A commercial painting company approaches interior work with a different mindset, understanding that business environments must balance appearance, durability, safety, and uninterrupted daily operations.
Commercial spaces experience heavier use than homes, which means walls, corridors, and shared areas require finishes designed to withstand frequent contact, cleaning, and long hours of activity.
For this reason, a commercial painting company begins by understanding how each space functions, identifying high-impact zones where durability matters more than decorative appeal.
Driven by detailed preparation, proper surface treatment, and professional application, Elite Trade Painting works as interior painting experts committed to creating clean, durable finishes that improve how spaces look and perform while ensuring walls, ceilings, and trim maintain their appearance over time..Preparation becomes especially critical, because commercial interiors often contain layered coatings, mixed materials, and past repairs that can interfere with adhesion if ignored.
A commercial painting company treats surface correction as essential groundwork, ensuring walls are stable, smooth, and ready to support long-lasting coatings.
Elite Trade Painting applies this same disciplined approach, planning each commercial project around performance rather than speed or shortcuts.
Focused on performance, durability, and reduced disruption, Elite Trade Painting functions as a commercial painting company that delivers well-planned interior finishes designed to support daily operations, protect high-use surfaces, and maintain a professional appearance across business environments.. coverageRead more here also:
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Scheduling is handled strategically, as a commercial painting company must work around staff, customers, and operational requirements without disrupting productivity.
Safety and organization guide every phase, since commercial environments demand clear access routes, controlled work areas, and proper ventilation.
Color selection serves a functional role, as a commercial painting company considers how tones influence lighting, visibility, and the overall atmosphere of a working space.
Designed for durability and performance, Elite Trade Painting provides epoxy and vinyl wall coverings designed to protect interior surfaces from moisture, impact, and wear while maintaining a clean, professional appearance in high-use environments.. fixtures
Finishes are chosen for resilience, ensuring surfaces maintain a professional appearance even after repeated cleaning and daily wear.
Application techniques focus on consistency across large areas, where uneven texture or coverage becomes immediately noticeable under overhead lighting.
A commercial painting company understands that clean transitions around doors, signage, and architectural elements reinforce professionalism and attention to detail.
As work progresses, inspections focus on uniformity, confirming that results remain consistent from one area to the next rather than varying by section.
Drying and curing times are respected, because commercial coatings must reach full hardness to perform reliably in demanding environments.
A commercial painting company views paint as a protective system that supports long-term facility maintenance rather than a temporary visual update.
Detailing and touch-ups are completed methodically, ensuring high-visibility areas hold up under close inspection and daily use.
Cleanup is integrated into the workflow, allowing spaces to return to full operation without lingering dust, residue, or disruption.
Maintenance guidance supports longevity, helping businesses preserve finishes and reduce repaint frequency.
Over time, a commercial painting company adds value by extending the life of interior surfaces and maintaining consistent presentation.
Businesses rely on a commercial painting company that delivers predictable results grounded in planning, durability, and professional execution.
When done correctly, a commercial painting company leaves behind interiors that support productivity, brand image, and long-term operational efficiency.
Epoxy is the family of basic components or cured end products of epoxy resins, also known as polyepoxides, a class of reactive prepolymers and polymers which contain epoxide groups. The epoxide functional group is also collectively called epoxy.[1] The IUPAC name for an epoxide group is an oxirane.
Epoxy resins may be reacted (cross-linked) either with themselves through catalytic homopolymerisation, or with a wide range of co-reactants including polyfunctional amines, acids (and acid anhydrides), phenols, alcohols and thiols (sometimes called mercaptans). These co-reactants are often referred to as hardeners or curatives, and the cross-linking reaction is commonly referred to as curing.
Reaction of polyepoxides with themselves or with polyfunctional hardeners forms a thermosetting polymer, often with favorable mechanical properties and high thermal and chemical resistance. Epoxy has a wide range of applications, including metal coatings, composites,[2] use in electronics, electrical components (e.g. for chips on board), LEDs, high-tension electrical insulators, paintbrush manufacturing, fiber-reinforced plastic materials, and adhesives for structural[3] and other purposes.[4][5]
The health risks associated with exposure to epoxy resin compounds include contact dermatitis and allergic reactions, as well as respiratory problems from breathing vapor and sanding dust, especially from compounds not fully cured.[6][7][8]
Condensation of epoxides and amines was first reported and patented by Paul Schlack of Germany in 1934.[9] Claims of discovery of bisphenol-A-based epoxy resins include Pierre Castan[10] in 1943. Castan's work was licensed by Ciba, Ltd. of Switzerland, which went on to become one of the three major epoxy resin producers worldwide. In 1946, Sylvan Greenlee,[11] working for the Devoe & Raynolds Company (now part of Hexion Inc.[12]), patented resin derived from bisphenol-A and epichlorohydrin.[13]
Most of the commercially used epoxy monomers are produced by the reaction of a compound with acidic hydroxy groups and epichlorohydrin. First a hydroxy group reacts in a coupling reaction with epichlorohydrin, followed by dehydrohalogenation. Epoxy resins produced from such epoxy monomers are called glycidyl-based epoxy resins. The hydroxy group may be derived from aliphatic diols, polyols (polyether polyols), phenolic compounds or dicarboxylic acids. Phenols can be compounds such as bisphenol A and novolak. Polyols can be compounds such as 1,4-butanediol. Di- and polyols lead to glycidyl ethers. Dicarboxylic acids such as hexahydrophthalic acid are used for diglycide ester resins. Instead of a hydroxy group, also the nitrogen atom of an amine or amide can be reacted with epichlorohydrin.
The other production route for epoxy resins is the conversion of aliphatic or cycloaliphatic alkenes with peracids:[14][15] In contrast to glycidyl-based epoxy resins, this production of such epoxy monomers does not require an acidic hydrogen atom but an aliphatic double bond.
The epoxide group is also sometimes referred to as an oxirane group.
The most common epoxy resins are based on reacting epichlorohydrin (ECH) with bisphenol A, resulting in a different chemical substance known as bisphenol A diglycidyl ether (commonly known as BADGE or DGEBA). Bisphenol A-based resins are the most widely commercialised resins but also other bisphenols are analogously reacted with epichlorohydrin, for example Bisphenol F.
In this two-stage reaction, epichlorohydrin is first added to bisphenol A (bis(3-chloro-2-hydroxy-propoxy)bisphenol A is formed), then a bisepoxide is formed in a condensation reaction with a stoichiometric amount of sodium hydroxide. The chlorine atom is released as sodium chloride (NaCl) and the hydrogen atom as water.
Higher molecular weight diglycidyl ethers (n ≥ 1) are formed by the reaction of the bisphenol A diglycidyl ether formed with further bisphenol A, this is called prepolymerization:
A product comprising a few repeat units (n = 1 to 2) is a viscous, clear liquid; this is called a liquid epoxy resin. A product comprising more repeating units (n = 2 to 30) is at room temperature a colorless solid, which is correspondingly referred to as solid epoxy resin.
Instead of bisphenol A, other bisphenols (especially bisphenol F) or brominated bisphenols (e. g. tetrabromobisphenol A) can be used for the said epoxidation and prepolymerisation. Bisphenol F may undergo epoxy resin formation in a similar fashion to bisphenol A. These resins typically have lower viscosity and a higher mean epoxy content per gram than bisphenol A resins, which (once cured) gives them increased chemical resistance.
Important epoxy resins are produced from combining epichlorohydrin and bisphenol A to give bisphenol A diglycidyl ethers.
