WEBVTT 00:00.880 --> 00:04.120 In this video, we're going to continue our drip tray 00:04.120 --> 00:06.680 by adding a mitered flange. 00:06.680 --> 00:08.520 Now, you can see this is not the drip tray. 00:08.520 --> 00:09.960 This is actually the bottom tray 00:09.960 --> 00:11.680 that goes underneath the espresso machine 00:11.680 --> 00:13.960 that we made a few videos back. 00:13.960 --> 00:16.760 A change that I made, which don't make the change yourself, 00:16.760 --> 00:20.200 to simply follow along, is I reduced the width 00:20.200 --> 00:21.920 of one of the flanges. 00:21.920 --> 00:24.080 Now, I didn't do that by using cut extrude 00:24.080 --> 00:26.840 to cut off the parts of the flanges that didn't want. 00:26.840 --> 00:32.040 Instead, I modified the sketch associated with that flange. 00:32.040 --> 00:33.920 You see, each time you create an edge flange, 00:33.920 --> 00:36.640 no matter what type of edge flange you're creating, 00:36.640 --> 00:39.320 a sketch is automatically generated 00:39.320 --> 00:42.600 that represents the profile of that edge flange. 00:42.600 --> 00:47.440 In this case, we had four edge flanges in one feature, 00:47.440 --> 00:50.920 and so it automatically created four sketches, 00:50.920 --> 00:54.000 each one associated with a different edge. 00:54.000 --> 00:57.200 And I simply opened up the sketch that corresponded 00:57.200 --> 01:01.200 to that particular edge, and I modified the width 01:01.200 --> 01:03.040 of the edge flange. 01:03.040 --> 01:05.600 Now, I'm going to go ahead and restore to where it needs to be. 01:05.600 --> 01:08.240 I'll set that coincident over here, 01:08.240 --> 01:11.760 and I'll set this coincident over here. 01:11.760 --> 01:14.200 Close that out. 01:14.200 --> 01:15.840 All right, that looks more appropriate. 01:15.840 --> 01:17.680 But I just want to show that, too, just to illustrate that 01:17.680 --> 01:20.080 with every edge flange, there is a sketch, 01:20.080 --> 01:21.400 and we're going to need to understand that, 01:21.400 --> 01:24.960 and we're going to properly create a miter flange. 01:24.960 --> 01:26.640 All right, we're going to go ahead and roll 01:26.640 --> 01:30.640 the suppression bar forward, exit isolate, 01:30.640 --> 01:33.160 so we can continue together. 01:33.160 --> 01:36.480 All right, so we've got this base flange 01:36.480 --> 01:37.880 that represents our drip tray. 01:37.880 --> 01:39.400 We want to create the miter flange, 01:39.400 --> 01:42.400 and what that's going to do is it's going to come up 01:42.400 --> 01:46.480 and then come out so that it can rest on this surface, 01:46.480 --> 01:50.040 this surface, this surface, and this surface. 01:50.040 --> 01:51.680 We've already tucked in our base flange 01:51.680 --> 01:53.920 that the end result of the drip tray 01:53.920 --> 01:57.160 will easily be able to come in and out without getting stuck. 01:57.160 --> 01:59.320 So we've already accounted for that. 01:59.320 --> 02:03.160 We just need to create the lips on which it's going to sit. 02:03.160 --> 02:05.640 So I'll move this to the side, 02:05.640 --> 02:09.440 and show you what the finished result is going to look like. 02:09.440 --> 02:10.920 Here we are, there's the edge flange, 02:10.920 --> 02:13.400 or rather the base flange that we already created. 02:13.400 --> 02:16.320 The miter flange is going to come up and out, 02:16.320 --> 02:17.920 and the reason it's called the miter flange 02:18.000 --> 02:20.400 is because when two flange edges meet, 02:20.400 --> 02:23.920 they meet at a mitered corner, which again, 02:23.920 --> 02:27.920 is a corner with a 45 degree angle creating a nice seam. 02:27.920 --> 02:31.320 We can set the space within that miter corner 02:31.320 --> 02:33.800 so that it's something appropriate for a welder 02:33.800 --> 02:36.240 to come back in and place a weld bead 02:36.240 --> 02:39.480 and then grind it nice and smooth, so that's all covered up. 02:39.480 --> 02:41.000 Okay, so let's do that together. 02:42.840 --> 02:43.920 All right, first things first, 02:43.920 --> 02:46.800 let's right click on that base flange and isolate it. 02:46.880 --> 02:50.560 All right, now we're going to go to sheet metal 02:50.560 --> 02:53.280 and go to miter flange. 02:53.280 --> 02:56.680 The first thing it wants us to do is create that sketch 02:56.680 --> 02:59.880 that represents the profile of that miter flange. 02:59.880 --> 03:03.680 And we need to select a plane or a face 03:03.680 --> 03:08.680 that corresponds to one of the face edges of our base flange. 