The Project Gutenberg eBook of Tales and Novels of J. de La Fontaine — Volume 04 This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Tales and Novels of J. de La Fontaine — Volume 04 Author: Jean de La Fontaine Release date: March 1, 2004 [eBook #5278] Most recently updated: December 28, 2020 Language: English Credits: This eBook was produced by David Widger *** START OF THE PROJECT GUTENBERG EBOOK TALES AND NOVELS OF J. DE LA FONTAINE — VOLUME 04 *** Tales and Novels of J. de La Fontaine — Volume 04 ["La Fontaine, Jean de"] 2004-03-01 2020-12-28 Volume 4 en "Tales and Novels of J. de La Fontaine — Volume 04" by Jean de La Fontaine is a collection of tales written during the 17th century. This volume contains a series of engaging stories that explore themes of love, jealousy, and human folly through fables and narratives, capturing the complexities of relationships among its characters. The tales often include moral lessons and critiques of societal norms, making it a rich commentary on the human condition. In this volume, La Fontaine presents four distinct stories. "The Old Man's Calendar" depicts a jealous and age-discrepant marriage, showcasing the disconnect between love and obligation when the young wife is captivated by a pirate instead of her elderly husband. "The Avaricious Wife and Tricking Gallant" illustrates the extremes of greed as a married woman is tricked by a smooth-talking lover while her husband is blissfully unaware of her infidelity. "The Jealous Husband" unpacks the perils of excessive jealousy, as a husband’s paranoia drives him to absurd lengths in an attempt to control his wife's life. Finally, "The Gascon Punished" tells a humorous tale where a boastful man learns a lesson in humility through a cleverly devised plan that exposes his cowardice. Throughout, La Fontaine's wit and insight remain sharp, providing readers with both entertainment and thoughtful reflections on humanity. (This is an automatically generated summary.) This eBook was produced by David Widger [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them. D.W.] THE TALES AND NOVELS OF J. DE LA FONTAINE Volume 4. Contains: The Old Man's Calendar The Avaricious Wife and Tricking Galant The Jealous Husband The Gascon Unpunished] THE OLD MAN'S CALENDAR THE OLD MAN'S CALENDAR OFT have I seen in wedlock with surprise, That most forgot from which true bliss would rise When marriage for a daughter is designed, The parents solely riches seem to mind; All other boons are left to heav'n above, And sweet SIXTEEN must SIXTY learn to love! Yet still in other things they nicer seem, Their chariot-horses and their oxen-team Are truly matched;--in height exact are these, While those each shade alike must have to please; Without the choice 'twere wonderful to find, Or coach or wagon travel to their mind. The marriage journey full of cares appears, When couples match in neither souls nor years! An instance of the kind I'll now detail: The feeling bosom will such lots bewail! QUINZICA, (Richard), as the story goes, Indulged his wife at balls, and feasts, and shows, Expecting other duties she'd forget, In which howe'er he disappointment met. A judge in Pisa, Richard was, it seems, In law most learned: wily in his schemes; But silver beard and locks too clearly told, He ought to have a wife of diff'rent mould; Though he had taken one of noble birth, Quite young, most beautiful, and formed for mirth, Bartholomea Galandi her name; The lady's parents were of rank and fame; Our JUDGE herein had little wisdom shown, And sneering friends around were often known To say, his children ne'er could fathers lack: At giving counsel some have got a knack, Who, were they but at home to turn their eyes, Might find, perhaps, they're not so over-wise. QUINZICA, then perceiving that his pow'rs Fell short of what a bird like his devours, T'excuse himself and satisfy his dear, Pretended that, no day within the year, To Hymen, as a saint, was e'er assigned, In calendar, or book of any kind, When full ATTENTION to the god was paid:-- To aged sires a nice convenient aid; But this the sex by no means fancy right; Few days to PLEASURE could his heart invite At times, the week entire he'd have a fast; At others, say the day 'mong saints was classed, Though no one ever heard its holy name;-- FAST ev'ry Friday--Saturday the same, Since Sunday followed, consecrated day; Then Monday came:--still he'd abstain from play; Each morning find excuse, but solemn feasts Were days most sacred held by all