Politics
The Two Africas
5 min read.In the latest controversies about race and ancient Egypt, both the warring ‘North Africans as white’ and ‘black Africans as Afrocentrists’ camps find refuge in the empty-yet-powerful discourse of precolonial excellence.

Two recent controversies have revived the debate over how North and sub-Saharan Africans view themselves and each other. Early in February this year, Tunisian President Kais Saied made racist remarks during a meeting with the National Security Council. He mobilized the far-right ideology of “great replacement” to order the expulsion of undocumented black migrants in Tunisia.
Saied claimed that immigration was a plot aimed at changing his country’s demographic composition. He further alerted his country that “the undeclared goal of the successive waves of illegal immigration is to consider Tunisia a purely African country with no affiliation to the Arab and Islamic nations.”
The president’s racist comments have triggered a wave of violence and abuse that is directed against thousands of black Africans who reside, study and work in Tunisia (black Tunisian citizens comprise 10 percent of the country’s population). Many accused Saied of perpetuating negative stereotypes, and of stigmatizing an already vulnerable population. At the same time, his regime and supporters defended his statements as being taken out of context. They defended them as reflecting a concern for the safety and well-being of migrants.
The controversy brought attention again to the lingering issues of the discriminatory treatment of black Africans in Tunisia and the Arab world. It also highlighted the uneasy debate over the Arab slave trade. A common reaction among many Tunisians after Saied’s racist attack was to dismiss the Arabs’ involvement in the enslavement of black Africans as a minor event that needs to be historicized as typical of its time.
The Arab slave trade, which refers to slavery in the Arab world, was however a defining stage in the enslavement of black Africans. Black Africans were transported and sold in markets throughout the Arab world. Over a thousand years, from the 7th to the 20th century, a significant number of black people in East Africa and the Horn of Africa were enslaved.
The legacy of the Arab slave trade has had a lasting impact on sub-Saharan Africa. This includes the displacement of populations, the loss of cultural heritage, and the perpetuation of social inequalities. It has left an indelible imprint on the soul of Africa. It has created a lingering rift between North and sub-Saharan Africans. And the Sahara has since turned into a space of violence and solitude.
This bifurcation has now reached the point where Africans have stopped communicating. And when they attempt to discuss their rift, it is only to weaponize symbolic violence and “own the other side.” A negative vocabulary of indifference, zero-sum thinking, and complex social arrangements takes center stage in the double illusion of African solitudes.
On the one hand, there are Africa’s ideals of solidarity and brotherhood that shaped anticolonial struggle and the brief post-independence progress. On the other hand, there is the revival of the muted social domination of North Africans, over the seemingly second-class status of black Africans. This sharp contrast produced the continent’s spatial and ideological split and divided it into two solitudes.
These solitudes were brought into view in a new absurd episode over Cleopatra’s ethnicity and appearance in an upcoming Netflix show. The four-part docudrama casts a mixed-race woman, Adele James, to play the titular character. Excessive reactions ensued: much of the Egyptian regime and online discourse lashed out at the “falsification of Egyptian history.” They lashed out against a blatant “Blackwashing” of a light-skinned Queen with Hellenic features.
Against the backlash, the show’s producers pushed back against the criticism. They insisted that they “intentionally decided to depict her of mixed ethnicity to reflect theories about Cleopatra’s possible Egyptian ancestry and the multicultural nature of ancient Egypt.”
The polemic has since sparked hostile debates about race and representation among Egyptians and black Africans online. Perhaps what best reflects the bleak African solitudes is seeing the dispute over Cleopatra’s racial identity played out depressingly on Piers Morgan’s talk show. A dreadful 10-minute showdown between the famous Egyptian comedian Bassem Youssef and the African-American journalist Ernest Owens centered on rehearsing the same claims of cultural vandalism, identity erasure, and Afrocentrism.
The Egyptians and black Africans see ancient Egypt as a symbol of excellence and an evidence of a rich cultural legacy that should be honored and protected. Several groups promoted the framing of the ancient Pharaoh civilization as a black civilization.
This includes the pan-African movement, which was to unite people of African descent worldwide and celebrate the contributions of ancient Egyptians to various fields. This included mathematics, medicine, and architecture. These were to become evidence of black civilizations’ intellectual and cultural prowess.
