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Title: The Vision of the Fountain (From "Twice Told Tales")
Author: Nathaniel Hawthorne
Release date: November 1, 2005 [eBook #9207]
Most recently updated: January 2, 2021
Language: English
Credits: Produced by David Widger
*** START OF THE PROJECT GUTENBERG EBOOK THE VISION OF THE FOUNTAIN (FROM "TWICE TOLD TALES") ***
The Vision of the Fountain (From "Twice Told Tales")
["Hawthorne, Nathaniel"]
2005-11-01
2021-01-02
Unknown
en
"The Vision of the Fountain" by Nathaniel Hawthorne is a short story included in his collection "Twice Told Tales," written during the early to mid-19th century (Romantic period). The narrative revolves around themes of youthful longing, idealized beauty, and the ephemeral nature of dreams and visions. Through the eyes of a young narrator, the story explores the intersection between reality and imagination in a rustic setting. The tale begins with the narrator's arrival in a secluded village, where he discovers a crystal spring that evokes a vivid, enchanting vision of a beautiful girl—perhaps a water-nymph—reflected in the water. Entranced, he is unable to find her again despite repeated visits to the spring, leading him to dwell in a realm of romantic thoughts and fantasies. As time passes and the seasons change, he prepares to leave the village, only to encounter his ethereal vision once more in a moment of unexpected clarity. This revelation reveals her true identity as Rachel, the village squire's daughter, who had been away at school during his stay. The story ultimately reflects on the nature of idealized love and the tendency to transform the beloved into something angelic, illustrating a common experience in the throes of youthful infatuation. (This is an automatically generated summary.)
Produced by David Widger
TWICE TOLD TALES
THE VISION OF THE FOUNTAIN
By Nathaniel Hawthorne
At fifteen, I became a resident in a country village, more than a hundred
miles from home. The morning after my arrival--a September morning, but
warm and bright as any in July--I rambled into a wood of oaks, with a few
walnut-trees intermixed, forming the closest shade above my head. The
ground was rocky, uneven, overgrown with bushes and clumps of young
saplings, and traversed only by cattle-paths. The track, which I chanced
to follow, led me to a crystal spring, with a border of grass, as freshly
green as on May morning, and overshadowed by the limb of a great oak.
One solitary sunbeam found its way down, and played like a goldfish in
the water.
From my childhood, I have loved to gaze into a spring. The water filled
a circular basin, small but deep, and set round with stones, some of
which were covered with slimy moss, the others naked, and of variegated
hue, reddish, white, and brown. The bottom was covered with coarse sand,
which sparkled in the lonely sunbeam, and seemed to illuminate the spring
with an unborrowed light. In one spot, the gush of the water violently
agitated the sand, but without obscuring the fountain, or breaking the
glassiness of its surface. It appeared as if some living creature were
about to emerge--the Naiad of the spring, perhaps--in the shape of a
beautiful young woman, with a gown of filmy water-moss, a belt of
rainbow-drops, and a cold, pure, passionless countenance. How would the
beholder shiver, pleasantly, yet fearfully, to see her sitting on one of
the stones, paddling her white feet in the ripples, and throwing up
water, to sparkle in the sun! Wherever she laid her hands on grass and
flowers, they would immediately be moist, as with morning dew. Then
would she set about her labors, like a careful housewife, to clear the
fountain of withered leaves, and bits of slimy wood, and old acorns from
the oaks above, and grains of corn left by cattle in drinking, till the
bright sand, in the bright water, were like a treasury of diamonds. But,
should the intruder approach too near, he would find only the drops of a
summer shower glistening about the spot where he had seen her.
Reclining on the border of grass, where the dewy goddess should have
been, I bent forward, and a pair of eyes met mine within the watery
mirror. They were the reflection of my own. I looked again, and lo!
another face, deeper in the fountain than my own image, more distinct in
all the features, yet faint as thought. The vision had the aspect of a
fair young girl, with locks of paly gold. A mirthful expression laughed
in the eyes and dimpled over the whole shadowy countenance, till it
seemed just what a fountain would be, if, while dancing merrily into the
sunshine, it should assume the shape of woman. Through the dim rosiness
of the cheeks, I could see the brown leaves, the slimy twigs, the acorns,
and the sparkling sand. The solitary sunbeam was diffused among the
golden hair, which melted into its faint brightness, and became a glory
round that head so beautiful!
My description can give no idea how suddenly the fountain was thus
tenanted, and how soon it was left desolate. I breathed; and there was
the face! I held my breath; and it was gone! Had it passed away, or
faded into nothing? I doubted whether it had ever been.
My sweet readers, what a dreamy and delicious hour did I spend, where
that vision found and left me! For a long time I sat perfectly still,
waiting till it should reappear, and fearful that the slightest motion,
or even the flutter of my breath, might frighten it away. Thus have I
often started from a pleasant dream, and then kept quiet, in hopes to
wile it back. Deep were my musings, as to the race and attributes of
that ethereal being. Had I created her? Was she the daughter of my
fancy, akin to those strange shapes which peep under the lids of
children's eyes? And did her beauty gladden me, for that one moment, and
then die? Or was she a water-nymph within the fountain, or fairy, or
woodland goddess peeping over my shoulder, or the ghost of some forsaken
maid, who had drowned herself for love? Or, in good truth, had a lovely
girl, with a warm heart, and lips that would bear pressure, stolen softly
behind me, and thrown her image into the spring?
