227, 17b²=-221, b²=-13, so the solution is a complex number.
b=±i√13 where i is the imaginary √-1. Therefore b=±3.6056i approx.
How would you solve the equation 4^3X=8^X+1 by taking the logarithm of each side?
how do you solve 4-x-x^5 with the remainder thereom?

Here is a list of awesome baseball themed shirts, the perfect gift!
Baseball/Softball Heart T Shirt. Heart shape with baseball stitches. A great shirt to show off your love of the game!
6+4+3=2 Funny Baseball T-Shirt, Funny Gift Shirt. Cryptically show off the baseball message of the six, four, three double play!
The shirt says "I'm a baseball mom, kind of like a normal mom just cooler."
BaseballGiftShop.com was born with baseball fans like you in mind. Our goal is to provide you with the best collection of unique baseball themed gifts and novelty products.

Cliff Richard 58-18=60th The Tour is an event that takes place from Sep 29 - Sep 29, 2018 and may cause room availability issues or hotel rates to increase.Hotels in Ringsend are listed below. Search for cheap and discount hotel rates near the Cliff Richard 58-18=60th The Tour Ringsend, Ireland for individual or group travel. The Ringsend hotels and motels below is a general city directory and are not necessarily the recommended hotels for Cliff Richard 58-18=60th The Tour.

21+15=105: An epic birthday planned: Blinged-up Hope!
I’m doing this for my crazy, happy gal who knows that sometimes — a cat IS the hat! Okay, okay. I was kind of an anti-ride person back in the day. But you know — a lot has changed. The … Continue reading 21+15=105: An epic birthday planned: Blinged-up Hope!

5x5x5=creativity is an independent arts-based action research organisation which supports children in their exploration and expression of ideas, helping them develop creative skills for life.
5x5x5 is inspired by the celebrated Reggio Emilia educational approach in Northern Italy that respects children and young people as strong, capable protagonists in their own learning. It recognises children’s innate inquisitiveness, and affords them the space, time and individual adult attention to explore and learn from the world around them.
This child-informed approach is distinguished by a unique commitment to the role of documentation and research in learning and teaching – and by the participating adults’ role as companions, not leaders, of the children and young people.
Our research findings clearly demonstrate the value of fostering creative enquiry by empowering children and young people to take the lead. 5x5x5 participants enjoy an extraordinary, exhilarating journey through which they explore the world around them and discover the joys of proactive learning. They emerge notably more confident, with enhanced self-esteem – better able to engage, express themselves and problem-solve.
Established in 2000, 5x5x5=creativity has become nationally recognised as a long-term research project of vitality and innovation. We are keen to use our research findings to contribute to an international, critical debate about education in a social democracy, and ultimately to build an educational culture that can change lives.

6-5=2 (2014) is a found footage film and found footage horror. The film tells the story of a group of youngsters whose mountain trek goes awfully wrong. This is one of the first Hindi horror films in the found footage genre.

please help me with this confusing question??
please help me with this confusing question??
4+4=80 , but why 80???
It seems that your �+� is following the rule .

Seasons are important in Japan. Right now, on the cusp of spring, it is buyback announcement season. The biggest repurchase so far has been flagged by SoftBank. The controversialtech group plans to spend ¥600 billion ($5.5 billion). The shares have risen 19 per cent over two days. But there is no such thing as a free buyback. A $910 million repurchase announced by Sony yesterday represents an apology for weak numbers. In contrast, SoftBank has reported a 62 per cent jump in operating profits over the first three quarters. A big chunk of earnings consisted, as always, of profits of affiliates that do not pass through SoftBank’s books as cash. The uplift was thanks to a higher valuation for companies in the Vision Fund, such as Uber, WeWork and Didi Chuxing. The record buyback may be an attempt by founder Masayoshi Son to appease investors for increased risks… SoftBank’s market worthbefore the announcement was ¥9 trillion. The group says its holdings are valued at ¥25 trillion and its net debts are ¥4 trillion. But investors do not get sums as badly wrong as “25-4=9”, SoftBank’s vexed summary of the situation. A big buyback has lifted the shares temporarily. Mr Son’s tech bets would have to start paying off big time for the effect to be permanent.

There are many traps and pitfalls in Java. Things which looks obvious at a glance may be tricky. Take a look how is it possible that 4+1=15 or how to read from non-existent file.


11 – 1 = 10 ?
SherlockHolmes Expert Asked on 27th June 2018 in Math Puzzles.
Note – Just think of – means not subtract, – means just erase I from the base number.

Some water leaked in engine., good working condition. Used and located in Japan.
Year; 04-1973, 1+2= 3 Booms + Jib.
Good maintenance ,Very Good Condition!!

from my bookshelf: Baker's Dozen Challenge - Help me out!
Updated the list with The Twelve and the Genii; 12+1=13, right?
To that end I'll put up Maureen Johnson's 13 Little Blue Envelopes.
Sounds like a fun Challenge. I might have to try it myself.

2-1-1=Last time back pair hit.
Anything that has hit this year, has a 100% of repeating.
Sum 8 still needs a double to show, that would be, 611?

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2×4=24 is a design project for two floating exhibition pavilions in Almere. One of the pavilions is meant to be used as an architecture exhibition space, the other as an archaeological exhibition space.
Each of the pavilions is composed by four floating units (8 units in total), which can be assembled in 24 different configurations. The boats are designed such that each configuration produces a specific spatial condition, with different lighting quality. This helps creating the best environment for each exhibition.

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The answer is correct. You are averaging B2 & D2 (8+10/2=9) just two cells.
The answer is correct. You are averaging B2 & D2 (8+10/2=9) ((8+10)/2=9) just two cells.