The two quarreling groups of “North Africans as white” and “black Africans as Afrocentrists” do not completely dismiss the notions that they are “comrades-in-struggle” or “brothers in the same continent.” Yet, these notions are celebrated or muted within a complex process of prestige negotiation.
Prestige as a concept becomes a performative experience that stages and values social and cultural identity. More than an issue of national identity, Egyptology, or race science, the pursuit of excellence and exceptionalism becomes a powerful status signifier that negotiates individual and group prestige.
This emphasis on excellence and exceptionalism as central conditions of perceived prestige is closely linked to the state of the middle class in Africa and the diaspora. The middle class is facing a debilitating recognition. It recognizes its incapacity to propose a total program of social change under neocolonialism. So it finds refuge in the empty-yet-powerful discourse of precolonial excellence. Weaponizing exceptionalism becomes an effortless tactic to mobilize Africans around another meaningless myth. As such, it seeks to accumulate further signs of prestige whenever and wherever it finds it.
Since the modern African middle class sees itself as a global class, it develops the vocabulary of “prestige-speak.”It updates this vocabulary with references to distinctive characteristics of excellence and exceptionalism. The obsession over prestige transcends the limits of national identity. This is because the African global middle class is always anxious to preserve its social and cultural capital in a zero-sum competition with the middle class in the global north.
The Cleopatra controversy has less to do with the importance of accuracy in historical interpretation. It has more to do with the divisive politics of African representation in black American cultural production. The Netflix eight-episode docudrama executive produced by Jada Pinkett-Smith is the latest addition. It adds to a growing media production and discourse library that excessively romanticizes precolonial black Africa as prosperous and noble.
The global African middle class’s pursuit of prestige deepens racial tensions and debilitates the possibility of a genuine and meaningful coming together of Africans in Africa and the diaspora. What’s worse, it reduces the once-revolutionary vocabulary of decolonization, combative present, re-indigenization, dismantling, etc., to a “prestige-speak.” Prestige speak is the phenomenon of the age of hot takes and excessive online presence.
The recurrent controversies around racial identity and precolonial heritage that plague the coming together of Africans on both sides of the Sahara speak to the disenchanting condition of a continent that lost its way. We are only left with a deep sense of two Africas’ solitude that continues to alienate us profoundly.
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This post is from a partnership between Africa Is a Country and The Elephant. We will be publishing a series of posts from their site once a week.
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Politics
Breaking the Chains of Indifference
The significance of ending the ongoing war in Sudan cannot be overstated, and represents more than just an end to violence. It provides a critical moment for the international community to follow the lead of the Sudanese people.

They say that the only thing necessary for the triumph of evil is for good men to do nothing.
As someone from the diaspora, every time I visited Sudan, I noticed that many of the houses had small problems like broken door knobs, cracked mirrors or crooked toilet seats that never seemed to get fixed over the years. Around Khartoum, you saw bumps and manholes on sand-covered, uneven roads. You saw buildings standing for years like unfinished skeletons. They had tons of building material in front of them: homeless families asleep in their shade, lying there, motionless, like collateral damage. This has always been the norm. Still, it is a microcosm of a much broader reality. Inadequate healthcare, a crumbling educational system, and a lack of essential services also became the norm for the Sudanese people.
This would be different, of course, if the ruling party owned the facility you were in, with the paved roads leading up to their meticulously maintained mansions. This stark contrast fuelled resentment among the people, leading them to label the government and its associates as “them.” These houses were symbols of the vast divide between the ruling elite and the everyday citizens longing for change. As the stark divide between “them” and “us” deepened, people yearned to change everything at once, to rid themselves of the oppressive grip of “them.”
Over the years, I understood why a pervasive sense of indifference had taken hold. The people of Sudan grew indifferent towards a government that remained unchanged. It showed no willingness to address the needs of its citizens unless it directly benefited those in power. For three decades, drastic change eluded the Sudanese people. They woke up each day to a different price for the dollar and a different cost for survival. The weight of this enduring status quo bore down upon them, rendering them mere spectators of their own lives. However, as it always does, a moment of reckoning finally arrived—the revolution.