the priests; On abstinence, then, Richard lectures read, And long before the time, was always led By sense of right, from dainties to refrain: A period afterward would also gain; The like observed before and after Lent; And ev'ry feast had got the same extent; These times were gracious for our aged man; And never pass them was his constant plan. OF patron saints he always had a list; Th' evangelists, apostles, none he miss'd; And that his scruples might have constant food; Some days malign, he said, were understood; Then foggy weather;--dog-days' fervent heat: To seek excuses he was most complete, And ne'er asham'd but manag'd things so well, Four times a year, by special grace, they tell, Our sage regal'd his youthful blooming wife, A little with the sweets of marriage life. WITH this exception he was truly kind, Fine dresses, jewels, all to please her mind; But these are bawbles which alone controul Those belles, like dolls, mere bodies void of soul. Bartholomea was of diff'rent clay; Her only pleasure (as our hist'ries say), To go in summer to the neighb'ring coast, Where her good spouse a charming house could boast, In which they took their lodging once a week; At times they pleasure on the waves would seek, As fishing with the lady would agree, And she was wond'rous partial to the sea, Though far to sail they always would refuse. One day it happened better to amuse, Our couple diff'rent fishing vessels took, And skimm'd the wave to try who most could hook, Of fish and pleasure; and they laid a bet, The greatest number which of them should get. On board they had a man or two at most. And each the best adventure hop'd to boast. A CERTAIN pirate soon observ'd the ship, In which this charming lady made the trip, And presently attack'd and seiz'd the same; But Richard's bark to shore in safety came; So near the land, or else he would not brave, To any great extent, the stormy wave, Or that the robber thought if both he took, He could not decently for favours look, And he preferr'd those joys the FAIR bestow, To all the riches which to mortals flow. ALTHOUGH a pirate, he had always shown Much honour in his acts, as well was known; But Cupid's frolicks were his heart's delight: None truly brave can ever beauty slight; A sailor's always bold and kind and free, Good lib'ral fellows, such they'll ever be; 'Mong saints indeed 'twere vain their names to seek! The man was good howe'er of whom we speak; His usual name was Pagamin Montegue; For hours the lady's screams were heard a league, While he each minute anxiously would seize, To cheer her spirits and her heart to please; T'attain his wish he ev'ry art combined; At length the lovely captive all resigned. 'Twas Cupid conquer'd, Cupid with his dart; A thousand times more pirate in his art, Than Pagamin; on bleeding hearts he preys, But little quarter gives, nor grace displays: To pay her ransom she'd enough of gold; For this her spouse was truly never cold; No fast nor festival therein appear'd, And her captivity he greatly fear'd. THIS calendar o'erspread with rubrick days; She soon forgot and learn'd the pirate's ways; The matrimonial zone aside was thrown, And only mentioned where the fact was known: OUR lawyer would his fingers sooner burn; Than have his wife but virtuous home return; By means of gold he entertain'd no doubt, Her restoration might be brought about. A passport from the pirate he obtain'd, Then waited on him and his wish explain'd; To pay he offer'd what soe'er he'd ask; His terms accept, though hard perhaps the task; THE robber answer'd, if my name around, Be not for honourable acts renown'd, 'Tis quite unjust:--your partner I'll restore In health, without a ransom:--would you more? A friendship so respect'd, heav'n forefend! Should ever, by my conduct, have an end. The fair, whom you so ardently admire, Shall to your arms return as you desire, Such pleasure to a friend I would not sell; Convince me that she's your's, and all is well; For if another I to you should give, (And many that I've taken with me live,) I surely should incur a heavy blame; I lately captur'd one, a charming dame, With auburn locks, a little fat, tall, young; If she declare she does to you belong, When you she's seen, I will the belle concede; You'll take her instantly; I'll not impede. THE sage replied, your conduct's truly wise; Such wond'rous kindness fills me with surprise; But since 'tis said that every trade must live, The sum just mention:--I'll the ransom give; No compliment I wish, my purse behold