Then i will have 48-3=45 free disks for data on each filer.
First, on website i checked that 3160 supports maximum 28 disks per aggregate (http://www.netapp.com/us/products/storage-systems/fas3100/fas3100-tech-specs.html). Is this true also with ontap 8.x?
From the link i cannot see ontap version, can i assign more disks per aggregate with 8.x version on this model? And if i can, what do you think of an idea to create 2 large aggregates (one per filer)? I would get more space, but will this overload CPU's and cache on filers?
in raid dp. Is raid group size of 15 good for this?
Actually with 32-bit aggregates (pre-ONTAP 8 & ONTAP 8.x as well), you can have up to 33x 600GB drives in one aggregate. With 64-bit aggregates (ONTAP 8.x), you can have up to 105x 600GB drives in a single aggregate on FAS3160.
You've almost answered your own question!
There is no need for a dedicated root aggregate in my opinion. You do need, however, spare disks, ideally 2 per controller.

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20x12=240=Powerful Tool=Number of Lunches. More simply put: Never Waste a Lunch. Tom Peters' equation for success.

> eighty-one (81_10). In novenus, this is simply 90_N.
Huh? Where'd the zero in "90_N" come from?
ITYM "89_N" : 9*9 = (8+1)*9 = 8*9 + 9 = 89_N.

> > eighty-one (81_10). In novenus, this is simply 90_N.
> Huh? Where'd the zero in "90_N" come from?
> ITYM "89_N" : 9*9 = (8+1)*9 = 8*9 + 9 = 89_N.
it's really hard to think without it.

4-3=1; 9-4-3=2; 3; 4; 9-4=5; 9-3=6, 3+4=7; 9+3-4=8; 9 and 9+4-3=10 (as illustrated).
Using 3 rods of ANY integer lengths, what is the greatest length N for which you can measure all lengths from 1 to N units inclusive? Can you beat 10 units?
What is the greatest length that can be measured using 4 rods in this way?
Thank you to NRICH for this problem.

HR max = 220-27=193 BPM.
HR repose = 56 BPM.
目标下限为 70%( HR max- HR repose)+ HR repose=152 BPM.
目标上限为 80%( HR max- HR repose)+ HR repose=165 BPM.

This topic contains 4 replies, has 3 voices, and was last updated by Jim Brummet 5 years, 8 months ago.
I’d like to purchase all of the tie-rods. 4 x10=40.00 plus shipping?

6-5=2 is a 2013 Kannada horror film, written and directed by debutant director K.S. Ashoka. It is based on a true story. The plot revolves around a deadly trek campaign.

The new 90-10 rule holds that organic prospects want to make 90% of their in-bound journey before they have a conversation with anyone at your company. This has two important implications for your company. First, the sales conversation that used to start new business relationships has now moved to the end of that process. Second, if you are not giving prospects a reason to engage your ideas BEFORE a conversation, you are missing out on great new deals.

I was told that for last century dates you substract from 10. This century from 11.
10-7=3. I am 3-3-5. And I am totally that.
I would so appreciate your clarification.

> >     I'm not good at math. 64-48=16. Is the length of UUID 36 (32 hex plus 4 dashes)?
Better define max and calculate the max free length for name prefix.
point though. Will do max of suffix and append.

90-60-30 is a high intensity interval training programme that will burn calories and leave you sweating and energised. It is broken down into 3 exercise sections; 90 seconds cardio, 60 seconds toning and 30 seconds strength. This is then repeated 3 times to make up 9 minutes - '1 block' of HIIT. You can then repeat with different blocks to focus on different muscle groups or you can focus on a muscle group to really work it out.
This is a single block, if you have time you can do the programme as a whole 40 minute workout.

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7 - 10 = ?

9/3=3 with no remainder, so 9 % 3 is 0.
Or, 9/4=2 with 1 remaining, so 9 % 4 is 1.
With this in mind we can create a quick way to know when we are on nth number.
Here we are setting the first loop count to one and running the loop until the count hits 50. By detecting when the modulus leaves no remainder or is 0, we can know we are on the 5th element.
Here I have a typical WordPress loop using a sixteen column grid layout. In this situation I need to know when I hit the 4th element so that I can add a hr tag to clear those divs. Otherwise I could end up with one taller div that causes the next row to look very odd. Obviously, Modulus can have many other applications, but this is one I find I need pretty regularly. Do you have other interesting applications for this? If you do, please share in the comments.

CONVERSABLE ECONOMIST: How to Reduce Health Care Costs?
Although the report doesn't emphasize this point, it's worth noting that 18-11=7, and with a US GDP of about $20 trillion, 7% is $1.4 trillion. If you find yourself wondering why other countries can apparently afford improvements in physical infrastructure or higher support for education or higher social benefits of certain kinds, part of the reason is that a much lower level of their social resources is going to health care spending. If you wonder why your paycheck seems to go up so slowly, part of the reason is that your employer keeps paying more for you health insurance. My point here isn't that a substantial share of US health care spending is wasteful or even harmful, although that does seem to be true. It's just that output going to health care has a tradeoff of less output available for other uses--even when some of those other uses might do more to improve health.