Increasing the ratio of bisphenol A to epichlorohydrin during manufacture produces higher molecular weight linear polyethers with glycidyl end groups, which are semi-solid to hard crystalline materials at room temperature depending on the molecular weight achieved. This route of synthesis is known as the "taffy" process. The usual route to higher molecular weight epoxy resins is to start with liquid epoxy resin (LER) and add a calculated amount of bisphenol A and then a catalyst is added and the reaction heated to circa 160 °C (320 °F). This process is known as "advancement".[16] As the molecular weight of the resin increases, the epoxide content reduces and the material behaves more and more like a thermoplastic. Very high molecular weight polycondensates (ca. 30,000–70,000 g/mol) form a class known as phenoxy resins and contain virtually no epoxide groups (since the terminal epoxy groups are insignificant compared to the total size of the molecule). These resins do however contain hydroxyl groups throughout the backbone, which may also undergo other cross-linking reactions, e.g. with aminoplasts, phenoplasts and isocyanates.
Epoxy resins are polymeric or semi-polymeric materials or an oligomer, and as such rarely exist as pure substances, since variable chain length results from the polymerisation reaction used to produce them. High purity grades can be produced for certain applications, e.g. using a distillation purification process. One downside of high purity liquid grades is their tendency to form crystalline solids due to their highly regular structure, which then require melting to enable processing.
An important criterion for epoxy resins is the Epoxy value which is connected to the epoxide group content. This is expressed as the "epoxide equivalent weight", which is the ratio between the molecular weight of the monomer and the number of epoxide groups. This parameter is used to calculate the mass of co-reactant (hardener) to use when curing epoxy resins. Epoxies are typically cured with stoichiometric or near-stoichiometric quantities of hardener to achieve the best physical properties.
Novolaks are produced by reacting phenol with methanal (formaldehyde). The reaction of epichlorohydrin and novolaks produces novolaks with glycidyl residues, such as epoxyphenol novolak (EPN) or epoxycresol novolak (ECN). These highly viscous to solid resins typically carry 2 to 6 epoxy groups per molecule. By curing, highly cross-linked polymers with high temperature and chemical resistance but low mechanical flexibility are formed due to the high functionality, and hence high crosslink density of these resins.[14]
There are two common types of aliphatic epoxy resins: those obtained by epoxidation of double bonds (cycloaliphatic epoxides and epoxidized vegetable oils) and those formed by reaction with epichlorohydrin (glycidyl ethers and esters).
Cycloaliphatic epoxides contain one or more aliphatic rings in the molecule on which the oxirane ring is contained (e.g. 3,4-epoxycyclohexylmethyl-3',4'-epoxycyclohexane carboxylate). They are produced by the reaction of a cyclic alkene with a peracid (see above).[17] Cycloaliphatic epoxides are characterised by their aliphatic structure, high oxirane content and the absence of chlorine, which results in low viscosity and (once cured) good weather resistance, low dielectric constants and high Tg. However, aliphatic epoxy resins polymerize very slowly at room temperature, so higher temperatures and suitable accelerators are usually required. Because aliphatic epoxies have a lower electron density than aromatics, cycloaliphatic epoxies react less readily with nucleophiles than bisphenol A-based epoxy resins (which have aromatic ether groups). This means that conventional nucleophilic hardeners such as amines are hardly suitable for crosslinking. Cycloaliphatic epoxides are therefore usually homopolymerized thermally or UV-initiated in an electrophilic or cationic reaction. Due to the low dielectric constants and the absence of chlorine, cycloaliphatic epoxides are often used to encapsulate electronic systems, such as microchips or LEDs. They are also used for radiation-cured paints and varnishes. Due to their high price, however, their use has so far been limited to such applications.[14]
Epoxidized vegetable oils are formed by epoxidation of unsaturated fatty acids by reaction with peracids. In this case, the peracids can also be formed in situ by reacting carboxylic acids with hydrogen peroxide. Compared with LERs (liquid epoxy resins) they have very low viscosities. If, however, they are used in larger proportions as reactive diluents, this often leads to reduced chemical and thermal resistance and to poorer mechanical properties of the cured epoxides. Large scale epoxidized vegetable oils such as epoxidized soy and lens oils are used to a large extent as secondary plasticizers and cost stabilizers for PVC.[14]
Aliphatic glycidyl epoxy resins of low molar mass (mono-, bi- or polyfunctional) are formed by the reaction of epichlorohydrin with aliphatic alcohols or polyols (glycidyl ethers are formed) or with aliphatic carboxylic acids (glycidyl esters are formed). The reaction is carried out in the presence of a base such as sodium hydroxide, analogous to the formation of bisphenol A-diglycidyl ether. Also aliphatic glycidyl epoxy resins usually have a low viscosity compared to aromatic epoxy resins. They are therefore added to other epoxy resins as reactive diluents or as adhesion promoters. Epoxy resins made of (long-chain) polyols are also added to improve tensile strength and impact strength.
A related class is cycloaliphatic epoxy resin, which contains one or more cycloaliphatic rings in the molecule (e.g. 3,4-epoxycyclohexylmethyl-3,4-epoxycyclohexane carboxylate). This class also displays lower viscosity at room temperature, but offers significantly higher temperature resistance than the aliphatic epoxy diluents. However, reactivity is rather low compared to other classes of epoxy resin, and high temperature curing using suitable accelerators is normally required. As aromaticity is not present in these materials as it is in Bisphenol A and F resins, the UV stability is considerably improved.
Halogenated epoxy resins are admixed for special properties, in particular brominated and fluorinated epoxy resins are used.[14]
Brominated bisphenol A is used when flame retardant properties are required, such as in some electrical applications (e.g. printed circuit boards). The tetrabrominated bisphenol A (TBBPA, 2,2-bis(3,5-dibromophenyl)propane) or its diglycidyl ether, 2,2-bis[3,5-dibromo-4-(2,3-epoxypropoxy)phenyl]propane, can be added to the epoxy formulation. The formulation may then be reacted in the same way as pure bisphenol A. Some (non-crosslinked) epoxy resins with very high molar mass are added to engineering thermoplastics, again to achieve flame retardant properties.
Fluorinated epoxy resins have been investigated for some high performance applications, such as the fluorinated diglycidether 5-heptafluoropropyl-1,3-bis[2-(2,3-epoxypropoxy)hexafluoro-2-propyl]benzene. As it has a low surface tension, it is added as a wetting agent (surfactant) for contact with glass fibres. Its reactivity to hardeners is comparable to that of bisphenol A. When cured, the epoxy resin leads to a thermosetting plastic with high chemical resistance and low water absorption. However, the commercial use of fluorinated epoxy resins is limited by their high cost and low Tg.
Epoxy resins diluents are typically formed by glycidylation of aliphatic alcohols or polyols and also aromatic alcohols. The resulting materials may be monofunctional (e.g. dodecanol glycidyl ether), difunctional (1,4-Butanediol diglycidyl ether), or higher functionality (e.g. trimethylolpropane triglycidyl ether). These resins typically display low viscosity at room temperature (10–200 mPa.s) and are often referred to as reactive diluents.[18] They are rarely used alone, but are rather employed to modify (reduce) the viscosity of other epoxy resins.[19] This has led to the term modified epoxy resin to denote those containing viscosity-lowering reactive diluents.[20] The use of the diluent does effect mechanical properties and microstructure of epoxy resins.[21] Mechanical properties of epoxy resins are generally not improved by use of diluents.[21] Biobased epoxy diluents are also available.[22]
Glycidylamine epoxy resins are higher functionality epoxies which are formed when aromatic amines are reacted with epichlorohydrin. Important industrial grades are triglycidyl-p-aminophenol (functionality 3) and N,N,N′,N′-tetraglycidyl-bis-(4-aminophenyl)-methane (functionality 4). The resins are low to medium viscosity at room temperature, which makes them easier to process than EPN or ECN resins. This coupled with high reactivity, plus high temperature resistance and mechanical properties of the resulting cured network makes them important materials for aerospace composite applications.