You know the money presently is told; Consider me a stranger now I pray; With you I'd equal probity display, And so will act, I swear, as you shall see; There 's not a doubt the fair will go with me; My word for this I would not have you take:-- You'll see how happy 'twill the lady make To find me here; to my embrace she'll fly; My only fears--that she of joy will die. To them the charmer now was instant brought, Who eyed her husband as beneath a thought; Received him coldly, just as if he'd been A stranger from Peru, she ne'er had seen. LOOK, said Quinzica, she's ashamed 'tis plain So many lookers on her love restrain; But be assured, if we were left alone, Around my neck her arms would soon be thrown. IF this, replied the pirate, you believe, Attend her toilet:--naught can then deceive. Away they went, and closely shut the door; When Richard said, thou darling of my store, How can'st thou thus behave? my pretty dove, 'Tis thy Quinzica, come to seek his love, In all the same, except about his wife; Dost in this face a change observe my life? 'Tis grieving for thy loss that makes me ill; Did ever I in aught deny thy will? In dress or play could any thee exceed? And had'st thou not whatever thou might'st need? To please thee, oft I made myself a slave; Such thou art now; but thee again I crave. Then what dost think about thy honour, dear?-- Said she, with ire, I neither know nor fear; Is this a time to guard it, do you say? What pain was shown by any one, I pray; When I was forc'd to wed a man like you, Old, impotent, and hateful to the view, While I was young and blooming as the morn, Deserving truly, something less forlorn, And seemingly intended to possess What Hymen best in store has got to bless; For I was thought by all the world around, Most worthy ev'ry bliss in wedlock found. YET things took quite another turn with me In tune my husband never proved to be, Except a feast or two throughout the year; From Pagamin I met a diff'rent cheer; Another lesson presently he taught; The life's sweet pleasures more the pirate brought, In two short days, than e'er I had from you In those four years that only you I knew. PRAY leave me husband:--let me have my will Insist not on my living with you still; No calendars with Pagamin are seen-- Far better treated with the man I've been. My other friends and you much worse deserved: The spouse, for taking me when quite unnerved, And they, for giving preference base to gold, To those pure joys--far better thought than told. But Pagamin in ev'ry way can please; And though no code he owns, yet all is ease; Himself will tell you what has passed this morn, His actions would a sov'reign prince adorn. Such information may excite surprise, But now the truth, 'twere useless to disguise, Nothing will gain belief, we've no one near To witness our discourse:--adieu, my dear, To all your festivals--I'm flesh and blood:-- Gems, dresses, ornaments, do little good; You know full well, betwixt the head and heel, Though little's said, yet much we often feel. On this she stopt, and Richard dropt his chin, Rejoiced to 'scape from such unwelcome din. BARTHOLOMEA, pleased with what had passed; No disposition showed to hold him fast; The downcast husband felt such poignant grief, With ills where age can scarcely hope relief, That soon he left this busy stage of life, And Pagamin the widow took to wife. The deed was just, for neither of the two E'er felt what oft in Richard rose to view; From feeling proof arose their mutual choice; And 'tween them ne'er was heard the jarring voice. BEHOLD a lesson for the aged man; Who thinks, when old, to act as he began; But, if the sage a yielding dotard seems, His work is done by those the wife esteems; Complaints are never heard; no thrilling fears; And ev'ry one around at ease appears. THE AVARICIOUS WIFE AND TRICKING GALLANT THE AVARICIOUS WIFE AND TRICKING GALLANT WHO knows the world will never feel surprise, When men are duped by artful women's eves; Though death his weapon freely will unfold; Love's pranks, we find, are ever ruled by gold. To vain coquettes I doubtless here allude; But spite of arts with which they're oft endued; I hope to show (our honour to maintain,) We can, among a hundred of the train, Catch one at least, and play some cunning trick:-- For instance, take blithe Gulphar's wily nick, Who gained (old soldier-like) his ardent aim, And gratis got an avaricious dame. LOOK well at this, ye heroes of the sword, Howe'er with wily freaks your heads be stored, Beyond a doubt, at court I now could find, A host of lovers of the Gulphar kind. To Gasperin's so often went our wight, The wife at length became his sole delight, Whose youth and beauty were by all confessed; But, 'midst these charms, such av'rice she possessed, The warmest love was checked--a thing not rare, In modern times at least, among the FAIR. 