Returning home after the 2019 revolution in Sudan, what stood out in contrast to the indifference was the hashtag #hanabnihu, which from Arabic translates to “we will build it.” #Hanabnihu echoed throughout Sudanese conversations taking place on and off the internet, symbolizing our determination to build our nation. To build our nation, we needed to commit to change beyond any single group’s fall, or any particular faction’s victory. Our spirits were high as everyone felt we had enough muscle memory to remember what happened in the region. We remembered how many of “them” came back to power. With the military still in power, the revolution was incomplete. Yet it still served as a rallying cry for the Sudanese people. It was a collective expression of their determination to no longer accept the unfinished state of their nation.
Many Sudanese people from the diaspora returned to Sudan. They helped the people of Suean create spaces of hope and resilience, everyone working tirelessly to build a new Sudan. They initiated remarkable projects and breathed life into the half-built houses they now prioritized to turn into homes. We had yearned for a time when broken door knobs and crooked toilet seats would be fixed, and for a time when the government would smooth out the bumps on the road. For four years following the revolution, people marched, protested, and fought for a Sudan they envisioned. They fought in opposition to the military, whose two factions thought that a massacre or even a coup might bring the people back to the state of indifference that they once lived in.
Remarkably, the protests became ingrained in the weekly schedule of the Sudanese people. It became part of their routine, a testament to their unwavering dedication and the persistence of their aspirations. But soon, the people found themselves normalized to these protests. This was partly due to the fact that it was organized by the only body fighting against the return of this indifference: the neighborhood’s resistance committees. These horizontally structured, self-organized member groups regularly convened to organize everything from planning the weekly protests and discussing economic policy to trash pickup, and the way corruption lowered the quality of the bread from the local bakery.
The international media celebrated the resistance committees for their innovation in resistance and commitment to nonviolence. But as we, the Sudanese, watched the news on our resistance fade, it was clear that the normalization of indifference extended beyond Sudan’s borders. The international community turned a blind eye to justice, equality, and progress in the celebrated principles of the peaceful 2019 revolution. In a desperate attempt to establish fake stability in Sudan, the international community continued their conversations with the military. Their international sponsors mentioned no retribution against the military for their actions.
During my recent visit to Sudan, the sense of anticipation was palpable. It was just two months before the outbreak of war between the army and the paramilitary group. The protests had intensified and the economy was faltering. The nation stood at the precipice as the activism continued and the tensions between “us” and “them” had begun to grow once again.
Now, as war engulfs the nation, many Sudanese find themselves torn. At the same time, they hope for the victory of the Sudanese Army. Despite the army’s flaws, Sudanese people hope the army will win against “them” while recognizing that this war remains primarily between different factions of “them.” We wake up every day with a little less hope. We watch them bomb Khartoum and the little infrastructure that existed turn to dust. We watch as the resistance committees continue to do the army’s job for them. They work fiercely to deliver medicine, evacuate people and collect the nameless bodies on the sides of the streets next to the burnt buildings that were almost starting to be completed.
Another battle takes place online. On Sudanese social media, people challenge the negative mood of the war. Sudanese architects and designers work from their rented flats in Cairo or Addis, posting juxtaposed images that place the grainy, rashly captured photos of the latest burnt-down building in Khartoum next to different rendered perspectives. These perspectives reimagine the same building in a rebuilt Sudan. They thus instantly force a glimpse of hope in what now looks like a far-fetched reality to most people.
Just as these young visionaries attempt to defy the odds, international intervention and support are pivotal to help Sudan escape the clutches of this devastating conflict. Let Sudan serve as a catalyst for the change that was meant to be. Diplomatic engagement, humanitarian aid, and assistance in facilitating peaceful negotiations can all contribute.
The significance of ending the ongoing war in Sudan cannot be overstated. It represents more than just a cessation of violence. It provides a critical moment for the international community to follow the lead of the Sudanese people. The international community should dismantle the prevailing state of indifference worldwide. The fight against indifference extends far beyond the borders of Sudan. It is a fight that demands our attention and commitment on a global scale of solidarity. We must challenge the systems that perpetuate indifference and inequality in our own societies. We must stand up against injustice and apathy wherever we find it.
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This post is from a partnership between Africa Is a Country and The Elephant. We will be publishing a series of posts from their site once a week.
