Alipato at Muog fights attempted censorship, wins FAMAS best picture, best director
“We came here without any expectation of winning, so we hadn’t even prepared a speech.”
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“We came here without any expectation of winning, so we hadn’t even prepared a speech.”
Despite his enrollment being revoked, Baltazar stated that his fight is not yet over. “Education is a right of all, not just of a few who can turn a blind eye just to follow your wrongful governance. Despite what they did to me, they will never be able to take away my principle to stand firm, my courage to speak out, and my commitment to fight for the rights not just for myself, but also for my fellow student,” he stressed.
The nominations are Best Picture, Best Director, Best Screenplay, Best Visual Effects, Best Sound, and Best Editing.
Language workers and institutions slammed Ferdinand Marcos Jr.’s appointment of Atty. Marites Barrios-Taran as Tagalog and Chair Commissioner of the Komisyon sa Wikang Filipino (KWF), calling it “insulting” and “belittling” to the country’s languages.
Without warning, Umaaligid just shook us out of stupor and indifference not just on a personal level but on how these struggles relate to societal ills. Umaaligid resonates with the victims of tokhang, extrajudicial killings, enforced disappearances, torture, police brutality, illegal arrests, indefinite detention, sexual assault, betrayal, redtagging, etc.
As protests erupt against the construction of the separation wall, Burnat documents not just the political resistance but the emotional and personal toll it takes on his family and community. Burnat captured how resistance becomes a way of life. His brothers are arrested one by one. Children, if not killed, are unjustly detained. Protesters on the frontlines like Aldeeb suffer injuries but remain unyielding. The film showcases how villagers respond to land theft not with retreat, but with creative acts of defiance, like laying concrete structures to block the military. Even as violence escalates, the people of Bil'in adapt, protest, and persist.
"Art belongs to the people and it is part of holding those in power accountable."
While students cheered the veto as a rejection of privatization, many stressed that the core crisis remains: PUP is still underfunded.
Commonwealth, in this zine, is not just an avenue – it is love, protest, and pride all at once.
According to ACT, with the 165,000 shortage in classrooms, schools are forced to implement double–or triple–shift classes.
“What’s disheartening is that as the shortage of classrooms continues to grow, teachers and students are suffering even more. This is one of the reasons why our students are not learning effectively. They are the ones directly affected by overcrowded classes, double or triple shifting, and inhumane teaching and learning conditions.”
Dungka! becomes a call to get the trapos out of people’s lives as SB19 Justin purposely covers a trapo poster with a Sining Ang Sandata poster.
"Education is not just about simplifying the curriculum, but about ensuring that our students learn the skills and knowledge they need for a meaningful life and for the development of our society.”
In Tarlac, a province deeply intertwined with agrarian struggle and historical resistance, Thomas Franco emerges as a voice among the new generation of activists. As the assistant vice president (AVP) for Luzon and regional coordinator of Kabataan Partylist, Franco embodies the resilience of youth organizing in Central Luzon.
“Tipak, Tibak na Danas” by Malaya Nicolas, a feminist writer and chairperson of Valenzuela Arts and Literary Society (VALS), is just one of the 20 zines under Bente-bente Zine’s (BBZ) Volume 3.
Ika nga ni Balagtas, hahamakin ng pag-ibig ang lahat. Ganito rin sa pagrerebolusyon. Walang kawala ang mga indibidwal at nagtutunggaling uri sa lipunan.
These films are more than just stories; they are acts of resistance.
“My heart lives in a big town!” is a child’s hopeful ode to a violent world — the wonder for greeneries, of diamond-bright stars, of rainwater and rivers in a world that permits genocide.
History can be boring with just a narration of names, dates and linear events that students endure only for added credits. But Ilagan went for history that is catchy and entertaining while insightful as well.
Amid growing concerns over the state of education at BCP, students are demanding administrative reforms, citing issues with alleged top-up fees, poor academic policies, and restrictions on their right to voice concerns without retaliation.
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