'Tis true, as I've already said, with such Sighs naught avail, and promises not much; Without a purse, who wishes should express, Would vainly hope to gain a soft caress. The god of love no other charm employs, Then cards, and dress, and pleasure's cheering joys; From whose gay shops more cuckolds we behold, Than heroes sallied from Troy's horse of old. BUT to our lady's humour let's adhere; Sighs passed for naught: they entered not her ear; 'Twas speaking only would the charmer please, The reader, without doubt, my meaning sees; Gay Gulphar plainly spoke, and named a sum A hundred pounds, she listened:--was o'ercome. OUR wight the cash by Gasperin was lent; And then the husband to the country went, Without suspecting that his loving mate, Designed with horns to ornament his pate. THE money artful Gulphar gave the dame, While friends were round who could observe the same; Here, said the spark, a hundred pounds receive, 'Tis for your spouse:--the cash with you I leave. The lady fancied what the swain had said, Was policy, and to concealment led. NEXT morn our belle regaled the arch gallant, Fulfilled his promise:--and his eager want. Day after day he followed up the game; For cash he took, and int'rest on the same; Good payers get, we always may conclude, Full measure served, whatever is pursued. WHEN Gasperin returned, our crafty wight, Before the wife addressed her spouse at sight; Said he the cash I've to your lady paid, Not having (as I feared) required its aid; To save mistakes, pray cross it in your book; The lady, thunderstruck, with terror shook; Allowed the payment; 'twas a case too clear; In truth for character she 'gan to fear. But most howe'er she grudged the surplus joy, Bestowed on such a vile, deceitful boy. THE loss was doubtless great in ev'ry view Around the town the wicked Gulphar flew; In all the streets, at every house to tell, How nicely he had trick'd the greedy belle. To blame him useless 'twere you must allow; The French such frolicks readily avow. THE JEALOUS HUSBAND THE JEALOUS HUSBAND A CERTAIN husband who, from jealous fear, With one eye slept while t'other watched his dear, Deprived his wife of every social joy, (Friends oft the jealous character annoy,) And made a fine collection in a book, Of tricks with which the sex their wishes hook. Strange fool! as if their wiles, to speak the truth, Were not a hydra, both in age and youth. HIS wife howe'er engaged his constant cares; He counted e'en the number of her hairs; And kept a hag who followed every hour, Where'er she went, each motion to devour; Duenna like, true semblance of a shade, That never quits, yet moves as if afraid. THIS arch collection, like a prayer-book bound; Was in the blockhead's pocket always found, The form religious of the work, he thought, Would prove a charm 'gainst vice whenever sought! ONE holy day, it happened that our dame, As from the neighb'ring church she homeward came; And passed a house, some wight, concealed from view; A basket full of filth upon her threw. WITH anxious care apologies were made; The lady, frightened by the frolick played, Quite unsuspicious to the mansion went; Her aged friend for other clothes she sent, Who hurried home, and ent'ring out of breath; Informed old hunks--what pained him more than death ZOUNDS! cried the latter, vainly I may look To find a case like this within my book; A dupe I'm made, and nothing can be worse:-- Hell seize the work--'tis thoroughly a curse! NOT wrong he proved, for, truly to confess; This throwing dirt upon the lady's dress Was done to get the hag, with Argus' eyes Removed a certain distance from the prize. The gay gallant, who watched the lucky hour, Felt doubly blessed to have her in his power. HOW vain our schemes to guard the wily sex! Oft plots we find, that ev'ry sense perplex. Go, jealous husbands, books of cases burn; Caresses lavish, and you'll find return. THE GASCON PUNISHED THE GASCON PUNISHED A GASCON (being heard one day to swear, That he'd possess'd a certain lovely fair,) Was played a wily trick, and nicely served; 'Twas clear, from truth he shamefully had swerved: But those who scandal propagate below, Are prophets thought, and ev'ry