Politics
Mukami Kimathi and the Scramble to Own Mau Mau Memory
The struggle for control of Mau Mau memory and memorialisation resurfaces with the burial of Mukami Kimathi.

May the scramble for memorialisation commence. The body of Dedan Kimathi’s widow was barely in the ground before the wannabe Mau Maus began using her to score cheap political points. The line between “rebel” and “loyalist” is blurred once again, as it was during and after the liberation struggle. Just as hotly contested is the struggle for control of Mau Mau memory and memorialisation. Who owns Kimathi? Who owns Mukami? The usual suspects, most of whom had nothing to do with Mau Mau, came running to stake their claim.
Kenyan politicians love a good death—captive audience, media spotlight, the chance to dress up, and a feast to follow. Predictably, they made a meal out of this one.
Attempts to control the narrative kicked off at the burial, and in tributes reported in the media. Raila Odinga and William Ruto went head to head, the president declaring: “Mama Mukami Kimathi courageously withstood the brutality of colonial oppression, proudly wore the scars of battle, and bore the terrible losses of war with admirable fortitude.” Whether she actually took part in physical combat, as this implies, is neither here nor there.
Fans of Raila took to Twitter to claim that he had taken better care of Mukami and her family than his political opponents had. “Baba used to look out for the late Field Marshall Mukami Kimathi. “Hao wengine ambao wanajiita [those others who call themselves] ‘sons of Mau Mau’ never met Mukami until she passed away.” Other tweeps spoke of a “showdown” between former Mungiki leader Maina Njenga and Vice President Rigathi Gachagua at the burial. “Who is the true son of Mau Mau between Maina Njenga and Riggy G?”. One young woman scathingly noted: “There is nothing Mau Mauish about Mukami Kimathi ‘s burial. That MC was the worst very sad. Watoto wa home guards have hijacked the burial.”
This story isn’t really about Mukami as a person or as an activist. It doesn’t need to be. It discusses what has been projected onto her, and will continue to be projected onto her and Kimathi, in the slippery process of memorialising Mau Mau (more properly, the Land and Freedom Army; its members never called it Mau Mau). It also draws some parallels between Mukami and Winnie Mandela.
As Julie MacArthur wrote in the introduction to her edited volume Dedan Kimathi on Trial, “Kimathi’s legacy was never a simple exemplar of patriotic martyrdom, and his place in the postcolonial imagination reflected the complicated legacy of the Mau Mau rebellion: at times suppressed or downplayed, at others lauded and filled with mythic importance, but always contested.” This landmark 2017 book ran five “critical essays” by scholars—alongside a transcript of Kimathi’s trial—from primary documents which MacArthur had discovered. It was an exciting find of archival papers everyone had “long thought lost, hidden or destroyed”. She described how, when Nelson Mandela visited Kenya for the first time, in July 1990, he was surprised to find that Eloise Mukami (as MacArthur calls her) had not been invited to the festivities, and “lamented” her absence. He also queried the absence of a proper grave for Kimathi, and said he would have liked to have paid his respects there, as one freedom fighter to another. The face of then President Moi, as he listened to this homage, was reportedly stony. At that time, Kimathi was not considered the right kind of hero. Mandela had publicly embarrassed him.
Winnie and Mukami
It is fitting that we refer to Mandela here, since there are some interesting parallels to be drawn between Winnie and Mukami. Both were iconic as the wives of famous freedom fighters, though Winnie differed from Mukami in being a huge political figure in her own right. Both led underground networks, of ANC activists in Winnie’s case, and (if reports are correct) of Mau Mau fighters and supporters in Mukami’s case. The two couples both spent more time apart than they did together, exchanging precious letters. “He talked with letters,” Mukami told interviewer Wambui Kamiru; they used a secret code. The Mandelas, too, relied on letters, albeit heavily censored ones. It can also be argued that Winnie suffered more on the outside, during her husband’s 27-year incarceration, than he did on the inside. She was constantly hounded, held under house arrest, vilified and spied upon. In May 1969 she was arrested and jailed for 491 days, 400 of them in solitary confinement. In his new biography Winnie and Nelson: Portrait of a Marriage Jonny Steinberg writes that by the mid-1960s “the security police expended astonishing energy to render her life unlivable”. This included hounding those close to her; for example, her brother Msuthu was arrested and jailed for vagrancy. Then, when it became known that Winnie had taken other lovers, even before Nelson was imprisoned on Robben Island, she was vilified as a cheating wife. A man in the same circumstances would have escaped blame. If anything, it would have enhanced his reputation. (Kimathi reportedly had many lovers in the forest, while banning his fighters from cohabitation outside marriage.)