There are several dozen chemicals that can be used to cure epoxy, including amines, imidazoles, anhydrides and photosensitive chemicals.[23] The study of epoxy curing is usually carried out by using differential scanning calorimetry.[24]
In general, uncured epoxy resins have only poor mechanical, chemical and heat resistance properties.[25] However, good properties are obtained by reacting the linear epoxy resin with suitable curatives to form three-dimensional cross-linked thermoset structures. This process is commonly referred to as curing or gelation process.[26] Curing of epoxy resins is an exothermic reaction and in some cases produces sufficient heat to cause thermal degradation if not controlled.[27] Curing does induce residual stress in epoxy systems which have been studied.[28] The induced stresses may be alleviated with flexibilisers.
Curing may be achieved by reacting an epoxy with itself (homopolymerisation) or by forming a copolymer with polyfunctional curatives or hardeners. This curing is what produces the qualities of the substance such as resistance, durability, versatility, and adhesion. In principle, any molecule containing a reactive hydrogen may react with the epoxide groups of the epoxy resin. Common classes of hardeners for epoxy resins include amines, acids, acid anhydrides, phenols, alcohols and thiols. Relative reactivity (lowest first) is approximately in the order: phenol < anhydride < aromatic amine < cycloaliphatic amine < aliphatic amine < thiol.
While some epoxy resin/ hardener combinations will cure at ambient temperature, many require heat, with temperatures up to 150 °C (302 °F) being common, and up to 200 °C (392 °F) for some specialist systems. Insufficient heat during cure will result in a network with incomplete polymerisation, and thus reduced mechanical, chemical and heat resistance. Cure temperature should typically attain the glass transition temperature (Tg) of the fully cured network in order to achieve maximum properties. Temperature is sometimes increased in a step-wise fashion to control the rate of curing and prevent excessive heat build-up from the exothermic reaction.
Hardeners which show only low or limited reactivity at ambient temperature, but which react with epoxy resins at elevated temperature are referred to as latent hardeners. When using latent hardeners, the epoxy resin and hardener may be mixed and stored for some time prior to use, which is advantageous for many industrial processes. Very latent hardeners enable one-component (1K) products to be produced, whereby the resin and hardener are supplied pre-mixed to the end user and only require heat to initiate curing. One-component products generally have shorter shelf-lives than standard 2-component systems, and products may require cooled storage and transport.
The epoxy curing reaction may be accelerated by addition of small quantities of accelerators. Tertiary amines, carboxylic acids and alcohols (especially phenols) are effective accelerators. Bisphenol A is a highly effective and widely used accelerator, but is now increasingly replaced due to health concerns with this substance. The most widely used accelerator is 2,4,6-Tris(dimethylaminomethyl)phenol.[29][30]
Epoxy resin may be reacted with itself in the presence of an anionic catalyst (a Lewis base such as tertiary amines or imidazoles) or a cationic catalyst (a Lewis acid such as a boron trifluoride complex) to form a cured network. This process is known as catalytic homopolymerisation. The resulting network contains only ether bridges, and exhibits high thermal and chemical resistance, but is brittle and often requires elevated temperature for the curing process, so finds only niche applications industrially. Epoxy homopolymerisation is often used when there is a requirement for UV curing, since cationic UV catalysts may be employed (e.g. for UV coatings).
Polyfunctional primary amines form an important class of epoxy hardeners. Primary amines undergo an addition reaction with the epoxide group to form a hydroxyl group and a secondary amine. The secondary amine can further react with an epoxide to form a tertiary amine and an additional hydroxyl group. Kinetic studies have shown the reactivity of the primary amine to be approximately double that of the secondary amine. Use of a difunctional or polyfunctional amine forms a three-dimensional cross-linked network. Aliphatic, cycloaliphatic and aromatic amines are all employed as epoxy hardeners. Amine type hardeners will alter both the processing properties (viscosity, reactivity) and the final properties (mechanical, temperature and heat resistance) of the cured copolymer network. Thus amine structure is normally selected according to the application. Overall reactivity potential for different hardeners can roughly be ordered; aliphatic amines > cycloaliphatic amines > aromatic amines, though aliphatic amines with steric hindrance near the amino groups may react as slowly as some of the aromatic amines. Slower reactivity allows longer working times for processors. Temperature resistance generally increases in the same order, since aromatic amines form much more rigid structures than aliphatic amines. Aromatic amines were widely used as epoxy resin hardeners, due to the excellent end properties when mixed with a parent resin. Over the past few decades concern about the possible adverse health effects of many aromatic amines has led to increased use of aliphatic or cycloaliphatic amine alternatives. Amines are also blended, adducted and reacted to alter properties and these amine resins are more often used to cure epoxy resins than a pure amine such as TETA. Increasingly, water-based polyamines are also used to help reduce the toxicity profile among other reasons.[citation needed]
Epoxy resins may be thermally cured with anhydrides to create polymers with significant property retention at elevated temperatures for extended periods of time. Reaction and subsequent crosslinking occur only after opening of the anhydride ring, e.g. by secondary hydroxyl groups in the epoxy resin. Homopolymerization may also occur between epoxide and hydroxyl groups. The high latency of anhydride hardeners makes them suitable for processing systems which require addition of mineral fillers prior to curing, e.g. for high voltage electrical insulators. Cure speed may be improved by matching anhydrides with suitable accelerators. For dianhydrides, and to a lesser extent, monoanhydrides, non-stoichiometric, empirical determinations are often used to optimize dosing levels. In some cases, blends of dianhydrides and monoanhydrides can improve metering and mixing with liquid epoxy resins.[31]
Polyphenols, such as bisphenol A or novolacs can react with epoxy resins at elevated temperatures (130–180 °C, 266–356 °F), normally in the presence of a catalyst. The resulting material has ether linkages and displays higher chemical and oxidation resistance than typically obtained by curing with amines or anhydrides. Since many novolacs are solids, this class of hardeners is often employed for powder coatings.
Also known as mercaptans, thiols contain a sulfur which reacts very readily with the epoxide group, even at ambient or sub-ambient temperatures. While the resulting network does not typically display high temperature or chemical resistance, the high reactivity of the thiol group makes it useful for applications where heated curing is not possible, or very fast cure is required e.g. for domestic DIY adhesives and chemical rock bolt anchors. Thiols have a characteristic odor, which can be detected in many two-component household adhesives.