action know; While good, if spoken, scarcely is believed, And must be viewed, or not for truth received. THE dame, indeed, the Gascon only jeered, And e'er denied herself when he appeared; But when she met the wight, who sought to shine; And called her angel, beauteous and divine, She fled and hastened to a female friend, Where she could laugh, and at her ease unbend. NEAR Phillis, (our fair fugitive) there dwelled One Eurilas, his nearest neighbour held; His wife was Cloris; 'twas with her our dove Took shelter from the Gascon's forward love, Whose name was Dorilas; and Damon young, (The Gascon's friend) on whom gay Cloris hung. SWEET Phillis, by her manner, you might see, From sly amours and dark intrigues was free; The value to possess her no one knew, Though all admired the lovely belle at view. Just twenty years she counted at the time, And now a widow was, though in her prime, (Her spouse, an aged dotard, worth a plum:-- Of those whose loss to mourn no tears e'er come.) OUR seraph fair, such loveliness possessed, In num'rous ways a Gascon could have blessed; Above, below, appeared angelic charms; 'Twas Paradise, 'twas Heav'n, within her arms! THE Gascon was--a Gascon;--would you more? Who knows a Gascon knows at least a score. I need not say what solemn vows he made; Alike with Normans Gascons are portrayed; Their oaths, indeed, won't pass for Gospel truth; But we believe that Dorilas (the youth) Loved Phillis to his soul, our lady fair, Yet he would fain be thought successful there. ONE day, said Phillis, with unusual glee, Pretending with the Gascon to be free:-- A favour do me:--nothing very great; Assist to dupe one jealous of his mate; You'll find it very easy to be done, And doubtless 'twill produce a deal of fun. 'Tis our request (the plot you'll say is deep,) That you this night with Cloris's husband sleep Some disagreement with her gay gallant Requires, that she a night at least should grant, To settle diff'rences; now we desire, That you'll to bed with Eurilas retire, There's not a doubt he'll think his Cloris near; He never touches her:--so nothing fear; For whether jealousy, or other pains, He constantly from intercourse abstains, Snores through the night, and, if a cap he sees, Believes his wife in bed, and feels at ease. We'll properly equip you as a belle, And I will certainly reward you well. TO gain but Phillis's smiles, the Gascon said, He'd with the very devil go to bed. THE night arrived, our wight the chamber traced; The lights extinguished; Eurilas, too, placed; The Gascon 'gan to tremble in a trice, And soon with terror grew as cold as ice; Durst neither spit nor cough; still less encroach; And seemed to shrink, least t'other should approach; Crept near the edge; would scarcely room afford, And could have passed the scabbard of a sword. OFT in the night his bed-fellow turned round; At length a finger on his nose he found, Which Dorilas exceedingly distressed; But more inquietude was in his breast, For fear the husband amorous should grow, From which incalculable ills might flow. OUR Gascon ev'ry minute knew alarm; 'Twas now a leg stretched out, and then an arm; He even thought he felt the husband's beard; But presently arrived what more he feared. A BELL, conveniently, was near the bed, Which Eurilas to ring was often led; At this the Gascon swooned, so great his fear, And swore, for ever he'd renounce his dear. But no one coming, Eurilas, once more, Resumed his place, and 'gan again to snore. AT length, before the sun his head had reared; The door was opened, and a torch appeared. Misfortune then he fancied full in sight; More pleased he'd been to rise without a light, And clearly thought 'twas over with him now; The flame approached;--the drops ran o'er his brow; With terror he for pardon humbly prayed:-- You have it, cried a fair: be not dismayed; 'Twas Phillis spoke, who Eurilas's place Had filled, throughout the night, with wily grace, And now to Damon and his Cloris flew, With ridicule the Gascon to pursue; Recounted all the terrors and affright, Which Dorilas had felt throughout the night. To mortify still more the silly swain, And fill his soul with ev'ry poignant pain, She gave a glimpse of beauties to his view, And from his presence instantly withdrew. ETEXT EDITOR'S BOOKMARKS: Caresses lavish, and you'll find return While good, if spoken, scarcely is believed *** END OF THE PROJECT GUTENBERG EBOOK TALES AND NOVELS OF J. DE LA FONTAINE — VOLUME 04 *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.