For the dedicated ballet student, instructor, or enthusiast, consistent access to the foundational vocabulary of the art form is essential. A printable ballet terms document serves as an indispensable tool, transforming a complex lexicon of French terminology into a tangible resource for practice and study. This guide provides a curated collection of the most critical ballet positions, movements, and expressions, meticulously organized for easy reference.
Essential Ballet Positions at the Barre
The barre work constitutes the structural foundation of ballet training, and mastery begins with precise positioning. The first five positions of the feet and arms are the building blocks upon which all subsequent movement is based. Internalizing these correct alignments from the very beginning is critical for developing strength, balance, and proper technique throughout a dancer's career.
The Five Positions of the Feet
- First Position: Heels touching, legs turned out from the hips.
- Second Position: Feet wide apart, heels aligned, legs turned out.
- Third Position: One foot placed in front of the other, heel touching the arch.
- Fourth Position: One foot placed in front of the other, heel aligned with the other's instep.
- Fifth Position: One foot placed directly in front of the other, heel touching toe.
The Five Positions of the Arms (Port de Bras)
Graceful port de bras, or carriage of the arms, is harmonized with the leg positions to create a cohesive artistic line. These positions define the pathways and sculpt the elegance of the upper body. Understanding the primary first through fifth positions provides a roadmap for all intermediate and complex arm movements.

Fundamental Movements and Adages
Beyond static positioning, the language of ballet describes dynamic actions and sustained movements. These adages (slow, graceful movements) build control, balance, and artistic expression. Terms like plié, tendu, and dégagé describe specific muscular engagements and foot trajectories that are drilled relentlessly at the barre to prepare for center stage work.
Core Barre Vocabulary
| French Term | Literal Meaning | Primary Purpose |
|---|---|---|
| Plié | To bend | Flexion of the knees for shock absorption and joint mobility |
| Tendu | Stretched | Extending the working foot along the floor without lifting |
| Dégagé | Disengaged | A faster, sharper extension of the foot from the floor |
| Rond de Jambe | Circle of the leg | Circular movement of the leg on the ground or in the air |
Dynamic Allegro Movements
If adages build the architecture, allegro provides the exhilarating rhythm and athleticism of ballet. These jumps and rapid steps demand power, precision, and a fearless approach to gravity. The vocabulary here is energetic and exhilarating, capturing the explosive beauty of dance in motion.
Key Jumping and Stepping Terms
- Sauté: A simple jump from two feet to two feet.
- Chassé: A gliding step where one foot chases the other.
- Jeté: Thrown, a jump from one foot to the other.
- Assemblé: Assembled, a jump that brings the feet together in the air.
- Sissonne: A jumping movement traveling forward, backward, or to the side.
- Échappé: Escaped, a jump from closed fifth position to second position.
Navigating Directions and Formations
Spatial awareness is a non-negotiable skill in ballet. Dancers must be fluent in the terminology that describes their relationship to the stage, the barre, and their fellow dancers. Whether executing a coda in the center or a grand allegro across the floor, understanding these directional cues ensures precision and harmony within the ensemble.

Conclusion: The Value of a Printable Reference
Mastery of the French terminology is not merely about sounding like a professional; it is about understanding the intent and history behind every instruction. A printable sheet, strategically placed on a practice wall or kept in a dance bag, allows for quick verification and consistent reinforcement of the language. It democratizes access to the craft, ensuring that the rich, poetic vocabulary of ballet is accessible to anyone committed to its study.


