The reaction of epoxide groups and isocyanate groups can result in two predominant types of ring structures: isocyanurate rings (through trimerization of isocyanate groups) and oxazolidinone rings (through the reaction of an isocyanate group with an epoxide group). The reaction is carried with the presence of a catalyst at temperatures ranging from 150 °C and 180 °C. studies have shown that there is a correlation between epoxy equivalent weight (EEW) and the glass transition temperature (Tg) of the final polymer, indicating that higher EEW corresponds to higher Tg.[32]
The applications for epoxy-based materials are extensive and they are considered very versatile.[33] The applications include coatings, adhesives[34][35] and composite materials such as those using carbon fiber and fiberglass reinforcements (although polyester, vinyl ester, and other thermosetting resins are also used for glass-reinforced plastic). The chemistry of epoxies and the range of commercially available variations allows cure polymers to be produced with a very broad range of properties. They have been extensively used with concrete and cementitious systems.[36] In general, epoxies are known for their excellent adhesion, chemical and heat resistance, good-to-excellent mechanical properties and very good electrical insulating properties. Many properties of epoxies can be modified (for example silver-filled epoxies with good electrical conductivity are available, although epoxies are typically electrically insulating). Variations offering high thermal insulation, or thermal conductivity combined with high electrical resistance for electronics applications, are available.[37]
As with other classes of thermoset polymer materials, blending different grades of epoxy resin, as well as use of additives, plasticizers or fillers is common to achieve the desired processing or final properties, or to reduce cost. Use of blending, additives and fillers is often referred to as formulating.
All quantities of mix generate their own heat because the reaction is exothermic. Large quantities will generate more heat and thus greatly increase the rate of the reaction and so reduce working time (pot-life). So it is good practice to mix smaller amounts which can be used quickly to avoid waste and to be safer. There are various methods of toughening them, as they can be brittle.[38] Rubber toughening is a key technology used for toughening.[39][40]
Two part epoxy coatings were developed for heavy duty service on metal substrates and use less energy than heat-cured powder coatings. These systems provide a tough, protective coating with excellent hardness. One part epoxy coatings are formulated as an emulsion in water, and can be cleaned up without solvents.
Epoxy coatings are often used in industrial and automotive applications by various companies since they are more heat resistant than latex-based and alkyd-based paints. Epoxy paints tend to deteriorate, known as "chalking out", due to UV exposure.[41] Epoxy coatings have also been used in drinking water applications.[42] Epoxy coatings find much use to protect mild and other steels due to their excellent protective properties.[43]
Change in color, known as yellowing, is a common phenomenon for epoxy materials and is often of concern in art and conservation applications. Epoxy resins yellow with time, even when not exposed to UV radiation. Significant advances in understanding yellowing of epoxies were achieved by Down first in 1984 (natural dark aging) [44] and later in 1986 (high-intensity light aging).[45] Down investigated various room-temperature-cure epoxy resin adhesives suitable for use in glass conservation, testing their tendency to yellow. A fundamental molecular understanding of epoxy yellowing was achieved, when Krauklis and Echtermeyer discovered the mechanistic origin of yellowing in a commonly used amine epoxy resin, published in 2018.[46] They found that the molecular reason for epoxy yellowing was a thermo-oxidative evolution of carbonyl groups in the polymeric carbon–carbon backbone via a nucleophilic radical attack.
Polyester epoxies are used as powder coatings for washers, driers and other "white goods". Fusion Bonded Epoxy Powder Coatings (FBE) are extensively used for corrosion protection of steel pipes and fittings used in the oil and gas industry, potable water transmission pipelines (steel), and concrete reinforcing rebar. Epoxy coatings are also widely used as primers to improve the adhesion of automotive and marine paints especially on metal surfaces where corrosion (rusting) resistance is important. Metal cans and containers are often coated with epoxy to prevent rusting, especially for foods like tomatoes that are acidic. Epoxy resins are also used for decorative flooring applications such as terrazzo flooring, chip flooring, and colored aggregate flooring.
Epoxies have been modified in a variety of ways, including reacting with fatty acids derived from oils to yield epoxy esters, which were cured the same way as alkyds. Typical ones were L8 (80% linseed) and D4 (40% dehydrated castor oil). These were often reacted with styrene to make styrenated epoxy esters, used as primers. Curing with phenolics to make drum linings, curing esters with amine resins and pre-curing epoxies with amino resins to make resistant top coats. Organic chains maybe used to hydrophobically modify epoxy resins and change their properties. The effect of chain length of the modifiers has been studied.[47]
Epoxy adhesives are a major part of the class of adhesives called "structural adhesives" or "engineering adhesives" (that includes polyurethane, acrylic, cyanoacrylate, and other chemistries.) These high-performance adhesives are used in the construction of aircraft, automobiles, bicycles, boats, golf clubs, skis, snowboards, and other applications where high strength bonds are required. Epoxy adhesives can be developed to suit almost any application. They can be used as adhesives for wood, metal, glass, stone, and some plastics. They can be made flexible or rigid, transparent or opaque/colored, fast setting or slow setting. Epoxy adhesives are better in heat and chemical resistance than other common adhesives. In general, epoxy adhesives cured with heat will be more heat- and chemical-resistant than those cured at room temperature. The strength of epoxy adhesives is degraded at temperatures above 350 °F (177 °C).[48]
Some epoxies are cured by exposure to ultraviolet light. Such epoxies are commonly used in optics, fiber optics, and optoelectronics.
Epoxy systems are used in industrial tooling applications to produce molds, master models, laminates, castings, fixtures, and other industrial production aids. This "plastic tooling" replaces metal, wood and other traditional materials, and generally improves the efficiency and either lowers the overall cost or shortens the lead-time for many industrial processes. Epoxies are also used in producing fiber-reinforced or composite parts. They are more expensive than polyester resins and vinyl ester resins, but usually produce stronger and more temperature-resistant thermoset polymer matrix composite parts. Machine bedding to overcome vibrations is a use in the form of epoxy granite.
Epoxy resins are used as bonding matrix along with glass or carbon fiber fabrics to produce composites with very high strength to weight characteristics, allowing longer and more efficient rotor blades to be produced.[49] In addition, for offshore and onshore wind energy installations, epoxy resins are used as protective coatings on steel towers, base struts and concrete foundations. Aliphatic polyurethane top coats are applied on top to ensure full UV protection, prolong operational lifetimes and lowering maintenance costs. Electric generators, connected via the drivetrain with the rotor blades, convert mechanical wind energy to usable electric energy, and rely on epoxies electrical insulation and high thermal resistance properties. The same applies to transformers, bushings, spacers, and composites cables connecting the windmills to the grid. In Europe, wind energy components account for the largest segment of epoxy applications, about 27% of the market.[50]
Epoxy resin formulations are important in the electronics industry, and are employed in motors, generators, transformers, switchgear, bushings, insulators, printed wiring boards (PWB), and semiconductor encapsulants. Epoxy resins are excellent electrical insulators and protect electrical components from short circuiting, dust and moisture. In the electronics industry epoxy resins are the primary resin used in overmolding integrated circuits, transistors and hybrid circuits, and making printed circuit boards. The largest volume type of circuit board—an "FR-4 board"—is a sandwich of layers of glass cloth bonded into a composite by an epoxy resin. Epoxy resins are used to bond copper foil to circuit board substrates, and are a component of the solder mask on many circuit boards.
Flexible epoxy resins are used for potting transformers and inductors. By using vacuum impregnation on uncured epoxy, winding-to-winding, winding-to-core, and winding-to-insulator air voids are eliminated. The cured epoxy is an electrical insulator and a much better conductor of heat than air. Transformer and inductor hot spots are greatly reduced, giving the component a stable and longer life than unpotted product.
Epoxy resins are applied using the technology of resin dispensing.
Epoxies can be used to plug selective layers in a reservoir which are producing excessive brine. The technique is named "water shut-off treatment".[26]
Epoxies are sold in hardware stores, typically as a pack containing separate resin and hardener, which must be mixed immediately before use. They are also sold in boat shops as repair resins for marine applications. Epoxies typically are not used in the outer layer of a boat because they deteriorate by exposure to UV light. They are often used during boat repair and assembly, and then over-coated with conventional or two-part polyurethane paint or marine-varnishes that provide UV protection.