I watched and waited, but no vision came again. I departed, but with a
spell upon me, which drew me back, that same afternoon, to the haunted
spring. There was the water gushing, the sand sparkling, and the sunbeam
glimmering. There the vision was not, but only a great frog, the hermit
of that solitude, who immediately withdrew his speckled snout and made
himself invisible, all except a pair of long legs, beneath a stone.
Methought he had a devilish look! I could have slain him!
Thus did the Vision leave me; and many a doleful day succeeded to the
parting moment. By the spring, and in the wood, and on the hill, and
through the village; at dewy sunrise, burning noon, and at that magic
hour of sunset, when she had vanished from my sight, I sought her, but in
vain. Weeks came and went, months rolled away, and she appeared not in
them. I imparted my mystery to none, but wandered to and fro, or sat in
solitude, like one that had caught a glimpse of heaven, and could take no
more joy on earth. I withdrew into an inner world, where my thoughts
lived and breathed, and the Vision in the midst of them. Without
intending it, I became at once the author and hero of a romance,
conjuring up rivals, imagining events, the actions of others and my own,
and experiencing every change of passion, till jealousy and despair had
their end in bliss. O, had I the burning fancy of my early youth, with
manhood's colder gift, the power of expression, your hearts, sweet
ladies, should flutter at my tale!
In the middle of January, I was summoned home. The day before my
departure, visiting the spots which had been hallowed by the Vision, I
found that the spring had a frozen bosom, and nothing but the snow and a
glare of winter sunshine, on the hill of the rainbow. "Let me hope,"
thought I, "or my heart will be as icy as the fountain, and the whole
world as desolate as this snowy hill." Most of the day was spent in
preparing for the journey, which was to commence at four o'clock the next
morning. About an hour after supper, when all was in readiness, I
descended from my chamber to the sitting-room, to take leave of the old
clergyman and his family, with whom I had been an inmate. A gust of wind
blew out my lamp as I passed through the entry.
According to their invariable custom, so pleasant a one when the fire
blazes cheerfully, the family were sitting in the parlor, with no other
light than what came from the hearth. As the good clergyman's scanty
stipend compelled him to use all sorts of economy, the foundation of his
fires was always a large heap of tan, or ground bark, which would
smoulder away, from morning till night, with a dull warmth and no flame.
This evening the heap of tan was newly put on, and surmounted with three
sticks of red-oak, full of moisture, and a few pieces of dry pine, that
had not yet kindled. There was no light, except the little that came
sullenly from two half-burned brands, without even glimmering on the
andirons. But I knew the position of the old minister's arm-chair, and
also where his wife sat, with her knitting-work, and how to avoid his two
daughters, one a stout country lass, and the other a consumptive girl.
Groping through the gloom, I found my own place next to that of the son,
a learned collegian, who had come home to keep school in the village
during the winter vacation. I noticed that there was less room than
usual, to-night, between the collegian's chair and mine.
As people are always taciturn in the dark, not a word was said for some
time after my entrance. Nothing broke the stillness but the regular
click of the matron's knitting-needles. At times, the fire threw out a
brief and dusky gleam, which twinkled on the old man's glasses, and
hovered doubtfully round our circle, but was far too faint to portray the
individuals who composed it. Were we not like ghosts? Dreamy as the
scene was, might it not be a type of the mode in which departed people,
who had known and loved each other here, would hold communion in
eternity? We were aware of each other's presence, not by sight, nor
sound, nor touch, but by an inward consciousness. Would it not be so
among the dead?
The silence was interrupted by the consumptive daughter, addressing a
remark to some one in the circle, whom she called Rachel. Her tremulous
and decayed accents were answered by a single word, but in a voice that
made me start, and bend towards the spot whence it had proceeded. Had I
ever heard that sweet, low tone? If not, why did it rouse up so many old
recollections, or mockeries of such, the shadows of things familiar, yet
unknown, and fill my mind with confused images of her features who had
spoken, though buried in the gloom of the parlor? Whom had my heart
recognized, that it throbbed so? I listened, to catch her gentle
breathing, and strove, by the intensity of my gaze, to picture forth a
shape where none was visible.
Suddenly, the dry pine caught; the fire blazed up with a ruddy glow; and
where the darkness had been, there was she,--the Vision of the Fountain!
A spirit of radiance only, she had vanished with the rainbow, and
appeared again in the firelight, perhaps to flicker with the blaze, and
be gone. Yet, her cheek was rosy and life-like, and her features, in the
bright warmth of the room, were even sweeter and tenderer than my
recollection of them. She knew me! The mirthful expression that had
laughed in her eyes and dimpled over her countenance, when I beheld her
faint beauty in the fountain, was laughing and dimpling there now. One
moment our glance mingled,--the next, down rolled the heap of tan upon
the kindled wood,--and darkness snatched away that Daughter of the Light,
and gave her back to me no more!
Fair ladies, there is nothing more to tell. Must the simple mystery be
revealed, then, that Rachel was the daughter of the village squire, and
had left home for a boarding-school, the morning after I arrived, and
returned the day before my departure? If I transformed her to an angel,
it is what every youthful lover does for his mistress. Therein consists
the essence of my story. But slight the change, sweet maids, to make
angels of yourselves!
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