Both were iconic as the wives of famous freedom fighters, though Winnie differed from Mukami in being a huge political figure in her own right.
To my knowledge Mukami was never accused of being unfaithful (is that even possible for a widow?) but some of this also applies to her. She suffered for decades after Dedan was executed, living in poverty and struggling to bring up four children alone (some reports say ten). Wambui Kamiru (widow of the late Safaricom CEO Bob Collymore) refers to “the cost she paid for freedom” in her unpublished Master’s thesis “Memorialising the Kimathi Family”, based largely on informal interviews with Mukami at her home in South Kinangop. (My thanks to Wambui for sharing a copy of this long ago.) Mukami’s biographer, Wairimu Nderitu, has also described her struggles and incarceration, ultimately in Kamiti Prison.
However, accounts of Mukami’s time in the forest do not add up. While some writers including Nderitu claim that she spent years in the forest, led a platoon and was quarter-master of a fighters’ camp, other accounts contradict this. Writes Kamiru: “Although Mukami had initially followed Kimathi into the forest in 1952, when their eldest son Waciuri became a toddler, Kimathi asked her to leave the forest so that the child and the family to come would be raised outside of war.” Which is it? In the weeks and months to come, we can expect more “active forest fighter” tributes to Mukami. Her story is already becoming embellished.
Why Mau Mau memorialisation is still contested
It shouldn’t be necessary to repeat this, 60 years after independence. Mau Mau was not a unifying movement. It remains an open wound on Kenya’s body politic. Its sheer ambiguity makes it so, and no single figure was more ambiguous than Kimathi. Kenyan scholar Simon Gikandi, writing in the MacArthur collection of essays cited earlier, calls him “neither the demonic figure of colonial discourse, nor the heroic subject of radical nationalism, but what the anthropologist Claude Lévi-Strauss famously called a ‘floating signifier’, a term intended ‘to represent an undetermined quantity of signification’, but is in ‘itself void of meaning and thus apt to receive any meaning’. Kimathi is a signifier with a value, but what this value represents is variable and open to multiple interpretations”. In other words, anyone can project onto him whatever they wish. He represents whatever they want him to. Now people will do the same, to a much lesser extent, with Mukami.
Another problem is this. Millions of Kenyans have forebears who were what I call neither-nors – neither Mau Mau nor so-called loyalists. Many may have moved up and down a spectrum that had Mau Mau and loyalists at each extreme, ducking and diving when necessary. Naturally, many of their descendants don’t want to be reminded of this; it’s all too painful. Historian Daniel Branch has described the complex blurring of allegiances in Defeating Mau Mau, Creating Kenya. He notes, for example: “In late 1952 and through much of 1953, Home Guards repeatedly assisted Mau Mau units”. As in any civil conflict (and yes this became one, despite what the naysayers claim), some people play a double game in order to survive. They may also, as Branch describes, join a particular side not for ideological reasons but in order to settle private scores. As he put it, “The violence of the conflict became privatised as individuals assumed the labels of Mau Mau or loyalist to pursue rivals who had declared for the other group.”
Millions of Kenyans have forebears who were what I call neither-nors – neither Mau Mau nor so-called loyalists.
Why do I refer to naysayers? Because the struggle within a struggle (including that between Kimathi and his own fighters, some of whom turned against him) is dismissed by some as yet another colonial invention. All this messy complexity is now brushed aside, in an effort to present a seamless metanarrative of freedom struggle—not least by the state.