There are two main areas of marine use. Because of the better mechanical properties relative to the more common polyester resins, epoxies are used for commercial manufacture of components where a high strength/weight ratio is required. The second area is that their strength, gap filling properties and excellent adhesion to many materials including timber have created a boom in amateur building projects including aircraft and boats.
Normal gelcoat formulated for use with polyester resins and vinylester resins does not adhere to epoxy surfaces, though epoxy adheres very well if applied to polyester resin surfaces. "Flocoat" that is normally used to coat the interior of polyester fibreglass yachts is also compatible with epoxies.
Epoxy materials tend to harden somewhat more gradually, while polyester materials tend to harden quickly, particularly if a lot of catalyst is used.[51] The chemical reactions in both cases are exothermic.
While it is common to associate polyester resins and epoxy resins, their properties are sufficiently different that they are properly treated as distinct materials. Polyester resins are typically low strength unless used with a reinforcing material like glass fibre, are relatively brittle unless reinforced, and have low adhesion. Epoxies, by contrast, are inherently strong, somewhat flexible and have excellent adhesion. However, polyester resins are much cheaper.
Epoxy resins typically require a precise mix of two components which form a third chemical to get the stated properties. Depending on the properties required, the ratio may be anything from 1:1 or over 10:1, but in usually they must be mixed exactly. The final product is then a precise thermoset plastic. Until they are mixed the two elements are relatively inert, although the 'hardeners' tend to be more chemically active and should be protected from the atmosphere and moisture. The rate of the reaction can be changed by using different hardeners, which may change the nature of the final product, or by controlling the temperature.
By contrast, polyester resins are usually made available in a 'promoted' form, such that the progress of previously-mixed resins from liquid to solid is already underway, albeit very slowly. The only variable available to the user is to change the rate of this process using a catalyst, often Methyl-Ethyl-Ketone-Peroxide (MEKP), which is very toxic. The presence of the catalyst in the final product actually detracts from the desirable properties, so that small amounts of catalyst are preferable, so long as the hardening proceeds at an acceptable pace. The rate of cure of polyesters can therefore be controlled by the amount and type of catalyst as well as by the temperature.
As adhesives, epoxies bond in three ways: a) Mechanically, because the bonding surfaces are roughened; b) by proximity, because the cured resins are physically so close to the bonding surfaces that they are hard to separate; c) ionically, because the epoxy resins form ionic bonds at an atomic level with the bonding surfaces. This last is substantially the strongest of the three.[citation needed] By contrast, polyester resins can only bond using the first two of these, which greatly reduces their utility as adhesives and in marine repair.
Epoxies have been researched and used for construction for a few decades.[52] Although they increase cost of mortars and concrete when used as an additive,[53] they enhance properties. Research is ongoing to investigate the use of epoxies and other recycled plastics in mortars to enhance properties and recycle waste.[54] Densifying plastic materials such as PET and plastic bags and then using them to partially replace aggregate and depolymerizing PET to use as a polymeric binder in addition to epoxy to enhance concrete are actively being studied.[55]
In the aerospace industry, epoxy is used as a structural matrix material which is then reinforced by fiber. Typical fiber reinforcements include glass, carbon, Kevlar, and boron. Epoxies are also used as a structural glue. Materials like wood, and others that are 'low-tech' are glued with epoxy resin. Epoxies generally out-perform most other resin types in terms of mechanical properties and resistance to environmental degradation.[56]
Water-soluble epoxies such as Durcupan[57][58] are commonly used for embedding electron microscope samples in plastic so they may be sectioned (sliced thin) with a microtome and then imaged.[59]
Epoxy resin, mixed with pigment, may be used as a painting medium, by pouring layers on top of each other to form a complete picture.[60] It is also used in jewelry, as a doming resin for decorations and labels, and in decoupage type applications for art, countertops, and tables.[61] Its seamless and glossy finish, along with its ability to be molded into various shapes, makes epoxy resin a favored choice for creating minimalist and statement pieces in modern furniture design[62] and into various other design styles, including industrial, rustic, and even eclectic. It has been used and studied for art and historic structure preservation.[63][64][65]
The global epoxy resin market was valued at approximately $8 billion in 2016. The epoxy resin market is dominated by the Asia-Pacific region, which contributes 55.2% of the total market share. China is the major producer and consumer globally, consuming almost 35% of the global resin production. The global market is made up of approximately 50–100 manufacturers of basic or commodity epoxy resins and hardeners. In Europe, about 323,000 tonnes of epoxy resin were manufactured in 2017 generating some €1,055 million in sales. Germany [50] is the largest market for epoxy resins in Europe, followed by Italy, France, the UK, Spain, the Netherlands and Austria.
These commodity epoxy manufacturers mentioned above typically do not sell epoxy resins in a form usable to smaller end users, so there is another group of companies that purchases epoxy raw materials from the major producers and then compounds (blends, modifies, or otherwise customizes) epoxy systems from these raw materials. These companies are known as "formulators". The majority of the epoxy systems sold are produced by these formulators and they comprise over 60% of the dollar value of the epoxy market. There are hundreds of ways that these formulators can modify epoxies—by adding mineral fillers (talc, silica, alumina, etc.), by adding flexibilizers, viscosity reducers, colorants, thickeners, accelerators, adhesion promoters, etc. These modifications are made to reduce costs, to improve performance, and to improve processing convenience. As a result, a typical formulator sells dozens or even thousands of formulations—each tailored to the requirements of a particular application or market.
The raw materials for epoxy resin production are today largely petroleum derived, although some plant derived sources are now becoming commercially available (e.g. plant derived glycerol used to make epichlorohydrin).
As there is a general trend to renewable and "green" sources and greater use of biobased materials, research is ongoing in the epoxy arena too.[66][67][68][69] Waterborne epoxy paints have been around since the 1970s and research is ongoing.[70] There is also movement to use waste as well as recycled raw materials where possible. Waste granite filings are produced in the mining industry. Research is being done on innovative solutions such as using waste granite powders in epoxy resins and designing binders for coatings based on this.[71] Other work is ongoing to produce epoxy and epoxy based coatings from recycled raw materials including PET bottles.[72] Monomers for epoxy resins can be derived from several different biomass sources.[73]
Liquid epoxy resins in their uncured state are mostly classed as irritant to the eyes and skin, as well as toxic to aquatic organisms.[8] Solid epoxy resins are generally safer than liquid epoxy resins, and many are classified non-hazardous materials. One particular risk associated with epoxy resins is sensitization. The risk has been shown to be more pronounced in epoxy resins containing low molecular weight epoxy diluents.[74] Exposure to epoxy resins can, over time, induce an allergic reaction. Sensitization generally occurs due to repeated exposure (e.g. through poor working hygiene or lack of protective equipment) over a long period of time. Allergic reaction sometimes occurs at a time which is delayed several days from the exposure. Allergic reaction is often visible in the form of dermatitis, particularly in areas where the exposure has been highest (commonly hands and forearms). Epoxy use is a main source of occupational asthma among users of plastics.[75] Safe disposal also needs considering but usually involves deliberate curing to produce solid rather than liquid waste.[76]
In resin manufacturers' recommended formulations resin : hardener ratios are usually in the band 3:1 to 10:1 by weight. It is the combination of resin and curing agent which produces the cured thermoset epoxy resin.
Paint is a material or mixture that, when applied to a solid material and allowed to dry, adds a film-like layer. As art, this is used to create an image or images known as a painting. Paint can be made in many colors and types. Most paints are either oil-based or water-based, and each has distinct characteristics.