In 2018 we begin our seventeenth year of sharing the gospel with children through the performing arts! LAMPLIGHT ARTISTS produced the first AAKP camp in the summer of 2002, a camp of fifty children in Columbia, Maryland. At the end of summer 2016 we will have been privileged to work with well over 10,000 children, volunteers, and professional staff.
We are praying for you as you review and consider hosting a production camp in your community in the summer of 2018. Should you have questions, please give us a call.
From it’s earliest days All About Kids Productions has been envisioned as a partnership event with the local church. Our goal is to introduce kids to Christ AND to introduce them to a community of believers. A place where faith can be nurtured and grow long after the week of camp has come and gone. Designed for kids entering grades 2-8 and led by a four member artistic team from LAMPLIGHT ARTISTS, AAKP provides an exciting addition to any church’s summer outreach program.
Kids love it because it is high-energy and kid-oriented fun! Parents and church staff love it because it provides a highly interactive environment where kids explore Biblical truth. And because it is held locally — on the church campus — it provides a great community outreach to kids, their friends, and families!
Each year LAMPLIGHT ARTISTS awards internships to college students and young professionals who exhibit a love for God and a passion for the performing arts. We help these young artists develop the skills, practices, attitudes, and dependence on Christ necessary to utilize their artistic gifts in communicating the Gospel. Our goal is to help them see children and the arts through Christ’s eyes, and to develop a heart for ministry while gaining practical experience in theatrical production.
The four member AAKP team will need to arrive on the church campus by 7:30 AM each morning and should return home each afternoon at approximately 6:00 PM. Schedules will vary due to after camp solo auditions, lighting set-up, and additional small group rehearsals.
Because of the rigorous camp schedule, housing accommodations should be such that our staff will be able to rest and get a good night’s sleep. Breakfast and lunch should be served on campus.
Our staff refers to your director as the LCD (Local Church Director). This person assumes the most critical leadership role for your team. He/She is responsible for staff recruitment and organization … and most importantly, the spirit and character of the camp. During the week of camp the LCD will work directly with the AAKP Team and will be responsible for coordinating the efforts of the local staff on a daily basis. A positive and competent leader with an obvious love for both God and children will make this camp soar! A leader with these qualities will have a huge impact on everyone involved.
Volunteers will also be needed throughout the day to assist the AAKP team. A one-to-eight leader/student ratio is best. It is important to have a mix of adults, high school and college students on your staff. Adults help establish a sense of order and safety for children. Student staff should have completed grade 9.
A designated person to provide necessary consent, oversight, and knowledge to the AAKP team for operating the audio and/or lighting systems of your facility.
Promotional material will arrive in January. 11×16 full color posters, full color postcards, bulletin inserts, and invitations for The Friday Night Show will be included with the LCD Notebook. Online resources will include re-sizable logos, web banner, promotional video, and parent information page.
The stage should be large enough to accommodate a group of 50-75 children. Creative adaptations are always in order – a representative will be glad to speak with you about space utilization. We ask that the performance stage be cleared of all furniture and equipment prior to the team’s arrival and that it remains so for the entire week of camp. In addition to the performance space we will need one large space (fellowship hall?), and two to four larger classrooms. These rooms should also have adequate “open” floor space.
Three to five classrooms, based on the number of registrations and the ages of children enrolled, are needed for Bible study. The exact number will be determined by the LCD. These classrooms can double as rehearsal space.
For Sunday registration and daily sign-in tables, display area, and parent pick-up.
The AAKP team will need a conveniently located room to serve as a field office for the week. Folding chairs and several tables will provide necessary computer and tech workspace.
Registration Deposit (refundable): $1850 Hosting a production camp requires a minimum guarantee of 50 students. This deposit is refundable as described below.
A confirmation fee and registration deposit serves to underscore a host church’s good faith commitments of intent and agreement. These commitments are vital to planning, staff recruitment, printing costs, and production expenses.
Booking Agreements are time sensitive. A signed hosting agreement with a $450 confirmation fee will secure the week of camp requested when returned within 10 days from receipt of invoice. The confirmation fee is non-refundable.
Registration deposits will be refunded and mailed to the host organization eight to ten weeks after the production camp. Refunds will be based on camp registration. A refund for the full registration deposit amount will be issued with fifty confirmed registrants.
Less than 50 registrants: If final camp registration is less than fifty students a $139 registration fee will be subtracted from the registration deposit for each student under the camp minimum.
50-48=2; 2x$139=$278; $1850-$278=$1572. The refund due would be $1572.
A host organization’s obligation under this policy will not exceed the registration deposit ($1850).


4-15=-1, this is not also true-therefore these value are not a solution to the given equation.
You obtain the opposite coefficients of y by multiplying the first equation by 3 and the second equation by 2.
5. A candy manufacture sells 60 pounds of a candy mix for$66. It is composed of two candies, one worth $.90 a pound and the other is worth $1.50 a pound. How many pounds of each should be in the 60-pound mixture?
Let one of the candies to be A and the other to be B.
6. Draw the graphs of systems of equations that are consistent, inconsistent, and dependent.
Any given set represent a relation because the x's and y's are being related to each other. In the above set there are two points of y-value which are similar: (4. 4) and (5, 4). Therefore since y=4 gives two possible destinations then this relation is not a function.
x +2 >= 0 for the function to take real values.
9. Explain, in words, how to use the vertical line test to determine if a graph is a function.
The vertical line test provides an easy way to check whether the equation that has been graphed is a function. The vertical line test states that a graph is the graph of a function if no vertical line intersects the graph more than once. To use the vertical line test, you look at a graph and determine if there are any places where a vertical line intersects the graph more than once. If you cannot find any such places, then this is the graph of a function. If you can, then this is not the graph of a function.

Do you think 1 + 1 = 0 is correct? So what do you think about "black + black = white" statement? According to XOR logic, they are correct.
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You won't believe this brain teaser has been making rounds on social media, and a lot of people have failed to provide the correct answer. Do you think you are smart?
Show your working in the comment section for others to see.
JoelAnthony: 6-1=5. 5*0=0. 0+2=2. 2/2=1. 1 is d answer.

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more math:  9 - 7 - 0! = 0!

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Yes, the bar over a complex value represents the conjugate, in this case . So, make the substitutions, then simplify. What do you get?
Are : (1+i)^2 = 1-1= 0?
You won't need the second product.
When it is (1-i)^2, what should I do?
That won't show up either, but you use the square of a binomial as I did above.