Moreover, the entire population of “peasants” did not rise up and join Mau Mau, despite Ngugi’s best attempts to claim that they did. (Calling them peasants is a tad derogatory, isn’t it? Pastoralists, for one, are not peasants, but they too revolted against the colonial state at various times. And Kimathi had been a teacher, not a peasant.) If some readers are harrumphing as they read this, and want to accuse me of heresy, that proves my point: Mau Mau is still utterly divisive, but critique is healthy and necessary, in this or any other discussion of the past. The critical essays in MacArthur’s volume, written by eminent Kenyan and British scholars with a Foreword by Ngugi and Micere Githae Mugo, attest to that. Many other Kenyan scholars have previously written critically about Mau Mau, notably E.S. Atieno Odhiambo, Bethwell Ogot and others in Mau Mau and Nationhood. Ogot has argued that the narrow focus on Mau Mau as the sole actors in the independence struggle obscures the role that others (such as trade unionists, intellectuals) played in achieving the goal of uhuru. He wrote of how “the heroes and heroines are identified with the forest fighters in the 1950s, and the rest of our freedom fighters are supposed to suffer a second death like Fanon”. The anticolonial movement, he argues, was much larger than that. Most scholars would agree: the uncomfortable fact is that Mau Mau failed militarily, and may even have delayed independence.
Let’s take the contradictions and anomalies that swirl around Jomo Kenyatta. He is hailed as the founding “father of the nation”, while Mau Mau is simultaneously seen as the foundation story. Yet there is no evidence that Jomo was ever in Mau Mau. How can these two opposites be reconciled? Though he swung between denouncing Mau Mau and occasionally embracing it, Jomo declared it to be “a disease which had been eradicated, and must never be remembered again” (speech at Githunguri, September 1962, just after he was released from detention). Scholar Marshall Clough has said of this: “Kenyatta’s use of criminal analogies and disease metaphors directly recalled the British discourse on Mau Mau, and suggested not only a political repudiation of the movement but a certain degree of personal distaste.” (I quote from his chapter in Mau Mau and Nationhood.) As I have previously written in the MacArthur volume, “On coming to power, Jomo Kenyatta ushered in a period of orchestrated amnesia about Mau Mau, which served his political purposes.” Those purposes included the urgent need to unify a divided post-conflict nation. They included the need to obscure his own role (or lack of it) in the freedom struggle, at least that part of it involving actual physical combat. He also wanted to fend off what he saw as veterans’ unrealistic demands for compensation, free land and jobs, and possibly to avoid the expense of erecting memorials to liberation heroes. That only started once Mwai Kibaki came to power and embarked on a mausoleum-building spree.
Let me quote from the horse’s mouth. My late informant Paul Thuku Njembui was a war veteran with the best of credentials—he claimed to have sheltered Kimathi in his home for a while. He spent seven years in British detention camps, where he learned some English. In conversation with me (we spent many hours talking at his home in Karima Forest near Nyeri; funnily enough Wambui Kamiru was briefly my research assistant), he was adamant that Jomo was never in Mau Mau. “Kenyatta was not a Mau Mau,” he told me. “Who could have become the first president of Kenya? Is it Kenyatta or Kimathi? Kimathi continued fighting for freedom up to the end of his life, but Kenyatta surrendered, he betrayed his people … Mau Mau fought for land and freedom, but it is the children of the loyalists who got the land. The truth only comes from us [veterans], other sources may not have been accurate.”
“On coming to power, Jomo Kenyatta ushered in a period of orchestrated amnesia about Mau Mau, which served his political purposes.”
It is a refrain often heard from veterans, both living and dead. It belies the Jomo-led official mantra “We all fought for freedom”; that is, all communities, not just Gikuyu and the few members of other ethnic groups who joined Mau Mau. Thuku also believed that Kenyatta told the British to execute Kimathi: “He was there to say [to the British]: ‘Kill Kimathi! Let him die!’ Because he knew that he would [otherwise] have no chance of being president.”
That was obviously a myth, but it served a purpose in Thuku’s mind: it made sense of the past. His past. Myth forms an important part of what scholars call regimes of memory, which simultaneously feature “forgetting”, myth, occlusion, absences, contradictions, and often a surfeit of memory. Memory can be both individual and collective. It is vulnerable to manipulation and appropriation, as French historian Pierre Nora famously wrote, particularly where the construction and reconstruction of nationhood and national history are concerned. His description of memory as “susceptible to being long dormant and periodically revived” applies to Mau Mau memory, as Clough has previously pointed out. Equally, it also applies to its memorialisation, which has taken on a life of its own.