Primitive forms of paint were used tens of thousands of years ago in cave paintings.[1][2]
Clean-up solvents are also different for water-based paint than oil-based paint.[3] Water-based paints and oil-based paints will cure differently based on the outside ambient temperature of the object being painted (such as a house).
Paint was used in some of the earliest known human artworks. Some cave paintings drawn with red or yellow ochre, hematite, manganese oxide, and charcoal may have been made by early Homo sapiens as long as 40,000 years ago.[4] Paint may be even older. In 2003 and 2004, South African archeologists reported finds in Blombos Cave of a 100,000-year-old human-made ochre-based mixture that could have been used like paint.[5][6] Further excavation in the same cave resulted in the 2011 report of a complete toolkit for grinding pigments and making a primitive paint-like substance.[6][7] The earliest applications of paint served purely ornamental purposes. Consequently, pigment lacking any adhesive agent—composed mainly of iron oxide was employed in prehistoric cave art around the 15,000s BC in parts of Asia.[8]
Interior walls at the 5,000-year-old Ness of Brodgar have been found to incorporate individual stones painted in yellows, reds, and oranges, using ochre pigment made of haematite mixed with animal fat, milk or eggs.[9][10]
Ancient colored walls at Dendera, Egypt, which were exposed for years to the elements, still possess their brilliant color, as vivid as when they were painted about 2,000 years ago. The Egyptians mixed their colors with a gummy substance and applied them separately from each other without any blending or mixture. They appear to have used six colors: white, black, blue, red, yellow, and green. They first covered the area entirely with white, then traced the design in black, leaving out the lights of the ground color. They used minium for red, generally of a dark tinge.[11]
The oldest known oil paintings are Buddhist murals created c. 650 AD. The works are located in cave-like rooms carved from the cliffs of Afghanistan's Bamiyan Valley, "using walnut and poppy seed oils."[12] Pliny mentions some painted ceilings in his day in the town of Ardea, which had been made before the foundation of Rome. After the lapse of so many centuries, he expressed great surprise and admiration at their freshness.
In the 13th century, oil was used to detail tempera paintings. In the 14th century, Cennino Cennini described a painting technique utilizing tempera painting covered by light layers of oil. The slow-drying properties of organic oils were commonly known to early European painters. However, the difficulty in acquiring and working the materials meant that they were rarely used (and indeed, the slow drying was seen as a disadvantage[13]). The paint was made with the yolk of eggs, and therefore, the substance would harden and adhere to the surface it was applied to. The pigment was made from plants, sand, and different soils. Most paints use either oil or water as a base (the diluent, solvent, or vehicle for the pigment).
The Flemish-trained or influenced Antonello da Messina, who Vasari wrongly credited with the introduction of oil paint to Italy,[14] does seem to have improved the formula by adding litharge, or lead (II) oxide. A still extant example of 17th-century house oil painting is Ham House in Surrey, England, where a primer was used along with several undercoats and an elaborate decorative overcoat; the pigment and oil mixture would have been ground into a paste with a mortar and pestle. The painters did the process by hand, which exposed them to lead poisoning due to the white-lead powder.
In 1718, Marshall Smith invented a "Machine or Engine for the Grinding of Colors" in England. It is not known precisely how it operated, but it was a device that dramatically increased the efficiency of pigment grinding. Soon, a company called Emerton and Manby was advertising exceptionally low-priced paints that had been ground with labor-saving technology:
One Pound of Colour ground in a Horse-Mill will paint twelve Yards of Work, whereas Colour ground any other Way, will not do half that Quantity.
By the proper onset of the Industrial Revolution, in the mid-18th century, paint was being ground in steam-powered mills, and an alternative to lead-based pigments had been found in a white derivative of zinc oxide. Interior house painting increasingly became the norm as the 19th century progressed, both for decorative reasons and because the paint was effective in preventing the walls rotting from damp. Linseed oil was also increasingly used as an inexpensive binder.
In 1866, Sherwin-Williams in the United States opened as a large paint-maker and invented a paint that could be used from the tin without preparation.
It was only when the stimulus of World War II created a shortage of linseed oil in the supply market that artificial resins, or alkyds, were invented. Cheap and easy to make, they held the color well and lasted for a long time.[15]
Through the 20th century, paints used pigments, typically suspended in a liquid.
In the 21st century, "paints" that used structural color were created. Aluminium flakes dotted with smaller aluminium nanoparticles could be tuned to produce arbitrary colors by adjusting the nanoparticle sizes rather than picking/mixing minerals to do so. These paints weighed a tiny fraction of the weight of conventional paints, a particular advantage in air and road vehicles. They reflect heat from sunlight and do not break down outdoors. Preliminary experiments suggest it can reduce temperatures by 20 to 30 degrees Fahrenheit vs conventional paint. Its constituents are also less toxic.[16]
Making the paint starts with a thin double-sided mirror. The researchers deposited metallic nanoparticles on both sides of the sheet. Large sheets were ground to produce small flakes.[16]
The binder is the film-forming component of paint,[17] and the vehicle is composed of binder; if it is necessary to thin it with a diluent like solvent or water, it is a combination of binder and diluent.[18][19] In this case, once the paint has dried or cured very nearly all of the diluent has evaporated and only the binder is left on the coated surface. Thus, an important quantity in coatings formulation is the "vehicle solids", sometimes called the "resin solids" of the formula. This is the proportion of the wet coating weight that is binder, i.e., the polymer backbone of the film that will remain after drying or curing is complete. The volume of paint after it has dried, therefore only leaving the solids, is expressed as the volume solid.
The binder is the only component that is always present among all the various types of formulations. Many binders must be thick enough to be applied and thinned. The type of thinner, if present, varies with the binder.
The binder imparts properties such as gloss, durability, flexibility, and toughness.[20]
Binders include synthetic or natural resins such as alkyds, acrylics, vinyl-acrylics, vinyl acetate/ethylene (VAE), polyurethanes, polyesters, melamine resins, epoxy, silanes or siloxanes or oils.
Binders can be categorized according to the mechanisms for film formation. Thermoplastic mechanisms include drying and coalescence. Drying refers to simply evaporating the solvent or thinner to leave a coherent film behind. Coalescence refers to a mechanism that involves drying followed by actual interpenetration and fusion of formerly discrete particles. Thermoplastic film-forming mechanisms are sometimes described as "thermoplastic cure," but that is a misnomer because no chemical curing reactions are required to knit the film. On the other hand, thermosetting mechanisms are true curing mechanisms involving chemical reaction(s) among the polymers that make up the binder.[21]
Some films are formed by simply cooling the binder. For example, encaustic or wax paints are liquid when warm, and harden upon cooling. In many cases, they re-soften or liquify if reheated.
Paints that dry by solvent evaporation and contain the solid binder dissolved in a solvent are known as lacquers. A solid film forms when the solvent evaporates. Because no chemical crosslinking is involved, the film can re-dissolve in solvent; lacquers are unsuitable for applications where chemical resistance is important. Classic nitrocellulose lacquers fall into this category, as do non-grain raising stains composed of dyesin solvent. Performance varies by formulation, but lacquers generally tend to have better UV resistance and lower corrosion resistance than comparable systems that cure by polymerization or coalescence.