An independent review of Prevent is a great opportunity to improve safeguarding practices, but it needs to be done in the right way. The review provides an opportunity to discuss Prevent fully and critically, differentiating hearsay from fact while even-handedly highlighting Prevent’s successes and any areas for improvement. This is a unique opportunity that should not be wasted. Lazy attacks on this complex and sensitive area of work will help no-one. As Security Minister Ben Wallace rightly put it, this is an opportunity for those who are critical of Prevent to ‘produce solid evidence of their allegations.’ Both the Royal Borough of Kensington and Chelsea’s Prevent team and the community members that make up our Prevent Advisory Group (PAG) look forward to contributing to the review as much possible.
In this context, it has been disappointing to see this initiative being met by articles which either fail to provide balance to their stories or repeat some of the misinformation which has long plagued Prevent. For example, in this article it would have been welcome to see a few further details added to the examples provided. Discussion of the so-called ‘eco-terrorism’ case, for one, could have mentioned the fact that the mother’s case against the school was dismissed in court as ‘totally without merit’. In the case of the student allegedly referred to Prevent for wearing a “Free Palestine” badge to school, an acknowledgment of the school’s statement stressing that teachers ‘were not concerned about the nature of the badges’ would also have provided some useful context. Many articles also refer to a duty to report concerns, even though this is simply not something which features in the Prevent Duty.
In my view, misguided or incomplete reporting – especially at a time of unprecedented opportunity to thoroughly discuss Prevent – does a disservice to everyone. Not only does it make the work of those in community organisations and local authorities who seek to deliver Prevent much harder by requiring them to address these misconceptions, it also diverts the conversation away from concerns for which there is a real need for more discussion. Such reporting makes life harder for those who believe in the strategy and for those who have expressed genuine concerns and – understandably – want their questions to receive the airtime they deserve.
In over ten years working in this field, I am yet to come across anyone who claims that there is no room for improvement within Prevent. As I havepreviously argued, discussing Prevent openly is necessary and allows practitioners to either allay fears or rectify delivery when faced with founded criticism. To do so, such discussions must build upon credible information and tangible examples of Prevent’s work. For example, when discussing concerns around Prevent shutting down debate, there is value in considering my team’s partnership work with community organisations to foster opportunities to discuss sensitive topics, alongside studies such as this one which ‘found relatively little support among respondents for the idea that the duty has led to a ‘chilling effect’ on conversations with students in the classroom and beyond’.
It is important to stress the extent to which encouraging discussion is an integral part of our safeguarding work. Far from shutting down debate, I have overseen far right referrals where, through intervention providers or facilitated access to museums and discussions with historians, we have encouraged people who were toying with hatred and holocaust denial to engage critically with these views.
An open dialogue about Prevent is necessary and welcome. The media plays a key role in this discussion. But unbalanced and misinformed reporting does not do justice to the opportunity which the independent review presents. Any review of Prevent will need to be nuanced and upcoming discussions should not have factual inaccuracies or half-truths as their building blocks.
As the Prevent Coordinator for the Royal Borough of Kensington & Chelsea – and as someone who has worked to reduce the risk of terrorism in this area for over a decade – I struggle to recognise the depiction that has been made of Al-Manaar mosque in recent press coverage by the Telegraph and other newspapers. Indeed, although I cannot speak for all individuals working with the mosque, I have had the pleasure to work closely alongside Al-Manaar mosque for several years now. This work has led me to believe that Al-Manaar is committed to the values of equality and diversity.
Aside from ignoring its extensive record of interfaith work and the support it provided in the wake of the Grenfell tragedy, these articles omit the fact that Al-Manaar plays a key role in tackling all forms of extremism. It has, for example, hosted counter terrorism training delivered by the Metropolitan Police which was attended by the mosque’s leadership alongside a dozen other community organisations, thereby ensuring that awareness of terrorism is raised among the community as whole. Al-Manaar has co-organised and hosted several of my team’s Community Questions events; events which seek to offer opportunities to discuss contentious or sensitive topics in a public setting, thereby denying extremists the opportunity to monopolise such discussions or exploit legitimate grievances. In addition, as a founding member of our Prevent Advisory Group, Al-Manaar has worked with my team since 2011 to provide us with the kind of critical feedback that is necessary to successfully undertake counter radicalisation work. Staff from Al-Manaar even met with David Anderson QC – the then Independent Review of Terrorism Legislation – to share their views and advice regarding counter terrorism initiatives.
Far from viewing this as someone else’s problem, Al-Manaar has also been unrelenting in its efforts to increase the Muslim community’s resilience to radicalisation. Through its supplementary school, Al-Manaar promotes discussion, education, and critical thinking and I also know that it has worked in partnership with the Council to ensure the effectiveness of its safeguarding policies. In addition, Al-Manaar has worked with my team to deliver local parenting projects, thereby empowering parents to safeguard their children from various risks, including radicalisation.
Al-Manaar is a powerful example of an organisation which is tackling these concerns head on and is clearly part of the solution and not the problem.
On 6 November BBC London News aired the first section of a two part story on Prevent. This first piece included some footage of our Prevent Advisory Group meeting and an interview with a Prevent Manager. It is available here.
On 18 September RBKC Prevent echoed Lord Evans’ calls for a greater role for Prevent in education in an article in the Evening Standard.
Education is critical to increasing resilience to extremism and we provide training to every school in the borough to help mitigate vulnerabilities to extremism. This includes sessions on topics like critical thinking and challenging stereotypes, as well as push and pull factors for joining extremist groups.
On 6 September, at a RBKC Prevent Advisory Group meeting, members released a statement reflecting on the anniversary of the Parsons Green attack. PAG organisations have been at the forefront of anti-radicalisation projects for the past 7 years and members were directly involved in responding to the incident.
Parsons Green Incident: Statement from the LBHF/RBKC Prevent Advisory Group (PAG) As we approach the anniversary of the Parsons Green attack, where an explosive device was detonated on an underground train, we are reminded both of the tragedy of such events and of the inspiring way in which our communities consistently come together in the wake of any challenge. While the attack, thankfully, did not result in any fatalities, it is important to remember the physical and emotional trauma suffered by those caught up in the bombing. Victims of terrorist attacks are often too quickly forgotten and we applaud the UN’s decision to dedicate 21 August as the International Day of Remembrance andTribute to the Victims of Terrorism. The location of the attack brought home the devastating consequences of radicalisation. The bombing took place near our homes, near our community centres, near our places of worship, and on a tube line that many of us use every day. Attacks of this nature can take place at any time, at any place, and highlight the need for vigilance and intervention against behaviour which seeks to divide us. The varied background of the perpetrators of such violence – which span race, religion, ethnicity, and other chacteristics – shows the ease with which vulnerable people in every community can be radicalised. It is a sombre reminder for us all to work together to safeguard those who might be groomed for such ends. The Prevent Advisory Group (PAG) is a growing group of local community and faith groups who have, for the last 7 years, been at the forefront of tackling radicalisation in our local communities. Whether it be by advising the local authority Prevent team or jointly designing projects to reduce the risk of radicalisation, we believe communities are a leading force to tackle hatred. While the Parsons Green attack directly impacted us all, it has also strengthened our resolve to oppose extremism in all its forms. In the aftermath of the attack local residents kept their doors open and provided support to all of those affected by the tragedy. One of the only silver linings to come from last year’s incidents is the way in which communities have come together. Long may it continue.

