WEBVTT

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Now, as you're saving all this work, and we'll get into the logistics of how to save

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your work in the second assignment shortly, you want to think about what you're doing

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with your grid.

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And as I mentioned earlier, I'm not necessarily looking for you to insert each of your images

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inside a formal grid.

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It's more about understanding that you've got these variety of different things that you

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need to work with titles, images, small images, large images, process work, project descriptions,

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and knowing that you have all of these to include, what grid layout would work good for you,

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right?

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So you may use the case studies to help determine this, right?

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In this example, we've kind of got, you know, on the top layer, we've got on the right,

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we have a large kind of horizontal image followed by three vertical images.

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Or on the bottom left, you see a nice, full-bleed image utilizing the grid.

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It doesn't necessarily have to fit within the grid as far as small dissections as we see

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here on the top left, but it may be a collection of different ideas.

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And what I do is I sketch this out in my sketchbook.

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I will literally take my sketchbook, I'll sketch the layout and say, okay, I've got a

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residential project that would look and work really well with the full-bleed on the left

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and then kind of two vertical images with a project description on the left side.

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This is up to you.

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And in order to determine which layout works best for you, you have to decipher what type

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of work you have.

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So going through and really analyzing all the work that you have, if everything you

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have is in landscape format, maybe landscape is the best way to approach it, right?

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But once you've determined what type of work you've got, you can start to sketch out the

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different placement zones and things to consider, titles, images, large image, small images,

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as I mentioned, process work, job descriptions, or excuse me, project descriptions.

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And we can use these guidelines to start to align the grid itself and start to figure

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out.

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And again, I like to know what kind of grid I'm working with before I even start the

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in-design portion of the portfolio.

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So I'll sketch this out, as I mentioned earlier.

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References your case studies and allow the layout to evolve.

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You may draw a grid layout that you think works, but then once you dive into your second

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project, you realize it doesn't work as well for that, so you have to modify it.

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There's nothing wrong with making modifications as you go.

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So it's something to think about.

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The other aspect that's extremely important, and I can't emphasize this enough, is how

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when you're working with the grid, your attention to alignment.

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An alignment is so important because we are designers, whether you're studying interior

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design or architecture, we are detail-oriented.

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And I can tell you that when you're interviewing for a design position, the firm will

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notice if your portfolio is misaligned, as you can see here on the left image, right?

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This just shows that there is not a care for precision, right?

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So whatever grid you decide to work with, whatever layout, make sure that things are very

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carefully aligned.

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And this also includes project descriptions, it includes concept statements, it includes

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titles.

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You know, on the right side here, we may have a title of the project on the bottom, and

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then that aligns with, let's say, a project description, and then you've got concept imagery,

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or the project description could be kind of going down on the right column here.

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There's a lot of different ways to approach it.

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The point is we can see that we're using some sort of alignment, and it's very clear

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that we thought about how we are pulling the variety of different images and text that

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we're pulling together for the project, and we thought about the alignment very carefully.

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The other thing you may look at is you may say, okay, I really appreciate the kind of

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alignment of this grid layout where I've got maybe some sort of marker that tells me

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where I am in the portfolio, then I've got a project description, and then maybe I've

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got six concept images or something like that, and I think this works really well for

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my first project.

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But I don't want to be, I don't want to do the exact same layout in every single project

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section.

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So I shift kind of number two, where I shift the horizontal nature to a vertical with

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the project description, but then maybe you make the project location on the top right.

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Now what this does is it creates variety, but I still understand that the same designer

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created it.

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So the point of this is whatever grid layout you use, you don't have to necessarily stick

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with that exact literal layout in every single section of the portfolio.

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You may mix it up a little bit, but if you do mix it up, make sure you're being cohesive

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in your unifying the design element.

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So things like keeping the spacing the same between some of these shapes, right, utilizing

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a justification on all sides that matches on each section of the portfolio.

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The size and shape of the project locations stay the same.

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The numbers of the projects you're introducing are using the same typography, the same tone,

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the same size, right.

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So these are things that can unify the portfolio.

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And again, you can switch things around to create some variety and still have cohesion

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and unity throughout the portfolio, right.

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So here you can see that the grid is applied.

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You've got the image on the right that lines up with the inspirational image on the bottom

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left.

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And you can see that this particular project looks at the idea of working with animals and

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integrating this into a project.

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And there's a description below the title, the location of who the owners are, where

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the project's located, the project introduction, which is the third project in the portfolio.

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But you'll notice that everything aligns very carefully, right.

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So applying the grid is important.

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Now your first project, as I mentioned in the last slide, may introduce the project

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0-3.

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All of this aligns.

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You've got a full bleed on the right.

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And then maybe in the second section, this full bleed happens on the left.

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It's up to you.

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Just think about the layout.

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Think about the alignment and make sure that you're being very careful and methodical with

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how you layout the project itself.