The paint type known as Emulsion in the UK and Latex in the United States is a water-borne dispersion of sub-micrometer polymer particles. These terms in their respective countries cover all paints that use synthetic polymers such as acrylic, vinyl acrylic (PVA), styrene acrylic, etc. as binders.[22] The term "latex" in the context of paint in the United States simply means an aqueous dispersion; latex rubber from the rubber tree is not an ingredient. These dispersions are prepared by emulsion polymerization. Such paints cure by a process called coalescence where first the water and then the trace, or coalescing, solvent, evaporate and draw together and soften the binder particles and fuse them together into irreversibly bound networked structures, so that the paint cannot redissolve in the solvent/water that originally carried it. The residual surfactants in paint, as well as hydrolytic effects with some polymers cause the paint to remain susceptible to softening and, over time, degradation by water. The general term of latex paint is usually used in the United States, while the term emulsion paint is used for the same products in the UK, and the term latex paint is not used at all.
Paints that cure by polymerization are generally one- or two-package coatings that polymerize by way of a chemical reaction and cure into a cross-linked film. Depending on composition, they may need to dry first by evaporation of solvent. Classic two-package epoxies or polyurethanes [23] would fall into this category.[24]
The "drying oils", counter-intuitively, cure by a crosslinking reaction even if they are not put through an oven cycle and seem to dry in air. The film formation mechanism of the simplest examples involves the first evaporation of solvents followed by a reaction with oxygen from the environment over a period of days, weeks, and even months to create a crosslinked network.[18] Classic alkyd enamels would fall into this category. Oxidative cure coatings are catalyzed by metal complex driers such as cobalt naphthenate though cobalt octoate is more common.
Recent environmental requirements restrict the use of volatile organic compounds (VOCs), and alternative means of curing have been developed, generally for industrial purposes. UV curing paints, for example, enable formulation with very low amounts of solvent, or even none at all. This can be achieved because of the monomers and oligomers used in the coating have relatively very low molecular weight, and are therefore low enough in viscosity to enable good fluid flow without the need for additional thinner. If solvent is present in significant amounts, generally it is mostly evaporated first and then crosslinking is initiated by ultraviolet light. Similarly, powder coatings contain no solvent. Flow and cure are produced by the heating of the substrate after electrostatic application of the dry powder.[25]
So-called "catalyzed" lacquers" or "crosslinking latex" coatings are designed to form films by a combination of methods: classic drying plus a curing reaction that benefits from the catalyst. There are paints called plastisols/organosols, which are made by blending PVC granules with a plasticiser. These are stoved and the mix coalesces.
The main purposes of the diluent are to dissolve the polymer and adjust the viscosity of the paint. It is volatile and does not become part of the paint film. It also controls flow and application properties, and in some cases can affect the stability of the paint while in liquid state. Its main function is as the carrier for the non-volatile components. To spread heavier oils (for example, linseed) as in oil-based interior house paint, a thinner oil is required. These volatile substances impart their properties temporarily—once the solvent has evaporated, the remaining paint is fixed to the surface.
This component is optional: some paints have no diluent.
Water is the main diluent for water-borne paints, even the co-solvent types.
Solvent-borne, also called oil-based, paints can have various combinations of organic solvents as the diluent — often referred to as paint thinner — including aliphatics, aromatics, alcohols, ketones and white spirit. Specific examples are organic solvents such as petroleum distillate, esters, glycol ethers, and the like. Sometimes volatile low-molecular weight synthetic resins also serve as diluents.
Pigments are solid particles or flakes incorporated in the paint, usually to contribute color to the paint film. Pigments impart color by selective absorption of certain wavelengths of light and/or by scattering or reflecting light. The particle size of the pigment is critical to the light-scattering mechanism. The size of such particles can be measured with a Hegman gauge. Dyes, on the other hand, are dissolve in the paint and impart color only by the selective absorption mechanism.[26] Paints can be formulated with only pigments, only dyes, both, or neither.
Pigments can also be used to give the paint special physical or optical properties, as opposed to imparting color, in which case they are called functional pigments.[27] Fillers or extenders are an important class of the functional pigments. These are typically used to build film thickness and/or reduce the cost of the paint, or they can impart toughness and texture to the film.[28] Fillers are usually cheap and inert materials, such as diatomaceous earth, talc, lime, barytes, clay, etc. Floor paints that must resist abrasion may contain fine quartz sand as a filler.
Sometimes, a single pigment can serve both decorative and functional purposes. For example some decorative pigments protect the substrate from the harmful effects of ultraviolet light by making the paint opaque to these wavelengths, i.e. by selectively absorbing them. These hiding pigments include titanium dioxide, phthalo blue, red iron oxide, and many others.
Some pigments are toxic, such as the lead pigments that are used in lead paint. Paint manufacturers began replacing white lead pigments with titanium white (titanium dioxide), before lead was banned in paint for residential use in 1978 by the US Consumer Product Safety Commission. The titanium dioxide used in most paints today is often coated with silica/alumina/zirconium for various reasons, such as better exterior durability, or better hiding performance (opacity) promoted by more optimal spacing within the paint film.[29]
Micaceous iron oxide (MIO) is another alternative to lead for protection of steel, giving more protection against water and light damage than most paints. When MIO pigments are ground into fine particles, most cleave into shiny layers, which reflect light, thus minimising UV degradation and protecting the resin binder. Most pigments used in paint tend to be spherical, but lamellar pigments, such as glass flake and MIO have overlapping plates, which impede the path of water molecules.[30] For optimum performance MIO should have a high content of thin flake-like particles resembling mica. ISO 10601 sets two levels of MIO content.[31] MIO is often derived from a form of hematite.
Pigments can be classified as either natural or synthetic. Natural pigments are taken from the earth or plant sources and include colorants such as metal oxides or carbon black, or various clays, calcium carbonate, mica, silicas, and talcs. Synthetics include a host of colorants created in the lab as well as engineered molecules, calcined clays, blanc fixe, precipitated calcium carbonate, and synthetic pyrogenic silicas. The pigments and dyes that are used as colorants are classified by chemical type using the Color Index system, which is commercially significant.[32]
Besides the three main categories of ingredients (binder, diluent, pigment), paint can have a wide variety of miscellaneous additives, which are usually added in small amounts, yet provide a significant effect on the product. Some examples include additives to modify texture, surface tension, improve flow properties, improve the finished appearance, increase wet edge, improve pigment stability, impart antifreeze properties, control foaming, control skinning, create acrylic pouring cells, etc. Other types of additives include catalysts, thickeners, stabilizers, emulsifiers, texturizers, adhesion promoters, UV stabilizers, flatteners (de-glossing agents), biocides to fight bacterial growth and the like.
Additives normally do not significantly alter the percentages of individual components in a formulation.[33]
Various technologies exist for making paints that change color. Thermochromic ink and coatings contain materials that change conformation when heat is applied or removed, and so they change color. Liquid crystals have been used in such paints, such as in the thermometer strips and tapes used in aquaria and novelty/promotional thermal cups and straws.
Photochromic materials are used to make eyeglasses and other products. Similar to thermochromic molecules, photochromic molecules change conformation when light energy is applied or removed, and so they change color.
Color-changing paints can also be made by adding halochromic compounds or other organic pigments. One patent[34] cites use of these indicators for wall coating applications for light-colored paints. When the paint is wet it is pink in color but upon drying it regains its original white color. As cited in patent, this property of the paint enabled two or more coats to be applied on a wall properly and evenly. The previous coats having dried would be white whereas the new wet coat would be distinctly pink. Ashland Inc. introduced foundry refractory coatings with similar principle in 2005[35][36] for use in foundries.