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Do you think 1 + 1 = 0 is correct? or "black + black = white" ?
hocus. is based on impossible shapes and M.C. Escher drawings.

1+1= Music offers private voice, piano, guitar, performance technique, recording arts, songwriting instruction, and small group classes for students of all ages. Our scholarships and sliding scale rates are based on financial need. When a student who is capable of paying a reasonable rate enrolls in classes, or a sponsor donates funding to our project, they are assisting an underprivileged student by affording him or her the opportunity to participate in our music education program as well.

6-5=2 (2014) is a found footage film and found footage horror. The film tells the story of a group of youngsters whose mountain trek goes awfully wrong. This is one of the first Hindi horror films in the found footage genre.

KasaKaru completes 200 Articles today – Kasa Karu – eHow To?
It gives immense joy and happiness that through the third year of its existence, KasaKaru now has 200 original written articles on its database.
Some articles on health, some on recipes and some on universities while others on holidays around the world; enjoy reading varied things to gain more knowledge about how to do things from the comfort of your home!
Congratulations for this achievement of 200 Articles. Great Work – Really!!
Good luck for future prospectus.

"It’s about the kids and the people that we sing to … and it’s about Jesus."
Candlefuse is an indie rock band out of Fyffe, Alabama. They’ve opened for Disciple, Kutless, Salvador, Dizmas, and the Smalltown Poets. If, despite that fact, you still haven’t heard of them, a recent deal with Infinity Distribution and an affiliation with World Vision is getting ready to change all of that. These guys are the real deal … they rock and they mean business about spreading the Gospel.
Steven – The main thing that we do is genuinely minister. We never really wanted to consider ourselves a rock band or even in Christian entertainment. We really do consider ourselves a ministry.
What we do is important. It’s not about the money or the notoriety or the fame or anything that comes with this business. Ultimately, you have to deal with that at times, but the ministry is the biggest aspect of it. We always feel like no matter how small the venue or how small their budget is, we want to make ourselves available to anyone who wants to have us. The people that really need to be ministered to are not going to come pay $10 to see us play. We’re really going to have to go out and reach those people ourselves; sort of like a mission thing. So that’s what Candlefuse is about.
Let’s talk about relevance. If you don’t have a connection with your listeners, you’re not helping them. So what makes Candlefuse relevant?
Steven – Wow! That’s a really good question. I guess the biggest thing is that we all come from such diverse backgrounds and different upbringings. Ben was raised by his mom. We’ve all been through so many different things in our lives. I think that really helps us connect. One group of kids may gravitate towards me and another group may connect more with Ben or Drew. We’re not just up there on stage. The real ministry happens off stage when you’re meeting with these kids and you’re talking with them. I think that each of us has gone through things in our own lives and that’s helped equip us in different aspects. We compliment each other well. I think that we can reach a much more diverse group of kids because we’ve got something for everyone, in that aspect.
When you knew that God had made you for musical ministry, what was your unmistakable clue?
Ben – We went on a thing called the Extreme Tour, which is a tour where independent Christian bands team up with a skate team and we tour skate parks, churches and other venues. It was really cool leap of faith for us. You’re not guaranteed any money and you’re providing your own transportation. You’re basically living off of merch sales. Once we got there, we knew that it was exactly where we were supposed to be. There were a couple of bands that we automatically bonded with. We made good friendships. There was this one time at about 3 o’clock in the morning when people were coming in, one at a time, just talking, to this building we were in. It ended up turning into a worship service with us all passing around an acoustic guitar. It really let us know that it’s not about us. It’s about the kids and the people that we sing to … and it’s about Jesus.
Steven – Like Ben said, it was totally relying on faith. You may only play in front of 20 kids one night and not know if you’re going to make enough to even make it to the next venue. It was difficult in that aspect, but it was so rewarding in the end. We had a chance to hang out with some really great kids. A lot of them had never been to church, and generally didn’t know anything about God or Jesus or the religious things that we take for granted. Getting to hang out and share the Gospel is totally cool. We ended up giving away a lot of CDs because that’s what we were there for … to minister.
Ben – Our hearts were just broken for these kids. These were some really great kids and they tend to end up on the fringe of church society. These aren’t the people that churches particularly want to cater to a lot of times. It’s sort of like they want you to get cleaned up before you come in and that’s not what God says. Let Him do the cleaning. You just make sure that you present them with the Gospel and just let them know that being a Christian is not what you see out there. That’s not what genuine Christianity is about. That’s religion and we’re not about religion.
"We really like to hang out with the kids before the show."
Music can cross all kinds of boundaries in a way that words simply can’t. For everyone I know, there is one song that they can count on to open their hearts to God, so in the bad times, they can get across to the other side. What is the one song for you?
Drew – For me, it would have to be Switchfoot’s “Dare You To Move.” There’s just something about that song … it will just speak to me, no matter what’s going on.
Ben – I’ll have to go with a song called “Be Love.” It’s a song by Plus One. As far as lyrically, it’s to the point of what we’re supposed to be.
Steven – There are so many of them. I find myself riding around in the car listening to something and sometimes I’ll just be crying my eyes out.
It just depends what I’m dealing with at that time. So it’s a different song for me every day. Some days it’s soft ballads and some days it’s all out rockers. It just depends on how I’m feeling.
OK … so what was yesterday’s song?