This is where it gets doubly tricky: when the government of the day uses select narratives to construct the official “story of the nation”. Nowhere is the struggle to produce a coherent story of Kenya, most particularly the story of Mau Mau, more apparent than in the permanent history exhibition at Nairobi National Museum, which opened in 2010. (See my chapter on “The Production and Transmission of National History” in Annie E. Coombes, Lotte Hughes and Karega-Munene, Managing Heritage, Making Peace. History, Identity and Memory in Contemporary Kenya.) In the “Armed Struggle” room, Kenyatta’s role in the fight for independence is fudged. When I last visited some years ago, I asked a guide what connection, if any, there was between Kenyatta and Mau Mau, since this was not at all clear from the display. “He led Mau Mau but he pretended that he did not” came the reply. Oddly, his photograph was not included in a display showing three of the Kapenguria Six, who were jailed with Kenyatta. The caption read: “The militant leaders of the Mau Mau movement” rather than members of the militant wing of the Kenya African Union (KAU). Other questionable features of the exhibition included displays presenting “collaborators” and “resisters” as binary opposites, and a video showing interviews with Mau Mau veterans, who all happened to be Gikuyu—thereby contradicting the line that Mau Mau was multi-ethnic. These displays may have changed since I was there.
And so we have returned, with the burial of Mukami, to the idea that “We all fought for freedom”. This is not said in so many words, but it is implied, and is being relayed once again as a unifying message from a new president to a divided nation.
Politics
The Revolution Will Not Be Posted
Is a Facebook-led social media movement enough to change a country? The case of Angola.

In recent weeks, something quite unusual has happened in our domestic politics. After increasing waves of public scrutiny, the communications team of Angola’s President João Lourenço had to amend two Facebook posts in a row. For a regime widely known for its almost chronic allergy to criticism, fixing social media posts already seems like something “remarkable.” It seems remarkable amongst those who believe that the regime’s main critics and opponents should explore these events further. But, is Facebook a strong enough tool to change Angola’s status quo?
In a regime traditionally friendlier to the so-called conventional media (which in Angola are almost all state-run), it is fair to say that amongst other reforms, Lourenço’s presidency has revolutionized the relationship between political power and citizens. It has done so through the usage of social media, and other means.
After all, it was during his first term in office (from 2017 to 2022) that an Angolan president, for the first time, ran credible social media accounts on platforms such as Facebook and Twitter. This was clearly one of the main elements that made him look, at least in the beginning of his presidency, very different from his predecessor. It made him look willing to be apparently closer to citizens and to the press. Therefore, he seemed to be a more trustworthy politician.
Tiago Costa, a high-profile standup comedian and satirist, observed that “In the past [during the late José Eduardo Dos Santos’ almost four-decade rule] the presidency did not communicate with ordinary citizens at all. The openness for communication brought about by João Lourenço is now irreversible.” But, to paraphrase the popular Spiderman: “with greater exposure comes greater scrutiny.” So, as the Angolan regime opened up with the coming of Lourenço to power in 2017, popular demonstrations against him, his government, and party grew on social media too. Which does not mean that Lourenço is the father of “contemporary freedom of expression in Angola,” as some of his supporters love to claim. I believe it is important to state this. After all, social media are platforms that belong to everyone and no one.
Earlier on April 18th, Lourenço’s Facebook page made a post claiming the importance of promoting a good image of the country abroad. The post had the following caption: “Promoting and creating a good image of Angola abroad, which reflects the fundamental aspects of our culture, hospitality and the spirit of peace and solidarity of the Angolan people, is a permanent challenge for the institutions and of all Angolans wherever they may be.”
Minutes later, the caption was heavily criticized. Reason: instead of an Angolan landscape, as the post text made some believe, the image associated with it was the United Nations Headquarters building in New York. Annoyed Angolan Facebookers said that it was “shameful” that the president was using an image that did not correspond to the reality of the Southern African country. They claimed that the lack of a location source in the post was misleading. It was making some believe it was Angola’s capital, Luanda.
After receiving so much criticism and negative comments about the president’s alleged attempt to “mislead” his followers, the president’s communications team decided to replace the post’s image. The altered one came up with the description of the actual location of it: New York, United States of America.