Electrochromic paints change color in response to an applied electric current. Car manufacturer Nissan has been reportedly working on an electrochromic paint, based on particles of paramagnetic iron oxide. When subjected to an electromagnetic field the paramagnetic particles change spacing, modifying their color and reflective properties. The electromagnetic field would be formed using the conductive metal of the car body.[37] Electrochromic paints can be applied to plastic substrates as well, using a different coating chemistry. The technology involves using special dyes that change conformation when an electric current is applied across the film itself. This new technology has been used to achieve glare protection at the touch of a button in passenger airplane windows.
Color can also change depending on viewing angle, using iridescence, for example, in ChromaFlair.
Since the time of the Renaissance, siccative (drying) oil paints, primarily linseed oil, have been the most commonly used kind of paints in fine art applications; oil paint is still common today. However, in the 20th century, new water-borne paints such acrylic paints, entered the market with the development of acrylic and other latex paints. Milk paints (also called casein), where the medium is derived from the natural emulsion that is milk, were common in the 19th century and are still used. Used by the earliest western artists, Egg tempera (where the medium is an emulsion of raw egg yolk mixed with oil) remains in use as well, as are encaustic wax-based paints. Gouache is an opaque variant of watercolor, which is based around varying levels of translucency; both paints use gum arabic as the binder and water as a thinner. Gouache is also known as 'designer color' or 'body color'.
Poster paint is a distemper paint that has been used primarily in the creation of student works, or by children. There are varying brands of poster paint and depending on the brand, the quality will differ. More inexpensive brands will often crack or fade over time if they are left on a poster for an extended time.
Paint can be applied as a solid, a gas, a gaseous suspension (aerosol) or a liquid. Techniques vary depending on the practical or artistic results desired.
As a solid (usually used in industrial and automotive applications), the paint is applied as a very fine powder, then baked at high temperature. This melts the powder and causes it to adhere to the surface. The reasons for doing this involve the chemistries of the paint, the surface itself, and perhaps even the chemistry of the substrate (the object being painted). This is called "powder coating" an object.
In a gas phase application, the coating composition is introduced (if gaseous), vaporized (if liquid) or sublimed (if solid) then deposited on a distant substrate, often under vacuum. These applications are classed broadly into physical vapor deposition methods like sputtering or vacuum deposition, in which solid or liquid starting materials produce a vapor that condenses on the substrate; or chemical vapor deposition methods, in which gaseous starting materials chemically react with the substrate to form a coating. These techniques are especially important in the electronics and optical industries.[38]
As a gaseous suspension, liquid paint is aerosolized by the force of compressed air or by the action of high-pressure compression of the paint itself, and the paint is turned into small droplets that travel to the article to be painted. Alternate methods are airless spray, hot spray, hot airless spray, and any of these with an electrostatic spray included. There are numerous electrostatic methods available. The reasons for doing this include:
In a liquid application, paint can be applied by direct application using brushes, paint rollers, blades, scrapers, other instruments, or body parts such as fingers and thumbs.
Rollers generally have a handle that allows for different lengths of poles to be attached, allowing painting at different heights. Generally, roller application requires two coats for an even color. A roller with a thicker nap is used to apply paint on uneven surfaces. Edges are often finished with an angled brush.
After liquid paint is applied, there is an interval during which it can be blended with additional painted regions (at the "wet edge") called "open time". The open time of an oil or alkyd-based emulsion paint can be extended by adding white spirit, similar glycols such as Dowanol (propylene glycol ether) or open time prolongers. This can also facilitate the mixing of different wet paint layers for aesthetic effect. Latex and acrylic emulsions require the use of drying retardants suitable for water-based coatings. Depending on the quality and type of liquid paint used, the open time will vary. Oil paints for instance are renowned for their open time as oil paints allow for artists to blend the colors for extended periods of time without having to add any extending agents.
Dipping used to be the norm for objects such as filing cabinets, but this has been replaced by high-speed air turbine-driven bells with electrostatic spray. Car bodies are primed using cathodic elephoretic primer, which is applied by charging the body depositing a layer of primer. The unchanged residue is rinsed off and the primer stoved.
Many paints tend to separate when stored, the heavier components settling to the bottom, and require mixing before use. Some paint outlets have machines for mixing the paint by shaking the can vigorously for a few minutes.
The opacity and the film thickness of paint may be measured using a drawdown card.
Water-based paints tend to be the easiest to clean up after use; the brushes and rollers can be cleaned with soap and water.
Proper disposal of left over paint is a challenge. Sometimes it can be recycled: Old paint may be usable for a primer coat or an intermediate coat, and paints of similar chemistry can be mixed to make a larger amount of a uniform color.
To dispose of paint it can be dried and disposed of in the domestic waste stream, provided that it contains no prohibited substances (see container). Disposal of liquid paint usually requires special handling and should be treated as hazardous waste, and disposed of according to local regulations.[40][41]
The main reasons for paint failure after application on the surface are the applicator and improper treatment of the surface.
Defects or degradation can be attributed to:
Volatile organic compounds (VOCs) in paint are considered harmful to the environment and especially for people who work with them on a regular basis. Extensive exposure to these vapours has been strongly related to organic solvent syndrome, although a definitive relation has yet to be fully established.[52] The controversial solvent 2-butoxyethanol is also used in paint production.[53] Jurisdictions such as Canada, China, the EU, India, the United States, and South Korea have definitions for VOCs in place, along with regulations to limit the use of VOCs in consumer products such as paint.[54][55]
In the US, environmental regulations, consumer demand, and advances in technology led to the development of low-VOC and zero-VOC paints and finishes. These new paints are widely available and meet or exceed the old high-VOC products in performance and cost-effectiveness while having significantly less impact on human and environmental health.[56]
Globally, the most widely accepted standard for acceptable levels of VOC in paint is Green Seal’s GS-11 Standards from the US which defines different VOC levels acceptable for different types of paint based on use case and performance requirements.
A polychlorinated biphenyl (PCB) was reported (published in 2009) in air samples collected in Chicago, Philadelphia, the Arctic, and several sites around the Great Lakes. PCB is a global pollutant and was measured in the wastewater effluent from paint production. The widespread distribution of PCB suggests volatilization of this compound from surfaces, roofs etc. PCB is present in consumer goods including newspapers, magazines, and cardboard boxes, which usually contain color pigments. Therefore, a hypothesis exists that PCB congeners are present as byproduct in some current commercial pigments.[57]
Research is ongoing to remove heavy metals from paint formulations completely.[58]
The ongoing scrutiny of the environmental impact of plastics in paint production is reminiscent of previous investigations into the use of lead in paints. This assessment is driven by accumulating evidence that underscores the role of paint as a significant contributor to microplastic pollution. In 2019, of the 44.4 million tons of globally produced paint, 95 percent was plastic-based. Further, a 2022 study by Environmental Action revealed that approximately 58 percent of the microplastics found in oceans and waterways could be traced back to paint.
Efforts to mitigate this environmental issue have spurred the development and exploration of alternatives to plastic-based paints, such as those derived from linseed, walnut, milk, and limewash. However, their cost is a significant deterrent to the widespread adoption of these environmentally-friendly alternatives. As of 2023, a gallon of plastic-based paint may cost around $20 to $30, however the price for specialized paint, such as graphene and lime, ranges from $34 to $114 per gallon, underlining the financial challenges associated with transitioning from plastic-based paints.[59]
Work published in 2001 described 28 bone tools and thousands of pieces of ocher—a mineral used to create paint for body decoration and cave painting—dated at roughly 70,000 years old found in Blombos Cave in South Africa. Two pieces of ocher appear to be marked with abstract lines that could be viewed as artistic expression.
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