Steven – It’s a Story Side: B song called “It’s Not Over.” Man, that’s a great song. I listened to that song yesterday, literally like a hundred times. I just put it on repeat. I don’t normally do that, but yesterday that is what I needed … that song.
Drew – Actually, the song I really love is a Southern Gospel song. I know that sounds weird, coming from someone in a rock band. I love the song “Through the Fire” by the Crabb Family.
Ben – Oh wow! It’s sort of a running joke, and I wouldn’t really call myself a fan, but I think that the Backstreet Boys have some good songs. Probably “As Long As You Love Me” for me (and now I can get kicked out as well).
You’re in ministry, in a band – and sometimes you become “the band” instead of real people in the eyes of fans.
Steven – That’s so true. And that’s the problem with Christian music. We want to take our “Christian stars” and put them on this pedestal, just like we do famous evangelists. We see them as either A. infallible – and then when something happens, it just devastates our whole thought of who they are; or B. you lose your individual identity and it’s hard to relate to people if they’re star-struck. We always try to diffuse that. Not trying to be critical, but there are some bands who prefer to be backstage before they play and do the whole rock-star thing. We really like to hang out with the kids before the show. We want them to understand that we want them to be entertained and ministered to, but we really want to get to know them and who they are. That’s what we’re about. The band Dizmas is the same way. They are really sort of our model of who we want to be. We don’t want people to view us as something that we’re not. We can’t live up to those expectations, no matter how hard we try to live right. We want to meet them on a personal level first … before we play.
Ben – It sort of goes back to your first question about who we are. We can’t act like we have it all together. We let them know that we go through some of the same struggles and temptations. We deal with sin in general just like they do. Just because we’re in a band doesn’t mean that we’re more righteous or holy than they are. We’re all born into sin. Paul talked about it….
Steven – He said he was the chief amongst sinners and I totally understand that. I know the thoughts that I have and stuff that people don’t see. I may not act on any of that, but I know what runs through my mind. We certainly make everything G-rated when it comes out of our mouths, but we know that there are times when something else is running through your head and you’re thinking, “Man I wish I could say this.” Even in our private lives, we don’t speak to each other like that, but it’s still in there and as long as it’s in your head, it’s in your heart and that’s sin. The great thing about is when you face those things and don’t fall prey, it’s a victory.
The four guys who make up rocker band Candlefuse have a message for the masses in Never Go Unheard, out this fall. Ben Honeycutt (vocals, guitar), Drew Garrett (guitar), Steven Howell (bass), and Brian Hechler (drums) want the world to know that their music will not be stopped. I think they’re right.
Their name comes from Matt. 5:14 and Psalm 133:1, expressing their sincere desire to be unified as a light to the dark world, and they’re committed to using their music to communicate. Their strong orientation toward ministry comes across immediately as you listen to the new album. Opening with the blistering “Fighter” leaves no doubt about their intentions: I’m letting go of me/greater is he that lives within me/I’m a fighter, strong and brave/Won’t you run with me/I’m pursuing a life of faith/because I believe.
Hard but melodic rockers, I think Candlefuse will appeal to a broad audience. Without dripping with Bible references, they manage to teach some significant truths. Both “Echoes of Words” and the fierce “Shut Your Eyes” comment truthfully on the heart’s hidden behaviors and the mouth’s deadly powers. The slicing guitars of “Shut” illustrate perfectly the woes of the slicing tongue. The airy “Carousel” musically conveys the same sense of fruitless spinning as its lyrics. “Bulletproof” is radio-ready, as its buzzy urgency testifies to our invincibility in Christ.
An amped up cover of Kathryn Scott’s “Hungry” is both fresh and pressing. Another standout track is the closer “Beauty Cries,” an aching lament over society’s destructive messages to young women. The lashing guitar solo only affirms its truths, especially potent coming from an all-male band.
Keep your eyes on Candlefuse and their mission. These guys are gonna blow up big.
Sounds like … modern rock with a major guitar presence that's reminiscent of Skillet, the latest Yellowcard album, and Evanescence (minus the female lead vocals).
At a glance … while the formula isn't exactly new or complex, Candlefuse packs an emotional punch with 10 catchy and relatable rock songs for the church.
With a desire to be "unified as a light in a dark world," Alabama-based rockers Candlefuse have the angst-ridden, guitar-fueled sound down pat without the depressing "What does it all mean?" lyrics so many of the hippest hard rock bands serve up these days. While Candlefuse certainly isn't afraid to tackle the tough questions of life and spirituality either, there's still a tangible, non-clichéd sense of hope found by engaging in a deeper relationship with Jesus.
With the help of producer Barry Blair (Audio Adrenaline, Bleach) and the mixing prowess of Skidd Mills (Skillet, Third Day), the message behind Never Go Unheard is pure ear candy, particularly on the instantly catchy power chorus of "Carousel," the adrenaline-fueled anthem "Bulletproof" and the moody, reflective nature of "Shut Your Eyes." Though I'm typically not a fan of "let's-make-worship-music-rock" moments that bands like Skillet and Kutless have released in the past, Candlefuse's rather aggressive cover of "Hungry (Falling on My Knees)" is actually enjoyable as it reflects the heartfelt passion and sense of desperation for God's redemption that's conveyed in the song's simple lyrics.
Comprised of Ben Honeycutt (vocals), Drew Garrett (guitar), Steven Howell (bass) and Brian Hechler (drums), the band started playing together in 1999, and, for the past six years, have been traveling across the southeast, performing at a variety of venues. With the belief that "music is sometimes able to communicate truth when other methods fail," Honeycutt says the band's mission is simply "to let people know about Him—to let them know how lost we are without a Savior."
My conversation with Ben Honeycutt of melodic hard-rockers Candlefuse was just like their music: to the point. Ben does most of his talking with his guitar.