03:08.680 --> 03:11.040 So let's select this front one right here. 03:11.040 --> 03:14.840 All right, we've selected the face, we are now in a sketch. 03:14.840 --> 03:17.440 So let's create what that profile is going to look like. 03:17.440 --> 03:22.440 We'll go to sketch, line, start at that bottom corner, 03:24.120 --> 03:27.480 bring it up and bring it over. 03:27.480 --> 03:30.240 Now, I'm going to isolate because I'm going to use 03:30.240 --> 03:32.920 the rest of the espresso machine as a reference 03:32.920 --> 03:35.720 in order to set the height and depth of this line. 03:35.720 --> 03:37.760 So let's go ahead and do that 03:37.760 --> 03:42.360 and I'm going to go to line view, bring this up. 03:42.360 --> 03:44.160 So it's coincident to that line. 03:44.160 --> 03:45.320 There you go. 03:45.320 --> 03:48.560 I don't want this to extend too far or too short. 03:48.560 --> 03:52.560 I want it to stop at a 16th of a distance, 03:52.560 --> 03:54.800 16th of an inch distance from the edge, 03:56.040 --> 03:59.360 which again is our global variable for the thickness. 03:59.360 --> 04:02.440 So I'll just set that beautiful. 04:02.440 --> 04:03.760 Close out the sketch. 04:05.440 --> 04:07.200 All right, we have a yellow feature, 04:07.200 --> 04:08.520 which means it's successful. 04:08.520 --> 04:10.960 And you can see what it's doing is creating 04:10.960 --> 04:15.040 that joggle of a flange off that first edge. 04:15.040 --> 04:17.320 Now we just need to add the rest of the edges 04:17.320 --> 04:20.080 that are going to take on this miter flange. 04:21.640 --> 04:23.200 We'll add this one here. 04:24.200 --> 04:25.920 Here, why don't we close this out, 04:27.240 --> 04:29.480 re-isolate this. 04:29.480 --> 04:30.320 There we go. 04:30.320 --> 04:31.800 And then go back into miter flange, 04:33.680 --> 04:36.920 highlight the edge box and select all four edges. 04:36.920 --> 04:38.200 So it's easy to see. 04:57.400 --> 04:59.040 There we go. 04:59.040 --> 05:00.840 You can see I selected the bottom edges. 05:00.840 --> 05:01.680 There we go. 05:01.680 --> 05:03.120 And it creates this tray for us. 05:04.120 --> 05:06.120 All right, we're going to exit isolate 05:07.120 --> 05:11.120 and take a look at how this lines up with everything else. 05:11.120 --> 05:13.120 Well, it's looking appropriate. 05:13.120 --> 05:15.120 Let's go back into miter flange, 05:15.120 --> 05:17.120 right click, edit feature. 05:18.120 --> 05:20.120 Now that we have all four of our edges 05:20.120 --> 05:22.120 creating that mitered edge, 05:23.120 --> 05:27.120 let's take a look at how it offsets. 05:27.120 --> 05:29.120 Now again, we've already created the offset 05:29.120 --> 05:32.120 in the base flange to account for the tray 05:32.120 --> 05:34.120 being lifted in and out of its space. 05:34.120 --> 05:36.120 So where it's currently sitting 05:36.120 --> 05:40.120 to where that edge flange is butted up 05:40.120 --> 05:42.120 against the edge of that base flange, 05:42.120 --> 05:44.120 that's actually where we want it. 05:44.120 --> 05:46.120 If we were to select this, 05:46.120 --> 05:48.120 it would sit just outside, 05:48.120 --> 05:50.120 which is a little too far. 05:50.120 --> 05:52.120 And if we were to select this, 05:52.120 --> 05:54.120 it would set so far outside 05:54.120 --> 05:56.120 that the bend doesn't even begin 05:56.120 --> 05:58.120 until the edge of the base flange, 05:58.120 --> 06:00.120 which is certainly too far. 06:00.120 --> 06:02.120 Let's go ahead and 06:02.120 --> 06:04.120 return to its first condition. 06:04.120 --> 06:06.120 There we go. 06:06.120 --> 06:08.120 We don't need any offset. 06:08.120 --> 06:10.120 We're going to leave it alone, 06:10.120 --> 06:12.120 just like this. 06:12.120 --> 06:14.120 Close it out 06:14.120 --> 06:16.120 and save your work. 06:16.120 --> 06:18.120 I'm going to go ahead and return 06:18.120 --> 06:20.120 to a shaded line drawing. 06:20.120 --> 06:22.120 All right. 06:22.120 --> 06:24.120 And that's it for this video. 06:24.120 --> 06:26.120 In the next video, 06:26.120 --> 06:28.120 we're going to create the whole pattern 06:28.120 --> 06:30.120 for our drip tray. 06:30.120 --> 06:32.120 And then on your own, 06:32.120 --> 06:34.120 you're going to extend that whole pattern 06:34.120 --> 06:36.120 onto this top surface 06:36.120 --> 06:38.120 for the warming surface 06:38.120 --> 06:40.120 where espresso cups will sit. 06:40.120 --> 06:42.120 And you'll make sure 06:42.120 --> 06:44.120 that top surface pattern 06:44.120 --> 06:46.120 is in alignment with the pattern 06:46.120 --> 06:48.120 we are going to create together.