The following day, on April 19th, Lourenço’s Facebook account came under fire again. This was due to an error also related to an image chosen for a new post. This time around, the post was about Angolan youth, quoting a speech that Lourenço had delivered a day before. “Our bet on youth is not only a simple matter of statistical representation, but is above all about taking the country in the right direction,” it said. However, instead of using a representative image of the Angola youth, the presidential Facebook page used an image of young Hispanics and African Americans. The image again caused a revolt among many of the page’s followers and others.
What at first was only a suspicion was quickly confirmed after a quick search online. The complainers were right: the image of the young people used on Lourenço’s Facebook page did not portray people from Angola. Rather, the image belonged to American-British stock image company Getty, something not mentioned in the initial post. As in the first case, the president’s social media managers were forced to replace the post’s image. Some on Facebook were asking, “How can a presidential team make so many mistakes?”
Although the president’s social media managers never acknowledged the mistakes made, they acted upon the criticism and this raised many questions. Some followers suggested that it might be a positive sign from the presidency. Noted Facebook influencer and author Mwene Vunongue questioned on Twitter if the government couldn’t correct their way of governing as fast as Lourenço’s press corrected the Facebook posts. Tiago Costa, who is also a notable social media user, argues that the Angolan regime has always paid much attention to what people say on social media. He argues such is their need to control what is thought and what is said. However, Costa does not think that the presidency’s post changes mean the regime is now more receptive to criticism. In Costa’s assessment:
I think what happened was a blunder whose alteration was inevitable. They can only act when dealing with very chaotic cases, where social pressure imposes some kind of action. Which does not mean that they are more engaged in positively listening to what people are saying. If they did, they would have issued a statement apologizing for the mistakes.
According to recent data from Dublin-based Statcounter, Facebook is the most used social media platform in Angola. And it is not too hard to understand why: it’s the cheapest one around. That’s why it has been the strongest platform Angolan activists and independent journalists use. They use it both to disseminate information and mobilize people. Examples of this include the page of the social justice non-profit organization, “Movimento Cívico Mudei,” created in September 2021. It has more than forty thousand followers, while the page of the independent news outlet “Club-K” has almost four-hundred thousand followers.
As a much “loved” platform of Angolans online, Facebook is where recent strong civic campaigns have emerged. These civic campaigns are contesting social, political and economic issues in the country. In 2018, for instance, a movement called #AcabemDeNosMatar emerged on Facebook. Hundreds of pictures were shared where people placed various objects such as rocks, fuel bottles and food on top of themselves. They did it to protest the worsening social conditions in the country. At the time, the lawyer and founder of the magazine Jovens da Banda, Mila Malavoloneke, said that the protests were an audacious way for young people to express themselves. As she wrote in Novo Jornal, “In modern Angola, where little or nothing surprises us anymore, social media have become the stage for every new form of protest and restlessness; they are almost the only escape, especially for young people, who pray in them, even without knowing which of the saints will answer their supplications.”
More recently, a new wave of Facebook-led protests has erupted. These protests are responding to broken policy promises and widespread discontent. The wave erupted after the long-ruling People’s Movement for the Liberation of Angola (MPLA) won last year’s very disputed elections. The “new forms of protests” include asking citizens to stay at home for a day, as they did in late March. They also ask people to go to their home windows to bang pots at a certain agreed time or even go to the window and ask direct questions like: “Where are the jobs Lourenço promised us?” as some did on May Day.
However, not everyone seems to be happy about these developments. Gangster, an activist who has been receiving impressive support from youngsters, and one of the people leading the above protests from his Facebook account, is being sought by Angolan authorities “for offending the president on social media.” Angolan authorities have become increasingly controlling over what is said on social media, particularly on Facebook. They are chasing and accusing activists for comments they make online.
Recently, a considerable number of young men have been arrested because of comments made on Facebook, or videos that became viral. In September 2022, three were arrested in Luanda for creating alleged “outrage” against the president. But will Angola’s surveillance regime be enough to stop a country increasingly demanding immediate political change?
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This post is from a partnership between Africa Is a Country and The Elephant. We will be publishing a series of posts from their site once a week.
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