But the mission statement of Candlefuse says it all, again, in the most direct manner: “With purpose, poetry, and passion, we choose to follow Jesus Christ and the ministry example He set: To go out into the highways and hedges and compel souls to come in. We pray that our ministry will bring edification to the body of Christ and be a hand of comfort and healing to an aching world in need of His love.” The purpose and passion part are pretty self-explanatory but I wanted to hear Ben’s take on the poetry.
It’s what Ben most wants listeners to take away from the unique and penetrating music of Candlefuse. “Ministry doesn't have to imply mediocrity,” he says. “We don’t, as Christians, have to accept the stereotype that as artists we are somehow inferior to our secular counterparts. We should be even more creative than they are with the gifts that God has given us, in expressing ourselves musically and lyrically.” He adds also, “The other message underlying all of our songs is that Jesus Christ is the only way to heaven.” He claims dc Talk as the band most influential to his own ministry development, and it’s easy to see the comparison in mission if not music.
Matt. 5:14 and Psalm 133:1 are the Scriptural references that explain their choice of name and mission, to be a light to the dark world with music as their communication medium. I think of God’s willingness to use the humble as Ben tells me a bit about his early days.
Sometimes the best things come from inauspicious beginnings. “Never Go Unheard” is Candlefuse’s challenge to the community, ten stirring and well-crafted tracks produced by Dove-winner Barry Blair. (Find review here.) Candlefuse puts a point on it, and a poetic point at that.
The four guys who make up rocker band Candlefuse have a message for the masses in “Never Go Unheard,” out this fall.
Ben Honeycutt (vocals, guitar), Drew Garrett (guitar), Steven Howell (bass), and Brian Hechler (drums) want the world to know that their music will not be stopped. I think they’re right.
I’m letting go of me/greater is he that lives within me/I’m a fighter, strong and brave/Won’t you run with me/I’m pursuing a life of faith/because I believe.
Hard but melodic rockers, I think Candlefuse will appeal to a broad audience. Without dripping with Bible references, they manage to teach some significant truths. Both “Echoes of Words” and the fierce “Shut Your Eyes” comment truthfully on the heart’s hidden behaviors and the mouth’s deadly powers. The slicing guitars of “Shut” illustrate perfectly the woes of the slicing tongue. The airy “Carousel” musically conveys the same sense of fruitless spinning as its lyrics. “Bulletproof” is radio-ready, as its buzzy urgency testifies to our invincibility in Christ. An amped up cover of Kathryn Scott’s “Hungry” is both fresh and pressing. Another standout track is the closer “Beauty Cries,” an aching lament over society’s destructive messages to young women. The lashing guitar solo only affirms its truths, especially potent coming from an all-male band. Keep your eyes on Candlefuse and their mission.
Candlefuse has been pounding the pavement to promote its national debut "Never Go Unheard." Comprised of Ben Honeycutt (lead vocals, guitar), Drew Garrett (guitar, vocals), Steven Howell (bass, vocals) and Brian Hechler (drums, vocals), the band first entered the music scene with its self-titled indie EP in early 2005 and went on to share the stage with Kutless, BarlowGirl, Salvador and Disciple.
Produced by Barry Blair (Audio Adrenaline, Bleach) and mixed by Skidd Mills (Third Day, Sister Hazel) and Plink Giglio (Bride, The Roosevelts), "Never Go Unheard" features 10 tracks tailored to today’s modern rock fan. From the way Honeycutt’s tight vibrato tenor vocals are carried by distortion-laden guitar riffs and a pounding rhythm section, to the relational songwriting, it’s all very much in sync with current trends.
Combining efforts in the songwriting process, the four members of Candlefuse all contribute to the band’s alternative rock sound, which is notably similar to bands such as Pillar and Kutless. In addition to anthemic numbers, Candlefuse shows it’s also adept at occasionally performing a stirring insightful slow jam (“Beauty Cries”).
"Never Go Unheard"’s lead single, meanwhile, is an effective rock rendition of Kathryn Scott’s popular worship song “Hungry,” revealing the band’s greatest strength may be the variety of influences from which it draws inspiration.
With their debut album entitled Never Go Unheard, the boys of Candlefuse aim to do just that armed with catchy melodies and solid rock hooks. The band has a lot of momentum in the early going and vocalist Ben Honeycutt sits down to answer some questions from Infuze's Matt Conner.
Matt: The record has been pretty well received thus far. How do you feel about it all?
Ben: We feel really good about it. We're excited to see what happens with the record. It's definitely a cool thing to see your CD in a store... but mainly just trying to stay focused and continuing to walk through the doors God opens for us.
For those unfamiliar with Candlefuse, how would you describe your sound?
Ah, yes. I knew this question would come. For some reason, it's a little difficult to answer it effectively without just lumping us into the "modern rock" category. Well, for me anyways. But here goes... we sound a lot like Beethoven with a little polka influence. Uh, not really. We try to write music that we would listen to ourselves. I really like hearing a good, catchy melody over a solid chord progression. I think that's the best answer I can give. Just give it a listen.
You guys initially got your start in Alabama. How did you come together?
Sweet home Alabama. It all started about five years ago. Originally we all went to the same high school -- Drew, Brian and me. Drew and Brian (former drummer) already had a band. To make a long story short, that band played at my church. I was there leading a couple of worship songs. After the night was over, they told me their singer was moving off to college, then asked if I would be interested in auditioning. Of course I wanted to be a part of an amazing band. (Laughs).
I say that because looking back on it, we weren't really a good band at all, but I think all bands have to think they're really good or else they would give up. So along those five years, we've grown a lot spiritually, matured as musicians and artists, went through a couple of lineup changes, had a lot of good shows, a lot of bad shows, and everything else that comes with being in a band.
You guys are a part of Indie Community. How has that worked for you all?
Becoming a part of Indie Community was probably one the best decisions we have made as a band. Definitely one of our best investments. Jennifer McConnell, [the] founder, does an amazing job and knows a lot about the independent music scene. I really don't think we would be as far along as we are without Indie Community. From booking shows, to networking with other bands and youth pastors, to being on their website. All of that has played a crucial role in the development of our band.
Working with Skidd Mills and Barry Blair definitely had a positive impact on your sound. Can you tell us how those collaborations came about and what they brought to the music?
This is kind of a funny story. We had released a self-produced, self-recorded album, which we posted on our website. The songs had been on there for a while before we realized how bad they really sounded. So we decided to start on a new project. While we were tracking for it, I mean we were actually in the studio, when we got a call from our drummer. Evidently, Barry had just sent us an email telling us he heard some clips online and was interested in working with us. How he heard something in those songs still blows our minds to this day.
So of course we decided to work with him. He totally reconstructed and tore apart some of our songs, in turn really teaching us how to write and arrange better songs for live shows as well as in the studio. Skidd was an acquaintance of Barry's. We found out that we could have him mix our songs. It was a no-brainer.
Funniest moment in the studio?
The funniest moment in the studio was definitely the last day of tracking. We decided to add tambourine to the chorus of "Hungry." And who better to play it than Barry Blair. We have this on video and I'm sure it would be a lot funnier to see it for yourself. But picture this: Barry walks in to start recording, but then he begins to violently shake the tambourine above his head. He tracks the song while making some funny faces along the way. The big finale was when he slammed the tambourine on the floor at the end of the song. Believe me, it was so rockstar.
Tell us what's happening with the album. You have a single out entitled "Hungry."
Yeah, "Hungry" is still doing pretty well at radio. We were kind of torn between releasing it as our first single or not. With it being a cover song, we didn't really know how people would respond. It's been a very pleasant surprise, so to speak. It's really helped out with the promotion of our album Never Go Unheard.
Now you're currently on tour to a lot of places in the south and Midwest. Do you enjoy life on the road?
We love it. It's the best thing in the world to do something you really love for a living. Seeing new places, meeting new faces is what we enjoy. That sounded like a really corny song lyric. Sorry.
What is both the best and worst parts of being on the road?
The best part would probably be being stuck in the van with three other guys for long periods of time. The worst part would be being stuck in the van with three other guys for really long periods of time.
You've said that ministry doesn't have to sacrifice musicianship or that your artistry doesn't have to be lacking simply because it's faith-based, correct? What makes you say this? And how is this true?
I think today many people have come to the conclusion that Christian music will never be as good as its secular counterpart. That couldn't be farther from the truth. Especially now that the Christian production quality has already caught up. We believe exactly the opposite. God is a very creative Creator. He created us to be creative. When He has control over our hearts and our minds, that's when His artistry will shine through us.
Do you think that artistry is sacrificed a lot at the altar of ministry?
Yes and no. It goes both ways. I think there are artists that are so focused on their "ministry" that they lose hold on their God-given ability, in turn making their ministry far less effective. If nobody wants to listen to your music, who are we reaching? One could also be so determined on their "music" that their ministry falls by the wayside. Don't get me wrong, I think it's a pretty difficult line to walk, but that's something that we strive to become better at everyday.
With a rare combination of spiritual depth and high energy performances, Candlefuse simply rocks. Based in North Alabama, the band includes Ben Honeycutt (vocals, guitar), Drew Garrett (guitar), and JW Woodward (bass). Candlefuse began playing together in 1999 and chose their name from Matthew 5:14 and Psalm 133:1, reflecting their desire to be unified as a light in a dark world.
Candlefuse’s full-length debut album, “Never Go Unheard,” features 9 original rock songs and a new version of the popular worship song “Hungry.” The record exposes the heart of the band – to boldly share the love of Jesus Christ. With aggressive guitar hooks and commanding vocals, songs like “Fighter” and “Echoes of Words” communicate that Candlefuse is not timid about sharing their faith. Themes of repentance, forgiveness, and finding contentment in Christ also permeate the album. The cd was released in October 2006 through INFINITY/Central South Distribution. Radio is already embracing their first single, “Hungry,” and the band will soon be touring nationwide. With powerful songs and dynamic live performances, Candlefuse hopes that their music will change the lives of those who listen.
They are also available to lead worship.
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Your project has four activities, which will require the following amounts of time: A=2 days, B=3 days, C=1 day, and D=5 days. B can start one day after the start of A. C can start 2 days after B has finished, while D can start immediately after C. When does activity D end?
B: Activity B can start at the start of Day 2, but while it finishes on Day 4, there is a 2 day delay before C can start. Taken together, these three activities consume 7 days. With D following C and taking 5 days, it will finish at the end of day 12.

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Our speaker this year will be Kathleen Eaton Bravo the founder of the Obria Group.
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Our guest speaker with be Charles A. “Chuck” Donovan is the President of the Charlotte Lozier Institute.
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4=3, 7=6, from 4 nights we give you one night.
You will also experience 4 hikes with the hiking guides of Samnaun Tourismus and a hike together with the host families of the ZEGG Hotels. Every day you receive hiking water & muesli bars free of charge and 10% discount on all hiking articles in the ZEGG Sport & Mode store.